Academic literature on the topic 'Progressive Carpenters'
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Journal articles on the topic "Progressive Carpenters"
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Delroisse, Adrien, and Raphael Olszewski. "Carpenter syndrome: cone beam computed tomography pictorial review." NEMESIS 22, no. 1 (April 3, 2022): 1–15. http://dx.doi.org/10.14428/nemesis.v22i1.65673.
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Objective: To describe dentoalveolar findings in one pediatric patient with a very rare Carpenter syndrome or acrocephalopolysyndactyly type II, and using cone beam computed tomography (CBCT).
Case report: We found a syndromic oligodontia, upper canine transmigration, and an exceptional agenesis of four lateral incisors. We also described the fourth case in the literature of a single solitary lower incisor on the midline, and the first case ever illustrated on CBCT.
Conclusions: We proposed and illustrated the use of the system of progressive numbering of teeth on CBCT axial views to better understand complex dental clinical situations such as syndromic oligodontia.
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Pawlik, Aleksandra, Celia W. G. van Gelder, Aleksandra Nenadic, Patricia M. Palagi, Eija Korpelainen, Philip Lijnzaad, Diana Marek, Susanna-Assunta Sansone, John Hancock, and Carole Goble. "Developing a strategy for computational lab skills training through Software and Data Carpentry: Experiences from the ELIXIR Pilot action." F1000Research 6 (July 3, 2017): 1040. http://dx.doi.org/10.12688/f1000research.11718.1.
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Quality training in computational skills for life scientists is essential to allow them to deliver robust, reproducible and cutting-edge research. A pan-European bioinformatics programme, ELIXIR, has adopted a well-established and progressive programme of computational lab and data skills training from Software and Data Carpentry, aimed at increasing the number of skilled life scientists and building a sustainable training community in this field. This article describes the Pilot action, which introduced the Carpentry training model to the ELIXIR community.
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Yi, Kuo Jze. "The Last Ten Years of Traditional Craftsmanship in Miaoxia Village." Cubic Journal, no. 3 (November 2020): 118–29. http://dx.doi.org/10.31182/cubic.2020.3.027.
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This article reflects on the disappearing carpentry tradition in a rural village called Miaoxia in Sichuan Province China. Since 2015, villagers, social workers, architects, and university scholars have been collaborating to look for alternative development possibilities in Miaoxia Village. The idea of using the local carpentry tradition has been one of the key focusses in the process. Since the Chinese Economic Reform in 1978, the influence of urbanisation and market economy in China has led the Chinese government to rethink the value of rural customs and traditions. While the country has been encouraging progressive economic development, local making culture and development have subsequently been under threat. The collaborations between social workers and design professions in Miaoxia tested small-scale architecture interventions and educational workshops. These experiments have started to record and test out different ways to save carpentry traditions from extinction. This article outlines this process in Miaoxia and asks for new ideas to re-utilise this traditional making.
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Baroody, Arthur J. "Critique: Pitfalls in Equating Informal Arithmetic Procedures with Specific Mathematical Conceptions." Journal for Research in Mathematics Education 16, no. 3 (May 1985): 233–36. http://dx.doi.org/10.5951/jresematheduc.16.3.0233.
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This article is an elaboration on the theoretical point made by Paul Cobb (1985) in “A Reaction to Three Early Number Papers” that appeared in the March issue of this journal. Cobb notes a discrepancy between a model of subtraction that posits a developmental progression from counting down to a choice between counting down and counting up (Baroody, 1984b) and longitudinal data (Carpenter & Moser, 1984) that indicate that counting up develops at least as early as counting down. He presents longitudinal data from four case studies that corroborate the model (and, I should add, the earlier cross-sectional data and position of Woods, Resnick, & Groen, 1975). To reconcile these results with those of Carpenter and Moser, Cobb argues that a child's use of an informal arithmetic procedure may not be an accurate reflection of his or her conceptual sophistication.
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Delroisse, Adrien, and Raphael Olszewski. "Syndrome de Carpenter: revue illustrée utilisant la tomodensitométrie volumique à faisceau conique." NEMESIS 22, no. 1 (April 3, 2022): 1–16. http://dx.doi.org/10.14428/nemesis.v22i1.65683.
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Objectifs de travail: Evaluer la région dento-alvéolaire chez un patient pédiatrique atteint d'un très rare syndrome de Carpenter ou d'acrocéphalopolysyndactylie de type II à l'aide de la tomodensitométrie volumique à faisceau conique (CBCT).
Cas clinique: Nous avons retrouvé une oligodontie syndromique, une transmigration canine supérieure et une agénésie exceptionnelle des quatre incisives latérales. Nous avons également décrit le quatrième cas dans la littérature d'une seule incisive inférieure solitaire sur la ligne médiane, et le premier cas jamais illustré sur CBCT.
Conclusions: Nous avons proposé et illustré l'utilisation du système de numérotation progressive des dents sur des vues axiales CBCT pour mieux comprendre les situations cliniques dentaires complexes telles que l'oligodontie
syndromique.
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Lord, Michel. "L’ekphrasis fantastique. Descriptif d’étrangeté et modalités du savoir dans « La Bouquinerie d’Outre-Temps » d’André Carpentier." Voix et images 21, no. 1 (August 29, 2006): 124–37. http://dx.doi.org/10.7202/201219ar.
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Résumé Cette étude s'intéresse aux formes complexes prises par le discours descriptif, l'ekphrasis, dans une nouvelle fantastique d'André Carpentier, "La Bouquinerie d'Outre-Temps" (Rue Saint-DenisJ. Loin d'être statique, l'ekphrasis tend plutôt à faire voir en détail et de manière changeante le sujet et l'objet du discours, mais d'un discours à la fois économique, nouvellistique, qui s'attache à la représentation d'une forme complexe de savoir/non-savoir engagée dans un processus de renversement. Le texte de Carpentier s'inscrit ainsi sous le signe de la cotextualisation oxymoronique, en déployant dans son système prédicatifun discours où acteurCs) et chronotope(s) sont en continuelle transformation par le truchement de cas défigures antithétiques liées à la progression des isotopies du voir, du faire, du lire et, ultimement, à la problématique du savoir et du pouvoir du sujet actoriel.
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Yüksek, Derya, and Nico Carpentier. "PARTICIPATION, DEMOCRACY, AND CREATING A RADICAL PROGRESSIVE UTOPIA FOR THE 21ST CENTURY: AN INTERVIEW WITH NICO CARPENTIER." Moment Journal 6, no. 2 (December 15, 2019): 516–44. http://dx.doi.org/10.17572//mj2019.2.516544.
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Carpenter, Chris. "Progressing-Cavity-Pump Configuration Addresses Operational Challenges." Journal of Petroleum Technology 73, no. 03 (March 1, 2021): 42–43. http://dx.doi.org/10.2118/0321-0042-jpt.
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This article, written by JPT Technology Editor Chris Carpenter, contains highlights of paper SPE 201130, “Novel Progressing-Cavity-Pump Configurations Address Operational Challenges,” by Lonnie Dunn, SPE, Ryan Rowan, and Abhishek Prakash, Lifting Solution, et al., prepared for the 2020 SPE Virtual Artificial Lift Conference and Exhibition-Americas, 10-12 November. The paper has not been peer reviewed. While downhole progressing-cavity-pump (PCP) designs provide options for end users, the numerous products available, combined with a lack of industry standardization, can make selection and application challenging. The complete paper provides an overview of the development of a PCP concept and implementation, which is not included in this synopsis, and then summarizes two novel PCP configurations deployed to address specific operational challenges. Design and Manufacturing, Configuration 1 A novel PCP configuration was developed from phased design trials and experience in cold heavy-oil production with sand (CHOPS) wells. This configuration uses a modified rotor to create alternating sections of contact and noncontact within a conventional stator (Fig. 1). The rotor is landed in the stator and operated until there is a performance decline. Then, the rotor is repositioned to move the active section of the rotor into the areas of the stator where there originally was no contact and, as such, normally no associated damage. Keeping the length of the alternating sections short simplifies the surface rotor positioning process, allowing it to be performed riglessly. The main benefit of this is that, rather than having to pull the rod string and run a different rotor, the same rotor is used and repositioned through lifting of the rod string at surface.
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Barber, J. S., O. J. M. Holmdahl, M. R. Owen, F. Guy, A. Uggla, and A. J. Trees. "Characterization of the first European isolate ofNeospora caninum(Dubey, Carpenter, Speer, Topper and Uggla)." Parasitology 111, no. 5 (December 1995): 563–68. http://dx.doi.org/10.1017/s0031182000077039.
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SUMMARYNeospora caninumis an apicomplexan, protozoan parasite, which causes severe disease in dogs and cattle. It has previously been isolated only in the United States. A 5-week-old Boxer pup with a progressive hindlimb paresis was diagnosed as suffering from neosporosis on the basis of clinical signs and the presence of anti-Neosporaantibodies in it, 2 litter-mates and its darn. Despite treatment with sulphonamides, the pup was euthanased 3 days later. The diagnosis of neosporosis was confirmed by immunohistochemical examination of muscle and CNS tissue sections from the pup. Parasites were isolated into Vero cell culture from the cerebrum, and confirmed asNeospora caninumby immunofluorescence with specific antibody, tachyzoite ultrastructure and 16S-like ribosomal RNA sequences. This isolate (designated NC-Liverpool) has been continuously passaged every 7–10 days. Its growth characteristics, ultrastructure and antigenic profile, as revealed by immunoblotting, have revealed no major differences from the American NC-1 isolate. Furthermore, no difference was seen when comparing the sequences of 16S-like ribosomal RNA and the ITS1 region of the two isolates.
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Oram, Ruby. "“A Superior Kind of Working Woman”: The Contested Meaning of Vocational Education for Girls in Progressive Era Chicago." Journal of the Gilded Age and Progressive Era 20, no. 3 (July 2021): 392–410. http://dx.doi.org/10.1017/s153778142100013x.
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AbstractProgressive Era school officials transformed public education in American cities by teaching male students trades like foundry, carpentry, and mechanics in classrooms outfitted like factories. Historians have demonstrated how this “vocational education movement” was championed by male administrators and business leaders anxious to train the next generation of expert tradesmen. But women also hoped vocational education could prepare female students for industrial careers. In the early twentieth century, members of the National Women’s Trade Union League demanded that public schools open trade programs to female students and teach future working women the history of capitalism and the philosophy of collective bargaining. Their ambitious goals were tempered by some middle-class reformers and club women who argued vocational programs should also prepare female students for homemaking and motherhood. This article uses Chicago as a case study to explore how Progressive Era women competed and collaborated to reform vocational education for girls, and how female students responded to new school programs designed to prepare them for work both in and outside the home.
Dissertations / Theses on the topic "Progressive Carpenters"
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Kelly, David John. "INDUSTRIAL RELATIONS IN THE NEW SOUTH WALES BUILDING INDUSTRY 1850 – 1891: CONFLICT, CO-OPERATION & RADICALISM." Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1678.
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Australian government policy today aims to ‘deregulate’ industrial relations. A fractured system has ensued where uncontrolled market forces disrupt both business and unions. The building industry is particularly affected by uncertainty and industrial barbarism. Precisely one hundred years ago government policy was to create order, becoming directly involved in industrial regulation. This thesis aims to understand how building unions maintained their rates and conditions in the pre-arbitration era when there were no legislative minimums, and it seeks to place their labour relations within a political and ideological context. The thesis criticises historical scholarship surrounding artisan unionism in Britain and Australia, in particular the role of building tradesmen. Positive relations between employers and employed in the industry are often described in pejorative terms with tradesmen labelled ‘aristocrats of labour’ – apolitical, middle class and lacking class-awareness. The thesis argues this view does not adequately describe the qualities of building operatives, or place their motives within a ‘deregulated’ industrial context. To demonstrate nineteenth century building industry unionism in NSW had a broader nature, the thesis looks at British trade union radicalism. It examines both changes in structure and ideology caused by growing industrialisation and competitive organisation affecting building tradesmen known as general contracting, as well as continuity and differences in ideas of social change and progress. The thesis connects the ideology of British and colonial building unions in this regard. It then turns to the lives, work and society of nineteenth century building workers in Sydney and the make-up of their organisations. The thesis seeks to understand the political and ideological aspects of Australian building unionism and the effects of general contracting and competition. Central to the discussion is the influence of the Co-operative movement, and the significance of the struggle for the eight-hour day to the labour movement. Both were progressive responses to unfettered market forces on the trade. It argues that the challenges faced by operatives in maintaining conditions led them to develop politically, creating ‘modern’ class representation and ideology. The thesis ends with a chapter that examines the evidence before the 1891 NSW Royal Commission into Strikes showing the building industry to be characterised by conflict, co-operation, and radicalism. Unionists expressed progressive ideology and industrial militancy but maintained positive relationships with certain employers for whom they provided market security. The trade-off for efforts in this respect was recognition that union rules would be the primary form of industrial regulation. Their system, however, was ultimately unsustainable because of competitive pressures, and industrial militancy against builders outside the system flourished. In conclusion, the thesis suggests that nineteenth century building workers improved and maintained industrial standards by militant unionism, and yet, at the same time, by forming co-operative relations with employers. In dealing with the corrosive effect of market deregulation that undermined control over their trade, operatives also built progressive organisations which forged working class unity and developed politically advanced ideologies of social change. Their ideas and practices were at times unsuccessful or contradictory, but building unionists were not inward-looking ‘labour aristocrats’.
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Kelly, David John. "INDUSTRIAL RELATIONS IN THE NEW SOUTH WALES BUILDING INDUSTRY 1850 – 1891: CONFLICT, CO-OPERATION & RADICALISM." 2007. http://hdl.handle.net/2123/1678.
Full textAbstract:
Master of PhilosophyAustralian government policy today aims to ‘deregulate’ industrial relations. A fractured system has ensued where uncontrolled market forces disrupt both business and unions. The building industry is particularly affected by uncertainty and industrial barbarism. Precisely one hundred years ago government policy was to create order, becoming directly involved in industrial regulation. This thesis aims to understand how building unions maintained their rates and conditions in the pre-arbitration era when there were no legislative minimums, and it seeks to place their labour relations within a political and ideological context. The thesis criticises historical scholarship surrounding artisan unionism in Britain and Australia, in particular the role of building tradesmen. Positive relations between employers and employed in the industry are often described in pejorative terms with tradesmen labelled ‘aristocrats of labour’ – apolitical, middle class and lacking class-awareness. The thesis argues this view does not adequately describe the qualities of building operatives, or place their motives within a ‘deregulated’ industrial context. To demonstrate nineteenth century building industry unionism in NSW had a broader nature, the thesis looks at British trade union radicalism. It examines both changes in structure and ideology caused by growing industrialisation and competitive organisation affecting building tradesmen known as general contracting, as well as continuity and differences in ideas of social change and progress. The thesis connects the ideology of British and colonial building unions in this regard. It then turns to the lives, work and society of nineteenth century building workers in Sydney and the make-up of their organisations. The thesis seeks to understand the political and ideological aspects of Australian building unionism and the effects of general contracting and competition. Central to the discussion is the influence of the Co-operative movement, and the significance of the struggle for the eight-hour day to the labour movement. Both were progressive responses to unfettered market forces on the trade. It argues that the challenges faced by operatives in maintaining conditions led them to develop politically, creating ‘modern’ class representation and ideology. The thesis ends with a chapter that examines the evidence before the 1891 NSW Royal Commission into Strikes showing the building industry to be characterised by conflict, co-operation, and radicalism. Unionists expressed progressive ideology and industrial militancy but maintained positive relationships with certain employers for whom they provided market security. The trade-off for efforts in this respect was recognition that union rules would be the primary form of industrial regulation. Their system, however, was ultimately unsustainable because of competitive pressures, and industrial militancy against builders outside the system flourished. In conclusion, the thesis suggests that nineteenth century building workers improved and maintained industrial standards by militant unionism, and yet, at the same time, by forming co-operative relations with employers. In dealing with the corrosive effect of market deregulation that undermined control over their trade, operatives also built progressive organisations which forged working class unity and developed politically advanced ideologies of social change. Their ideas and practices were at times unsuccessful or contradictory, but building unionists were not inward-looking ‘labour aristocrats’.
Books on the topic "Progressive Carpenters"
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MBA, Nat Chiaffarano. Progressive Marketing Plan for a Finish Carpentry Contractor: A Detailed Template with Innovative Growth Strategies. Independently Published, 2018.
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MBA, Nat Chiaffarano. Progressive Business Plan for a Finish Carpentry Contractor: A Detailed Template with Innovative Growth Strategies. Independently Published, 2018.
Find full textBook chapters on the topic "Progressive Carpenters"
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Meglin, Joellen A. "From Pavlovita to Première Danseuse." In Ruth Page, 3–28. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.003.0001.
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This chapter poses the question, How did this daughter of the middle—the middle child, the middle class, the Midwest—who grew up in the relative obscurity of Indianapolis, come to tour South America with Anna Pavlova and to perform as première danseuse with Adolph Bolm, a former international star of Diaghilev’s Ballets Russes? The mother’s sacrifice, with marriage, of her own dreams to become a concert pianist laid the groundwork for Page’s eschewal of a conventional life. The child’s Progressive-Era girl’s education and early explorations as a barefoot, interpretive dancer gave her the confidence to audition for Pavlova and led to training with company member Jan Zalewski in Chicago. After graduating from Tudor Hall School for Girls, Ruth enrolled in Miss Williams and Miss McClellan’s French School for Girls in New York and commenced study with Bolm. Her ballet training culminated in a yearlong tour of South America with Pavlova’s company (1918–1919), chaperoned by her mother. The case is made that, as an international community of artists with an international repertory of national dances and international touring itinerary, Pavlova’s company offered the young dancer an alternative to college: a cosmopolitan education. Page went on to play the role of the Infanta in John Alden Carpenter’s ballet The Birthday of the Infanta, choreographed by Bolm, and became première danseuse of the latter’s Ballet Intime. In 1922, Page starred with Bolm in the first dance film with a synchronized soundtrack, Danse Macabre.
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Elliott, William S. "Significance of New Harmony, Indiana, USA, to nineteenth-century paleontological investigations of North America: Progressive education through arts and sciences." In The Evolution of Paleontological Art. Geological Society of America, 2021. http://dx.doi.org/10.1130/2021.1218(07).
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ABSTRACT William Maclure, Father of North American Geology, partnered with Robert Owen in 1825 to establish an experimental socialistic community focusing on equitable reform in New Harmony, Indiana, USA. Artists, educators, and natural scientists recruited from Philadelphia arrived on a keel boat named Philanthropist in January 1826. Upon their arrival, Maclure established the New Harmony schools using a modified Pestalozzian educational approach under the guidance of Madame Fretageot. The New Harmony schools focused on practical education through direct observation of nature as well as a curriculum involving drawing, music, science, writing, and trade skills such as carpentry, engraving, and printing. Furthermore, the integration of arts and sciences with hands-on experiences led to a productive community of natural scientists who published significant works on the conchology, geology, ichthyology, and paleontology of North America. In the mid-nineteenth century, hand-drawn illustrations were reproduced through engravings, etchings, or lithography prior to the invention of the daguerreotype process in 1839, collodion wet plate process in 1851, and flexible celluloid film in 1888. In particular, the published works of David Dale Owen demonstrate the increasing importance of evolving reproduction techniques to paleontological illustration as well as the significance of hand-drawn artistic renderings. Interestingly, the modified Pestalozzian educational approach introduced by Maclure in New Harmony has several implications for the modern classroom. For instance, recent studies suggest that drawing improves spatial reasoning skills and increases comprehension of complex scientific principles. Likewise, engaging students in the drawing of fossils delivers a meaningful learning experience in the paleontology classroom.
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Emre Ilgın, Hüseyin, Markku Karjalainen, and Olli-Paavo Koponen. "Review of the Current State-of-the-Art of Dovetail Massive Wood Elements." In Engineered Wood Products for Construction [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.99090.
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Engineered wood products (EWPs) have been progressively more being utilized in the construction industry as structural materials since the 1990s. In the content of EWPs, adhesives play an important role. However, because of their petroleum-based nature, adhesives contribute to toxic gas emissions such as formaldehyde and Volatile Organic Compounds, which are detrimental to the environment. Moreover, the frequent use of adhesives can cause other critical issues in terms of sustainability, recyclability, reusability, and further machining. In addition to this, metal connectors employed in EWPs harm their end-of-life disposal, reusability, and additional processing. This chapter is concentrating on dovetail massive wood elements (DMWE) as adhesive- and metal connector-free sustainable alternatives to commonly used EWPs e.g., CLT, LVL, MHM, Glulam. The dovetail technique has been a method of joinery mostly used in wood carpentry, including furniture, cabinets, log buildings, and traditional timber-framed buildings throughout its rich history. It is believed that this chapter will contribute to the uptake of DMWE for more diverse and innovative structural applications, thus the reduction in carbon footprint by increasing the awareness and uses of DMWE in construction.
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Kendrick, James. "The Terrible, Horrible Desire to Know: Post-9/11 Horror Remakes, Reboots, Sequels and Prequels." In American Cinema in the Shadow of 9/11. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474413817.003.0013.
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Chapter Twelve remains with the horror genre, but takes a broader overview of one of the defining trends of the American film industry which has progressively gathered pace in the first years of the twenty-first century: the increasing prevalence of the remake. In "The Terrible, Horrible Desire to Know: Post-9/11 Horror Remakes, Reboots, Sequels, and Prequels" James Kendrick analyses the rising cultural and commercial fortunes of the American horror film which experienced between the years of 1995 and 2005 increases of more than 80% in terms of production and 106% in terms of market share (“Horror: Year-by-Year Market Share”). In this decade 2007 was the biggest year for American horror films (it was also the year of the release of The Mist discussed in the previous chapter) with thirty-one releases accounting for 7.16% of the total market share of the US domestic box office (“Horror: Year-by-Year Market Share”) as opposed to just sixteen releases in 1995. Yet Kendrick does not dismiss this development as being purely economically motivated, rather he asks what can these modern horror films, very often remakes of classic horror films of the 1950s and the 1970s, tell us about the cultural and political climate they emerge from? In an incisive analysis of the recurrent tropes in post-9/11 American horror films Kendrick points out that horror's persistent ties to cultural anxiety provide an intriguing insight into their times as they become increasingly darker, more graphic and deny their characters any sense of hope or redemption. Most interestingly, Kendrick observes, the contemporary horror film replaces the ambiguity of the defining horror films of the 1970s with a desire to explain and understand which he suggests parallels American society's need to understand following the terrorist attacks on 11 September 2001. Kendrick then turns to Rob Zombie's 2007 remake of John Carpenter's original Halloween (1978) as an articulation of many of the tropes discussed in the first part of the essay offering some surprising conclusions concerning the power of the horror film to reflect cultural unease.