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Books on the topic 'Professional and artistic society'

Author: Grafiati

Published: 14 December 2024

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1

Sortibran, Daisy. How to Break Artist's Block: Guaca Molaa Issue 2. [Long Beach?, CA]: the authors, 2017.

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2

Collins, Steve. The professional society. London: Kingsley, 1988.

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3

1964-, Uribe Carlos, Villalobos Herrera Alvaro, and Universidad Autónoma del Estado de México, eds. Profesionalización del arte y los sistemas artísticos. Toluca, Estado de México: Universidad Autónoma del Estado de México, 2006.

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4

Greg, Hocking, and Australian Institute of Professional Photography., eds. Professional photography awards. Queensland, Australia: AIPP, 1998.

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5

Kolokytha, Olga. Artistic development of young professional singers. Vienna: Institut für Musiksoziolgie, 2013.

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6

Collins, Stephen. The professional engineer in society. London: Kingsley, 1989.

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7

Roux, Barbara A. Society of plants. [S.l: B. Roux], 2001.

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8

Jensen, Karen, Leif Chr Lahn, and Monika Nerland, eds. Professional Learning in the Knowledge Society. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-994-7.

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9

Ward, Patricia Layzell, ed. Continuing Professional Education For the Information Society. Berlin, Boston: DE GRUYTER SAUR, 2002. http://dx.doi.org/10.1515/9783110958980.

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10

Allen, Jim, and Rolf van der Velden, eds. The Flexible Professional in the Knowledge Society. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1353-6.

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11

Johnston, Stephen. Engineering and society: Challenges of professional practice. Upper Saddle River, NJ: Prentice Hall, 2000.

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12

Chemistry, Royal Society of. Guidance on professional conduct. London: Royal Society of Chemistry, 1988.

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13

Edward, Steichen, ed. Edward Steichen: The Royal Photographic Society Collection. Milan: Edizioni Charta, 1997.

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14

Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. Lagos: University of Lagos Press, 2008.

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15

Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. Lagos: University of Lagos Press, 2008.

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16

Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. Lagos: University of Lagos Press, 2008.

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17

Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. Lagos: University of Lagos Press, 2008.

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18

Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. Lagos: University of Lagos Press, 2008.

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19

Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. Lagos: University of Lagos Press, 2008.

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20

Perkin, Harold. The rise of professional society: England since 1880. London: Routledge, 1990.

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21

Perkin, Harold. The rise of professional society: England since 1880. London: Routledge, 1989.

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22

Perkin, Harold James. The rise of professional society: England since 1880. New York: Routledge, 2002.

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23

Perkin, Harold James. The rise of professional society: England since 1880. London: Routledge, 1989.

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24

Society, Ergonomics. Professional ergonomists: The published register of the Ergonomics Society. Loughborough: Ergonomists Society., 1992.

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25

Society, Ergonomics. Professional ergonomists: The published register of the Ergonomics Society. Loughborough: Ergonomists Society, 1992.

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26

Prodhan, Bimal. Ethics, finance, and the society. Oxford: Oxford Centre for Management Studies, 1993.

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27

Chapman, J. Vincent. Professional roots: The College of Preceptors in British society. Epping: Theydon Bois, 1985.

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28

Seidman, Harry. Professional practice and the Society of Real Estate Appraisers. Chicago, Ill: The Society, 1987.

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29

Dillingham, Alan E. Sex discrimination by sex: Voting in a professional society. Cambridge, MA: National Bureau of Economic Research, 1991.

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30

Thompson, Jo Ann Asher, 1948- and American Society of Interior Designers., eds. ASID, American Society of Interior Designers professional practice manual. New York: Whitney Library of Design, 1992.

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31

editor, Merz Beatrice, Centonze Maria editor, Bruno Roberta 1966 artist, and Fondazione Merz, eds. Botto&Bruno: Society, you're a crazy breed. Torino: Fondazione Merz, 2016.

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32

Incorporated Society of Musicians. Private Teachers' Section. Register of professional private music teachers. London: Incorporated Society of Musicians, 1987.

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33

Program, Society of Wetland Scientists (U S. ). Professional Certification. Registry of professional wetland scientists, 1997-1998. Lawrence, Kan: The Society, 1998.

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34

L, Simpson Richard, ed. Fifty years of the Southern Sociological Society: Change and continuity in a professional society. Athens: University of Georgia Press, 1988.

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35

Stirr, Anna Marie. Professional Dohori and Economies of Honor. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190631970.003.0006.

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Professional dohori now encompasses the competition circuit, the recording industry, dohori restaurant performance, and tours through Nepal and Nepali communities abroad. Yet different systems of exchange that have governed musical production throughout history still affect how musicians make a living and are perceived in terms of status and honor in Nepali society. This chapter examines the impact of material changes on dohori artists as the genre became professionalized, and how gaining and maintaining honor sometimes conflicts with new ways of making a living as an artist under changing systems of economic and interpersonal values. This allows us to examine what appropriate and honorable artistic personhood means in terms of expression of in songs, and their relations to the intersectional aspects of social personhood that determine honor and prestige.

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36

Clement, Russell T., Annick Houzé, and Christiane Erbolato-Ramsey. The Women Impressionists. Greenwood Publishing Group, Inc., 2000. http://dx.doi.org/10.5040/9798216037033.

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This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva GonzalÃ¨s, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.

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37

Apparently Marginal Activities of Marcel Duchamp. MIT Press, 2016.

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38

Professional Engineer in Society. Jessica Kingsley Pub, 1991.

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39

For professional purposes: An artistic journey. [Mt. Lebanon, Pa.]: S.R. Barasch, 2010.

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40

Banks, C. Kenneth. Professionalization in Ontario: The social construction of art. 1988.

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41

Perkin, Professor Harold, and Harold Perkin. The Rise of Professional Society. Routledge, 2003. http://dx.doi.org/10.4324/9780203408629.

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42

An Architect's Experiences: Professional, Artistic, and Theatrical. Forgotten Books, 2018.

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43

Jensen, Karen, Monika Nerland, and Leif Chr Lahn. Professional Learning in the Knowledge Society. Springer, 2012.

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44

National Society Of Professional Engineers Petitioner. Gale, U.S. Supreme Court Records, 2011.

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45

Jensen, Karen, Monika Nerland, and Leif Chr Lahn. Professional Learning in the Knowledge Society. BRILL, 2012.

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46

Jensen, Karen, Monika Nerland, and Leif Chr Lahn. Professional Learning in the Knowledge Society. BRILL, 2012.

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47

Bateman, Donald. Printers and professional status. 1986.

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48

Dayer, Carolina, and Margot McDonald. Activism in Architecture: Bright Dreams of Passive Energy Design. Taylor & Francis Group, 2018.

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49

Dayer, Carolina, and Margot McDonald. Activism in Architecture. Taylor & Francis Group, 2020.

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50

Dayer, Carolina, and Margot McDonald. Activism in Architecture: Bright Dreams of Passive Energy Design. Taylor & Francis Group, 2018.

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