Dissertations / Theses on the topic 'Producer societies'
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Mqaba, Mzuyanda Victor. "The impact of government support on growth, survival and performance of cooperatives in selected areas of Eastern Cape province; South Africa." Thesis, University of Fort Hare, 2015. http://hdl.handle.net/10353/1612.
Full textDente, Sébastien. "The stakes of circulation in sustainable societies : logistics and functional economy." Thesis, Troyes, 2013. http://www.theses.fr/2013TROY0017/document.
Full textFunctional and circular economies are often presented as promising strategies to address the environmental issues associated with our modern production/consumption systems. Within these systems, the circulation processes themselves are usually poorly addressed, in spite of the increasing energy consumption and emissions associated with logistics under the current trends of globalization. The present thesis aims at filling this gap by analyzing the relationship between the representation of human activities and circulation processes and the issue of sustainability. Dealing with the triptych sustainability/supply chain management/circular and functional economies, the thesis shows that the standardized representation of space and time in the current dominant economic conventions acts as a barrier to the development of truly sustainable circulation processes. It finds that the closing loop approach of the circular economy and the product/service approach of the functional economy require specific definitions and policy measures for resources and demand, so that they can be considered as real sustainable strategies. This necessity to develop specific new approaches was further supported with evidence from a new logistics and freight transportation model for France. The model indicates that a generic approach towards a functional economy would lead to 5% increase of CO2 emissions (associated with French interregional traded tons) while a targeted approach would lead to a 3% reduction in comparison to the reference logistics scenario
Dente, Sébastien. "The stakes of circulation in sustainable societies : logistics and functional economy." Electronic Thesis or Diss., Troyes, 2013. http://www.theses.fr/2013TROY0017.
Full textFunctional and circular economies are often presented as promising strategies to address the environmental issues associated with our modern production/consumption systems. Within these systems, the circulation processes themselves are usually poorly addressed, in spite of the increasing energy consumption and emissions associated with logistics under the current trends of globalization. The present thesis aims at filling this gap by analyzing the relationship between the representation of human activities and circulation processes and the issue of sustainability. Dealing with the triptych sustainability/supply chain management/circular and functional economies, the thesis shows that the standardized representation of space and time in the current dominant economic conventions acts as a barrier to the development of truly sustainable circulation processes. It finds that the closing loop approach of the circular economy and the product/service approach of the functional economy require specific definitions and policy measures for resources and demand, so that they can be considered as real sustainable strategies. This necessity to develop specific new approaches was further supported with evidence from a new logistics and freight transportation model for France. The model indicates that a generic approach towards a functional economy would lead to 5% increase of CO2 emissions (associated with French interregional traded tons) while a targeted approach would lead to a 3% reduction in comparison to the reference logistics scenario
Yavas, Nermin. "Gender Differences In Product Form Perception." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607233/index.pdf.
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perceptions, semantic differential method was used in which participants were asked to rate characteristics over a set of opposite adjective pairs. It is found out that, with respect to particular adjectives, responses to product form might be significantly different for males and females.
Morrison, Alex. "The treatment of digital copyright works, with specific reference to the role of collecting societies and the online licensing of multimedia products." Thesis, University of Strathclyde, 2005. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21602.
Full textEdgett, Scott J. "The development of new services. New product development practices in the financial services industry: A model of successful determinants for NPD." Thesis, University of Bradford, 1991. http://hdl.handle.net/10454/3790.
Full textEdgett, Scott John. "The development of new services : new product development practices in the financial services industry : a model of successful determinants for NPD." Thesis, University of Bradford, 1991. http://hdl.handle.net/10454/3790.
Full textYoo, Julie Keunhee. "What makes personalized medicine work? : an empirical analysis of the role of product attributes, medical professional societies and patient groups in the diffusion of four breast cancer genetic tests." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/54595.
Full textCataloged from PDF version of thesis.
Includes bibliographical references (p. 69-73).
Personalized medicine is the science and practice of customizing medical screening and treatment plans for an individual based on his or her genomic profile. Breast cancer is one of the first disease areas to serve as an example of this approach, where most patients have experienced its benefits through the use of genetic tests that provide decision support for health care workers regarding the likely effectiveness of specific drugs and, more broadly, the urgency of particular treatment options (for example, chemoprevention versus prophylactic surgery). Little is known about the diffusion of such personalized approaches to medical practice, particularly the factors shaping the adoption of genetic tests. While numerous medical diffusion studies have been published over the past few decades, most were univariate analyses and did not consider the unique aspects of genetic testing versus drugs. Moreover, they mainly focused on the characteristics and behaviors of physicians, patients, product manufacturers, and social networks, and did not explore the role of potentially important third parties like professional medical societies and patient groups (e.g. disease foundations and patient advocacy organizations). The aim of this thesis was to analyze the relationship between seven attributes of four breast cancer genetic tests and clinical adoption to show that standard diffusion frameworks can be enhanced through previously unstudied dimensions when evaluating personalized medicine-related innovations.
(cont.) We identified four variables that correlated with clinical adoption: 1) regulatory status, 2) inclusion in practice guidelines by professional societies, 3) explicit endorsement by patient groups, and 4) implicit endorsement by patient groups. Our findings indicate that a key overlooked element in the current literature (and potentially overlooked by the firms creating these tests) is the role of patient groups in the diffusion of novel genetic tests, in addition to endorsement from medical professional societies. These findings may add value to strategic decisions made by company executives, investors, payers, health care providers, and patients as they are presented with novel products and development opportunities in the era of personalized medicine.
by Julie Keunhee Yoo.
S.M.
Sccott, Carla Rosane da Costa. "UMA SISTEMÁTICA DE GESTÃO E CONTROLE INTERNO PARA COOPERATIVAS DO RIO GRANDE DO SUL: UM ESTUDO DE CASO." Universidade Federal de Santa Maria, 2013. http://repositorio.ufsm.br/handle/1/8302.
Full textAs mudanças significativas no comportamento do mercado despertam a necessidade da adoção de novos processos e ferramentas de gestão de modo a tornar as organizações mais competitivas e sustentáveis. Tálamo e Carvalho (2004) denotam para a criação de uma nova ordem econômica, com base na estruturação de formas diferenciadas quanto à gestão e controle organizacional. Nessa perspectiva Pinheiro e Silva (2010, p. 3) assinalam que o cooperativismo evoluiu e conquistou um espaço próprio, definido por uma nova forma de pensar do homem, do trabalho e do desenvolvimento social . Dessa forma, o objetivo geral desse trabalho é identificar e analisar o sistema de gestão e as ferramentas de controle interno de uma cooperativa do Estado do Rio Grande do Sul, propondo um modelo teórico aplicável a esse tipo de organização . Com o intuito de oferecer o arcabouço de conhecimentos necessários para o desenvolvimento desse trabalho, tomou-se como referencial teórico o modelo de gestão de cooperativas proposto por Oliveira (2006). Associado à gestão foram investigados os procedimentos de controle interno, definidos por Crepaldi (2007). Em termos metodológicos esse trabalho teve como aporte uma pesquisa qualitativa, apoiada em procedimentos de pesquisa de campo, descritiva e exploratória. O método foi estudo de caso que permitiu a investigação profunda dos aspectos teóricos e sua aplicabilidade no contexto prático de uma cooperativa. As técnicas metodológicas adotadas foram coleta, análise e organização dos dados. Para obtenção das respostas relativas ao problema foram utilizadas entrevistas, questionários, análise documental e observação direta. Essencialmente para a análise dos resultados foram adotadas algumas técnicas como: classificação, categorização, tabulação, estatística quantitativa percentual e, essencialmente, análise de conteúdo. Por fim, com base nesse relato pormenorizado dos resultados, acerca do modelo de gestão da cooperativa e das ferramentas de controle interno praticadas pela Cooperativa, concluiu-se, categoricamente que as metodologias, as rotinas, os procedimentos, as atividades, bem como todo o conjunto organizacional atende em grande parte ao modelo teórico proposto por Oliveira (2006) e, em grau menor, ou seja, referente a um grau médio, ao modelo de Crepaldi (2007), como sendo necessários e de fundamental importância para as organizações inseridas em mercados dinâmicos e competitivos, com vistas à sustentabilidade de seus negócios em todos os campos de atuação. Isso tudo deu condições efetivas para que se pudesse propor um modelo teórico aplicável à cooperativa que contemplou a doutrina cooperativa, gestão organizacional e controle interno.
Marcis, Jaqueline. "Proposta de modelo de avaliação do desempenho em sustentabilidade das operações de cooperativas agropecuárias." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2428.
Full textA crescente necessidade de pesquisas empíricas e teóricas em relação à avaliação de desempenho em sustentabilidade das operações de cooperativas agropecuárias, além da necessidade de equilíbrio econômico, social e ambiental no planejamento e gerenciamento estratégico das operações de cooperativas agropecuárias, conduz ao objetivo da pesquisa de desenvolver um modelo de avaliação de desempenho em sustentabilidade das operações de cooperativas agropecuárias. Para atender ao objetivo proposto, foi realizado um levantamento sistemático da literatura científica sobre modelos de avaliação em sustentabilidade das operações de cooperativas agropecuárias, que possibilitou identificar as características e funcionalidades dos modelos existentes e construir um mapa conceitual de indicadores e princípios mais utilizados. Para refinar e sistematizar esse conjunto de princípios orientadores universais aplicáveis para a temática, especialistas foram entrevistados e delimitaram o escopo da avaliação, bem como identificaram medidas de desempenho das operações sustentáveis para as operações de cooperativas agropecuárias o qual foi nomeado Sustainability Assessment for Agriculture Cooperatives (SAAC). Por meio de estudos de casos múltiplos usando uma metodologia comum com entrevistas, observações e análise documental foi refinado e testado o modelo SAAC. Verificou-se que os indicadores utilizados no modelo proposto estão adequados à realidade das práticas de sustentabilidade nas operações de cooperativas agropecuárias e na formulação de suas estratégias. O modelo se mostrou factível, de relativo fácil uso e útil, e pode ser à base de avaliação de desempenho sustentável das operações de cooperativas agropecuárias e fonte para elaboração e desenvolvimento de políticas sobre desenvolvimento sustentável nas cooperativas agropecuárias, melhorando sua gestão estratégica. Assim, a pesquisa contribui tanto na evolução teórica e empírica para a temática, como para as cooperativas agropecuárias, proporcionando uma base auxiliadora para iniciar um processo de avaliação de desempenho sustentável nas cooperativas agropecuárias ou retroalimentar um já existente; já para a sociedade, oportuniza a verificação de ações sustentáveis realizadas pelo setor; e para a Engenharia de Produção proporciona o entendimento com relação à temática e disponibiliza o modelo SAAC para auxilio na gestão estratégica de operações das cooperativas agropecuárias.
The growing demand for empirical and theoretical research in relation to the evaluation of the sustainability in the performance of agricultural cooperatives operations, besides the need for economic, social and environmental balance in the strategic planning and management of agricultural cooperatives operations, leads to the objective of the research to develop a model evaluation of sustainability performance of agricultural cooperatives operations. In order to meet the proposed objective, a systematic survey of the scientific literature on sustainability assessment models of agricultural cooperatives operations was carried out, which enabled the identification of the characteristics and functionalities of the existing models and a conceptual map of the most commonly used indicators and principles. To refine and systematize this set of universal guiding principles applicable to the thematic experts were interviewed and delimited the scope of the evaluation and identified measures of performance of sustainable operations for agricultural cooperative operations which was named Sustainability Assessment for Agriculture Cooperatives (SAAC). And through multiple case studies using a common methodology with interviews, observations and documentary analysis was refined and tested the SAAC model it was verified that the indicators used in the proposed model are adequate to the reality of sustainability practices in the operations of agricultural cooperatives and in formulating their strategies. The model proved to be feasible, relative ease to use and useful and can be based on the evaluation of the sustainable performance of agricultural cooperatives operations and source for the elaboration and development of policies on sustainable development in agricultural cooperatives, improving their strategic management. Thus, the research contributes both to the theoretical and empirical evolution for the theme, as well as to the agricultural cooperatives, providing an auxiliary base to initiate a process of evaluation of sustainable performance in agricultural cooperatives or to feed an existing one; while for society, it facilitates the verification of sustainable actions carried out by the sector; and for Production Engineering provides the understanding regarding the subject and arranges the SAAC model for assistance in the strategic management of operations of agricultural cooperatives.
Coskun, Aykut. "Post- Use Design Thinking For Product Design Process And Sustainability A Study On An Educational Project In Glass Packaging." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612411/index.pdf.
Full textRibeiro, Fabio Augusto Nogueira. "Etnodesenvolvimento e o mercado verde na Amazônia indígena: Os Asuriní no Médio Xingu." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/90/90131/tde-23112011-113516/.
Full textIn the last two decades, the synchronous processes of liberalisation of the Brazilian economy and the advancement of environmentalism generated new representations and policies regarding Amazonian rainforests and indigenous peoples. Within this movement, the commercialisation of non timber forest products, through, in a few cases, the implementation of partnerships between the National Indian Foundation of Brazil and companies, began to be presented as a tool for the development of indigenous societies, as well as for environmental conservation. Adopting an ethnodevelopment perspective, however, the central question posed by this dissertation is whether the regimes of production, circulation and consumption devised by this form of \'public-private indigenism are compatible with their political economies. To advance this question, this study is based on the case of the Asuriní do Xingu, a Tupi group included in the partnership for the commercialisation of Brazil-nut oil between the Amazoncoop cooperative and the UK-based company, The Body Shop. Field research was structured into two levels. At the first level, information about the history and the political economy of the partnership were gathered by means of informal interviews. Results at this level indicate the partnership has been unable of breaking down the historical asymmetry of power which characterises the relationship between indigenous societies and the market economy. At the second level, by means of qualitative and quantitative techniques of data gathering, we collected information regarding Asurinís participation in the partnership, as well as the impacts of the trade activity to their domestic economy. In this case, the incompatibility between the indigenous economic regime and that promoted by the partnership implementation was evidenced by food shortages during the harvesting period; by the unequal distribution of monetary incomes among households; by uprising conflicts as regards monetary incomes and reciprocal exchanges of goods, and by their increasing dependence on industrialised goods. Notwithstanding that, the diversity of household economic strategies, the incorporation of money into indigenous conceptualisations of wealth and the continuity of traditional subsistence practices are evidences supporting the argument that an increase in market participation is not a corollary of indigenous peoples \'acculturation\', but a transformation in their form of social reproduction.
Chomátová, Jana. "Analýza vybraných stavebních spořitelen a jejich produktů a podmínky poskytnutí úvěru ze stavebního spoření." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-136257.
Full textJennings, Joshua Kerby. "On Making a Difference: How Photography and Narrative Produce the Short-Term Missions Experience." UKnowledge, 2017. http://uknowledge.uky.edu/cld_etds/32.
Full textManciya, Sixolise. "The impact of the new co-operative act on employment and poverty reduction: a case study of sorghum producers in the Eastern Cape province." Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1001026.
Full textStevenson, Norman. "A better world by design? : an investigation into industrial design consultants undertaking responsible design within their commercial remits." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12543.
Full textNevhutalu, Lusani. "The contribution of producer co-operatives to economic development in the Limpopo Province." Thesis, 2004. http://hdl.handle.net/10386/2036.
Full textFonseca, Hugo Santos. "Direitos de Autor Musicais - Transição Digital e o Futuro das Entidades de Gestão Colectiva." Master's thesis, 2022. http://hdl.handle.net/10316/99809.
Full text“There’s only one great occupation that can change the world: that’s real rock and roll.” A frase é de Lou Reed, célebre compositor e membro fundador da banda The Velvet Underground. É provocatória, apesar de o seu alcance ser mais conceitual do que realista, na verdade. Inquestionável é que outras forças motrizes podem mudar e fazer avançar o mundo, mas o músico norte-americano referia-se a uma muito particular forma de mudança: aquela que tem lugar dentro do indivíduo. Lou vinha de um tempo diferente. Os ventos mudaram, a tinta no papel transformou-se em pixéis e os discos em bits, mas o espírito do rock ‘n’ roll perdurou e continua a personificar o mesmo pedigree que é comum a todas as grandes obras de Arte: a capacidade de desafiar o status quo e adaptá-lo às exigências da modernidade, incitar ao pensamento, defender a liberdade de expressão, promover ideais de justiça, igualdade de oportunidades, tolerância, e acima de tudo, liberdade. O código genético da Música (aqui epitomizada pelo rock, mas de que são exemplos tantos outros géneros) não é, afinal, assim tão diferente do do Direito. Apesar de diferirem quanto à escolha dos instrumentos de trabalho, carregam ambos em si a urgência de procurar e disseminar valores profundamente democráticos, numa tarefa que pretende ser o mais inovadora possível. O Direito sempre foi, e sempre será, uma parte integrante da Cultura, e é neste ponto de convergência que surge esta dissertação. A Música é uma forma de Arte que há muito nos acompanha enquanto seres sencientes. Reflexo directo da forma como o Homem se vê e vê o mundo que o rodeia, é possível traçar uma fidelíssima linha cronológica da História da humanidade ao estudar a evolução dos movimentos e tendências musicais ao longo dos tempos. E enquanto forma artística particularmente etérea, cuja existência no plano físico é bem mais subjectiva do que as restantes formas de expressão artística, questões jurídicas muito particulares se levantam, desde o momento em que a obra musical sai da "mão" do autor e chega ao ouvinte. Estamos, no fundo, a colocar dimensões jurídicas num som, e em qualquer som, que algures, alguém, estará interessado em ouvir. Esta dissertação partirá deste mote para se focar nas especificidades dos direitos de autor musicais, e mais concretamente, nos mecanismos a que se recorre para a protecção dos mesmos. E a Música, como sempre, enfrenta hoje os mesmos desafios da restante sociedade: uma sociedade de informação que não conhece fronteiras. Nos dias que correm, mais do que nunca, todos conseguimos, remotamente, ter acesso a um inacreditável arquivo de obras musicais, de todos os tempos e de todos os autores. Um feito notável para todos nós consumidores, mas onde pelo meio, perdido algures nas invisíveis ondas de rádio ou bits num qualquer servidor, ficou um emaranhado de direitos autorais. O desafio que aqui se propõe é precisamente o de deslindar este novelo. Percorrer os regimes contratuais de edição mais (e menos) comuns para compositores e autores, aludindo não apenas ao nosso sistema nacional pautado pela europeização, mas também a figuras jurídicas características de ordenamentos jurídicos estrangeiros. Questionarmo-nos sobre o papel das editoras discográficas nos dias de hoje: na mesma medida em que podem ser uma rampa de lançamento para muitos autores, podem também agir dissimuladamente contra os mesmos, subvertendo o espírito dos direitos de autor, e recorrendo a expedientes legais duvidosos para sequestrar para si mesmas lucros pelo trabalho dos artistas. Áreas cinzentas, onde há a necessidade de proteger os direitos do autor, mesmo contra aqueles que os deveriam proteger a princípio. Ainda, uma oportunidade para abordar a questão dos desafios da transição digital na música, e do decrescente papel das grandes "labels" nesta área, com o advento das novas tecnologias, em que cada vez mais se dilui a necessidade de um intermediário. Também uma ocasião para questionar os problemas suscitados por esta realidade de uma perspectiva crítica, e compará-los com as vantagens dos modelos tradicionais de distribuição. É que, afinal de contas, os serviços de streaming vieram fazer-nos repensar o conceito de "ter" e de "comprar" música. O que se agrava ainda mais se ponderarmos os perigos que a acessibilidade imediata, potenciada pelo streaming, acarreta para uma possível desvalorização da obra artística em si, com consequências danosas para a protecção do autor. Por fim, questionamo-nos (ou melhor dizendo, adensamos a discussão…) sobre o papel que terão as famigeradas entidades de gestão colectiva numa sociedade cada vez mais digital e intolerante à falta de transparência. Tudo isto, sempre num prisma dinâmico, retrospectivo e prospectivo, olhando para a frente sem esquecer o passado, nesta bissectriz entre a intangibilidade da Arte e a concretude do Direito, e harmonizando o emocional com o racional.
“There’s only one great occupation that can change the world: that’s real rock and roll.” The quote’s author is Lou Reed, famous songwriter and member of the band The Velvet Underground. It’s a provocative statement, despite the fact that its scope is more conceptual than realistic. It is unquestionable that other driving forces can change the world, but the north-american musician was referring to a very particular form of change: the one that takes place within the individual. Lou came from a very different time. Meanwhile, the winds have changed, ink on paper became pixels, and records turned into bits, but the rock ‘n’ roll spirit has endured and it still embodies the same pedigree that is common to all great works of art: the ability to challenge the status quo, to adapt it to the needs of modernity, to provoke thought, defend freedom of speech and promote ideals of justice, equal opportunities, tolerance, and above all, freedom. Music’s genetic code (here described as rock music, but of which so many other genres are equally great exemples) is, after all, not so different from that of Law. Despite differing when it comes to the choice of working materials, both carry the urgency in seeking and disseminating democractic values, in the most effective and innovative way achievable. Law has always been, and always will be, an integral part of Culture. This dissertation is born in this convergence point.Music is an art form that has been with us, as sentient beings, for a long time. Being a direct reflection of the way Man looks at Himself and sees the world around Him, it is possible to sketch a very faithful timeline of the History of humanity by studying the evolution of musical tendencies over time.And as a particularly ethereal artistic form, which’s existence on the physical world is much more subjective than other forms of artistic expression, there are very particular legal questions that arise from the moment the musical work leaves the artist's "hand", to the instant it reaches the listener. We are, at heart, attributing legal dimensions to a sound: to any sound, that somewhere, someone, will be interested in listening to.This dissertation will start from this motto to focus on the specificities of musical author rights, and more specifically, on the mechanisms used for its protection. And Music today, as it always has, faces the same challenges as the rest of society: a society of information that knows no borders. These days, more than ever, we’re all able to remotely have access to an incredible archive of musical works, from all times and from all authors. A remarkable feat for all of us consumers indeed, but in between, lost somewhere among the invisible radio waves or the bits stored on any server, a tangle of author rights was left behind. The challenge proposed here is to unravel this skein.We’ll go through the most (and the least) common contractual regimes for composers and authors, alluding not only to our national laws, inspired by european tendencies, but also to foreign legal systems. Then, we’ll ask ourselves about the role of record companies and publishers today: although they can act as a launching pad for many authors, they can also covertly act against them, subverting the spirit of author rights, and resorting to dubious legal tactics to hijack profits from the artists' work. Gray areas, where there is a need to protect author’s rights, even from those who should be protecting them in the first place. Furthermore, the present dissertation serves as an opportunity to address the challenges posed by digital evolutions in Music, and by the decreasing role of the so-called “big labels”, caused by the invention of new technologies, diluting the need for a middleman. It is also an occasion to question these topics from a critical standpoint, and to compare them to the advantages of the traditional distribution models. After all, streaming services have made us rethink the concept of "owning" and "purchasing" Music, which can be problematic considering the dangers that immediate accessibility (enhanced by streaming) entails for a possible devaluation of the artistic work itself, with harmful consequences to the protection of the authors. Finally, we ask ourselves (or rather, we deepen the discussion…) about the role that the infamous collecting societies will have in an increasingly digital society, intolerant to the lack of transparency. All this, in a dynamic retrospective and prospective approach, looking forward without forgetting the past, in this bisector between the intangibility of Art and the concreteness of Law, and harmonizing the emotional with the rational.
Elliott, Lucy M. "The 'managed' co-operative : a case study into the social and economic benefits of participating in rural co-operatives in KwaZulu-Natal." Thesis, 1999. http://hdl.handle.net/10413/2519.
Full textThesis (M.Soc.Sc.)-University of Natal, Durban, 1999.
Nganwa, Peace. "An institutional analysis of South Africa's new cooperative act : evidence from selected case studies in KwaZulu-Natal." Thesis, 2010. http://hdl.handle.net/10413/5306.
Full textThesis (M.Sc.Agric.)-University of KwaZulu-Natal, Pietermaritzburg, 2010.
Kock, Margaretha Johanna. "Co-operatives as a vehicle for local economic development in the City of Tshwane Metropolitan Municipality." 2008. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1000632.
Full texthe greatest challenge that the City of Tshwane is facing lies in achieving the target growth rate set by ASGISA (Accelerated Shared and Growth Initiative), the latter being a national initiative, by enabling communities to become active participants within the growing economy. One of the enablers that were identified by the Municipality was co-operatives. The successful implementation of the co-operative model within the City of Tshwane will depend on the correct guidance provided by the Municipality to the co-operatives as opposed to dictating the terms of business to the members. These findings will be based in best practice models as found world-wide. The primary objective of this dissertation is to research the legal impact of the Co-operatives Act of 2005 on the City of Tshwane Metropolitan Municipality's Co-operative Strategy as a vehicle for local economic development.
Chibanda, Mutsa. "Institutional and governance factors influencing the performance of selected smallholder agricultural cooperatives in KwaZulu-Natal, South Africa." Thesis, 2009. http://hdl.handle.net/10413/562.
Full textThesis (M.Sc.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.
Dlamini, Thulile Rejoice. "Collective farming : elements constituting an effective agricultural co-operative, the case of three co-operatives in the Umgungundlovu district." Thesis, 2010. http://hdl.handle.net/10413/745.
Full textThesis (M.Agric.)-University of KwaZulu-Natal, Pietermaritzburg, 2010.
Meyersick, Ron R. "Assessment of alternative raw product valuation methodology with respect to cooperatives single pool returns." Thesis, 1987. http://hdl.handle.net/1957/26858.
Full textOlivier, Pieter Gerhardus. "Koöperasie as mededingingstrategie vir graanprodusente, 1995." Diss., 1998. http://hdl.handle.net/10500/15704.
Full textCo-operatives have experienced distinguishable changes. The application of co-operation as a competitive strategy by g~in producers was largely influenced by the changes. The prevailing political changes can also instigate important changes with regard to co-operatives. Grain producers must revise strategies to maintain successful competition in the market. The study investigates co-operation as a competitive strategy to advance the individual and collective interests of grain producers, Findings are: Grain producers are convinced that co-operation enhances the market related actions of individual grain producers. Grain producers can, through co-operation, exercise a positive influence in the market. No definite negative or positive perception concerning the influence of the free market system upon mutual competition could be identified. Grain producers are convinced that the state should not interfere with the grain industry.
Business Management
M. Admin. (Business Management)