Academic literature on the topic 'Prisons – Conception et construction – Cinéma'
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Journal articles on the topic "Prisons – Conception et construction – Cinéma":
Scherer, Marie Catherine. "Dynamiques identitaires dans le cinéma cubain Le « Nous cubain » entre construction idéologique et appartenance culturelle / Identity dynamics in the Cuban cinema The “Cuban We” between ideological construction and cultural belonging." Revista Polis e Psique 5, no. 1 (March 10, 2015): 173. http://dx.doi.org/10.22456/2238-152x.54086.
Davie, Neil. "The Impossible Prison ? Crime, Penal Policy and Society in Nineteenth-Century England." Recherches anglaises et nord-américaines 49, no. 1 (2016): 73–85. http://dx.doi.org/10.3406/ranam.2016.1528.
Milton, James, and Theresa Petray. "The Two Subalterns: Perceived Status and Violent Punitiveness." M/C Journal 23, no. 2 (May 13, 2020). http://dx.doi.org/10.5204/mcj.1622.
Dissertations / Theses on the topic "Prisons – Conception et construction – Cinéma":
Philippe, Anne. "L’ambivalence de l’archipel, la ciné-architecture ou l’expérience de la traversée." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080096.
From 1964 to 2002, Jean-Daniel Pollet's films continued to accompany and nourish the cinematographic practice of Alain Moreau, leading him to invent devices that propose, in the manner of the films Méditerranée and L'Ordre, unprecedented configurations of the relationship of spectators and actors to the image, to the world, to reality. Films dedicated to architecture, programs conceived from within prison, it is about "resisting the image", opening rifts, making possible an "archaic" relationship to space and time, through blocks of space-time, a project that meets the one I named "cine-topies".Beginning from a reflection on my own path, I came to reconstruct the genesis of Alain Moreau's cinematographic work. A long-term endeavor, involving archival reconstruction work as reflected by the volume of transcripts and appendices that accompany the text of the thesis. Archival work, but also an interpretation based on my questions and my theoretical readings: Alain Moreau's "cine-architecture" led me to test the image of the archipelago, which seemed to me to reflect as much my practice as his own: the relationship to an archaic reality, from which to build a multiplicity of links to the world, below or beyond the image.My idea of an archipelago, originating from Glissant, Deleuze and Melville, acquired additional complexity: the archipelago, a paradigm often summoned by contemporary thought as an opening to multiple and otherness, is also that which allows Foucault to think of prison space as a modern form of discipline. How can one consider the ambivalence of this idea? How can one then rethink the political stakes of cine-topies?
Ouard, Thomas. "Hétérotopologie du monde carcéral : Place et enjeu de l'architecture dans le vécu de l'espace carcéral par les détenus et le personnel de surveillance à travers l'étude de l'ambiance dans trois centres de détention." Nantes, 2010. https://archive.bu.univ-nantes.fr/pollux/show/show?id=6f28949c-e52f-4a00-a9c1-476f4ac93c712.
This thesis aims, the study of an architecture, both mythical and real: the prison. Its general tenor exploration of a built-rooted in French culture, the subject of much controversy and debate, and yet is characterized by a profound disinterest in contemporary architecture. This work aims to reinstate a reflection on prison architecture vector of legitimate violence of the state but also, and above all, living and working space. This exploration is organized around two founding approaches. The first traces the boundaries of the in and out of prison architecture. The architecture, understood as the production of a society at a given time, is posed in relation to the various concerns affecting the prison, its challenges and its own rules for construction. The second develops a more specific architecture understood as a living and work. It is based on the analysis of the use and experience what a space other than a sentence of justice, deprivation of liberty and coercion of the body. The purpose of research involves so specifically to the place of architecture in the experience, by inmates and guards, the prison space in relation to its specific context
Venouil, Alexia. "Une politique des murs : décision de construction de prisons et politiques pénales au Canada et en France (1980-2005)." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH046.
What is it that drives a country, at some point in history, to make a choice to increase its custodial capacity and to realise a ‘policy of walls'? To answer this question, this thesis develops a comparison between two countries which, in this respect, have followed very different paths: Canada and France. Although it is often claimed in social science literature that the decision to build prisons was a response to specific political circumstances, very few studies have documented empirically the interplay between the policy-makers responsible and the institutional framework within which such choices were determined. This thesis aims to begin to eliminate this lacuna. Drawing on the sociology of decision-making, we have conducted analyses of the structures underlying prison reforms and scrutinized the actions of those members of the political class involved in the process, including the variety of policy advisers involved in the formulation of penal policy. Particular attention has been drawn on the circulation of ideas in decision-making milieux. Drawing on a combination of penal statistics, institutional archives, ‘Grey Literature' in penal policy from 1980 to 2005, as well as semi-structured interviews conducted with public officials from both countries (and at both levels of government in the case of Canada), the thesis highlights the views those involved in the implementation of reforms to the criminal justice system referred to when establishing specific penal policies' programmatic content. The type of problems defined by public officials, the role played by public safety issues in the political culture of both countries and openness to delegating solutions to reform-minded civil servants mostly account for changes in prison capacity. Finally, it is contended that it was the composition of the decision-making milieux taken together with the propensity of elites to absorb participants from differentiated sub-sectors (interests groups, consultants, academics, etc.) that are sufficiently institutionalized to influence the decision-making process), that explains the differences in prison building policies between the two countries
Milhaud, Olivier. "Séparer et punir : les prisons françaises : mise à distance et punition par l'espace." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2009. http://tel.archives-ouvertes.fr/tel-00441473.
Soppelsa, Caroline. "Le XIXe siècle et la question pénitentiaire : un siècle d'expérimentations architecturales dans les prisons de Paris." Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2003.
In the wake of a reformatory drive initiated back in the middle of the 18th century, prisons erected after the French Revolution are the results of a redefinition of prison architecture, henceforth a fully fledged architectural programme in its own right. Taking as an example the prisons successively fitted our or built in Paris and in the Seine department in the 19th century, wether reset or built from scratch, the present study deals with the history of designs as a result of the development of penal policies during that period and with regard to confinement regulations. Under the vigilant gaze of decison markers, and regularly inspected, the penitentiary institutions in the capital city represent an outstanding laboratory for experimenting the measures to be later implemented nationwide. This analysis concentrates on the work of the architect responsible for building prisons ; it starts out with a detailed presentation of the administrative framework and procedures centered around the strong and sometimes contradictory requirements of the programme. Since a prison a town within the town, undertakes to reproduce behind its walls all the aspects of the daily life of a large number of individuals, the challenge for prison architecture and architects consists in using and trying to fit to its own constraint practically all common architectural typologies, from lodgins to workshop, from hospitals to church, from school to barracks. Beyond a simple case study, the present thesis is designed to inform a future general history of prison architecture in France
Abdela, Sophie. "Formes et réformes : la prison parisienne au XVIIIe siècle." Electronic Thesis or Diss., Normandie, 2017. http://www.theses.fr/2017NORMC012.
We know very little about the Parisian prison of the XVIIIth century. Historians have been fascinated by the XIXth century penitentiary but they have largely neglected the Ancien Régime prison. The period was not entirely ignored, of course: it sees the birth of Beccaria's writings which question the relevance of physical punishment and set in motion the penal reform. It's also the time of the Grand Renfermement of paupers and asocials, of which the Hôpital général and the dépôt de mendicité are the clearest incarnations. However, the prison, which was an integral part of the judicial procedure, was discarded. The present research aims to fill a part of this gap by exploring the world of prepenal prison in XVIIIth century Paris. Far from forming an isolated object, this Ancien Régime jail must be fully integrated in the history of prisons which leads all the way to the penitentiary.The demonstration is articulated in three parts between which the links are numerous. The first takes as its basis the structure of the prison, its framework, its buildings, its material constitution. It addresses the detention facilities first and foremost as tangible and concrete objects. The second part leaves the structure of the Parisian prison to dive into its financial circuits. It explores two large questions: where does the money come from and where does it go? Finally, the third part penetrates even deeper in the prison world by targeting the men who compose it. The prison, after all, is made up of human relations
Abdela, Sophie. "Formes et réformes : la prison parisienne au XVIIIe siècle." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC012/document.
We know very little about the Parisian prison of the XVIIIth century. Historians have been fascinated by the XIXth century penitentiary but they have largely neglected the Ancien Régime prison. The period was not entirely ignored, of course: it sees the birth of Beccaria's writings which question the relevance of physical punishment and set in motion the penal reform. It's also the time of the Grand Renfermement of paupers and asocials, of which the Hôpital général and the dépôt de mendicité are the clearest incarnations. However, the prison, which was an integral part of the judicial procedure, was discarded. The present research aims to fill a part of this gap by exploring the world of prepenal prison in XVIIIth century Paris. Far from forming an isolated object, this Ancien Régime jail must be fully integrated in the history of prisons which leads all the way to the penitentiary.The demonstration is articulated in three parts between which the links are numerous. The first takes as its basis the structure of the prison, its framework, its buildings, its material constitution. It addresses the detention facilities first and foremost as tangible and concrete objects. The second part leaves the structure of the Parisian prison to dive into its financial circuits. It explores two large questions: where does the money come from and where does it go? Finally, the third part penetrates even deeper in the prison world by targeting the men who compose it. The prison, after all, is made up of human relations
Higelin-Fusté, Audrey. "La prison pénale en France de 1791 à 1848 : élaborer l'espace de la réclusion." Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENH029/document.
The aim of thesis is to study the development of the prison between 1791 and 1848. Part One (‘The philosophical and legislative origins of the penal prison') investigates the philosophical underpinning of penal law during the period, and, in particular, considers the first purpose-built places of detention constructed by the French state. Part Two (‘Consequences of the rise of the individual prison cell in France: spaces and responses) presents an analytical approach to studying the prison as an architectural space, especially the evolution of the ideology behind the prison cell and the formal-spatial qualities of the cell itself. The thesis necessarily draws from a variety of disciplines. In order to discern how the penal prison's main exponents shaped its development at the end of the eighteenth century, Part One brings together material from the histories of law, political philosophy and ideas. By contrast, Part Two concerns the theory of architecture and scrutinises how the formal prison space was constructed both in reality and the imagination: in addressing the link between the detainee's physique and this type of constrained space, it draws from the sociology of the body and the psycho-sociology of space
Hosseinabadi, Shahram. "Une histoire architecturale de cinémas : genèse et métamorphoses de l'architecture cinématographique à Paris." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG021/document.
This thesis explores the emergence and the evolution of the cinema as a building type. It examines two hundred projects submitted to the Parisian administration for obtaining construction permits, from 1907 to 1939. These projects are analyzed according to four major criteria: localization, protagonists, architectural design and their reception. At the beginning of the Second World War, Parisian cinemas were mostly built through three waves of constructions subsequent to historical events: emergence of narrative cinema (1907-1913), end of the First World War (1919-1920), arrival of talkies (1931-1938). These three waves correspond with three successive phases in the rise of the new building type: experimentation, theorization, modernization. This study demonstrates that an original building type has been created since 1907, which is architecturally characterized by the trio of projection- visibility-appeal. From this original type different pieces are derived, that despite their variations are all a blind shed less or more judiciously designed and decorated for a show projected on the screen, a blind box covered by an attractive and expressive façade
Books on the topic "Prisons – Conception et construction – Cinéma":
Rock, Paul Elliott. Reconstructing a women's prison: The Holloway redevelopment project, 1968-88. Oxford [England]: Clarendon Press, 1996.
Le cinéma dans la cité. Paris: Kiron/Félin, 2001.
Day, Joe. Corrections & collections: Architectures for art and crime. 2013.
Jia, Song. Stage Design: Concerts, Events, Ceremonies and Theater. Gingko Press, Incorporated, 2013.