Dissertations / Theses on the topic 'Prints, Australian 20th century'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Prints, Australian 20th century.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Oguibe, Oluchukwu Olu. "The paintings and prints of Uzo Egonu, 20th century Nigerian artist." Thesis, SOAS, University of London, 1992. http://eprints.soas.ac.uk/29692/.
Full textGleeson, Damian John School of History UNSW. "The professionalisation of Australian catholic social welfare, 1920-1985." Awarded by:University of New South Wales. School of History, 2006. http://handle.unsw.edu.au/1959.4/26952.
Full textBuchanan, David. "Contextual thesis Part I & Part II : Book of poems, "Looking off the Southern Edge" ; Stage play (full-length): Ecstasis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1015.
Full textCzujack, Corinna. "An economic analysis of price behaviour in the market for paintings and prints." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212155.
Full textArmanno, Venero. "The volcano." Thesis, Queensland University of Technology, 1998.
Find full textKneen, Kris. "Head on." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35902/1/35902_Kneen_1998.pdf.
Full textMason, Anthony, and n/a. "Australian coverage of the Fiji coups of 1987 and 2000: sources, practice and representation." University of Canberra. Communication, 2009. http://erl.canberra.edu.au./public/adt-AUC20090826.144012.
Full textBurke, Janine, and mikewood@deakin edu au. "A Portrait of Albert Tucker, 1914-1960." Deakin University. School of Contemporary Arts, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.161937.
Full textBurke, Andrew. "Two collections of poetry, Whispering gallery [and] Flight log: Selected Poems 1967-2001: Plus an Essay: The Roots of My Writing." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/291.
Full textHeuschele, Margaret, and n/a. "The Construction of Youth in Australian Young Adult Literature 1980-2000." University of Canberra. Creative Communication, 2007. http://erl.canberra.edu.au./public/adt-AUC20081029.171132.
Full textSingley, William Blake. "Recipes for a nation : cookbooks and Australian culture to 1939." Phd thesis, 2013, 2013. http://hdl.handle.net/1885/109392.
Full textMillward, William H., University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Beneath the surface : the role of intuition in the creative process." THESIS_FPFAD_XXX_Millward_W.xml, 1998. http://handle.uws.edu.au:8081/1959.7/308.
Full textMaster of Arts (Hons) (Visual Art)
Behin, Bahram. "Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction /." Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.
Full textO’Neill, Patrick Nathaniel. "Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson." Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.
Full textHattam, Katherine, and katherine hattam@deakin edu au. "Art and Oedipus." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070816.121927.
Full textThoday, Heather Frances. "Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism /." Title page, abstract and table of contents only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09pht449.pdf.
Full textRoss, Frances Pamella. "The gift : a novel." Thesis, Queensland University of Technology, 2000.
Find full textPenazzi, Leonardo. "The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation)." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.
Full textMatters, Emily Helene. "AENEAS IN THE ANTIPODES The teaching of Virgil in New South Wales schools from 1900 to the start of the 21st century." University of Sydney. Classics and Ancient History, 2005. http://hdl.handle.net/2123/716.
Full textSun, Christine Yunn-Yu. "The construction of "Chinese" cultural identity : English-language writing by Australian and other authors with Chinese ancestry." Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5438.
Full textWeeda-Zuidersma, Jeannette. "Keeping mum : representations of motherhood in contemporary Australian literature - a fictocritical exploration." University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0054.
Full textStephen, Ann. "Looking through conceptual art : a dialogue between Ian Burn and his collaborators." Thesis, Queensland University of Technology, 2003.
Find full textTaylor, John J. "Joseph John Talbot Hobbs (1864-1938) : and his Australian-English architecture." University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0100.
Full textAnderson, Zoe Melantha Helen. "At the borders of belonging : representing cultural citizenship in Australia, 1973-1984." University of Western Australia. History Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0176.
Full textGunn, Anthea Caroline. "Imitation realism and Australian art." Phd thesis, 2010. http://hdl.handle.net/1885/109407.
Full textGathercole, Michael University of Ballarat. "Progress in Australia over the 20th century : the ups, downs and reversals that occurred in Australian human wellbeing over the 20th century." 2005. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12756.
Full textDoctor of Philosophy
Gathercole, Michael. "Progress in Australia over the 20th century : the ups, downs and reversals that occurred in Australian human wellbeing over the 20th century." 2005. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14593.
Full textDoctor of Philosophy
"History in Australian popular culture : 1972-1995." Thesis, University of Technology, Sydney. Department of Writing & Contemporary Cultures, 1996. http://hdl.handle.net/10453/20231.
Full text"History in Australian popular culture : 1972-1995." University of Technology, Sydney. Department of Writing & Contemporary Cultures, 1996. http://hdl.handle.net/2100/310.
Full textBarker, Heather Isabel. "A critical history of writing on Australian contemporary art, 1960-1988." 2005. http://repository.unimelb.edu.au/10187/7134.
Full textChapter One focuses on Bernard Smith and the late 1950s and early 1960s Australian intellectual context in which Australian Painting 1788-1960 was published. I will argue that, although it can be claimed that Australia was a postcolonial society, the most powerful political and social influence during the 1950s and 1960s was the Cold War and that this can be identified in Australian art criticism and Australian art. Chapter Two discusses art theorist, Donald Brook. Brook is of particular interest because he kept his art writing separate from his theories of social and political issues, focussing on contemporary art and artists. I argue that Brook's failure to engage with questions of nation and Australian identity directly ensured that he remained a respected but marginal figure in the history of Australian art writing. Chapter Three returns to the centre/periphery issue and examines the art writing of Patrick McCaughey and Terry Smith. Each of these writers dealt with the issue of the marginality of Australian art but neither writer questioned the validity of the centre/periphery model.
Chapter Four examines six Australian art magazines that came into existence in the 1970s, a decade of high hopes and deep disillusionment. The chapter maps two shifts of emphasis in Australian art writing. First, the change from the previous preoccupation with provincialism to pluralist social issues such as feminism, and second, the resulting gravitation of individual writers into ideological alliances and/or administrative collectives that founded, ran and supported magazines that printed material that focused on (usually Australian) art in relation to specific social, cultural or political issues. Chapter Five concentrates on the Australian art magazine, Art & Text, and Paul Taylor, its founder and editor. Taylor and his magazine were at the centre of a new Australian attempt to solve the provincialism problem and thus break free of the centre/periphery model.
Kinsman, Jane. "The prints of David Hockney : their cultural, autobiographical and artistic contexts." Phd thesis, 2011. http://hdl.handle.net/1885/155819.
Full textBloch, Barbara, University of Western Sydney, College of Arts, and Centre for Cultural Research. "Unsettling Zionism : diasporic consciousness and Australian Jewish identities." 2005. http://handle.uws.edu.au:8081/1959.7/20925.
Full textDoctor of Philosophy (PhD)
Bolton, Ken 1949. "At the flash & at the baci." 2003. http://web4.library.adelaide.edu.au/theses/09PH/09phb6943.pdf.
Full textBolton, Ken 1949. "At the flash & at the baci / Ken Bolton." Thesis, 2003. http://hdl.handle.net/2440/21996.
Full textIncludes bibliographical references (leaves 166-177)
2 v. (131, 177 leaves) ; 30 cm.
Consists principally of poems. The collection does not pursue any particular theme. It is organized chronologically. An exegetical essay written as a poem forms the second part of the thesis. The essay does not explain the poem's 'meanings' to any great extent but considers the poems' relation to each other and to poems written in the past.
Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2003
Hooton, Fiona Art History & Art Education College of Fine Arts UNSW. "The impact of the counterculture on Australian cinema in the mid to late 20th century." 2007. http://handle.unsw.edu.au/1959.4/41008.
Full textLahy, Waratah. "Painted objects : investigating the imagery of Australian iconic culture." Phd thesis, 2007. http://hdl.handle.net/1885/149626.
Full textBatho, Susan Smith, University of Western Sydney, and Faculty of Humanities and Social Sciences. "Family." 1998. http://handle.uws.edu.au:8081/1959.7/24561.
Full textMaster of Arts (Hons) (Writing)
Kucharova, Sue, University of Western Sydney, and School of Communication and Media. "The torch collector." 1999. http://handle.uws.edu.au:8081/1959.7/30737.
Full textMaster of Arts (Writing)
Eastburn, Melanie. "The living specimen : Guan Wei : a Chinese-Australian artist." Thesis, 1997. http://hdl.handle.net/1885/258500.
Full textTopliss, Helen. "Australian female artists and modernism, 1900-1940." Phd thesis, 1992. http://hdl.handle.net/1885/133859.
Full textHoy, DM. "Double happiness : bicultural men - identity and learning : a study of Australian-Chinese men born in the 20th century." Thesis, 2013. http://hdl.handle.net/10453/23545.
Full textChinese were early settlers in Australia but little has been written of Australian-Chinese men now living in the twenty-first century, some of whom can trace their lineage, in the Australian context, across centuries. The focus here on this demographic was because of personal involvement with the lives and culture of Australian-Chinese people domiciled or linked to the Sydney region. The question was how has a cross-cultural context effected the patterns of life long learning and the identities of Australian-Chinese men born between 1915 and 1945? All forty-three participants were retired Australian-Chinese men, who were either born in Australia or immigrated here, mainly as young people. The research explored their learning, formal education, adaptation to another culture, and identity development. A mixed methodology was used to ascertain that a change had been definitely effected, and that the difference was not a momentary transformation. The study involved the collection of biographical data using three instruments: the data collection process included a video-taped interview with each participant, usually in their own home, to discuss their opinions and lives: secondly, they answered an information-gathering questionnaire: and they completed a psychological self-assessment instrument, the Cross-Cultural Adaptability Inventory (CCAI). This investigation also noted their work histories, community involvement, and what they thought they had achieved during their lifetime. It was anticipated that the combination of all these factors would yield more than sufficient qualitative and quantitative data for assessment, so as to explore the learning, identity formation, and transcultural adaptation of each man in the study. Two well-tested theories were referenced in this process. The first by La Fromboise et al. (1993) basically examined biculturalism, and the second by Levinson et al. (1978), considered the seasons of a man’s life, and each theory added strength to the deliberations that sought to answer the research question. This research enlarged understanding of twentieth century Australian-Chinese men, their learning paradigms, identity influences, cross-cultural adaptation, and perceptions of their achievements. It provided insights to the field of adult learning, education and sociology, history and biography. It expanded the image of Australian-Chinese men and contributed to the participant’s and their family’s identity and historical record.
Heley, Matthew. ""Men made out of words": reading men writing masculinities in Australian literature." Thesis, 1996. http://hdl.handle.net/2440/110812.
Full textThesis (M.A.) -- University of Adelaide, Dept. of English Language and Literature, 1996
Behin, Bahram. "Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction / by Bahram Behin." Thesis, 1997. http://hdl.handle.net/2440/19041.
Full textKelen, Stephen Kenneth. "Writing the Goddess." 2005. http://hdl.handle.net/2440/37730.
Full textThesis (Ph.D.)--School of Humanities, 2005.
Kelen, Stephen Kenneth. "Writing the Goddess." Thesis, 2005. http://hdl.handle.net/2440/37730.
Full textThesis (Ph.D.)--School of Humanities, 2005.
Murphy, Bernice. "Images, Institutions and Evolving Nation: Transformations in Australian art, museums, and the cultural imaginary in the 20th century." Phd thesis, 2021. http://hdl.handle.net/1885/237447.
Full textTow, Shannon. "Independent ally? : Australian engagement with rising powers, 1908-1998." Phd thesis, 2009. http://hdl.handle.net/1885/148374.
Full textOgilvie, Charlene Sarah. "The Aboriginal movement and Australian photography." Phd thesis, 2007. http://hdl.handle.net/1885/149690.
Full textThoday, Heather Frances. "Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism / Heather Thoday." Thesis, 2004. http://hdl.handle.net/2440/22112.
Full text"New wine in old bottles?: modernity in late Qing and early Republican North China nianhua (New Year pictures)." 2012. http://library.cuhk.edu.hk/record=b5549155.
Full textThis research examines nianhua年畫 (New Year pictures), a form of traditional folk art, from the late nineteenth to the early twentieth centuries. This time period witnessed a series of dramatic social and political changes in China: the collapse of Qing Dynasty, invasions of foreign powers, and introduction of Western advanced technologies and ideas, all of which could be found in nianhua prints. The spatial focus is mainly on Yangliuqing楊柳青, a town very close to Tianjin. However, nianhua produced in other places in North China, such as Wuqiang武強 and Yangjiabu楊家埠, and those from Taohuawu桃花塢 in the Yangzi River Delta, will also be mentioned, for some of them are of great use in my writings. Generally, this study has three sections: the production and circulation of nianhua in Yangliuqing, the contents of nianhua with new elements, and how common people reacted to the reformed nianhua. I demonstrate that the import of Western advanced printing technologies and painting styles, pictorials and vernacular newspapers published by social reformers, and the involvement of Republican government were the major reasons for the appearance of new elements in nianhua. Then the new themes in nianhua are discussed in details. First of all, anti-imperialist and other patriotic topics are found to arouse nationalist sentiments among the masses. The emotions in new nianhua started to shift from protecting home and family to defending the nation. At the same time, women were no longer treated as men’s subordinate; instead, they were also encouraged to earn their own bread and even go to the battlefield to save their country. Finally, the imports of Western inventions, such as clocks, bikes, trains, and planes, emerged in nianhua, building a new material culture for the common people. I conclude that reformed nianhua was a result of the interaction between popular culture and elite culture. Most of them were advocated by the Republican officials; but the commercial nature of nianhua determined that it needed to have market amog consumers. The form of traditional nianhua was kept, while social reformers and authorities fill new values and beliefs into it to educate the common people. This “new-wine-in-old-bottles way of propaganda resulted in limited success; but to some extents it paved the way for the emergence of a modern nation.
Detailed summary in vernacular field only.
Wan, Mi.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2012.
Includes bibliographical references (leaves 150-159).
Abstracts also in Chinese.
List of Figures --- p.v
Chapter Chapter 1 --- Introduction --- p.1
Chapter 1.1 --- Statement of Research Problem --- p.1
Chapter 1.2 --- Nianhua: The Background --- p.6
Chapter 1.3 --- Methodology --- p.8
Chapter 1.4 --- Literature Review --- p.13
Chapter 1.5 --- Structure of the Thesis --- p.22
Chapter Chapter 2 --- From Festivity to Propaganda: Nianhua’s Political and Educational Roles --- p.24
Chapter 2.1 --- The Production and Circulation of Nianhua in North China --- p.25
Chapter 2.2 --- The Influence of Printing Technical Improvement and Western Painting Styles on Nianhua --- p.32
Chapter 2.3 --- Nianhua and Social Reform Promoters in the Late Qing --- p.41
Chapter 2.4 --- Nianhua as a Popular Education Tool in the Republican Era --- p.53
Chapter Chapter 3 --- From Protecting My Home to Defending My Nation: Nationalism in Nianhua --- p.68
Chapter 3.1 --- Nation, Nationalism, and National Identity --- p.70
Chapter 3.2 --- When China Confronted the West --- p.73
Chapter 3.3 --- Anti-Imperialism in Nianhua --- p.83
Chapter 3.4 --- Attitudes towards the Qing Government --- p.90
Chapter Chapter 4 --- Gender in Nianhua --- p.95
Chapter 4.1 --- Women’s Appearance and Female Warriors in Nianhua --- p.98
Chapter 4.2 --- Promotion of Women’s Education in Nianhua --- p.106
Chapter Chapter 5 --- Import of Western Objects and Interpretation of the Western World --- p.119
Chapter 5.1 --- The Clock --- p.119
Chapter 5.2 --- The Bicycle --- p.125
Chapter 5.3 --- The Plane --- p.128
Chapter 5.4 --- The Train --- p.130
Chapter Chapter 6 --- Conclusion --- p.138
Bibliography --- p.150