Journal articles on the topic 'Prints 20th century Exhibitions'
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Kulakova, Olga Yu. "Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries." Observatory of Culture 18, no. 5 (October 29, 2021): 496–505. http://dx.doi.org/10.25281/2072-3156-2021-18-5-496-505.
Full textDragońska, Urszula. "„Pejzaż górski nie odpowiadał mi malarsko”, Zakopiański epizod graficzny Jana Skotnickiego." Artifex Novus, no. 5 (December 13, 2021): 118–35. http://dx.doi.org/10.21697/an.9374.
Full textNikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.
Full textJohnston, Ewan. "Reinventing Fiji at 19th-century and early 20th-century exhibitions." Journal of Pacific History 40, no. 1 (June 2005): 23–44. http://dx.doi.org/10.1080/00223340500082459.
Full textREDMAN, SAMUEL. "Remembering Exhibitions on Race in the 20th-century United States." American Anthropologist 111, no. 4 (November 17, 2009): 517–18. http://dx.doi.org/10.1111/j.1548-1433.2009.01160_1.x.
Full textPasitska, Oksana. "«TRADE LOCAL, BUY LOCAL, BE LOCAL»: AGRICULTURAL EXHIBITIONS AND FAIRS IN HALYCHYNA IN THE 20-30S OF THE 20TH CENTURY." Contemporary era 8 (2020): 19–27. http://dx.doi.org/10.33402/nd.2020-8-19-27.
Full textBenetti, Alessandro. "GAIA CARAMELINO; STÉPHANIE DADOUR (a cura di): THE HOUSING PROJECT: DISCOURSES, IDEALS, MODELS, AND POLITICS IN 20TH-CENTURY EXHIBITIONS." Proyecto, Progreso, Arquitectura, no. 27 (2022): 206–7. http://dx.doi.org/10.12795/ppa.2022.i27.12.
Full textPešić, Mladen. "Exhibitionary complex: Architecture as an exhibit." SAJ - Serbian Architectural Journal 5, no. 3 (2013): 282–305. http://dx.doi.org/10.5937/saj1303282p.
Full textŠeparović, Ana. "Feministički iskazi u kritičkoj recepciji skupnih izložbi hrvatskih umjetnica." Ars Adriatica 8, no. 1 (December 28, 2018): 195–210. http://dx.doi.org/10.15291/ars.2762.
Full textBuchli, Victor. "The Destruction of Gemütlichkeit? Programmatic Exhibitions on Domestic Living in the 20th Century." Home Cultures 4, no. 2 (July 2007): 201–6. http://dx.doi.org/10.2752/174063107x209028.
Full textVinogradova, Tatiana I., and Ekaterina A. Zavidovskaia. "Preliminary Findings about the “Okulich” Collection of Chinese Popular Prints (MAE No. 3676) in the Peter the Great Museum of Anthropology and Ethnography (The Kunstkamera)." Письменные памятники Востока 17, no. 3 (October 26, 2020): 67–88. http://dx.doi.org/10.17816/wmo46853.
Full textKrzysztofowicz-Kozakowska, Stefania. "„Raumkunst” autorstwa Teodora Axentowicza." Lehahayer 8 (December 19, 2021): 185–90. http://dx.doi.org/10.12797/lh.08.2021.08.06.
Full textBeck, Mirja. "A Lived Experience—Immersive Multi-Sensorial Art Exhibitions as a New Kind of (Not That) ‘Cheap Images’." Arts 12, no. 1 (January 17, 2023): 16. http://dx.doi.org/10.3390/arts12010016.
Full textKhromov, Oleg. "TWO PRINTS BY LEONTY BUNIN IN THE 18TH CENTURY SERBIAN GRAPHIC." Scientific and analytical journal Burganov House. The space of culture 16, no. 2 (June 10, 2020): 100–113. http://dx.doi.org/10.36340/2071-6818-2020-16-2-100-113.
Full textVlăduţescu, Ştefan. "Persuasive Way of Communicational Propaganda." International Letters of Social and Humanistic Sciences 31 (June 2014): 37–45. http://dx.doi.org/10.18052/www.scipress.com/ilshs.31.37.
Full textChoi, Byung Jin. "Visual Conventions in Exhibitions in the 20th Century and Italian Social Transformation: Making the Italian." Journal of Art Theory & Practice 30 (December 30, 2020): 43–67. http://dx.doi.org/10.15597/jksmi.25083538.2020.30.43.
Full textChoi, Byung Jin. "Visual Conventions in Exhibitions in the 20th Century and Italian Social Transformation: Making the Italian." Journal of Art Theory & Practice 30 (December 30, 2020): 43–67. http://dx.doi.org/10.15597/jksmi.25083538.2020.30.43.
Full textRyantová, Marie. "Using Archives in the Czech Republic as an Important Formative Factor of Historical Awareness and a Means of Providing Publicity For Archives: Archival Exhibitions." Atlanti 26, no. 2 (October 25, 2016): 171–80. http://dx.doi.org/10.33700/2670-451x.26.2.171-180(2016).
Full textIttu, Gudrun-Liane. "Siebenbürgisch-deutsche Künstlerinnen vom Ende des 19. und Anfang des 20. Jahrhunderts." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (December 31, 2020): 127–55. http://dx.doi.org/10.24193/subbhistart.2020.07.
Full textGębołyś, Zdzisław. "Cieszyńskie bibliografie terytorialne od końca wieku XIX do początku wieku XXI." Z Badań nad Książką i Księgozbiorami Historycznymi 11 (December 29, 2017): 333–57. http://dx.doi.org/10.33077/uw.25448730.zbkh.2017.42.
Full textGarczewska-Semka, Katarzyna. "The Outline of the History of Mounting Art on Paper in Poland in the 19th and 20th Centuries." Restaurator. International Journal for the Preservation of Library and Archival Material 40, no. 3-4 (November 18, 2019): 173–95. http://dx.doi.org/10.1515/res-2019-0013.
Full textLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Full textJuhászová, Tereza. "The Troubled Pasts of Hungarian and German Minorities in Slovakia and Their Representation in Museums." Journal of Nationalism, Memory & Language Politics 12, no. 1 (July 30, 2018): 52–71. http://dx.doi.org/10.2478/jnmlp-2018-0002.
Full textZabalueva, Olga. "Multimedia Historical Parks and the Heritage-based “Regime of Truth” in Russia." Culture Unbound 14, no. 2 (July 7, 2022): 83–106. http://dx.doi.org/10.3384/cu.3975.
Full textWells, M. J. "Relations and Reflections to the Eye and Understanding: Architectural Models and the Rebuilding of the Royal Exchange, 1839–44." Architectural History 60 (2017): 219–41. http://dx.doi.org/10.1017/arh.2017.7.
Full textBarashkov, V. V. "The Formation of Artistic Competence in the Evangelical Church in Germany in the XX – Early XXI Century." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 35 (2021): 115–24. http://dx.doi.org/10.26516/2073-3380.2021.35.115.
Full textGlinternik, Eleonora M. "Exhibitions of the First Third of the 20th Century in the Imperial Academy Arts — Leningrad VHUTEIN." Actual Problems of Theory and History of Art 10 (2020): 436–47. http://dx.doi.org/10.18688/aa200-3-38.
Full textBennett, Theodore. "Tortured genius: The legality of injurious performance art." Alternative Law Journal 42, no. 1 (March 2017): 24–28. http://dx.doi.org/10.1177/1037969x17694791.
Full textCalo, Mary Ann. "A Community Art Center for Harlem: The Cultural Politics of “Negro Art” Initiatives in the Early 20th Century." Prospects 29 (October 2005): 155–83. http://dx.doi.org/10.1017/s0361233300001721.
Full textStehlík, Michal. "Creation of Permanent Exhibitions of the National Museum." Muzeum: Muzejní a vlastivedná práce 55, no. 3 (September 1, 2017): 6–10. http://dx.doi.org/10.1515/mmvp-2017-0029.
Full textDucène, Jean-Charles. "Quand une édition imprimée redevient manuscrit: le Kitāb al-Masālik d’Ibn Ḥawqal (Rabat, Fondation ʿAllāl al-Fāsī, ʿayn 608)." Der Islam 95, no. 1 (March 22, 2018): 188–97. http://dx.doi.org/10.1515/islam-2018-0007.
Full textMaziyah, Siti, and Alamsyah. "Natural Motifs on Jepara Batik Products: Symbols of environmental awareness." E3S Web of Conferences 202 (2020): 07057. http://dx.doi.org/10.1051/e3sconf/202020207057.
Full textAlbano, Caterina. "The Exhibition as an Experiment: An Analogy and Its Implications." Journal of Visual Culture 17, no. 1 (April 2018): 97–116. http://dx.doi.org/10.1177/1470412918763446.
Full textVenckienė, Jurgita. "Orthography of books and their authors at the end of the 19th and the beginning of the 20th century." Lietuvių kalba, no. 15 (December 28, 2020): 1–15. http://dx.doi.org/10.15388/lk.2020.22451.
Full textMa, Junjie, and Yingxin Ma. "English in Bilingual Promotional Material of Chinese Maritime-related Exhibition Publicity: A discourse Analysis Study." Journal of Translation and Language Studies 3, no. 1 (March 1, 2022): 1–11. http://dx.doi.org/10.48185/jtls.v3i1.422.
Full textWeibel, Peter. "Music, Machines, Media and the Museum." Organised Sound 14, no. 3 (December 2009): 231–35. http://dx.doi.org/10.1017/s1355771809990197.
Full textDane, William J. "Public art libraries and artists and designers: a symbiotic scheme for success." Art Libraries Journal 12, no. 3 (1987): 29–34. http://dx.doi.org/10.1017/s0307472200005277.
Full textShelach-Lavi, Gideon. "Archaeology and politics in China: Historical paradigm and identity construction in museum exhibitions." China Information 33, no. 1 (May 11, 2018): 23–45. http://dx.doi.org/10.1177/0920203x18774029.
Full textMount, Sigrid Docken. "Evolutions in exhibition catalogues of African art." Art Libraries Journal 13, no. 3 (1988): 14–19. http://dx.doi.org/10.1017/s0307472200005769.
Full textAkhtamzyan, Nurlan Ildarovich, and Viktoria Viktorovna Chernenko. "Modern Technology Based Methodologies for Visitor Studies at the Museum Exposition." Общество: философия, история, культура, no. 10 (October 2020): 82–86. http://dx.doi.org/10.24158/fik.2020.10.15.
Full textChernysheva, Anna Igorevna. "N. N. Zeddeler and A. P. Somova-Zeddeler: the forgotten names of early 20th century Russian art. Japonism in Russian printmaking at the beginning of 20th century." Secreta Artis 5, no. 1 (June 9, 2022): 6–23. http://dx.doi.org/10.51236/2618-7140-2022-5-1-6-23.
Full textVV.AA., VV AA. "Dennis Sharp." Art and Architecture, no. 42 (2010): 120–22. http://dx.doi.org/10.52200/42.a.6r1ukft9.
Full textDmitry, Soloviev. "Inkwell and Dates: Labor in Exhibitions “Objects of Pride and Shame” and “Gastev. How to Work”." TECHNOLOGOS, no. 3 (2022): 7–16. http://dx.doi.org/10.15593/perm.kipf/2022.3.01.
Full textCvjetićanin, Tatjana. "Objects or Narratives. Archaeological Exhibitions in Serbia: Foundations of Museum Archaeology." Issues in Ethnology and Anthropology 9, no. 3 (February 26, 2016): 575. http://dx.doi.org/10.21301/eap.v9i3.2.
Full textPoix, Marie-Hélène. "L’Union Française des Arts du Costume, le Centre de Documentation, le Vidéodisque." Art Libraries Journal 14, no. 4 (1989): 22–24. http://dx.doi.org/10.1017/s0307472200006489.
Full textWESSELING, H. L. "Editorial: the American Century in Europe." European Review 12, no. 2 (May 2004): 123–26. http://dx.doi.org/10.1017/s1062798704000122.
Full textUljasz, Adrian. "Dokumenty życia społecznego z kolekcji księgarza Mariana Krzyżanowskiego jako źródło do badań nad życiem muzycznym oraz teatralnym Krakowa i Warszawy w XIX i XX wieku." Rocznik Biblioteki Naukowej PAU i PAN 64 (2019): 115–29. http://dx.doi.org/10.4467/25440500rbn.19.007.14150.
Full textBrenni, Paolo. "Prizes, Medals and Honourable Mentions." Nuncius 34, no. 2 (June 12, 2019): 392–420. http://dx.doi.org/10.1163/18253911-03402010.
Full textRusakov, Serhii. "Establishment of the Art Market in the Context of Ukrainian Historical and Cultural Tradition." Studia Warmińskie 59 (December 31, 2022): 111–24. http://dx.doi.org/10.31648/sw.8330.
Full textPonamarchuk, Igor. "Kyiv Association of Artists in the context of consolidation of the artistic forces of Kyiv in turn of the 19-20th cc." Text and Image: Essential Problems in Art History, no. 2 (2018): 68–83. http://dx.doi.org/10.17721/2519-4801.2018.2.04.
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