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Books on the topic 'Printing forms'

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Published: 30 May 2022
Last updated: 31 May 2022

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1

Updike, Daniel Berkeley. Printing types: Their history, forms, and use. 4th ed. New Castle, Del: Oak Knoll Press, 2001.

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2

N, Looney Jackie, ed. Floral patterns for stencilling with full instructions for wall printing. New York: Sterling Pub. Co., 1986.

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3

Eyraud, Patrick. Waste reduction activities and options at a printer of forms and supplies for the legal profession. Cincinnati, OH: U.S. Environmental Protection Agency, Risk Reduction Engineering Laboratory, 1992.

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4

Programs, National Endowment for the Humanities Division of Research. Texts, publication subvention: Application instructions and forms. Washington, D.C. (Room 318, 1100 Pennsylvania Ave., N.W., Washington 20506): National Endowment for the Humanities, Division of Research Programs, 1991.

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5

Aaris, Sherin, ed. Forms, folds, sizes: All the details graphic designers need to know but can never find. 2nd ed. Beverly, Mass: Rockport Publishers, 2008.

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6

Evans, Poppy. Forms, folds, sizes: All the details graphic designers need to know but can never find. 2nd ed. Beverly, Mass: Rockport Publishers, 2008.

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7

Evans, Poppy. Forms, folds, and sizes: All the details graphic designers need to know but can never find. Gloucester, MA: Rockport Publishers, 2004.

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8

LaserWrite it!: A desktop publishing guide to reports, resumes, newsletters, directories, business forms, and more. Reading, Mass: Addison-Wesley, 1986.

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9

Palmer, Michele. Toile: The storied fabrics of Europe and America. Atglen, PA: Schiffer Pub., 2003.

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10

Jan, Tschichold. Treasury of alphabets and lettering: A source book of the best letter forms of past and present for sign painters, graphic artists, commercial artists, typographers, printers, sculptors, architects and schools of art and design. London: Lund Humphries, 1992.

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11

Jan, Tschichold. Treasury of alphabets and lettering: A source book of the best letter forms of past and present for sign painters, graphic artists, commercial artists, typographers, printers, sculptors, architects, and schools of art and design. New York: Norton, 1992.

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12

Jan, Tschichold. Treasury of alphabets and lettering: A source book of the best letter forms of past and present for sign painters, graphic artists, commercial artists, typographers, printers, sculptors, architects, and schools of art and design. New York, NY: Design Press, 1992.

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13

Elena, Secchi Tarugi, and Gasperoni Lucia, eds. Dalla forma alla pagina: Saggi sulla stampa in Italia nell'età moderna. Ospedaletto (Pisa): Pacini, 2007.

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14

Modigliani, A. Tipografia a Roma prima della stampa: Due società per fare libri con le forme (1466-1470). Roma: [s.n.], 1989.

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15

Textual bodies: Modernism, postmodernism, and print. Lewisburg [Pa.]: Bucknell University Press, 1994.

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16

The economy of literary form: English literature and the industrialization of publishing, 1800-1850. Baltimore: Johns Hopkins University Press, 1996.

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17

Urbanczyk, Ronald K. Centralized plate bending: The complete registration system for business forms manufacturing. 1989.

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18

50 years in the service of the business forms printing industry. 1988.

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19

Sharon, Campbell, and National Business Forms Association, eds. Pricing for business forms and commercial printing: The whys not the hows. Alexandria, Va. (433 E. Monroe Ave., Alexandria 22301): The Association, 1987.

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20

Parker, Philip M. The 2007-2012 World Outlook for Printing Special Business Forms and Checkbooks. ICON Group International, Inc., 2006.

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21

The 2006-2011 World Outlook for Printing Special Business Forms and Checkbooks. Icon Group International, Inc., 2005.

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22

Parker, Philip M. The 2007-2012 World Outlook for Offset Lithographic Roll-Fed Printing Presses for Business Forms. ICON Group International, Inc., 2006.

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23

Parker, Philip M. The 2007-2012 World Outlook for Web-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks. ICON Group International, Inc., 2006.

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24

The 2006-2011 World Outlook for Sheet-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks. Icon Group International, Inc., 2005.

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25

The 2006-2011 World Outlook for Web-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks. Icon Group International, Inc., 2005.

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26

Parker, Philip M. The 2007-2012 Outlook for Web-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks in Japan. ICON Group International, Inc., 2006.

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27

Parker, Philip M. The 2007-2012 Outlook for Web-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks in India. ICON Group International, Inc., 2006.

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28

Parker, Philip M. The 2007-2012 Outlook for Sheet-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks in Japan. ICON Group International, Inc., 2006.

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29

Hints on imposition: An illustrated guide for printer and pressmen in the construction of book forms : also other matters pertaining to letter-press printing. [Toronto?: s.n.], 1993.

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30

Parker, Philip M. The 2007-2012 World Outlook for Web-Fed Lithographic Bank Printing Excluding Bank Forms and Checkbooks. ICON Group International, Inc., 2006.

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31

The 2006-2011 World Outlook for Sheet-Fed Lithographic Bank Printing Excluding Bank Forms and Checkbooks. Icon Group International, Inc., 2005.

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32

The 2006-2011 World Outlook for Web-Fed Lithographic Bank Printing Excluding Bank Forms and Checkbooks. Icon Group International, Inc., 2005.

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33

Parker, Philip M. The 2007-2012 Outlook for Sheet-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks in Greater China. ICON Group International, Inc., 2006.

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34

Parker, Philip M. The 2007-2012 Outlook for Web-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks in Greater China. ICON Group International, Inc., 2006.

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35

Parker, Philip M. The 2007-2012 Outlook for Web-Fed Lithographic Printing of Business Forms Excluding Manifold, Financial, Legal, and Loose-Leaf Forms and Blankbooks in the United States. ICON Group International, Inc., 2006.

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36

Snodgrass, T. J. Office Purchasing Guide: How to Save Up to 50% on Office Supplies and Furniture, Business Forms and Printing, Office Machines and Equipment. Lowen Publishing, 1985.

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37

Kornicki, Peter Francis. Material Texts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797821.003.0005.

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This chapter deals with the forms in which Chinese texts reached neighbouring societies and were reproduced there. Thanks to the spread of paper-making technology, the materials with which to make manuscripts were plentiful, and in fact manuscripts continued to form an important part of book production even after the advent of print. The earliest kind of printing was xylography (woodblock printing), which was probably first put to use in China in the seventh century and rapidly spread to Korea, Japan, and elsewhere. In the eleventh century typography (movable type printing) was invented in China, but it was not put to much use there: rather, it was in the Tangut empire and Korea that typography, under the auspices of the state, came to be used extensively for book production. Typography also reached Japan and Vietnam, but had only a limited impact and in both societies xylography remained dominant.
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38

1860-1941, Updike Daniel Berkeley, ed. Comparative table of types used by the French National Printing House from its foundation to 1825: A facsimile printed from the original photoengraving of the Merrymount Press edition of Printing types, their history, forms, and use, together with commentary on the specimen by Daniel Berkeley Updike. New York: Martin W. Hutner, 1994.

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39

Parker, Philip M. The 2007-2012 World Outlook for Lithographic Printing of Passbooks, Debit-Credit Slips, Ledger and Statement Sheets, Installment-Loan Coupons, and Other Bank Forms Excluding Checkbooks. ICON Group International, Inc., 2006.

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40

The 2006-2011 World Outlook for Lithographic Printing of Passbooks, Debit-Credit Slips, Ledger and Statement Sheets, Installment-Loan Coupons, and Other Bank Forms Excluding Checkbooks. Icon Group International, Inc., 2005.

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41

Words We Misspell in Business: Ten Thousand Terms, Showing Their Correct Forms and Divisions As Used in Printing and Writing, With Rules Governing the Orthography of English Words. Franklin Classics, 2018.

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42

Palmer, Michele, and Lori Beth Garris. Toile: The Storied Fabrics of Europe and America (Schiffer Design Book). Schiffer Publishing, 2003.

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43

Hinds, Peter. The Book Trade at the Turn of the Eighteenth Century. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.032.

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This essay provides an overview of the publishing context at the turn of the eighteenth century out of which the novel would emerge, including the development and early dominance of the London book, before going on to describe the conditions for the spread of printing and bookselling nationally from 1695 onwards. As well as considering book production, the essay examines readers’ experiences in the period, looking at the testimony of individual, historical readers, and some specific genres of writing—such as diaries, autobiographies, and collections of letters—often considered important for the emergence of the novel form. The essay then turns to establish the ‘conceptual horizons’ of readers’ expectations with regard to fiction—horizons which authors could work within or seek to challenge and push further by innovating new forms of literary expression, the novel amongst them.
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44

Brundin, Abigail, Deborah Howard, and Mary Laven. Printing and Piety. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816553.003.0008.

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This chapter focuses on the second half of the sixteenth century, which witnessed an outpouring of printed devotional texts aimed at new kinds of readers from lower down the social scale, and asks what impact this form of production might have had on domestic devotion. Three case studies for comparison are chosen: Vicenza, in the Veneto; Macerata, in the Marche; and Naples, the largest city in Europe in the period. An analysis of local, devotional printing helps to give a picture of the kinds of books ordinary people in three very different cities might have been able to buy cheaply in local bookshops to keep in their homes. The chapter argues that the proliferation of printed texts in the late sixteenth century provided opportunities to ordinary people to develop their individual faith in an unprecedented way.
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45

Gillaerts, Paul, and Maurizio Gotti. Genre Variation in Business Letters: 2nd Printing. Lang AG International Academic Publishers, Peter, 2008.

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46

Nugent, Christopher M. B. Literary Media. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.4.

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This chapter explores the various media by means of which literature was produced and disseminated prior to the spread of printing. It looks both at material media, such as bronze, bamboo, and paper, and at the use of oral and memorial transmission, which played crucial roles in the periods covered here as well. In addition to descriptions of how these media were produced and used, it discusses the impact that they had on conceptions of literary composition and transmission. It emphasizes that, in many contexts, literature was as likely to be heard as to be read and that writing was only one of the forms in which Classical Chinese literature existed for those who created and first experienced it.
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47

Boffey, Julia. London Books and London Readers. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0023.

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This article examines the city of London—its history, topography, governance, people—as a most fruitful subject of books in the late medieval period. It considers a poem that praises London’s “renown, riches and royalte” as an example of metropolitan textual production and transmission during the period. It also explores some of the contexts in which manuscript and print were brought together, or conversely kept apart, in the decades which immediately followed the introduction of printing to England by William Caxton in c.1476. In addition, it looks at London readers as a significant audience for texts of wider national significance, the interpenetration of different forms of book production in London at the start of the sixteenth century, and three manuscripts: the two separate volumes of theNew cronyclesplus the Guildhall manuscript of theGreat Chronicle.
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48

Wallace, Aurora. New Buildings and New Spaces. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037344.003.0003.

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This chapter views the New-York Tribune and the New York Times—the first in the industry to use skyscraper architecture as the medium for corporate image construction—in the context of the growing power of the press. In the last quarter of the nineteenth century, the city was reimagined with new patterns of circulation, spaces, conduits, and nodes of power. Alongside the growth of the banking and insurance industries, the press colonized lower Manhattan and the value of land rose precipitously. New construction and printing technology required capital investment and new forms of corporate governance. Media architecture transformed from rented space in low buildings to purpose-built signature buildings with lawyers, press agents, and advertising firms as tenants. The shift to taller buildings reveals a preoccupation with both the symbolic and economic value of the skyscraper, as media content became more attentive to the built environment.
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49

James, Felicity. Romantic Readers. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.31.

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This chapter examines both the excitement and the anxieties associated with Romantic reading. Thanks to increased literacy, heightened competition in the book trade, and technological advances in printing, eighteenth-century Britain had transformed itself into ‘a nation of readers’, as Samuel Johnson observed in his Lives of the English Poets. This chapter explores what the Romantic nation was reading and how it obtained its books, looking at different forms of libraries and book societies, and at the circulation and the cost of books. It discusses recent critical advances in understanding the complexities of reading practices, and sets these in a wider context of the thematization of reading in the period. The presentation of the Romantic reader is analysed through a range of texts from Lyrical Ballads to the letters of Jane Austen and Charles Lamb. These are placed alongside the testimonies of readers themselves and the traces of reading habits revealed by diaries, reviews, and library records.
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50

Piccola storia dell'editoria: Vita, evoluzione e forme del principale veicolo della cultura : il libro. Milano: Modern publishing, 2007.

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