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1

French, Vivian. Princess Sophia and the prince's party. New York: HarperCollinsPublishers, 2007.

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2

Martin, Gosman, MacDonald A. A, and Vanderjagt Arie Johan, eds. Princes and princely culture, 1450-1650. Leiden: Brill, 2003.

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3

1955-, Ernst Waltraud, and Pati Biswamoy, eds. India's princely states: People, princes, and colonialism. New York: Routledge, 2007.

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4

Young, Laurie. Princess Polly and the pea: A royal tactile and princely pop-up. Atlanta, GA: Piggy Toes Press, 2007.

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5

Young, Laurie. Princess Polly and the pea: A royal tactile and princely pop-up. Atlanta, GA: Piggy Toes Press, 2007.

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6

Young, Laurie. Princess Polly and the pea: A royal tactile and princely pop-up. Atlanta, GA: Piggy Toes Press, 2007.

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7

Princess, princess. London: Walker, 2003.

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8

Dale, Penny. Princess, princess. Cambridge, Mass: Candlewick Press, 2003.

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9

1913-, Malgonkar Manohar, ed. Princess: The autobiography of the Dowager Maharani of Gwalior. Covent Garden, London: Century, 1985.

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10

Scindia, Vijayaraje. Rājamātā Vijayārāje Śinde yāñce ātmakathana. Puṇe: Rājahãsa Prakāśana, 1987.

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11

Princess Sissi the Princes Fiancee (Princess Sissi). Pan Macmillan, 1999.

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12

Morgan, Raye, and Leanne Banks. Prince's Texas Bride - The Reluctant Princess. Harlequin Mills & Boon, Limited, 2012.

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13

Prince's Texas Bride: The Reluctant Princess. Harlequin Mills & Boon, Limited, 2012.

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14

Cole, Babette. Princess Smartypants and the missing princes. 2016.

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15

Princes' Bride: The Italian Prince's Pregnant Bride. Harlequin Mills & Boon, Limited, 2010.

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16

India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2010.

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17

Ernst, Waltraud, and Biswamoy Pati. India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2007.

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18

Ernst, Waltraud, and Biswamoy Pati. India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2007.

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19

Ernst, Waltraud, and Biswamoy Pati. India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2007.

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20

Ernst, Waltraud, and Biswamoy Pati. India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2007.

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21

Ernst, Waltraud, and Biswamoy Pati. India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2007.

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22

Ernst, Waltraud, and Biswamoy Pati. India's Princely States: People, Princes and Colonialism. Taylor & Francis Group, 2007.

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23

Princes and princely culture 1450-1650. Vol. 1. Leiden: Brill, 2003.

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24

Princes and princely culture, 1450-1650. Vol. 2. Leiden: Brill, 2004.

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25

Harlen, Brenda, Carol Marinelli, and Michelle Celmer. Royal Temptation: Protecting the Desert Princess / Virgin Princess, Tycoon's Temptation / the Prince's Second Chance. Harlequin Mills & Boon, Limited, 2019.

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26

Morgan, Raye, and Leanne Banks. Doctor Takes a Princess / Pregnant with the Prince's Child. Harlequin Mills & Boon, Limited, 2012.

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27

Jones-Morris, Alicia. Princess and Prince's Adventures: My First Path to Friendship. Independently Published, 2020.

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28

French, Vivian. Princess Sophia and the Prince's Party (Tiara Club (Paperback)). Orchard Books, 2006.

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29

Morgan, Raye, and Leanne Banks. Doctor Takes a Princess: Pregnant with the Prince's Child. Harlequin Mills & Boon, Limited, 2012.

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30

Heal, Bridget. Protestant Aesthetics beyond the Court. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198737575.003.0009.

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While princely residential cities such as Dresden provided key focal points for the Empire’s spiritual and cultural life during the later seventeenth century, Chapter 8 shows that the appeal of the Lutheran baroque extended well beyond courtly circles. Not only princes and nobles but also prosperous burghers commissioned magnificent churches and religious images, as the examples investigated here demonstrate. The chapter uses case studies from two Saxon territories, the Erzgebirge and Upper Lusatia, to suggest that wherever finances permitted churches were rebuilt or redecorated in the new style, employing visual magnificence in the service of Lutheran piety. There were some splendid monuments in Brandenburg as well, for example Andreas Schlüter’s pulpit for Berlin’s Marienkirche (1703). There, however, Lutheran culture was also shaped by the presence of Calvinists and Pietists.
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31

Bradford, Anna C. Princess and Princes: Where Have All the Children Gone? Createspace Independent Publishing Platform, 2017.

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32

Gosman, Martin, Alasdair A. MacDonald, M. Gosman, and Arjo J. Vanderjagt. Princes and Princely Culture 1450-1650 (2-Volume Set). BRILL, 2005.

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33

Faye, Jennifer. Twin Princes of Mirraccino (2) - the Prince's Christmas Vow. Harlequin Mills & Boon, Limited, 2015.

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34

West, Annie. Royal Weddings: The Sheikh's Princess Bride / the Doctor Takes a Princess / Crown Prince's Chosen Bride. Harlequin Mills & Boon, Limited, 2019.

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35

Nowakowska, Natalia. ‘A Most Pious Prince’? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813453.003.0006.

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The Polish monarchy’s diplomacy in the 1520s and 1530s has long struck historians as peculiar—both pro- and anti-Reformation simultaneously. King Sigismund actively promoted Lutheran princes such as Duke Albrecht of Prussia or Wilhelm of Brandenburg-Ansbach in their activities in Livonia, Scandinavia, and the Holy Roman Empire, and married his oldest daughter to a leading Lutheran German prince. At the same time, a key facet of Polish diplomacy was the cultivation in speeches, treatises, and woodcuts of King Sigismund’s international reputation as a most pious prince. This chapter argues that, rather than diagnosing sixteenth-century diplomacy as pure realpolitik, we should pay attention to cultural factors in play, such as sacred bonds of kinship, the power of princely reputation, and ecclesiological beliefs. In these years, the Polish Crown conducted a pre-confessional diplomacy, in the conviction that Christendom was still one, perceiving relatively limited differences between Catholics and Lutherans.
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36

Tsuda, Mikiyo. Princess Princess Volume 5 (Princess Princess). Digital Manga Publishing, 2007.

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37

Tsuda, Mikiyo. Princess Princess Volume 4 (Princess Princess). Digital Manga Publishing, 2007.

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38

Tsuda, Mikiyo. Princess Princess Volume 3 (Princess Princess). Digital Manga Publishing, 2007.

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39

Disney Princess Best Friends (Princes; Friends Collection, a Learn Aloud Book). Studio Mouse, 2006.

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40

Dale, Penny. Princess, Princess. Candlewick, 2007.

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41

Varela, Gabrielle C. Princess (Princess). Scholastic Hippo, 1996.

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42

Tsuda, Mikiyo. Princess Volume 2 (Princess Princess). Digital Manga Publishing, 2007.

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43

Palace: My Life in the Royal Family of Monaco. Berkley, 1989.

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44

Ruffin, Roy. Princpls Microecons. 4th ed. Longman Higher Education, 1991.

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45

Mason, J., and S. Stephens. Princess School #5: Princess Charming: Princess Charming (Princess School). Scholastic Paperbacks, 2005.

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46

Princess to Princess. Blue Apple Books, 2008.

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47

Tsuda, Mikiyo. Princess Princess Plus. Digital Manga Publishing, 2009.

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48

Snyder, Jean E. Wife and Family of the “Eminent Baritone”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0012.

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This chapter focuses on the role of Harry T. Burleigh's wife and family in his career as an “eminent baritone.” Due to his success in singing for the English royal and noble families, Burleigh returned to perform in England the following summer, but it also led to his wife's determination to create an identity distinct from her role as the wife of “the eminent baritone.” In fall 1909 Louise took their son Alston to England, where she placed him at Malden College for Boys just outside London. Then, assuming the stage name of Princess Redfeather, she “played in her own Indian Act in London music halls.” After the “real” Princess Redfeather, Princess Tsianina Redfeather, appeared and demanded that Louise must find another stage name, Louise became Ojibway Princess Nadonis, and later Princess Nadonis Shawa. This chapter considers Louise Alston Burleigh's separation from Harry and her decision to pursue a career as a performer in New York City, with particular emphasis on her American Indian presentations and her joint recitals.
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49

Monica, Carol. Disney Princess: Princess Mix & Match (Disney Princess). Disney Press, 2006.

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50

Jones, Janey Louise. Princess Poppy: Pocket Money Princess (Princess Poppy). Corgi, 2008.

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