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Books on the topic 'Presse – Audience'

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Author: Grafiati

Published: 8 June 2024

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1

DeWerth-Pallmeyer, Dwight. The audience in the news. Mahwah, N.J: Erlbaum, 1997.

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2

Slawinski, Scott. Validating bachelorhood: Audience, patriarchy, and Charles Brockden Brown's editorship of the Monthly Magazine and American Review. New York: Routledge, 2005.

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3

Ogunyemi, Ola. Journalism, audiences and diaspora. Houndsmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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4

Ouellette, François. L' accès des caméras de télévision aux audiences des tribunaux. Montréal, Qué: Éditions Thémis, 1997.

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5

He, Guoping. Zhongguo dui wai bao dao si xiang yan jiu: Policy study on reporting China for global audience. 8th ed. Beijing Shi: Zhongguo chuan mei da xue chu ban she, 2009.

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6

Meulemann, Heiner, and Jörg Hagenah. Alte und neue Medien: Zum Wandel der Medienpublika in Deutschland seit den 1950er Jahren. Berlin: Lit, 2008.

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7

A, Cohen Akiba, ed. Global newsrooms, local audiences: A study of the Eurovision News Exchange. London: Libbey, 1996.

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8

Morales, Víctor Hugo. Audiencia con el Diablo: Retrato de una época de política, periodismo y poder. Ciudad de Buenos Aires: Aguilar, 2014.

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9

Belgum, Kirsten. Popularizing the nation: Audience, representation, and the production of identity in Die Gartenlaube, 1853-1900. Lincoln, Neb: University of Nebraska Press, 1998.

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10

Miller, William Lockley. Media and voters: The audience, content, and influence of press and television at the 1987 general election. Oxford: Clarendon Press, 1991.

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11

Turnock, Robert. Interpreting Diana: Television audiences and the death of a princess. London: British Film Institute, 2000.

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12

Ruiz, Carlos. Ética de la audiencia: Reflexión ética sobre el principio jurídico de libertad de infromación. Bilbao: Grafite Ediciones, 2003.

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13

Pew Research Center for the People & the Press., ed. Striking the balance: Audience interests, business pressures, and journalists' values : views of the press on their performance and the people. Washington, D.C: The Pew Research Center for the People & the Press, 1999.

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14

Ohlsson, Anders. Politiska nyheter til nytta och nöje: En studie av varför vi tar del av nyheter om politik i press, radio och TV. Stockholm: Almqvist & Wiksell International, 1989.

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15

Chŏng-hwan, Yi. Chŏnŏllijŭm ŭi mirae: Chagi pokche wa p'ot'ŏl chungdok ŏllon e mirae nŭn innŭn'ga = The future of journalism. 8th ed. Sŏul-si: Inmul kwa Sasangsa, 2015.

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16

Yi, Che-yŏng. Nyusŭ sobi ŭi pyŏnhwa. 8th ed. Sŏul-si: K'ŏmyunik'eisyŏn Puksŭ, 2021.

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17

Madianou, Mirca. Mediating the nation: News, audiences and the politics of identity. London: UCL Press, 2005.

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18

Kim, Wi-gŭn. Chŏlmŭn sedae ŭi nyusŭ midiŏ iyong: Hyŏnhwang kwa chŏnmang. 8th ed. Sŏul T'ŭkpyŏlsi: Han'guk Ŏllon Chinhŭng Chaedan, 2013.

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19

Stroud, Natalie Jomini. Niche news: The politics of news choice. New York: Oxford University Press, 2011.

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20

L' audience: Presse, radio, télévision, Internet. Paris: CNRS, 2003.

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21

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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22

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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23

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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24

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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25

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2015.

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26

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2018.

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27

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2015.

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28

Albæk, Erik, Arjen Van Dalen, Helle Svensson, Antonis Kalogeropoulos, and C. H. de Vreese. Economic News and the Inattentive Audience. Taylor & Francis Group, 2018.

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29

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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30

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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31

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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32

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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33

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2015.

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34

(Editor), Mira Friedlander, and Wayne Fairhead (Editor), eds. TYA5: Theatre for Young Audience (Playwrights Canada Press). Playwrights Union of Canada, 2000.

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35

Phillips, Angela, and Eiri Elvestad. Misunderstanding News Audiences. Routledge, 2018.

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36

Duffy, Brooke Erin. Rethinking Readership. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0005.

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Abstract:

This chapter examines how the transformations associated with digitization are reshaping the ways in which publishers of women's magazines think about readership by focusing on their constructions of audiences. Editors and publishers of women's magazines have long targeted narrowly defined segments of the female populace based upon demographic factors (age, household income, marital status, educational level, and sometimes even race) as well as lifestyle traits and behaviors. They draw upon surveys and other measurement techniques to understand these segments and craft detailed profiles of their “ideal reader.” This chapter considers women's magazines' shape-shifting approaches to audiences, particularly between producers for the print and digital products. It discusses the magazine industry's progress in terms of providing advertisers with more precise and timely audience metrics, as well as magazines' understanding of audience demographics. It also explores recent developments in online tracking and consumer analytics and how they have inspired a new series of approaches to researching media audiences, including search engine optimization, content syndication and aggregation, and web traffic generation.

37

Scalmer, Sean, and Bridget;Scalmer Griffen-Foley. Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives. Melbourne University Publishing, 2017.

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38

Scalmer, Sean, and Bridget;Scalmer Griffen-Foley. Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives. Melbourne University Publishing, 2017.

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39

(Editor), Carolyn A. Lin, and David J. Atkin (Editor), eds. Communication Technology and Society: Audience Adoption and Uses (The Hampton Press Communication Series). Hampton Pr, 2001.

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40

(Editor), Carolyn A. Lin, and David J. Atkin (Editor), eds. Communication Technology and Society: Audience Adoption and Uses (The Hampton Press Communication Series). Hampton Pr, 2002.

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41

Nelson, Jacob L. Imagined Audiences: How Journalists Perceive and Pursue the Public. Oxford University Press, Incorporated, 2021.

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42

Paletz, David L. Political Communication in Action: States, Institutions, Movements, Audiences (Hampton Press Communication Series). Hampton Press, 1996.

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43

Perlmutter, David, Donald L. Shaw, Paula M. Poindexter, Richard Waters, and Carolyn Bronstein. Agendamelding: News, Social Media, Audiences, and Civic Community. Lang AG International Academic Publishers, Peter, 2019.

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44

Prokopovych, Markian. In the Public Eye: The Budapest Opera House, the Audience and the Press, 1884-1918. Bohlau Verlag GmbH u. Co. KG, 2014.

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45

Clasen, Mathias. Lost and Hunted in Bad Woods. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0013.

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Abstract:

Eduardo Sánchez and Daniel Myrick’s The Blair Witch Project (1999) launched the horror subgenre of “found footage”—pseudodocumentary horror—into the mainstream. The film was marketed as a true story and features the footage of three student filmmakers who got lost on a trip to document the Blair Witch phenomenon. The film was remarkably effective in using simple cinematic techniques to generate an authenticity aesthetic, and in using a suggestive multiplatform advertising campaign, thus capturing audience interest and generating strong emotional responses. The film tapped into evolved defense mechanisms through its depiction of vulnerable youths getting lost in an unknown, hostile natural environment and being hunted by some malignant, apparently supernatural agent. The film’s promise of authenticity, of real horror, made the narrative premise even more salient to audiences.

46

Paletz, David L. Political Communication in Action: States, Institutions, Movements, Audiences (Hampton Press Communication Series Political Communication). Hampton Press, 1996.

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47

Phillips, Angela, and Eiri Elvestad. Misunderstanding News Audiences: Seven Myths of the Social Media Era. Taylor & Francis Group, 2018.

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48

Fox, Adam. The Press and the People. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198791294.001.0001.

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This is the first full-length study of cheap print in early modern Scotland. It traces the production and distribution of ephemeral publications from the nation’s first presses in the early sixteenth century through to the age of Burns in the late eighteenth. It explores the development of the Scottish book trade in general and the production of slight and popular texts in particular. Focusing on the means by which these works reached a wide audience, it illuminates the nature of their circulation in both urban and rural contexts. Specific chapters examine single-sheet imprints such as ballads and gallows speeches, newssheets and advertisements, as well as the little pamphlets that contained almanacs and devotional works, stories and songs. The book demonstrates just how much more of this reading matter was once printed than now survives and argues that Scotland had a much larger market for such material than has been appreciated. By illustrating the ways in which Scottish printers combined well-known titles from England with a distinctive repertoire of their own, The Press and the People transforms our understanding of popular literature in early modern Scotland and its contribution to British culture more widely.

49

Cohen, Jeffrey. Some Like It Hot-Buttered (Thorndike Press Large Print Mystery Series). Thorndike Press, 2008.

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50

Theorizing Fandom: Fans, Subculture and Identity (The Hampton Press Communication Series). Hampton Pr, 1998.

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