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Books on the topic 'Presó Model de Barcelona'

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Author: Grafiati
Published: 26 July 2024

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1

Fita, Pere Carbonell i. Nadal a la presó Model, 1944-1945. Barcelona: Publicacions de l'Abadia de Montserrat, 2000.

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2

Fita, Pere Carbonell i. Nadal a la presó Model, 1944-1945. [Barcelona]: Publicacions de l'Abadia de Montserrat, 2000.

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3

Delgado, Manuel. Elogi del vianant: Del "model Barcelona" a la Barcelona real. Barcelona: Edicions de 1984, 2005.

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4

Ruiz, Manuel Delgado. Elogi del vianant: Del "model Barcelona" a la Barcelona real. Barcelona: Edicions de 1984, 2005.

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5

Solé i Sabaté, Josep M., ed. Història de la presó Model de Barcelona. Lleida: Pagès Editors, 2000.

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6

Scarnato, Alessandro. Top model Barcelona: 1979-2011 : un racconto urbano tra architettura, politica e società. Firenze: Altralinea edizioni, 2015.

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7

Cóppulo, Sílvia. Com neix COMRàdio: El naixement d'un model nou de xarxa local de ràdio. Barcelona: Angle Editorial, 2006.

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8

Cóppulo, Sílvia. Com neix COMRàdio: El naixement d'un model nou de xarxa local de ràdio. Barcelona: Angle Editorial, 2006.

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9

Susanne, Graf, and Mounier Laurent, eds. Model checking software: 11th International SPIN Workshop, Barcelona, Spain, April 1-3, 2004 : proceedings. Berlin: Springer, 2004.

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10

Pagès, Pelai. La presó Model de Barcelona: Història d'un centre penitenciari en temps de guerra (1936-1939). Barcelona: Publicacions de l'Abadia de Montserrat, 1996.

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11

Barcelona), International Workshop on Quantum Effects in the MSSM (1997 Universitat Autónoma de. Proceedings of the International Workshop on Quantum Effects in the MSSM: Universitat Autònoma de Barcelona, Catalonia, Spain, 9-13 September 1997. Singapore: World Scientific, 1998.

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12

Julià, Cèlia Cañellas, and Cèlia Cañellas. Història de la Presó Model de Barcelona. Pagès Editors, S.L., 2017.

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13

Bayraguet, Alfons. El Port de Barcelona El Port de Barcelona (Model Barcelona Model Barcelona). Aula Barcelona, 2003.

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14

Mounier, Laurent, and Susanne Graf. Model Checking Software: 11th International SPIN Workshop, Barcelona, Spain, April 1-3, 2004, Proceedings. Springer London, Limited, 2004.

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15

Un Model de llengua pels mitjans de comunicació: Llibre d'estil del Diari de Barcelona. Barcelona: Editorial Empúries, 1987.

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16

Bellatreche, Ladjel, Alberto Abelló, Mirjana Ivanovic, and Yassine Ouhammou. Model and Data Engineering: 7th International Conference, MEDI 2017, Barcelona, Spain, October 4–6, 2017, Proceedings. Springer, 2017.

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17

Quantum Effects in the Minimal Supersymmetric Standard Model: Proceedings of the International Workshop, Universitat Autonoma De Barcelona, Catalonia, Spain 9-13 September 1997. World Scientific Publishing Company, 1998.

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18

Fraser, Benjamin. Beyond Sketches of Spain. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197549285.001.0001.

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Abstract:
Abstract No musician did more to shape Iberian jazz than pianist Vicenç Montoliu i Massana (1933–1997), who was known simply as “Tete.” Reflecting his fascination with the modernist aesthetics of mid-century jazz, Tete Montoliu was known for his quick fingering, his carefully crafted mix of lyricism and dissonance, his penchant for discordant crashes, and his development of highly original compositions. He boasted some 100 recordings spanning Denmark, Germany, Holland, Spain, and the United States, and performed with the most notable jazz luminaries, including Lionel Hampton, Rahsaan Roland Kirk, Dexter Gordon, and Archie Shepp. Acknowledging and drawing musical inspiration from the Black American jazz form, Tete fashioned an adjacent critical space shaped by his experiences as a Catalan and a person with congenital visual impairment living under the dictatorship of Francisco Franco. Beyond Sketches of Spain: Tete Montoliu and the Construction of Iberian Jazz explores the artist’s life, musical production, and international reception within a cultural studies framework. This book moves beyond mere sketches of Spanish nationhood to challenge conventional scholarly narratives and recover links between the United States, Barcelona, Catalonia, Spain, and Europe in the investigation of an impressive and often overlooked transnational modern jazz legacy. Eschewing Theodore Adorno’s denigration of Black American jazz, a more compelling model is found in Fumi Okiji’s notion of gathering in difference. In this work, Benjamin Fraser deftly mixes musical biography with urban history, spatial theory, and disability studies, fashioning a highly readable text for readers from all disciplines.
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