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Relevant bibliographies by topics / Prensa (San Antonio, Tex.)

Academic literature on the topic 'Prensa (San Antonio, Tex.)'

Author: Grafiati

Published: 25 July 2024

Last updated: 26 July 2024

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Journal articles on the topic "Prensa (San Antonio, Tex.)"

1

Franz, K. "Museo Alameda. San Antonio, Tex. http://www.thealameda.org/." Journal of American History 95, no. 1 (June 1, 2008): 149–55. http://dx.doi.org/10.2307/25095468.

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García Robles, Marco Antonio. "Arte, prensa y poder." Revista de Estudios Históricos de la Masonería Latinoamericana y Caribeña 12, no. 1-2 (July 1, 2020): 328–33. http://dx.doi.org/10.15517/rehmlac.v12i1-2.40580.

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El investigador Marco Antonio García Robles ha defendido una tesis doctoral, cuyo título es “Arte, prensa y poder: historia de los masones y sus prácticas discursivas en el Aguascalientes del siglo XIX”, en la Universidad Autónoma de Aguascalientes en México, el 28 de octubre de 2019. Marco Antonio García Robles nació en San Francisco de los Romo, Aguascalientes, México, el 4 de marzo de 1975.

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Flores, Lori A. "An Unladylike Strike Fashionably Clothed: Mexicana and Anglo Women Garment Workers Against Tex-Son, 1959––1963." Pacific Historical Review 78, no. 3 (August 1, 2009): 367–402. http://dx.doi.org/10.1525/phr.2009.78.3.367.

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A conflict that rocked San Antonio from 1959 to 1963, the Tex-Son garment workers' strike was the first International Ladies' Garment Workers' Union (ILGWU) struggle led by a Mexican American woman and the first strike in which Mexican-origin and Anglo women picketed together in Texas. Responding to the city press's focus on the violence of the strike, the women of Tex-Son strategically used Cold War-era ideologies of femininity and domesticity to revise public notions of their "unladylike" struggle. By literally refashioning themselves through their physical appearance and emphasizing their dual role as mothers and workers, the mostly Mexicana Tex-Son strikers gained tremendous support in the traditionally anti-union city of San Antonio. Situated between the end of World War II and the Chicano movement, the Tex-Son strike represents an important, transitional form of Mexican and Mexican American women's activism not yet fully explored by historians.

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WEISSLER, M. C. "West German Colleagues Present at Academy Meeting in San Antonio, Tex." Archives of Otolaryngology - Head and Neck Surgery 113, no. 1 (January 1, 1987): 17–19. http://dx.doi.org/10.1001/archotol.1987.01860010021003.

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Orr, Malcolm D. "HIV-1 Infection in Patients With Penetrating Trauma in San Antonio, Tex." JAMA: The Journal of the American Medical Association 262, no. 12 (September 22, 1989): 1629. http://dx.doi.org/10.1001/jama.1989.03430120079015.

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Orr, M. D. "HIV-1 infection in patients with penetrating trauma in San Antonio, Tex." JAMA: The Journal of the American Medical Association 262, no. 12 (September 22, 1989): 1629a—1629. http://dx.doi.org/10.1001/jama.262.12.1629a.

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7

Caparó Aragón, Marco Antonio. "José Uriel García y su concepto de estilo crespo como un fundamento del «arte nacional» (1934-1939)." Desde el Sur 14, no. 3 (September 30, 2022): e0035. http://dx.doi.org/10.21142/des-1403-2022-0035.

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El presente artículo pretende comprender la literatura artística de José Uriel García expuesta en La Prensa de Argentina, que se sustenta en contenidos de naturaleza histórico-artística y divulgados en ensayos de ideología telúrica. A partir de este marco, se propondrá al estilo crespo como arte nacional, desarrollado en la sierra surperuana, mediante la ejecución de políticas educativas diseminadas en la Universidad San Antonio Abad del Cusco (1910-1923) y como influencia del pensador argentino Ricardo Rojas. El enfoque de análisis utilizado es la historiografía artística. Así, se revisó documentos, revistas, periódicos y obras de autores especialistas, además de 12 ensayos periodísticos de La Prensa. El eje de indagación permitió demostrar que la existencia del estilo crespo comprende la coyuntura nacional, creada a partir de estudios sobre las iglesias de San Miguel de Mamara y Santiago de Pomata, además de pintura, imaginería, etc. Como resultado de este análisis, se comprobó que su validez permite afirmar que floreció en el primer tercio del siglo XVIII, solo en aldeas puebleras del sur peruano. La aportación plantea que el estilo crespo fue una expresión nacional creada por artistas de origen indomestizo, en su afán de representar expresiones artísticas regionales prístinas.

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Editorial, E. "Corrigendum: Thermodynamic performance of ammonia in liquefied natural gas precooling cycle." Thermal Science 25, no. 4 Part A (2021): 2844. http://dx.doi.org/10.2298/tsci210709236e.

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Simeon Oka, Editor-in-Chief Emeritus of the journal Thermal Science request that it is necessary write correction in Table 6, p. 2012, in the paper THERMODYNAMIC PERFORMANCE OF AMMONIA IN LIQUEFIED NATURAL GAS PRECOOLING CYCLE by Ray SOUJOUDI* and Randall MANTEUFEL Department of Mechanical Engineering, University of Texas, San Antonio, Tex., USA Original scientific paper https://doi.org/10.2298/TSCI201227072S published in the journal Thermal Science, Year 2021, Vol. 25, No. 3A, pp. 2003-2016 <br><br><font color="red"><b> Link to the corrected article <u><a href="http://dx.doi.org/10.2298/TSCI201227072S">10.2298/TSCI201227072S</a></b></u>

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9

Gunckel, Colin, and Laura Isabel Serna. "In Translation: Gabriel Navarro, Latina/o Film Critic." JCMS: Journal of Cinema and Media Studies 63, no. 3 (March 2024): 128–52. http://dx.doi.org/10.1353/cj.2024.a927689.

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ABSTRACT: Gabriel Navarro (1894–1950) was critic and entertainment editor for La Prensa (San Antonio) and La Opinión (Los Angeles) during the 1920s and 1930s. In an extensive body of film reviews, columns, and film-related fiction, Navarro considered questions of fandom, stardom, representation, and the racial hierarchies that structured the US film industry. He offered his readers behind-the-scenes accounts of Hollywood, advocated for Mexican immigrant audiences and talent, and argued for culturally sensitive representation. Navarro's work opens new ways of thinking about Latino/a/es in US film history and offers new perspectives on the historical relationships between mainstream media and marginalized audiences.

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Urbina Gaitán, Chester Rodolfo. "La carrera atlética San José-Puntarenas de Costa Rica (1914-1938). Los atletas como héroes deportivos." Lecturas: Educación Física y Deportes 28, no. 303 (August 1, 2023): 2–18. http://dx.doi.org/10.46642/efd.v28i303.4013.

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Amparado en fuentes periodísticas, el artículo hace un estudio descriptivo de la carrera atlética San José-Puntarenas entre 1914 y 1938. Se puntualiza en dar a conocer cuáles fueron los ganadores y los tiempos que hicieron en dicha carrera en ese período. A un nivel general, la carrera en mención permitió que en Costa Rica surgieran otras competencias atléticas de larga distancia. Asimismo, los ganadores se convirtieron en referentes de masculinidad hegemónica al forzar y endurecer sus cuerpos para concluir la competencia. El corredor más destacado de esta carrera fue Antonio Rodríguez “El Sanjuaneño” que se convirtió en un arquetipo del campesino humilde y trabajador que se sacrifica por la patria. La identificación de este corredor empírico con el atletismo se sitúa en el interés de los gobernantes costarricenses de finales del siglo XIX de acentuar un proceso de morigeración de las costumbres, con el objeto de transformar a los sectores populares en personas más educadas y menos violentas. Al no existir en la prensa costarricense más referencias dirigidas hacia la creación de símbolos de masculinidad con los ganadores de la carrera en estudio, se debilita una demostración más concluyente al respecto. Este artículo tiene un doble objetivo: determinar la importancia dentro de la historia del atletismo costarricense de la carrera atlética San José-Puntarenas desde su aparición en 1914 hasta 1938 y explicar cómo la participación de atletas de los sectores populares en esta competencia fue utilizada por parte de la prensa nacional para exaltar su virilidad y ejemplaridad moral.

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Dissertations / Theses on the topic "Prensa (San Antonio, Tex.)"

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Copeland, Cristen Paige McCaslin Richard B. "What went wrong? how arrogant ignorance and cultural misconceptions turned deadly at the San Antonio courthouse, March 19, 1840 /." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-6120.

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Perrin, Teresa Thomas. "Crime and order in San Antonio during the Civil War and Reconstruction." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035163.

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O'Neill, Brian. "A model assessment tool for the incident command system : a case study of the San Antonio Fire Department /." View online, 2008. http://ecommons.txstate.edu/arp/270.

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Yin, Timothy C. "Developing a church growth strategy for First Chinese Baptist Church, San Antonio, Texas." New Orleans, LA : New Orleans Baptist Theological Seminary, 2007. http://dx.doi.org/10.2986/tren.053-0330.

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Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 2007.
Abstract and vita. Includes final project proposal. Description based on Print version record. Includes bibliographical references (leaves 147-165).

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Leake, Maria De La Luz. "Exploring a Community Partnership: A Narrative Inquiry into the 2004-2006 Semester Programs Between Artpace San Antonio and Louis W. Fox Academic and Technical High School." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33130/.

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This qualitative inquiry explores a community-based art partnership called the semester programs that took place between Artpace San Antonio and Louis W. Fox Academic and Technical High School from 2004 until 2006. This narrative inquiry used interviews with artists and former Fox Tech art students involved in our program, along with my teacher/ researcher reflections, to make meaning from the data. The artists involved in the semester programs were Gary Sweeney, Daniel Guerrero, David Jurist, and Ethel Shipton. Former students interviewed include Eloy McGarity, Rosa Leija, John Contreras, and Jennelle Gomez, while I, Maria Leake represent the voice of the art teacher. Our stories of experience were analyzed and connections between situated learning theory, creativity theories, community-based art education, and memory research were all recognized as being exhibited during our community partnership programs. There were seven patterns and themes that were noted as occurring within each semester program, as well as notable distinctions. The patterns and themes from the data analysis suggest that our community partnership reflected the following: learning and creative expression went beyond the individual; networks of support and communication were available to all participants; challenges were acknowledged; empathy between participants was an unintentional outcome; working together as a community of practice facilitated personal interactions and connections; learning and creative expression went beyond the traditional curriculum; and educational benefits were realized by all participants.

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6

Ramos, Mario A. "Developing leaders at Harlandale Baptist Church, a transitional church in South San Antonio, Texas." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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Hile, Pat Waters. "Oak Hills 101 new-member seminar revision /." Theological Research Exchange Network (TREN), 2000. http://www.tren.com.

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Sobin, Roger M. "Creating biblical awareness within a congregation for faith, renewal, and commitment." Chicago, Ill. : McCormick Theological Seminary, 2002. http://www.tren.com.

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9

Copeland, Cristen Paige. "What Went Wrong? How Arrogant Ignorance and Cultural Misconceptions Turned Deadly at the San Antonio Courthouse, March 19, 1840." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6120/.

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Although the Council House Fight is well written about in the annals of early Texas history, this all-encompassing study will reveal a whole new picture. Unlike previous works that maintained one point of view, multiple perspectives were analyzed and explored to allow a more comprehensive view of the Council House Fight to emerge. Primary focus on social and cultural misunderstandings, as well as the mounting hostility between the Penateka Comanche and Texians across the frontier, will demonstrate their general distrust and hatred of the other. Detailing their complicated relationship will prove that neither the Texians nor the Comanche were without blame, and both shared responsibility for the deterioration of events on and before March 19, 1840.

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Lake, Graciela Esther. "Quantification of potential arsenic bioavailability in spatially varying geologic environments at the watershed scale using chelating resins." Texas A&M University, 2002. http://worldcat.org/oclc/391591271/viewonline.

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Books on the topic "Prensa (San Antonio, Tex.)"

1

Santos, Roberto Kaput González. El México de afuera: Polemistas de la revolución mexicana. Monterrey, Nuevo León, México: Universidad Autónoma de Nuevo León, 2020.

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2

Foster, Nancy Haston. San Antonio. Houston, Tex: Lone Star Books, 1999.

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3

Foster, Nancy Haston. San Antonio. 2nd ed. Austin, Tex: Texas Monthly Press, 1988.

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4

Foster, Nancy Haston. San Antonio. 4th ed. Houston, Tex: Gulf, 1994.

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5

San Antonio. 5th ed. Houston, Tex: Gulf Pub., 1998.

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6

Foster, Nancy Haston. San Antonio. 3rd ed. Austin, Tex: Texas Monthly Press, 1989.

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7

San Antonio. Milwaukee, WI: World Almanac Library, 2006.

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8

Baird, David. San Antonio & Austin. 8th ed. Hoboken, N.J: Wiley, 2009.

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9

Rendon, Al. San Antonio. Houston, Tex: Gulf Pub. Co., 1995.

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Rybczyk, Mark Louis, and Rouse Richard. San Antonio uncovered. 2nd ed. Plano, TX: Republic of Texas Press, 1999.

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