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1

A, Leaver Robin, ed. J. S. Bach's "Leipzig" chorale preludes: Music, text, theology. Lanham, Md: Scarecrow Press, 2011.

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Prelude. Waterville, ME: Thorndike Press, 2003.

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Prelude. Portage, Mich: Public Interest Communication, 2010.

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Prelude. Soest: Catullus, 2009.

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Prelude. New York: Soho, 2009.

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6

J, Hoff B. Prelude. Nashville, Tenn: W Pub. Group, 2002.

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Gilbert, Lela. Prelude. Dallas: Word Pub., 1992.

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Prelude. New York]: Prelude, 2014.

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9

Bach, Johann Sebastian. Prelude and fugue in E flat ; and, The Catechism chorale preludes: For organ. New York: G. Schirmer, 1988.

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Stinson, Russell. Bach, the Orgelbüchlein. New York: Schirmer Books, 1996.

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11

Thoene, Brock. Vienna prelude. Minneapolis, Minn: Bethany House, 1989.

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12

Cornish prelude. London: W. Kimber, 1985.

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13

Cole, Harry. Policeman's prelude. Bath: Firecrest, 1987.

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Thoene, Brock. Vienna prelude. Wheaton, Ill: Tyndale House, 2004.

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15

Wordsworth, William. The prelude. Oxford: Woodstock Books, 1993.

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16

Dawn's prelude. Minneapolis, Minn: Bethany House, 2009.

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17

1953-, Wood Nigel, ed. The Prelude. Buckingham: Open University Press, 1993.

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18

Eliot, T. S. Prelude 1. [London?: s.n., 1988.

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19

Vienna Prelude. Minneapolis, Minn.: Bethany House, 1989.

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Thoene, Brock. Vienna prelude. Tunbridge Wells: Monarch, 1992.

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21

Cole, Harry. Policeman's prelude. Bath: Chivers, 1989.

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22

Salvador, Larroca, ed. Axis prelude. New York: Marvel, 2015.

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Peterson, Tracie. Dawn's prelude. Minneapolis, Minn: Bethany House, 2009.

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24

Peterson, Tracie. Dawn's Prelude. Ada: Baker Publishing Group, 2010.

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25

Wordsworth, William. The Prelude. London: Penguin Group UK, 2010.

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26

Clampett, Robert A., 1940- author, ed. Prelude: Every life is a prelude to the next. Castorville, Texas]: Black Rose Writing, 2015.

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27

The Concordia hymn prelude series index. St. Louis, Mo. (3558 S. Jefferson Ave., St. Louis 63118-3968): Concordia Pub. House, 1986.

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28

Lubeck, Vincent. Preludes and Fugues and Chorlae Prelude (Kalmus Edition). Alfred Publishing Company, 2000.

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29

CHOPIN, Frederic. 24 Preludes opus 28: Prelude in C sharp minor opus 45 ; Prelude in A flat major opus posth. EMI, 1986.

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30

Wordsworth, William. Prelude. Godine Publisher, David R., 2018.

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31

Prelude. Independently Published, 2020.

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Prelude. Verlag der Buchhandlung Walther Konig, 2021.

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33

Bruce, Steve. Prelude. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786580.003.0001.

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So that its positive elements are not lost in the detailed critiques of errors in the study of contemporary religion, this prelude lists and briefly justifies seven basic principles that should guide the researcher. Before we can explain people’s beliefs and behaviour, we need to understand them. As talk is cheap, we should study what people do as well as what they say. Participation is always helpful because joining in activities allows us to check that we understand them. Although we should always be interested in how people see the world and hence should listen to them, we must always be sceptical of what we are told. We should always consider how representative are our subjects. We should hesitate to attribute to others motives we would not impute to ourselves. And, most importantly, we should always be polite and show gratitude to those we study.
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34

Chatterjee, Partha. Prelude. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792444.003.0001.

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This chapter takes a fresh look at the land question in India. Instead of re-engaging in the rich Marxian transition debate, this volume goes beyond that debate to critically examine theoretically the centrality of land in contemporary development discourse in India. But this chapter shows that land in India is sought increasingly for nonagricultural purposes, resulting in inequality and thus class and caste-based conflicts. The chapters collectively address interrelated questions on the role of the state involved in the process of dispossession of land from peasants and tribal communities arguably for developmental purposes. This chapter provides new analytical insights into the land acquisition processes, their legal-institutional and ethical implications, and captures empirically the multifaceted regional diversity of acquisition experiences in India.
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35

Walker, Elsie. Prelude. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495909.003.0001.

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The prelude stresses the emotional, moral, and social value in our being able to hear the world, and the sounds we make within it, better. Michael Haneke’s films are designed to make us reach a greater level of sonic alertness, and they represent a radical expansion of cinema as much more than a “visual medium.” By prompting us to hear everything more consciously, Haneke’s films offer us transformative experiences of lasting impact. The director also consistently foregrounds extreme and devastating scenes of preventable human violence. So, while all of his sound tracks represent new medium-specific possibilities, they also present us with the most poignant hopes of progressive change.
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36

Miksza, Peter, and Kenneth Elpus. Prelude. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199391905.003.0001.

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This chapter describes the goals and general approach of this book. The general purposes of the chapters contained in Parts I and II are presented. A brief statement about how quantitative research can feel foreign to those coming from a classroom setting and suggestions for expanding one’s sense of identity is provided. A basic orientation to quantitative research design and analysis is provided. A brief commentary on data, variables, and quantitative analysis is provided as a prelude to the materials that follow in the rest of the book. Statistical methods are put forward as tools that can be used to discover patterns and trends within the complexities of music teaching and learning phenomena.
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37

Parks, Robin. Prelude. 2001.

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38

Gravil, Richard, and Daniel Robinson. Prelude. Edited by Richard Gravil and Daniel Robinson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199662128.013.0003.

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39

Publishing, RH Value. Prelude. Random House Value Publishing, 1987.

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40

Wordsworth, William. Prelude. Oxford University Press, 2005.

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41

Wordsworth, William. Prelude. Digireads.com Publishing, 2021.

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42

Gilbert, Lela. Prelude. Nelson Incorporated, Thomas, 1992.

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43

Prelude. Lulu Press, Inc., 2015.

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44

Cobb, Kurt. Prelude. Public Interest Communications, 2011.

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45

Durgin, JoAnn. Prelude. SonShine Books, 2014.

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46

Cab, Nely. Prelude. CTP, 2021.

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47

Persson, J. W. Prelude. Independently Published, 2021.

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48

Robertson, Emily. Prelude. Independently Published, 2018.

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49

Coles, William. Prelude. Soho Press, Incorporated, 2009.

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50

Anthony, Shira, and Venona Keyes. Prelude. Dreamspinner Press, 2013.

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