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Books on the topic 'Pratique documentaire'

Author: Grafiati

Published: 23 November 2024

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1

Mouriquand, Jacques. Pratique du documentaire télévisé. Paris: Victoires, 2004.

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2

Lombardini, Carlo. Droit et pratique du crédit documentaire. Zürich: Schulthess Polygraphischer Verlag, 1994.

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3

Çakiroglu, Ibrahim S. Crédit documentaire: Pratique à l'export, à l'import et dans les opérations de négoce. 2nd ed. Paris: Delmas, 1990.

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4

Philippe, Samson, Université de Montréal. Faculté de l'éducation permanente, and Université du Québec à Montréal. Faculté de science politique et de droit, eds. Techniques de repérage des sources documentaires du droit: Guide pratique. 3rd ed. Cowansville, Québec: Éditions Y. Blais, 2004.

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5

Yolande, Skouri, and Alix Marie-Pierre, eds. Guide pratique des techniques documentaires. Paris: EDICEF, 1989.

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6

Epron, Benoît, and Annaïg Mahé. Pratiques documentaires numériques à l'université: Colloque. Villeurbanne: Presses de l'ENSSIB, 2012.

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7

Université Michel de Montaigne-Bordeaux III, ed. Ergonomie des systèmes d'information documentaire: Les hommes et leurs pratiques. Lille: A.N.R.T. Université de Lille III, 1992.

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8

III, Université de Bordeaux, ed. Étude des pratiques documentaires et informationnelles du professeur de collège. Lille: A.N.R.T, Université de Lille III, 2000.

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9

Martini, Hubert. Crédits documentaires, lettres de crédit stand-by, cautions et garanties: Guide pratique. Paris: Revue banque, 2007.

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10

Deschepper, Jacques. Pratique des médias audiovisuels: Diapositive, film, vidéo. Paris: Eyrolles, 1992.

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11

Dottorini, Daniele, editor of compilation, ed. Per un cinema del reale: Forme e pratiche del documentario italiano contemporaneo. Udine: Forum, 2013.

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12

Cati, Alice. Immagini della memoria: Teorie e pratiche del ricordo tra testimonianza, genealogia, documentari. Milano: Mimesis, 2013.

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13

Rapporti mediterranei, pratiche documentarie, presenze veneziane (Conference) (2015 Venice, Italy). Rapporti mediterranei, pratiche documentarie, presenze veneziane: Le reti economiche e culturali (XIV-XVI secolo). Venezia: Istituto veneto di scienze, lettere ed arti, 2017.

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14

Schauder, Silke. Pratiquer la psychologie clinique aupre s des enfants et des adolescents: Cas cliniques, outils d'e valuation, me thodologie, environnement institutionnel, outils documentaires. Paris: Dunod, 2007.

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15

Alberta. Direction de l'éducation française. Les pratiques prometteuses et les apprentissages de base en éducation artistique: Analyse documentaire des programmes de beaux-arts de la maternelle a la 12e année. Edmonton, AB: Alberta Education, 2009.

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16

Cinquegrani, Alessandro, Francesca Pangallo, and Federico Rigamonti. Romance e Shoah Pratiche di narrazione sulla tragedia indicibile. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-492-9.

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Over the last 70 years, Holocaust representations increased significantly as cultural objects distributed on a large scale: fictional books, museum sites, artworks, documentaries, and films are only a few samples of those echoes the Holocaust produced in contemporary Western culture. There are some specific patterns in the way the Holocaust has been represented that, however, contrast with the survivors’ account of the same event: for example, the dichotomy between bad and good characters so essential within Holocaust-based media – especially on television and film - does not really match with the testimony’s experience. While storytelling strategies may help to involve the public by emotionally engaging with the story, the risks of altering the real meaning of the Holocaust are quite high: what we often label as a “story” is actually been an outrageous, documented mass-genocide. Furthermore, as the age gap between the present and the past generation progresses, also the collective awareness of Nazi crimes as a real fact gets compromised. This volume explores selected Holocaust narrations by contextualizing the historical, literary, and social influences those texts had in their unique points of view. Starting with some recent examples of Holocaust exploitation through social media, the first chapter explores the paradigm shift when the Holocaust became a cultural, fictional trend rather than a historical massacre. In the second chapter, the analysis examines postmodern representations of Holocaust and Nazi semantics through relevant examples taken from both American and European literature. The third chapter analyses Europe Central by William T. Vollman, as all the narratological and cultural issues considered in the previous two chapters are well outlined in this articulated novel, where the relationship between reality and its representation after the postmodernist period is largely investigated. In chapter four, an account is given of the connections and differences between the narratological category romance, as understood by Northrop Frye, and Holocaust narration features. In chapter five, those elements are used to consider the work of Italian Holocaust survivor and Jewish writer Primo Levi, as his narration around Auschwitz adopts some fictional tools and still refuses undemanding storytelling mechanisms. The sixth and final chapter examines the relevant novel Les Benviellants by Jonathan Littell, considering its Nazi genocide account through the antagonist’s perspective.

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17

Conférence "Document numérique et société" (2nd 2008 Paris, France). Traitements et pratiques documentaires: Vers un changement de paradigme : actes de la deuxième conférence document numérique et société, Paris, CNAM, 17-18 novembre 2008. Paris: ADBS, 2008.

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18

Conférence "Document numérique et société" (2nd 2008 Paris, France). Traitements et pratiques documentaires: Vers un changement de paradigme : actes de la deuxième conférence Document numérique et société, Paris, CNAM, 17-18 novembre 2008. Paris: ADBS, 2008.

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19

Conférence "Document numérique et société" (2nd 2008 Paris, France). Traitements et pratiques documentaires: Vers un changement de paradigme : actes de la deuxième conférence Document numérique et société, Paris, CNAM, 17-18 novembre 2008. Paris: ADBS, 2008.

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20

A, Block Alan, ed. The Business of crime: A documentary study of organized crime in the American economy. Boulder, Colo: Westview Press, 1991.

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21

Shields, Graham. Cite them right: How to organise bibliographical references. 3rd ed. Newcastle upon Tyne: University of Northumbria at Newcastle, 1995.

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22

Shields, Graham. Cite them right: How to organise bibliographical references. 2nd ed. Newcastle upon Tyne: University of Northumbria at Newcastle, 1993.

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23

Jean-François, Nieus, ed. Le vassal, le fief et l'écrit: Pratiques d'écriture et enjeux documentaires dans le champ de la féodalité (XIe-XVe s.) : actes de la journée d'étude organisée à Louvain-la-Neuve le 15 avril 2005. Louvain-la-Neuve: Université catholique de Louvain, 2007.

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24

Initiation pratique à la recherche documentaire. L'Harmattan, 2000.

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25

Associations: Le guide pratique, 1995-1996 (Collection documentaire). 8th ed. Institut national de la jeunesse et de l'education populaire, Departement etudes et centre de ressources, 1995.

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26

Guide pratique des techniques documentaires. Editions Classiques d'Expression Française (EDIC, 1998.

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27

Pouchol, Jérôme, ed. Mutualiser les pratiques documentaires. Presses de l’enssib, 2016. http://dx.doi.org/10.4000/books.pressesenssib.5388.

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28

Guide pratique techniques documentaires vol 1. Ellipses Marketing, 1998.

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29

Chartron, Ghislaine, Benoît Epron, and Annaïg Mahé, eds. Pratiques documentaires numériques à l'université. Presses de l’enssib, 2012. http://dx.doi.org/10.4000/books.pressesenssib.1162.

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30

Pottier, Le. Repères pratiques - La recherche documentaire (refonte). Nathan, 2000.

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31

GUIDE PRATIQUE DES TECHNIQUES DOCUMENTAIRES. Volume 2. Edicef, 1989.

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32

Castellanos, Maria del mar, Florie Delacroix-Tessereau, Pauline Pouliquen, Nicole Rêve-Moreau, Mathilde Vendé, and Frédérique Vergnes. La recherche d'information et le travail documentaire Repères pratiques. NATHAN, 2012.

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33

Manuel théorique et pratique d'évaluation des bibliothèques et centres documentaires. Paris: Cercle de la librairie, 2001.

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34

HARMONY, DEWEZ, Jean-Baptiste Santamaria, Cléo Rager, Élodie Papin, Marie-Émeline Sterlin, Marlène Helias-Baron, Isabelle Bretthauer, and Emmanuel Melin. Du nouveau en archives: Pratiques documentaires et innovations administratives. PU VINCENNES, 2019.

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35

Professione documentarista: Storia e pratiche di una passione. Cantalupo in Sabina (RI): Edizioni Sabinae, 2017.

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36

Musique et document sonore: Enquête sur la phonographie documentaire dans les pratiques musicales contemporaines. Dijon: Presses du réel, 2012.

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37

Les formes contemporaines de l'art engagé: De l'art contextuel aux nouvelles pratiques documentaires. Bruxelles: La lettre volée, 2007.

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38

Le poleis e i loro archivi: Studi su pratiche documentarie, istituzioni e società nell'antichità greca. Trieste: EUT, Edizioni Università di Trieste, 2021.

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39

Lehec, Clémence. Sur les murs de Palestine. MetisPresses Sàrl, 2020. http://dx.doi.org/10.37866/0563-79-1.

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Le graffiti palestinien a une histoire et des spécificités aussi particulières que méconnues. Né dans les camps de réfugiés à la fin des années 1960, le graffiti y est encore largement répandu aujourd’hui. Il est pratiqué par des graffeurs ne se revendiquant pas tous comme artistes et mobilisant des thèmes éminemment politiques. Sur les murs de Palestine nous emmène au sein du camp de Dheisheh pour nous révéler les dessous de ce mouvement aux prises avec les multiples enjeux de la frontière, dans un espace où celle-ci est systématiquement contestée. Ce livre nous raconte également l’histoire de la création d’un film documentaire, coréalisé avec la cinéaste palestinienne Tamara Abu Laban, qui explore les rues du camp et fait entendre ses voix. Grâce à une approche inédite, cette production audiovisuelle pose les conditions mêmes de la recherche et parvient à créer les outils les plus appropriés pour penser les frontières dans leurs formes diffuses, jusqu’à l’échelle des corps qu’elles contraignent. À travers le récit et le parcours d’une chercheure au plus près de son terrain d’étude, cet ouvrage fait l’éloge du travail en collectif et contribue au renouvellement de la méthodologie d’enquête, en décortiquant la dimension politique qui s’y cache. Préface de Philippe Rekacewicz

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40

TALOM, Chancelin WABO. Pratiques informationnelles des étudiants camerounais: Analyse de l’usage des techniques documentaires dans le processus de recherche de l’information en ligne. Éditions universitaires européennes, 2021.

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41

Orecchia, Donatella. L’immaginario devoto tra mafie e antimafia 2. Narrazioni e rappresentazioni. Edited by Luca Mazzei. Viella editrice, 2018. http://dx.doi.org/10.52056/9788833132778.

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Nella cultura mafiosa, eventi religiosi come battesimi, funerali, feste patronali, pellegrinaggi ricoprono da sempre un ruolo importante. Lo stesso si può dire per il mondo dell’antimafia, nel quale i rituali devozionali occupano uno spazio simbolico irrinunciabile. Nel tempo queste tipologie di interazione hanno però trovato forme di rappresentazione anche in media diversi rispetto a quelli tradizionalmente vocati alle pratiche religiose e devozionali. A essere investiti di questa funzione sono così stati teatro popolare e di ricerca, letteratura agiografica e romanzo d’inchiesta, stampa quotidiana e fotografia, cinema e fiction tv, reportage documentario e servizi del tg, graphic novel e pagine dei social web. Muovendosi a largo spettro fra i vari luoghi di questa complessa mediasfera, il presente volume propone uno sguardo trasversale proprio su questo fenomeno, integrando fra loro, nell’analisi, saperi e linguaggi tipici del mondo dello spettacolo, delle arti visive e della storia dei media con quelli legati alla storia contemporanea e delle religioni.

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42

Université Pierre Mendès France Grenoble 2., ed. L'invention de l'environnement en France (1960-71): Les pratiques documentaires d'agrégation à l'origine du Ministère de la protection de la nature et de l'environnement. 1993.

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43

Business of Crime: A Documentary Study of Organized Crime in the American Economy. Taylor & Francis Group, 2019.

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44

A, Block Alan. Business of Crime: A Documentary Study of Organized Crime in the American Economy. Taylor & Francis Group, 2019.

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45

A, Block Alan. Business of Crime: A Documentary Study of Organized Crime in the American Economy. Taylor & Francis Group, 2019.

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46

A, Block Alan. Business of Crime: A Documentary Study of Organized Crime in the American Economy. Taylor & Francis Group, 2019.

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47

Chiedi se mi interessa!: Documentare buone pratiche di socialità in una scuola tecnica secondaria, rapporto di ricerca relativo ad una esperienza sul campo. Florence, Italy: Giovanni Fiesoli, 2013.

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48

Jean de Berry et l'écrit: Les pratiques documentaires d'un fils de roi de France : actes des journées d'études des 16 et 17 juin 2016, Bourges, hôtel du département et archives départementales du Cher. Paris: Publications de la Sorbonne, 2019.

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49

JIMENEZ A & COL. GUIDE METHODOLOGIQUE UNIVERSITAIRE. PU MONTREAL, 2011.

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