Relevant bibliographies by topics / Power (Social sciences) on television

Academic literature on the topic 'Power (Social sciences) on television'

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Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "Power (Social sciences) on television"

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Shah, Dhavan V., Alex Hanna, Erik P. Bucy, Chris Wells, and Vidal Quevedo. "The Power of Television Images in a Social Media Age." ANNALS of the American Academy of Political and Social Science 659, no. 1 (April 9, 2015): 225–45. http://dx.doi.org/10.1177/0002716215569220.

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There is considerable controversy surrounding the study of presidential debates, particularly efforts to connect their content and impact. Research has long debated whether the citizenry reacts to what candidates say, how they say it, or simply how they appear. This study uses detailed coding of the first 2012 debate between Barack Obama and Mitt Romney to test the relative influence of the candidates’ verbal persuasiveness and nonverbal features on viewers’ “second screen” behavior—their use of computers, tablets, and mobile phones to enhance or extend the televised viewing experience. To examine these relationships, we merged two datasets: (1) a shot-by-shot content analysis coded for functional, tonal, and visual elements of both candidates’ communication behavior during the debate; and (2) corresponding real-time measures, synched and lagged, of the volume and sentiment of Twitter expression about Obama and Romney. We find the candidates’ facial expressions and physical gestures to be more consistent and robust predictors of the volume and valence of Twitter expression than candidates’ persuasive strategies, verbal utterances, and voice tone during the debate.
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Collins, Ava. "Intellectuals, power and quality television." Cultural Studies 7, no. 1 (January 1993): 28–45. http://dx.doi.org/10.1080/09502389300490031.

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Walker, Alexis J. "Couples Watching Television: Gender, Power, and the Remote Control." Journal of Marriage and the Family 58, no. 4 (November 1996): 813. http://dx.doi.org/10.2307/353972.

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Schiller, Naomi. "Changing the Channel: Class Conflict, Everyday State Formation, and Television in Venezuela." Latin American Perspectives 45, no. 3 (February 21, 2018): 124–40. http://dx.doi.org/10.1177/0094582x18758703.

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The formation of new state television outlets in Venezuela during the Chávez era was a process of dismantling and remaking hierarchies among social classes and between the fields of state and community media production. An analysis of the involvement of community media producers in creating a new state television outlet in Caracas and the collaboration between community and state producers in the first decade of the twenty-first century suggests that the influx of community media producers into state media projects and vice versa was mutually transformative. Such an analysis brings to the fore what vertical topographies of power obscure: the conflict and cooperation between different social sectors that were central to the making of both official and unofficial media projects aligned with the Chávez-led Bolivarian Revolution. In these joint efforts we see the state as an unfolding process of negotiation and struggle. La formación de nuevos medios televisivos en Venezuela durante la era de Chávez implicó desmantelar y rehacer jerarquías entre clases sociales, así como las áreas de producción de medios estatal y comunitaria. Un análisis de la participación de productores de medios comunitarios en la creación de una nueva emisora televisiva en Caracas y la colaboración entre productores estatales y la comunidad en la primera década del siglo XXI sugiere que el influjo de productores de medios comunitarios en los medios estatales y viceversa dieron lugar a transformaciones mutuas. Dicho análisis pone en evidencia algo que las topografías verticales del poder ocultan: el conflicto y cooperación entre los diferentes sectores sociales fundamentales a la creación, tanto oficial como extraoficial, de los proyectos de medios asociados a la Revolución Bolivariana chavista. Es en estos esfuerzos que el estado se nos revela como un proceso asentado en la lucha y la negociación.
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Jones, Meredith, and Marija Geiger Zeman. "Editorial." Northern Lights: Film & Media Studies Yearbook 21, no. 1 (June 1, 2023): 3–13. http://dx.doi.org/10.1386/nl_00034_2.

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Although they are ordinary and almost everyone has them, genitals are riddled with controversies, taboos and anxieties. Despite their social and cultural importance, genitalia have been left out of systematic analysis and research in the context of social sciences and humanities. They are most often positioned in terms of dualisms that create, support and strengthen social distinctions, hierarchies and asymmetries. Transcending the essentialist gender ideas and binaries attributed to human bodies opens up space for new understandings of genitalia in movement, transformation and transition. The key question is: how do culture and media intersect/work through genital transformations? The papers featured here provide inspiring, innovative and research-stimulating responses to the complex presence and representation of genitalia through various media (online forums, novels, video art, performance art, television drama, reality television, mainstream news, feature film and vlogs). Each paper, as well as the entire thematic issue, represents a contribution to the further development of genital studies and strengthens the multidisciplinary questioning of genitalia, power, gender, differences, transgression and resistance.
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Xu, Fangyi. "A Study on the Father Image in Chinese Film and Television." Asian Social Science 17, no. 3 (February 28, 2021): 31. http://dx.doi.org/10.5539/ass.v17n3p31.

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The father image in Chinese film and TV shows is often absent or lacks power. This is a new phenomenon presented by fathers in social relations, family relations and self-identity and reflects the implicit identity anxiety behind the father image in the new pattern of middle-class families. The father image in film and TV shows is no longer a symbol of power and authority of the traditional patriarchy but a deconstruction from the loss of discourse to disintegration, not only reflecting the loss of discourse of individuals’ rights but also presenting a certain metaphor of the era. Fathers recovering from their image collapse requires a new sublimation image so that their power representation and self-worth can be renewed.
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Bazić, Jovan. "The Social Aspects of Sport." Physical Education and Sport Through the Centuries 5, no. 1 (June 1, 2018): 49–66. http://dx.doi.org/10.2478/spes-2018-0005.

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SummaryIn this paper we evaluated the basic viewpoints on the mutual relations between contemporary sport and society. Sport is a global social phenomenon which is determined by a variety of different processes, including: the fast development of the industrial society and capital, an increase in leisure time, the development of a liberal democracy and the media. A special feature in these relations is the overall globalization process in today’s world. The basic structure of this paper is made up of two functional parts. In the first part we indicate the dominant theoretical-methodological paradigms in studying sport in social sciences, especially sociology: functionalism, conflict theory in society, interpretive and postmodern theory. In the second part of the paper we analyze the dialectics of contemporary relations between sport and society, where special attention is dedicated to the distribution of social power between sport, capital and the media at the local and global level. At the local level especially, there is a pronounced influence of politics on sport, which is realized through various mechanisms of government power, as well as other political subjects. The most solid bonds between sport and society on both levels are maintained by capital and the media, which know no boundaries. Through ownership and mechanisms of financing sports clubs and associations, athletes and athletic events, an entire network of capitalist relations in sport was created. Sport has become one of the most important factors of television programs, the internet and social networks, which has led to an enormous growth in profit and popularity of sport, but also to great changes in the social relations between people.
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Ahmed, Humara, and Khawaja Farouk Mazhar. "Role of digital marketing strategies in success of small businesses in Pakistan." Journal of Economic Info 10, no. 4 (February 1, 2024): 1–6. http://dx.doi.org/10.31580/04qweb11.

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This paper attempts to examine the effect that digital marketing has on small businesses in Pakistan. The current impact and use of digital marketing by small business enterprises will be examined. Digital marketing is the promotion of businesses and their products using digital channels such as the internet, television, and text to potential customers. This may also include social media, advertisements on televisions, emails, web advertising and other multimedia channels. It is defined as achieving marketing objectives through applying digital technologies.
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Tan, Melody Shi Ai, Ephrance Abu Ujum, and Kuru Ratnavelu. "Social network analysis of character interaction in the Stargate and Star Trek television series." International Journal of Modern Physics C 28, no. 02 (February 2017): 1750017. http://dx.doi.org/10.1142/s0129183117500176.

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This paper undertakes a social network analysis of two science fiction television series, Stargate and Star Trek. Television series convey stories in the form of character interaction, which can be represented as “character networks”. We connect each pair of characters that exchanged spoken dialogue in any given scene demarcated in the television series transcripts. These networks are then used to characterize the overall structure and topology of each series. We find that the character networks of both series have similar structure and topology to that found in previous work on mythological and fictional networks. The character networks exhibit the small-world effects but found no significant support for power-law. Since the progression of an episode depends to a large extent on the interaction between each of its characters, the underlying network structure tells us something about the complexity of that episode’s storyline. We assessed the complexity using techniques from spectral graph theory. We found that the episode networks are structured either as (1) closed networks, (2) those containing bottlenecks that connect otherwise disconnected clusters or (3) a mixture of both.
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CHOPRA-GANT, MIKE. "The Law of the Father, the Law of the Land: Power, Gender and Race in The Shield." Journal of American Studies 41, no. 3 (October 24, 2007): 659–73. http://dx.doi.org/10.1017/s0021875807004045.

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This article examines the construction of gender and race in the television series The Shield (FX 2002–). The article argues that while The Shield seems to offer an ostensibly progressive vision of a multi-cultural society in which race and gender represent no barrier to the possession of legitimate authority, the series premises the possibility of such access to power on the continuing possession of “real” power by a paternalistic white, male figure, thus presenting a regressive conservative vision of gender and race relations in contemporary US society.
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Dissertations / Theses on the topic "Power (Social sciences) on television"

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Zeng, Wenna. "Localization as power negotiation: the production of an imported television format in China." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/409.

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Traditionally, there have been two contradictory views on the nature of power in the body politic: that of the centralized and top-down power structure within the state apparatus and that of dispersive power, based on knowledge, exemplified by the work of Max Weber and Michel Foucault respectively. This PhD thesis will demonstrate that a better path to the understanding of power, at least in relation to the localization of television formats in China, is that explained by the theory of negotiated power. Based on these theoretical foundations on the nature of power and continuing discussions on globalization and production studies, this thesis introduces a new approach to understand power via dynamic value exchanges among resources, capital and interest. The findings are positioned in relation to the literature on power theories, globalization, television format research and Chinese media studies. Based on six months' of ethnographic study on Hurry Up, Brother, which is a Korean format show localized by a Chinese network, this research examines the power relations in the decision-making process concerned with the format localization among several different parties - internal and external - involved in the operation, namely Chinese Zhejiang Satellite TV and its production team, Korean Seoul Broadcasting System and its travelling producers, the Chinese government, sponsors, celebrities, Chinese independent companies and their editors, and audiences. It integrates the theories of negotiated order, cultural proximity and the mechanism of production into its theoretical framework to demonstrate how negotiated power is exercised in a project network via exchanges of resources, capital and interests among different parties. This theoretical framework helps to challenge the hierarchical power approach by the Chinese media; and to provide detailed empirical evidence to show how political, economic, cultural and social factors impinge upon decision-making. In conclusion, it is noted that initially power is neither centralized nor dispersive in China, but rather, power is negotiated; later it suggests an innovative approach that power is the result of competition of capital based on changes of primary interests among different parties, indicating that localization is part of the process of power negotiations. This doctoral thesis provides first-hand and detailed data as well as a dynamic picture of how power is exercised in the contemporary Chinese television industry where entertainment production increasingly breaks free of governmental centralized control by replacing it with power negotiations. This approach overcomes the geographic dichotomy between global and local, and expands the boundaries of cultural, economic, political, professional and social fields. This thesis is an experimental study which the author can motivate a new direction in the discussion on power theories as well as help in the understanding of the globalization of cultural products and of Chinese television in general.
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Maatouk, Stefan. "Orientalism - A Netflix Unlimited Series : A Multimodal Critical Discourse Analysis of the Orientalist Representations of Arab Identify on Netflix Film and Television." Thesis, Malmö universitet, Malmö högskola, Institutionen för globala politiska studier (GPS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43793.

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Orientalism was a term developed by post-colonial theorist Edward Said to describe the ways in which Europeans, or the West, portrayed the Orient as inferior, uncivilized, and wholly anti-Western. Netflix Inc., the world’s largest subscription-based streaming service, which as of 2018, expanded its streaming venue to over 190 countries globally, is the wellspring of knowledge for many people. Through the multimodal critical discourse analysis of 6 Netflix films and television programmes (Stateless, Gods of Egypt, Messiah, Al Hayba, Sand Castle, and Fauda) the study examines the extent to which the streaming giant is culpable in the reproduction of Orientalist discourses of power, i.e., discourses which facilitate the construction of the stereotyped Other. The results have shown that Netflix strengthens, through the dissemination and distribution of symbols and messages to the general population, the domination and authority over society and its political, economic, cultural, and ideological domains. Using Norman Fairclough’s approach to critical discourse analysis combined with a social semiotic perspective, this study endeavours to design a comprehensive methodological and theoretical framework which can be utilized by future researchers to analyse and critique particular power dynamics within society by exposing the dominant ideological world-view distortions which reinforce oppressive structures and institutional practices.
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McEachern, Charmaine. "Down on the farm : soap opera, rural politics and Thatcherism." Title page, table of contents and synopsis only, 1990. http://web4.library.adelaide.edu.au/theses/09PH/09phm141.pdf.

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Andronaco, Simona. "Strategic Narratives in Media Representations of the Refugee Crisis of 2015 : A Comparative Study between RT and BBC World News." Thesis, Stockholms universitet, JMK, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-159803.

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As immigration turns into the scapegoat of political and social tensions all over the world and politicians that seem to be talking about migration flows communicate instead their conception of the world and where it should head, this study investigates the refugee crisis of 2015 as represented in the two global television channels RT and BBCW. Widely studied for the depiction the press gives of the refugees, for the first time the refugee crisis is analyzed as an arena where competing understandings of international relations are constructed, in a media ecology where a myriad of actors have a chance to foreground their truth and where wars are fought, and possibly won, through the weapons of values, culture and the attraction they exercise (Nye Jr. 1990, 2013). Borrowing the concept of strategic narratives from international relations (Miskimmon et al. 2013) and applying it to textual analysis, the study employs framing analysis to operationalize it and explores a sample of 144 news items (74 from RT and 70 from BBCW) broadcast in August and September 2015 to retrace the narratives of the two channels. It finds out that, although conflicting with each other, both RT’s and BBCW’s narratives are strategic and aim at constructing a past, present and future of international relations that can influence what we expect, consider acceptable or conceivable on the international theater. The channels’ narratives are about the destiny of Europe and countries, depicting a reality that still responds to old Cold War dividing lines. An analysis of the actors allowed to speak and represented as acting confirms that in RT and BBCW political elites and the nations they represent have a greater chance, compared to other actors, to define international politics and shape shared understandings of how international relations works and where it is heading.
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Magnussen, Birgitte. "Minority language television : social, political and cultural implications." Thesis, City University London, 1995. http://openaccess.city.ac.uk/7767/.

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This thesis explores the subject of minority language television by comparing the cases of Wales and Brittany, and in particular the social, political and cultural implications of the Welsh language television channel S4C. The thesis is divided up into two interrelated parts, where the first part is an analysis on state level of French and British media policy, particularly with regards to their linguistic minorities. This part of the thesis deals with the historical, political and institutional background for the provision of minority language media in Breton and Welsh. It takes as points of reference firstly the state, and secondly the minorities in question - the Breton and the Welsh - and shows how a certain policy area in this case broadcasting, can become a focus for minority demands. The thesis describes the historical and political background for the extreme difference in provisions for minority language broadcasting in the two countries. The second part of the thesis takes as a starting point the actual existence of S4C - the Welsh language channel - as a minority language broadcaster, and assesses the social political and cultural implications of this organisation. This part of the thesis examines the minority level, and assesses the potential impact of Welsh language broadcasting, mainly television, on Welsh society in general and the Welsh language in particular.
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Baca, Del Rosario Mariana Cristina. "Television meets Facebook : social networking through consumer electronics." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/46578.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2008.
Includes bibliographical references (p. 93-95).
This thesis explores how the merging of ubiquitous consumer electronics and the sociable web improve the user experience of these devices, increase the functionality of both, and help distribute content in a more sociable way. The project will consist of one well fleshed out principal application: a digital video recorder (manufactured by Motorola, running OCAP) connected to the Facebook social network. By connecting these two technologies, the user can now automatically watch the shows her friends like and are willing to report to the social network; in return, the user transmits her viewing data back to the social network.
Mariana Cristina Baca Del Rosario.
S.M.
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JELILI, GBENGA ALALU. "CHILDREN TELEVISION PROGRAMMING AND CULTURAL LEARNING IN NIGERIA." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23628.

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It can today be examined in Nigeria that children are fast abandoning the indigenous cultural values for the foreign ones and the media is said to contribute to this development due to the broadcast of foreign television programmes by tv stations in the country. The need to promote, protect, and sustain the country’s indigenous cultural values are of great importance if Nigeria hopes to prevent them from being washed away. Children’s love for television is undeniable and being the future of the country, what is the extent to which television is used to impact children with social and cultural values of the society. The paper thus investigates the extent to which children Television is utilized to impact Nigerian Children with the country’s cultural values. It looks closely at the children programmes of two biggest and leading Nigeria’s television stations; the Nigerian Television Authority (NTA), and African Independent Television (AIT), representing both state-owned and privately-owned television stations in the country. Using Development Media and Cultivation theories as underlying theory, the study concludes that though there is an improvement on the part of the television stations as they now broadcast socially and culturally relevant children programmes. There is however insufficiency in both quantity and quality of children programmes, as well as the time allotted for them to allow any meaningful long-time cultural impact to be realized at the current state as may be intended by the producers of the programmes.
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Pichler, Marie Helen. "Copyright problems of satellite and cable television in Europe." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65445.

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Coleman, Roy. "Surveillance, power and social order : a case study of closed circuit television in Liverpool." Thesis, Liverpool John Moores University, 2003. http://researchonline.ljmu.ac.uk/4968/.

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Ng, Isabel Wing-chun. "A cross cultural study of power and power motivation in China and the United States." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3253369.

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Books on the topic "Power (Social sciences) on television"

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Bazzanella, Emiliano. Spazio e potere: Heidegger, Foucault, la televisione. Milano: Mimesis, 1996.

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1957-, Seiter Ellen, and Universität Tübingen. Abteilung für Amerikanistik., eds. Remote control: Television, audiences, and cultural power. London: Routledge, 1991.

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Parmeggiani, Paolo. Strategie di seduzione mediale: Il fascino del potere e dell'antipolitica in House of cards. Canterano (RM): Aracne editrice, 2020.

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Louis, Panabière, Groupe de recherches sur l'Amérique latine Toulouse-Perpignan., and Université de Perpignan. Institut d'études mexicaines., eds. Pouvoirs et contre-pouvoirs dans la culture mexicaine. Paris: Editions du CNRS, 1985.

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Gandler, Stefan, and Alfonso Serna Jiménez. Miradas desde lo social en cultura y salud: Una perspectiva de jóvenes investigadores universitarios. Querétaro, Qro., México: Universidad Autónoma de Querétaro, 2013.

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John, Scott. Power. Cambridge: Polity Press, 2001.

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Dilenschneider, Robert L. On power. New York: HarperBusiness, 1994.

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Khoshkish, A. Power or authority?: The entelechy of power. Lanham: University Press of America, 1991.

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Steven, Lukes, ed. Power. New York: New York University Press, 1986.

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Poggi, Gianfranco. Forms of power. Cambridge: Polity Press, 2001.

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Book chapters on the topic "Power (Social sciences) on television"

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Brennan, Edward. "Personal Memory and Social Power." In A Post-Nationalist History of Television in Ireland, 47–66. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-96860-5_3.

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Bjur, Jakob. "Thickening Behavioural Data: New Uses of Ratings for Social Sciences." In Television Audiences Across the World, 248–63. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137345103_15.

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Alvesson, Mats. "Power, Conflict and Control." In Operational Research and the Social Sciences, 561–71. Boston, MA: Springer US, 1989. http://dx.doi.org/10.1007/978-1-4613-0789-1_84.

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Sassen, Saskia. "Cities Help Us Hack Formal Power Systems." In Architecture and the Social Sciences, 3–11. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53477-0_1.

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Ganguly, Lauhona. "Reality TV Shows, Private Television Networks and Social Change in India." In International Cultural Policies and Power, 181–93. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230278011_15.

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Murphy, Kevin R. "Power Analysis." In The Reviewer’s Guide to Quantitative Methods in the Social Sciences, 380–87. Second Edition. | New York : Routledge, 2019. | Revised edition of The reviewer’s guide to quantitative methods in the social sciences, 2010.: Routledge, 2018. http://dx.doi.org/10.4324/9781315755649-27.

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Valliant, Richard, Jill A. Dever, and Frauke Kreuter. "Power Calculations and Sample Size Determination." In Statistics for Social and Behavioral Sciences, 91–128. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93632-1_4.

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Elias Zambrano, Alejandra del Carmen, Paola Palomino-Flores, and Eliana Gallardo-Echenique. "Representation of the LGBTIQ+ Community in Three Peruvian Television Series." In Atlantis Highlights in Social Sciences, Education and Humanities, 58–67. Dordrecht: Atlantis Press International BV, 2023. http://dx.doi.org/10.2991/978-94-6463-254-5_7.

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Rietig, Katharina. "Learning Theory: The Power of Yet and Dreaming Big." In Innovative Social Sciences Teaching and Learning, 19–42. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41452-7_2.

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Borgotallo, Roberto, Roberto Del Pero, Alberto Messina, Fulvio Negro, Luca Vignaroli, Lora Aroyo, Chris van Aart, and Alex Conconi. "Personalized Semantic News: Combining Semantics and Television." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 137–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-12630-7_16.

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Conference papers on the topic "Power (Social sciences) on television"

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WANG, XINWEI. "Comparison of Tik Tok and Television on the Field of Homogeneity, Authenticity and Unifying Power in the 20st Century." In 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201214.490.

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Aji, Rojil, Eko Hermawan, and Mr Riyadi. "Hyperreality in a Football Live on Television." In Social Sciences, Humanities and Economics Conference (SoSHEC 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/soshec-17.2018.35.

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Setianingrum, Vinda Maya, and Puspita Sari Sukardani. "Live Reporting on Indonesian Television." In Proceedings of the 1st International Conference on Social Sciences (ICSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icss-18.2018.67.

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Setiawan, Hery, Pawito, and Andrik Purwasito. "Youtube Social Media Trends Reduce Television Watching Interest." In 6th International Conference on Social and Political Sciences (ICOSAPS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201219.019.

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Radosinska, Jana. "CULTURAL ASPECTS OF THE POST-TELEVISION ERA: TELEVISION IN TERMS OF TODAY'S MEDIA CULTURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/41/s16.018.

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Waldnerova, Jana. "TELEVISION � A NEW CHALLENGE IN LITERATURE." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s13.017.

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"Rural Societys Interpretation of Modern Architecture Represented by Television." In 5th International Conference on Studies in Humanities and Social Sciences. Emirates Research Publishing, 2016. http://dx.doi.org/10.17758/erpub.ea1216037.

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Kasmana, Kankan, and Fikran Lukman. "Ideology in Cigarette Brand on Television Advertising." In Proceedings of the International Conference on Business, Economic, Social Science, and Humanities – Humanities and Social Sciences Track (ICOBEST-HSS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200108.028.

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Saleh, Ali Abdullah, Kawa Abdulkareem Rasul, and Ken Fero. "Representation of ISIS actions in Television Documentary: Integrating storytelling into Multimodal Discourse Analysis." In 2nd International Conference on Future of Social Sciences. Acavent, 2019. http://dx.doi.org/10.33422/2nd.icfss.2019.12.937.

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"Analysis of the Consciousness and Role Creation of Film and Television Animation." In 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.30.

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Reports on the topic "Power (Social sciences) on television"

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Conviviality-Inequality in Latin America, Maria Sibylla Merian Centre. Conviviality in Unequal Societies: Perspectives from Latin America Thematic Scope and Preliminary Research Programme. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, 2017. http://dx.doi.org/10.46877/mecila.2017.01.

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The Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America (Mecila) will study past and present forms of social, political, religious and cultural conviviality, above all in Latin America and the Caribbean while also considering comparisons and interdependencies between this region and other parts of the world. Conviviality, for the purpose of Mecila, is an analytical concept to circumscribe ways of living together in concrete contexts. Therefore, conviviality admits gradations – from more horizontal forms to highly asymmetrical convivial models. By linking studies about interclass, interethnic, intercultural, interreligious and gender relations in Latin America and the Caribbean with international studies about conviviality, Mecila strives to establish an innovative exchange with benefits for both European and Latin American research. The focus on convivial contexts in Latin America and the Caribbean broadens the horizon of conviviality research, which is often limited to the contemporary European context. By establishing a link to research on conviviality, studies related to Latin America gain visibility, influence and impact given the political and analytical urgency that accompanies discussions about coexistence with differences in European and North American societies, which are currently confronted with increasing socioeconomic and power inequalities and intercultural and interreligious conflicts.
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Herbert, Siân, and Heather Marquette. COVID-19, Governance, and Conflict: Emerging Impacts and Future Evidence Needs. Institute of Development Studies (IDS), March 2021. http://dx.doi.org/10.19088/k4d.2021.029.

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This paper reviews emerging evidence of the impact of COVID-19 on governance and conflict, using a “governance and conflict first” approach in contrast to other research and synthesis on COVID-19 in the social sciences that tends to be structured through a public health lens. It largely focuses on evidence on low- and middle-income countries but also includes a number of examples from high-income countries, reflecting the global nature of the crisis. It is organised around four cross-cutting themes that have enabled the identification of emerging bodies of evidence and/or analysis: Power and legitimacy; Effectiveness, capacity, and corruption; Violence, unrest, and conflict; and Resilience, vulnerability, and risk. The paper concludes with three over-arching insights that have emerged from the research: (1) the importance of leadership; (2) resilience and what “fixing the cracks” really means; and (3) why better ways are needed to add up all the “noise” when it comes to COVID-19 and evidence.
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Kokurina, Olga Yu. STATE SOVEREIGNTY AND PUBLIC RESPONSIBILITY OF GOVERNMENT IN THE LIGHT OF A SYSTEMIC-ORGANIC APPROACH: INTERDISCIPLINARY RESEARCH. SIB-Expertise, December 2023. http://dx.doi.org/10.12731/er0755.18122023.

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This electronic resource contains a critical summary of the problems of sovereign statehood and the responsibility of public authority in the light of an interdisciplinary systemic organic approach. The author reveals the essence and content of the categories “sovereign statehood” and “responsibility of public authority” as key factors of the state legal system for ensuring the life of the Russian Federation in the conditions of the emergence of a new world order. It is shown that the multi-valued category of “statehood” (statehood, stateness, nationhood, nationness) reflects the complexity of the concept, which characterizes the status and ability of the state to carry out its functions, and on the other hand, reflects the cultural-historical and spiritual-ideological unity of society, which is the deepest internal semantic content both preceding the state and completing its sociohistorical formation in the course of state development and historical transformations. Based on the systemic-organic approach and within the framework of the structure of the Aristotelian tetrad, the author reveals an integral model of the political and legal phenomenon of “statehood”, in which the final cause (ethion) is determined by “sovereign statehood”, which presupposes unity, integrity, actual autonomy, independence, independence and self-sufficiency states in making decisions that ensure the historical existence and development of the country. The work presents a theoretical understanding of social (public) solidarity as a legal construct and instrument of social harmony and integrity of the state-legal body of the Russian Federation. It is shown that public solidarity, as a constitutional and administrative-legal phenomenon in its positive and negative forms, creates the necessary basis for the implementation of the principle of mutual responsibility of the individual, society and state. An idea of the responsibilities of the state, its bodies and officials to the individual and society is given, the role and place of public legal responsibility of holders of power in the solidary social mechanism is outlined. In general, the results of interdisciplinary research are aimed at identifying key factors in social theory and practice that contribute to the acquisition of true independence and self-sufficiency of Russian statehood and the preservation of the civilizational foundations of a multinational Russian society. The manual will be useful to undergraduate and graduate students studying social and political sciences, and anyone interested in the theory and practice of government.
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Davies, Will. Improving the engagement of UK armed forces overseas. Royal Institute of International Affairs, January 2022. http://dx.doi.org/10.55317/9781784135010.

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The UK government’s Integrated Review of security, defence, development and foreign policy, published in March 2021 alongside a supporting defence command paper, set a new course for UK national security and highlighted opportunities for an innovative approach to international engagement activity. The Integrated Review focused principally on the state threats posed by China’s increasing power and by competitors – including Russia – armed with nuclear, conventional and hybrid capabilities. It also stressed the continuing risks to global security and resilience due to conflict and instability in weakened and failed states. These threats have the potential to increase poverty and inequality, violent extremism, climate degradation and the forced displacement of people, while presenting authoritarian competitors with opportunities to enhance their geopolitical influence. There are moral, security and economic motives to foster durable peace in conflict-prone and weakened regions through a peacebuilding approach that promotes good governance, addresses the root causes of conflict and prevents violence, while denying opportunities to state competitors. The recent withdrawal from Afghanistan serves to emphasize the complexities and potential pitfalls associated with intervention operations in complex, unstable regions. Success in the future will require the full, sustained and coordinated integration of national, allied and regional levers of power underpinned by a sophisticated understanding of the operating environment. The UK armed forces, with their considerable resources and global network, will contribute to this effort through ‘persistent engagement’. This is a new approach to overseas operations below the threshold of conflict, designed as a pre-emptive complement to warfighting. To achieve this, the UK Ministry of Defence (MOD) must develop a capability that can operate effectively in weak, unstable and complex regions prone to violent conflict and crises, not least in the regions on the eastern and southern flanks of the Euro-Atlantic area. The first step must be the development of a cohort of military personnel with enhanced, tailored levels of knowledge, skills and experience. Engagement roles must be filled by operators with specialist knowledge, skills and experience forged beyond the mainstream discipline of combat and warfighting. Only then will individuals develop a genuinely sophisticated understanding of complex, politically driven and sensitive operating environments and be able to infuse the design and delivery of international activities with practical wisdom and insight. Engagement personnel need to be equipped with: An inherent understanding of the human and political dimensions of conflict, the underlying drivers such as inequality and scarcity, and the exacerbating factors such as climate change and migration; - A grounding in social sciences and conflict modelling in order to understand complex human terrain; - Regional expertise enabled by language skills, cultural intelligence and human networks; - Familiarity with a diverse range of partners, allies and local actors and their approaches; - Expertise in building partner capacity and applying defence capabilities to deliver stability and peace; - A grasp of emerging artificial intelligence technology as a tool to understand human terrain; - Reach and insight developed through ‘knowledge networks’ of external experts in academia, think-tanks and NGOs. Successful change will be dependent on strong and overt advocacy by the MOD’s senior leadership and a revised set of personnel policies and procedures for this cohort’s selection, education, training, career management, incentivization, sustainability and support.
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