Relevant bibliographies by topics / Pound, Ezra

Academic literature on the topic 'Pound, Ezra'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Pound, Ezra"

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King, Michael, Brita Lindberg-Seyersted, Omar Pound, A. Walton Litz, and Dorothy Pound. "Ezra Pound." Contemporary Literature 27, no. 1 (1986): 127. http://dx.doi.org/10.2307/1208604.

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Rogers, Gayle. "Ezra Pound, «lopista»." Anuario Lope de Vega Texto literatura cultura 22 (January 20, 2016): 217. http://dx.doi.org/10.5565/rev/anuariolopedevega.145.

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Laughlin, James. "Fidelio: Ezra Pound." Grand Street, no. 57 (1996): 179. http://dx.doi.org/10.2307/25008068.

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Bergonzi, Bernard, Ezra Pound, Wyndham Lewis, and Timothy Materer. "The Correspondence of Ezra Pound. Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis." Modern Language Review 83, no. 2 (April 1988): 433. http://dx.doi.org/10.2307/3731713.

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Paganelli, Leonardo. "Ezra Pound in Rimini." Linguistics and Literature Studies 1, no. 1 (July 2013): 43–45. http://dx.doi.org/10.13189/lls.2013.010107.

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Alexander, Michael. "Ezra Pound as Translator." Translation and Literature 6, no. 1 (March 1997): 23–30. http://dx.doi.org/10.3366/tal.1997.6.1.23.

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Alexander, Michael. "Ezra Pound as Translator." Translation and Literature 6, Part_1 (January 1997): 23–30. http://dx.doi.org/10.3366/tal.1997.6.part_1.23.

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Pratt, William, and Wendy Stallard Flory. "The American Ezra Pound." Comparative Literature 44, no. 4 (1992): 436. http://dx.doi.org/10.2307/1771556.

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Van Hulle, D. "The Ezra Pound Encyclopedia." English 58, no. 222 (September 1, 2009): 266–69. http://dx.doi.org/10.1093/english/efp028.

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A. Banerjee. "Ezra Pound in London." Sewanee Review 116, no. 3 (2008): 473–77. http://dx.doi.org/10.1353/sew.0.0063.

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Dissertations / Theses on the topic "Pound, Ezra"

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Ozturk, Turker Anthony. "Ezra Pound and visual art." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253814.

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Brown, Stephen Edward. "Browning's Sordello and Ezra Pound." Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326324.

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Suo, Jinmei. "Confucianism in Pound's cantos Pangde "Shi zhang" zhong de ru xue /." Tianjin Shi : Nan kai da xue chu ban she, 2003. http://books.google.com/books?id=JFA0AAAAMAAJ.

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Bristow, Laurence S. C. "Ezra Pound, poetry and public speaking." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359763.

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Beasley, R. L. "Ezra Pound and modern art 1906-1930." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596497.

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My dissertation discusses the early career of the American poet Ezra Pound in relation to visual art at the beginning of the twentieth century. Pound was a leading propagandist of modern art, advertising his friends Wyndham Lewis, Henri Gaudier-Brzeska and Constantin Brancusi, among others, in his extensive art criticism, and explaining his poetic theories by reference to art movements and practices. The majority of Pound's critics have followed his lead and describe his poetry by using the aesthetic values and terminology Pound conveniently supplied in his prose. I argue that this is an erroneous move, which hides a series of problems in the development of Pound's poetics. Pound's poetry shows surprisingly little evidence of his interest in art; however, unpublished manuscripts show that this evidence existed, but was deliberately excised. My dissertation aims to uncover the sequence of decisions which led to vital changes in Pound's poetic style, by focusing on the periods during which he aligned himself with particular artists or movements. In my first chapter, I look at unpublished essays and poetry written between 1906 and 1908, to explore Pound's interest in the work of James McNeill Whistler, and explain an apparent change in poetic style in 1908. My second chapter deals with Pound's association with the vorticists, which I argue was less a meeting of minds than a method of placing his imagist verse, with its nineteenth-century predilections, in an emphatically modern context. In the third chapter I analyse the earliest drafts of The Cantos in detail, showing how Pound's conception of the poem in 1915 as egalitarian in structure and argument was compatible with the type of visual description he had rejected in 1908. The dada movement, which I discuss in my fourth chapter, contributes to Pound's redefinition of artistic talent. His emphasis on the value of the artist's personality above the artist's works necessitates a reconsideration of the structure of The Cantos in 1922. The fifth chapter examines the role of sculpture in Pound's poetry and prose, in order to determine how it becomes an analogy for Pound's poetic technique.
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Hilmy, H. "Dionysus in The Cantos of Ezra Pound." Thesis, University of Essex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279169.

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Holland, Tom. "Ezra Pound, Wyndham Lewis, and the crowd." Thesis, University of York, 2004. http://etheses.whiterose.ac.uk/11053/.

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While the work of Pound and Lewis has often been read as the expression of 'high' literary culture's desire to erect a barrier against the incursions of the masses, this thesis argues that if we place their work in the context of the early twentieth-century dialogue on the crowd, the relationship between modernism and the masses . appears more complex. For both authors, their engagement with the apparition of the crowd, and the lessons they believed artists must learn from crowd culture, were key to their development. Chapter 1 positions Pound's Lustra in the context of continental and American ideas about crowds and argues that this collection is best understood as an ambiguous response to a new world where engagement with crowds is essential. Chapter 2 argues that Lewis's early texts should likewise be read in the context of the crowd, and that his experiments of Blast can be read as attempts to show readers how to master the emerging 'crowd-mind'. Chapter 3 examines the impact of the war crowds, and shows how Lewis engages with post-war London where ideas about the death of the ,crowd had taken on an immediate cultural urgency. It argues that, as particular visions of crowd-being faded from the political scene, the crowd, too, faded from the focus of literary modernism. The thesis cohcludes by speculating on the fate and future-if any-of crowd writing. An appendix presents a text of Wyndham Lewis's unpublished 'Cantelman: Crowd Master' prepared from the manuscripts in Cornell University Library.
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Kenny, Paul Daniel Gregory. "Browning and his influence on Ezra Pound." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670371.

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Aji, Hélène. "Ezra pound et william carlos williams : correspondances." Amiens, 1997. http://www.theses.fr/1997AMIE0002.

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A la lumiere de la correspondance entre ezra pound et williams carlos williams, il apparait qu'une comparaison entre leurs oeuvres permet de presenter une synthese sur le developpement de la poesie americaine au xxe siecle. Il s'agit de rechercher, dans certaines de leurs demarches, les points communs et les differences entre les deux poetes qui sont a l'origine des grands mouvements de la poesie americaine contemporaine. Tant ces points communs entre les deux poetes que leurs divergences et leurs desaccords indiquent les enjeux d'un travail poetique fondateur d'une nouvelle tradition americaine. La notion de tradition, d'acceptation et de rejet de l'heritage litteraire, semble a la source de ce que l'on pourrait appeler leur conservatisme revolutionnaire. Leur geste poetique est marque a la fois par une volonte d'innovation et par une volonte d'enracinement dans le passe historique, le present esthetique et un avenir place sous le signe du poetique et du politique. L'heritage que pound et williams ont legue est marque par l'ambiguite d'une critique litteraire qui les place dans une seule tradition cosmopolite, le modernisme, ou encore dans une seule tradition americaine, celle du long poeme, perdant de vue le caractere eminemment social de leur vision poetique. L'incompletude des cantos et de paterson empeche toute vision unitaire : ni oeuvre close, ni oeuvre ouverte, le long poeme serait peut-etre la metaphore par excellence de l'amerique, pris dans l'ecart entre elan et stase, entre creation et conservation, entre action et reaction
In ezra pound and william carlos williams's correspondence one can find the foundation for a broader comparison of their respective works leading to a synthesis on the development of american poetry in the twentieth century. The aim is to investigate their various strategies so as to distinguish their points in common as well as their differences, and thus to outline the great tendencies of contemporary american poetry. These common points between the two poets, along with their many disagreements and all that may separate them, show what is at stake in a poetic work aimed at founding a new american tradition. This very notion of tradition. Of acceptance and rejection of their literary inheritance, underlies what can be called their revolutionary conservatism. Their poetic action is marked both by the will to innovate and by the desire to root oneself in the historical past, in the aesthetic present and in a future seen as poetic and political. The pound and williams heritage is deeply affected by the ambivalence of the literary critics who too often place them either in a monolithic cosmopolitan tradition they call modernism, or in the american tradition of the long poem, overlooking the social nature of their poetic vision. Any unifying appraisal of their works is prevented by the fact that both the cantos and paterson are unfinished poems : pound and williams's long poems are neither closed nor open works, but perhaps the metaphor par excellence for america, a form caught in the gap between impulse and stasis, creation and conservation, action and reaction
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Kan, Chuk-him Hymns. "The musical elements in Ezra Pound's poetry." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25334992.

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Books on the topic "Pound, Ezra"

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Ezra, Pound. Ezra Pound. New York: New York Center for Visual History [producer], 1988.

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Nadel, Ira B. Ezra Pound. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230378810.

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Ackroyd, Peter. Ezra Pound. New York, N.Y: Thames and Hudson, 1987.

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Schmied, Wieland. Ezra Pound Studien. Aachen: Rimbaud, 2000.

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Ezra Pound Conference (18th 1999 Beijing, China). Ezra Pound & China. Ann Arbor: University of Michigan Press, 2003.

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Ezra Pound in context. Cambridge: Cambridge University Press, 2010.

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Schmitz, Alexander. Ezra Pound zur Einführung. Hamburg: Junius, 1998.

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Ezra, Pound. Personae of Ezra Pound. Whitefish, MT]: Kessinger Pub., 2008.

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Liebregts, P. Th. M. G. Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson University Press, 2004.

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1956-, Tryphonopoulos Demetres P., and Adams Stephen 1945-, eds. The Ezra Pound encyclopedia. Westport, Conn: Greenwood Press, 2005.

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Book chapters on the topic "Pound, Ezra"

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Preda, Roxana. "Ezra Pound." In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 54–56. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_6.

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Silkin, Jon. "Ezra Pound." In The Life of Metrical and Free Verse in Twentieth-Century Poetry, 108–78. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25351-7_3.

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Beasley, Rebecca. "Ezra Pound." In A Companion to Modernist Poetry, 412–24. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch34.

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Bell, Ian F. A. "Ezra Pound." In American Poetry: The Modernist Ideal, 28–46. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_3.

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Preda, Roxana. "Pound, Ezra." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12336-1.

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Preda, Roxana. "Ezra Pound." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 34–36. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_3.

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Nadel, Ira B. "Introduction." In Ezra Pound, 1–6. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230378810_1.

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Nadel, Ira B. "‘Mastership at One Leap’: 1885–1908." In Ezra Pound, 7–32. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230378810_2.

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Nadel, Ira B. "‘My Music is Your Disharmony’: 1908–14." In Ezra Pound, 33–66. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230378810_3.

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Nadel, Ira B. "‘The Noble Crested Screamer’: 1914–20." In Ezra Pound, 67–88. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230378810_4.

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Conference papers on the topic "Pound, Ezra"

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Zhao, Yang. "On the Influence of Chinese Culture on Ezra Pound." In 2015 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icemet-15.2015.98.

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Love, Heather A. "Modernist feedback loops: Norbert Wiener's cybernetics and the poetry of Ezra Pound." In 2014 IEEE Conference on Norbert Wiener in the 21st Century (21CW). IEEE, 2014. http://dx.doi.org/10.1109/norbert.2014.6893942.

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Guo, Yingjie, and Wen Wang. "Cultural or Aesthetic An Intertextual Insight into the Relationship between Ezra Pound s Imagist Poems and Chinese Tang Poems." In International Academic Workshop on Social Science (IAW-SC-13). Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/iaw-sc.2013.153.

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Guo, Yingjie, and Qing Zhao. "On the Intertextual Features of Chinese Poetry and American Poetry in the 1920s Taking Hu Shih and Ezra Pound s Poetic Experiences and Poetry as an Example." In 2014 International Conference on Management, Education and Social Science (ICMESS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icmess-14.2014.10.

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