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Journal articles on the topic 'Postcolonial'

To see the other types of publications on this topic, follow the link: Postcolonial.

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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1

Ajah, Richard Oko. "Postcolonial Utopianism of African Cities." Afrique(s) en mouvement N° 7, no. 1 (February 7, 2024): 47–54. http://dx.doi.org/10.3917/aem.007.0047.

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La ville postcoloniale africaine a suscité des attentions critiques alors que les chercheurs s’interrogent sur ses possibilités et potentialités discursives. Under Siege: Four African Cities d’Okwui Enwezor et al, African Cities de Garth Myers, The African City de Bill Freund et d’autres sont des études notables sur les villes postcoloniales africaines. Aussi engageantes et perspicaces que soient ces études, leurs perspectives choisies sont particulièrement historiques, sociologiques et architecturales. Cependant, ces études factuelles des villes donneront un aperçu des représentations littéraires par les écrivains de fiction et de l’utopisme postcolonial qu’elles dépeignent. J’utiliserai la théorie de l’utopisme postcolonial de Bill Ashcroft pour examiner Un nègre a violé une bonde à Dallas de Ramonu Sanusi, Commissaire Kouamé de Marguerite Abouet & Donatien Mary, et Partir de Tahar Ben Jelloun en vue de démontrer comment Lagos, Abidjan et Tanger en tant que villes africaines postcoloniales sont représentées comme des épicentres de subjectivités, de subversions et de survivances dans la fiction africaine francophone. Ces villes africaines textualisées ne sont pas seulement des représentations culturelles, mais aussi réalistes de la postcolonialité africaine. Dans ces textes, les personnages sont dépeints comme des sujets abandonnés qui deviennent des « prisonniers du désir » afin de changer leurs récits de vie. Alors que les fantasmes urbains et les complexités dystopiques de ces villes jettent les bases et expliquent la pensée utopique et son audace d’espoir dans ces corps socialement démunis, les crimes et les vices (violence, meurtre, viol, vol, prostitution) font partie de leurs pratiques subversives et de survie dans les paysages urbains socialement construits et économiquement fragmentés de Lagos, Abidjan et Tanger.

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2

Banu, Jainab Tabassum. "Power Shifts in the English Language in Postcolonial African Poetry." Crossings: A Journal of English Studies 10 (August 1, 2019): 17–24. http://dx.doi.org/10.59817/cjes.v10i.75.

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Colonialism has been used as a negative term for its brutal, cruel, and merciless history of oppression. In the process of colonization, the English language has been used as a tool of subjugation. However, postcolonial writers have formed a resistance against European superpowers by writing their own stories in the colonizer’s language. Although critics like Ngũgĩ wa Thiong’o and Chinua Achebe have given contradictory views on using the English language to write African fiction, most of the postcolonial African writers have remarkably written about their own African experiences in English. By analyzing four postcolonial African poems by Leopold Sedar Senghor, David Diop, Wole Soyinka and Gabriel Okara, this paper aims to explicate how the colonizer’s weapon – the English language – actually turns into a blessing for postcolonials.

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3

Mapangou, Dacharly. "Voyage des enfants de la postcolonie vers l’ailleurs-paradis." Voix Plurielles 18, no. 2 (December 4, 2021): 219–32. http://dx.doi.org/10.26522/vp.v18i2.3537.

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Phénomène social total, l’immigration est devenue une modalité majeure de la poétique de la fiction africaine francophone postcoloniale. Le champ littéraire africain francophone dévoile, depuis le début des années quatre-vingt jusqu’à maintenant, l’émergence d’une fiction de la migration mettant en scène le sujet africain postcolonial hanté par une vision édénique de la terre de l’Autre : l’Europe occidental, qu’il considère comme un endroit propice à sa réussite. À ce titre, la lecture de Le Ventre de l’Atlantique de Fatou Diome, qui raconte la fascination qu’ont les enfants de la postcolonie pour l’Europe d’une part, et de l’autre, leur devenir, une fois arrivé dans le pays d’accueil, apparaît, de ce point de vue, fort éclairante, pour mener une réflexion sur la mythification et la démythification de l’Ailleurs-paradis.

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4

Galafa, Beaton. "Politique de l’émeute dans Le dernier de l’Empire (1981) d’Ousmane Sembène." Journal of Humanities 32, no. 1 (January 25, 2024): 84–104. http://dx.doi.org/10.4314/jh.v32i1.5.

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L’œuvre d’Ousmane Sembène est devenue un vecteur de lutte sociale dans l’Afrique postcoloniale suite à l’émergence de problèmes sociaux et politiques endémiques à la postcolonie. De ce chaos est également né Le dernier de l’Empire, un roman dans lequel Sembène explore l’utilisation de l’émeute dans les luttes de classe africaines. Cet article examine comment Sembène représente cette émeute dans le roman comme un outil efficace pour le prolétariat dans la lutte des classes au Sénégal, tout en la décrivant comme une conséquence délibérée de la répression violente orchestrée par la bourgeoisie contre la dissidence de la classe ouvrière. Sembène y parvient par le biais d’un récit fictif qui gagne notre reconnaissance en tant que préservation de la mémoire dans laquelle nous voyons le roman comme une représentation de la réalité. Nous voyons également comment le prolétariat, tout au long du roman, est opposé à la bourgeoisie, et comment l’émeute devient une solution ultime à la lutte des classes. Considérant que Le dernier de l’Empire se concentre sur la lutte des classes (après l’indépendance), l’article déploie une critique marxiste dans son analyse du roman. Ceci est pareillement conforme à notre propre compréhension de Sembène en tant qu’écrivain marxiste renommé. Cependant, l’article utilise également la désillusion postcoloniale dans son analyse puisque le roman traite des défis de l’État postcolonial africain. Ousmane Sembène’s work became a vector for social struggle in postcolonial Africa following the emergence of social and political problems endemic to the post-colony. Out of this chaos also emerged Le dernier de l’Empire, a novel in which Sembène explores the use of riot in African class struggles. This article is an examination of how Sembène represents this riot in the novel as an effective tool for the proletariat in the class struggle in Senegal while at the same time describing it as a deliberate consequence of violent repression orchestrated by the bourgeoisie against working-class dissent. Sembène achieves this through a fictional narrative that gains our recognition as a preservation of memory in which we see the novel as a representation of reality. We also see how the proletariat throughout the novel is pitted against the bourgeoisie, and how riot becomes an ultimate solution to the class struggle. Considering that Le dernier de l’Empire focuses on class struggle (after independence), the article deploys a Marxist critique in its analysis of the novel. This also aligns with our understanding of Sembène as a renowned Marxist writer. However, the article equally uses postcolonial disillusionment in its analysis since the novel deals with the challenges of the African postcolonial state.

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5

Lammes, Sybille. "Postcolonial Playgrounds: Games and postcolonial culture." Eludamos: Journal for Computer Game Culture 4, no. 1 (April 26, 2010): 1–6. http://dx.doi.org/10.7557/23.6110.

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Many games touch upon issues that are related to the postcolonial culture we live in. Be it in the shape of referring to how it has generated ethnic differences, subscribing to (post) capitalist values of winning and gaining, or by employing militarist strategies that have been partly shaped our colonial histories, cultural notions that are related to our colonial past are often resonant in games. However, one particular strand of strategy games takes the notions of colonialism as its most central focus. Games like Age Of Empires (AOE), Civilization and Rise of Nations, may differ greatly in certain ludological aspects, but all share a strong fascination with colonial history. Through employing colonial techniques of domination like exploring, trading, map-making and military manoeuvring, players create their personal colonial pasts and futures. Even though it is evident that such games share an explicit fascination with colonial history, it remains less clear in what way they may be called postcolonial. In this article I will shed light on why and how such games can be called postcolonial and should even be conceived as one of the most significant arenas to express the tensions and frictions that are part of the postcolonial culture we live in. As postcolonial playgrounds they offer the perfect means to play with and make sense of how colonial spatial practices have shaped contemporary culture. I will argue that the very character of digital games as well as the specific game mechanisms of historical strategy games makes them postcolonial playgrounds par excellence.

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6

Lex, Barbara W. "Native American Postcolonial Psychology:Native American Postcolonial Psychology." American Anthropologist 100, no. 2 (June 1998): 574–75. http://dx.doi.org/10.1525/aa.1998.100.2.574.2.

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7

Elvy, Stacy-Ann. "A Postcolonial Theory of Spousal Rape: The Carribean and Beyond." Michigan Journal of Gender & Law, no. 22.1 (2015): 89. http://dx.doi.org/10.36641/mjgl.22.1.postcolonial.

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Many postcolonial states in the Caribbean continue to struggle to comply with their international treaty obligations to protect women from sexual violence. Reports from various United Nations programs, including UNICEF, and the annual U.S. State Department Country Reports on Antigua and Barbuda, the Bahamas, Barbados, Dominica, Jamaica, and Saint Lucia (“Commonwealth Countries”), indicate that sexual violence against women, including spousal abuse, is a significant problem in the Caribbean. Despite ratification of various international instruments intended to eliminate sexual violence against women, such as the Convention on the Elimination of All Forms of Discrimination Against Women, Commonwealth Countries have retained the common law spousal rape exemption. While much has been written on the topic of spousal rape in common law jurisdictions, this Article is unique in at least three respects. First, this Article is part of a larger project that seeks to trace the connections between colonial history and contemporary law in postcolonial states with the aim of developing a typology of the enduring effects of colonial laws and norms. Second, this Article uses postcolonial theory to provide a theoretical framework for critiquing the colonial roots of the modern-day spousal rape exemption in Commonwealth Countries. Third, this Article posits that postcolonial theory offers many insights regarding the history of colonialism and modern-day power dynamics and identities in Commonwealth Countries. The Article uses postcolonial theory to advocate for a norms-based approach to changing the structures that perpetuate inequality, and goes on to suggest the need for changes to negative norms regarding the role of women in marriage, with the aim of creating national and individual identities that value compliance with modern human rights norms. The Article recommends legal, social, legislative, and judicial internalization of human rights norms. While these solutions are not new, the Article uses postcolonial theory to assess which solution may be more viable, as well as to determine the best way to implement internalization of human rights norms given the colonial heritage and politics of postcolonial Commonwealth Countries.

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8

Schultz, Cecilia. "Postcolonial Finance." Theoria 68, no. 166 (March 1, 2021): 60–86. http://dx.doi.org/10.3167/th.2021.6816603.

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This article politicises the discourse of emerging markets in global finance. The black-boxed appearance of credit markets easily obscures the significant amount of subjective evaluation and cultural work that underpins capital flows. This article reveals the colonial, masculine, and racial imagination that informs the articulation of emerging markets as geographies of risk and profit. This brings into view the postcolonial nature of contemporary finance and how colonialism’s regimes of power and knowledge remain crucial for the reproduction of the global political economy. To illustrate this point, the article highlights the sociality of credit practices. Contrary to their mathematical appearance, credit is a relationship with the future, mediated by social imaginations of trust. Focusing on emerging markets as ‘risk-versus-reward’ investments, this article examines the long-term colonial histories embedded in modern investment discourses. The article aims to show the continuing relevance this history plays for emerging market economies in modern financial markets and their political economies.

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9

Sjølyst-Jackson, Peter. "Postcolonial Futures." New Formations 66, no. 66 (March 1, 2009): 173–79. http://dx.doi.org/10.3898/newf.66.rev01.2009.

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10

Bouvier, Pierre. "Syndrome postcolonial." Esprit Janvier, no. 1 (2006): 170. http://dx.doi.org/10.3917/espri.0601.0170.

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11

Lavery, Charne. "Postcolonial Plumbing." Interventions 24, no. 3 (January 3, 2022): 355–68. http://dx.doi.org/10.1080/1369801x.2021.2015707.

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12

Long, Priscilla, and Eavan Boland. "Postcolonial Poet." Women's Review of Books 16, no. 7 (April 1999): 17. http://dx.doi.org/10.2307/4023173.

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13

Costello, Lauren. "Postcolonial Geographies." Geographical Research 43, no. 4 (December 2005): 438. http://dx.doi.org/10.1111/j.1745-5871.2005.00347.x.

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14

Carby, Hazel V. "Postcolonial translations." Ethnic and Racial Studies 30, no. 2 (March 2007): 213–34. http://dx.doi.org/10.1080/01419870601143893.

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15

Harlow, Barbara, and Patrick McGee. "Postcolonial Values." NOVEL: A Forum on Fiction 27, no. 2 (1994): 201. http://dx.doi.org/10.2307/1345823.

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16

Chatterjee, Sudipto, and Eugene van Erven. "Postcolonial Imperialism?" TDR (1988-) 34, no. 3 (1990): 16. http://dx.doi.org/10.2307/1146062.

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17

Yeoh, Brenda S. A. "Postcolonial cities." Progress in Human Geography 25, no. 3 (September 2001): 456–68. http://dx.doi.org/10.1191/030913201680191781.

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18

Chowdhury, Kanishka. "Postcolonial Longings." MFS Modern Fiction Studies 46, no. 2 (2000): 496–500. http://dx.doi.org/10.1353/mfs.2000.0019.

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19

Kamil, Meryem. "Postspatial, Postcolonial." Social Text 38, no. 3 (September 1, 2020): 55–82. http://dx.doi.org/10.1215/01642472-8352247.

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This article centers two new media projects that imagine Palestinian decolonization, given the occupation of Palestinian land: news site Al Jazeera English’s 360-degree video tour of al-Aqsa compound in East Jerusalem and Palestinian grassroots organization Udna’s three-dimensional rendering of destroyed village Mi’ar. These digital texts reimagine Palestinian access to land as a community-driven and intergenerational project. In this analysis, access is formulated as a term that invokes the following: new-media analyses of the digital divide (or differential resources for obtaining new media across lines of race, nation, gender, etc.); disability studies’ notions of access as intimately tied to political power and infrastructure; and postcolonial studies’ criticisms of colonial access in tourism and resource extraction of the global South. The article brings together these discursive nodes to formulate an understanding of space that imagines decolonial futurity. This future-oriented political practice works toward a vision of Palestine determined by Palestinians, as opposed to limiting pragmatic wars of maneuver. This inquiry therefore is centrally concerned with the ways activists for Palestine employ immersive digital media to formulate and work toward an attachment to decolonial futurity that is both practical and utopian.

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20

Bhatia, Nandi. "postcolonial theatres." Feminist Review 84, no. 1 (October 2006): 5–9. http://dx.doi.org/10.1057/palgrave.fr.9400310.

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21

Lahiri, Madhumita. "Postcolonial Adorno." Novel 48, no. 3 (November 2015): 485–89. http://dx.doi.org/10.1215/00295132-3150477.

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22

Hook, Derek. "Postcolonial Psychoanalysis." Theory & Psychology 18, no. 2 (April 2008): 269–83. http://dx.doi.org/10.1177/0959354307087886.

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23

Baishya, Amit R. "Postcolonial Lithographies." KronoScope 20, no. 2 (November 16, 2020): 215–38. http://dx.doi.org/10.1163/15685241-12341469.

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Abstract This article explores how considerations of deep time—not just deep human histories, but inhuman ones as well—can help us re-evaluate postcolonial literary works in the wake of the Anthropocene. I focus on the representation of “lithic time” through a reading of the Martinican writer Patrick Chamoiseau’s novel Slave Old Man. Chamoiseau’s novel has had some traction in animal studies recently because of his conjoined portrayal of the mutual degradation and eventual enslavement of a human and a dog in a colonial plantation in Martinique. I argue, however, that a consideration of stones and lithic time in the novel facilitates a push beyond the located aspects of interspecies relationships and opens portals to contemplations of the inhuman dimensions of geohistorical time. This article looks at the inhuman temporal dimensions of stone in Chamoiseau’s novel, while simultaneously reflecting on how a deep time perspective can assist us in reconceptualizing postcolonial literary analytical strategies.

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24

Cavanagh, C. "POSTCOLONIAL POLAND." Common Knowledge 10, no. 1 (January 1, 2004): 82–92. http://dx.doi.org/10.1215/0961754x-10-1-82.

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25

Seeman, D. "Postcolonial Disorders." Common Knowledge 15, no. 3 (August 24, 2009): 510–11. http://dx.doi.org/10.1215/0961754x-2009-038.

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26

Parker, Ian. "Postcolonial psychology." Postcolonial Studies 15, no. 4 (December 2012): 499–505. http://dx.doi.org/10.1080/13688790.2012.753666.

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27

Bhambra, Gurminder K. "Postcolonial entanglements." Postcolonial Studies 17, no. 4 (October 2, 2014): 418–21. http://dx.doi.org/10.1080/13688790.2014.963926.

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28

Gelder, Ken. "Postcolonial voodoo." Postcolonial Studies 3, no. 1 (April 2000): 89–98. http://dx.doi.org/10.1080/13688790050001390.

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29

Cairns, Stephen. "Postcolonial architectonics." Postcolonial Studies 1, no. 2 (July 1998): 211–35. http://dx.doi.org/10.1080/13688799890156.

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30

George, Olakunle. "Postcolonial Reverberations." Comparative Studies of South Asia, Africa and the Middle East 36, no. 1 (2016): 195–203. http://dx.doi.org/10.1215/1089201x-3482231.

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31

Young, Robert JC. "Postcolonial Remains." New Literary History 43, no. 1 (2012): 19–42. http://dx.doi.org/10.1353/nlh.2012.0009.

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32

Hutton, Clinton. "Postcolonial Roadways." Small Axe: A Caribbean Journal of Criticism 21, no. 3 (November 1, 2017): 167–78. http://dx.doi.org/10.1215/07990537-4272067.

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33

Maley, Willy. "Postcolonial Studies." Reformation 8, no. 1 (January 2003): 213–22. http://dx.doi.org/10.1179/ref_2003_8_1_010.

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34

King, Bruce. "Postcolonial Positions." Journal of Postcolonial Writing 49, no. 2 (May 2013): 234–37. http://dx.doi.org/10.1080/17449855.2013.767515.

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35

Callahan, David. "Postcolonial literature." Journal of Postcolonial Writing 50, no. 5 (May 23, 2014): 622–23. http://dx.doi.org/10.1080/17449855.2014.920167.

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36

Phillips, Mike. "Postcolonial endgame." Journal of Postcolonial Writing 52, no. 1 (January 2, 2016): 6–12. http://dx.doi.org/10.1080/17449855.2015.1125142.

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37

King, Bruce. "Postcolonial writing?" Journal of Postcolonial Writing 56, no. 5 (August 29, 2019): 720–21. http://dx.doi.org/10.1080/17449855.2019.1653583.

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38

Borzaga, Michela. "Postcolonial poetics?" Journal of Postcolonial Writing 56, no. 1 (January 2, 2020): 140–46. http://dx.doi.org/10.1080/17449855.2020.1712847.

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39

Anderson, Warwick. "Postcolonial Technoscience." Social Studies of Science 32, no. 5 (December 1, 2002): 643–58. http://dx.doi.org/10.1177/030631202128967361.

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40

Khair, Tabish. "Postcolonial Resentments." Massachusetts Review 58, no. 2 (2017): 260–69. http://dx.doi.org/10.1353/mar.2017.0039.

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41

Philip, Kavita, Lilly Irani, and Paul Dourish. "Postcolonial Computing." Science, Technology, & Human Values 37, no. 1 (November 21, 2010): 3–29. http://dx.doi.org/10.1177/0162243910389594.

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42

McGonegal, Julie. "POSTCOLONIAL METACRITIQUE." Interventions 7, no. 2 (July 2005): 251–65. http://dx.doi.org/10.1080/13698010500146831.

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43

Morris, Catherine, and Spurgeon Thompson. "POSTCOLONIAL CONNOLLY." Interventions 10, no. 1 (March 2008): 1–6. http://dx.doi.org/10.1080/13698010801933812.

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44

Tyler, Imogen, and Rosalind Gill. "POSTCOLONIAL GIRL." Interventions 15, no. 1 (March 2013): 78–94. http://dx.doi.org/10.1080/1369801x.2013.771008.

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45

Goddeeris, Idesbald. "Postcolonial Belgium." Interventions 17, no. 3 (January 7, 2015): 434–51. http://dx.doi.org/10.1080/1369801x.2014.998253.

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46

Klaits, Frederick. "Postcolonial Civility." Journal of Southern African Studies 31, no. 3 (November 2005): 649–62. http://dx.doi.org/10.1080/03057070500203087.

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47

Mains, Susan P., Mary Gilmartin, Declan Cullen, Robina Mohammad, Divya P. Tolia-Kelly, Parvati Raghuram, and Jamie Winders. "Postcolonial migrations." Social & Cultural Geography 14, no. 2 (March 2013): 131–44. http://dx.doi.org/10.1080/14649365.2012.753468.

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48

RENTMEESTER, CHRISTY A. "Postcolonial Bioethics." Cambridge Quarterly of Healthcare Ethics 21, no. 3 (May 25, 2012): 366–74. http://dx.doi.org/10.1017/s0963180112000084.

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49

Veracini, Lorenzo. "Postcolonial Garibaldi?" Modern Italy 24, no. 1 (November 9, 2018): 99–112. http://dx.doi.org/10.1017/mit.2018.44.

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This paper offers an original interpretation of Garibaldi’s political style and imaginary. The aim is to account for Garibaldi’s sustained engagement with the possibility of displacement as an alternative to revolution. It begins in an afternoon on a remote small island between two oceans. Garibaldi was considering his options. When he returned to Italy, he had seriously reflected on the possibility of colonising other places. Colonising had entered the picture. It was a postcolonial Garibaldi.

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50

Clark, Nigel. "Postcolonial Natures." Antipode 37, no. 2 (March 2005): 364–68. http://dx.doi.org/10.1111/j.0066-4812.2005.00499.x.

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