Relevant bibliographies by topics / Postage stamps – Great Britain

Academic literature on the topic 'Postage stamps – Great Britain'

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Published: 10 March 2023

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Journal articles on the topic "Postage stamps – Great Britain"

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Jones, Robert A. "Heroes of the Nation? The Celebration of Scientists on the Postage Stamps of Great Britain, France and West Germany." Journal of Contemporary History 36, no. 3 (July 2001): 403–22. http://dx.doi.org/10.1177/002200940103600301.

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Allibone, T. E. "Philately and the Royal Society II." Notes and Records of the Royal Society of London 53, no. 1 (January 22, 1999): 107–19. http://dx.doi.org/10.1098/rsnr.1999.0066.

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In May 1990 I presented to the Royal Society two volumes of postage stamps portraying over 300 Fellows and Foreign Members of our Society. Some of these stamps had come from my own stamp collection, some I had purchased either in Britain or from foreign dealers, and I assembled them in the sequence of date at which each Fellow had been elected to the Society, the last being H.R.H. The Princess Royal (F.R.S., 1987) on page 59. I wrote an account of this collection in Notes and Records . 1
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Afshar, Ahmadreza. "Hands on Stamps: Great Britain 1976—Social Reformers." Journal of Hand Surgery 39, no. 4 (April 2014): 757–58. http://dx.doi.org/10.1016/j.jhsa.2013.01.010.

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Ojemann, Robert G. "AANS Presidential Address: The tradition of Harvey Cushing commemorated by a stamp in the Great American stamp series." Journal of Neurosurgery 67, no. 5 (November 1987): 631–42. http://dx.doi.org/10.3171/jns.1987.67.5.0631.

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✓ With the announcement that Harvey Cushing is to be honored by a United States postage stamp in the Great American stamp series, the qualities that this remarkable man possessed are reviewed — artist, author, bibliophile, scientist, soldier, physician, and teacher. The events that led to Cushing becoming a neurosurgeon are summarized. The recognition by the United States Postal Service of physicians and others who have appeared on stamps that had some relationship to Cushing's activities is discussed. Based on the tradition of Harvey Cushing, eight guidelines are presented.
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HASSANA, HASSANA. "ANALYSE LEXICO-SÉMANTIQUE DES EXPRESSIONS COLONIALES SUR LES TIMBRES-POSTE." FRANCISOLA 2, no. 1 (July 5, 2017): 1. http://dx.doi.org/10.17509/francisola.v2i1.7522.

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RÉSUMÉ. Ce travail étudie, du point de vue lexico-sémantique, les mots et les expressions sur les timbres-poste. De manière spécifique, il s’agit d’appréhender l’histoire véhiculée par les mots gravés sur les productions philatéliques en circulation au Cameroun pendant la domination allemande, anglaise et française. Sur le plan théorique, cette étude s’inscrit dans le champ de la lexicologie et de la sémantique. L’approche lexicale décrit la structure et la formation des mots en langue allemande, anglaise et française. La démarche sémantique par contre questionne le sens des mots et des discours idéologiques. Sur le plan méthodologique, nous nous appuyons sur un corpus constitué des productions philatéliques. Par le biais de ce corpus, nous focalisons notre attention sur l’interprétation des mots ou des expressions sur les timbres, en mettant en exergue les grandes séquences de l’histoire coloniale au Cameroun. L’intérêt de ce travail est d’interroger l’histoire coloniale sous le prisme des expressions reproduites sur les timbres-poste.Mots-clés : cameroun, colonisation, histoire, lexicologie, philatélie, timbres-poste, sémantique. ABSTRACT. This work studies, from lexico-semantic point of view, the words and expressions on postage stamps. Specifically, it is a question of apprehending the history conveyed by the words engraved on the philatelic productions circulating in Cameroon during the German, English and French domination. From a theoretical point of view, this study falls within the field of lexicology and semantics. The lexical approach describes the structure and formation of words in German, English and French. The semantic approach, on the other hand, questions the meaning of words and ideological discourses. On the methodological level, we rely on a corpus of philatelic productions. Through this corpus, we focus our attention on the interpretation of words or expressions on stamps, highlighting the great sequences of colonial history in Cameroon. The interest of this work is to question the colonial history under the prism of the expressions reproduced on the postage stamps.Keywords: Cameroon, colonization, history, lexicology, philately, postage stamps, semantics.
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Afshar, Ahmadreza, and Neda Afshar. "Hands on Stamps: Great Britain 1998—National Health Service of England." Journal of Hand Surgery 41, no. 3 (March 2016): 442–43. http://dx.doi.org/10.1016/j.jhsa.2014.07.025.

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Gudonis, Vytautas. "THE IMAGE A VISUALLY IMPAIRED PERSON IN PHILATELY AS A MEANS OF FORMING AN ADEQUATE ATTITUDE TOWARDS THE BLINDNESS AND BLIND." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 21, 2019): 390. http://dx.doi.org/10.17770/sie2019vol4.3962.

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The topic of blindness and the image of a blind person in philately, although rarely analysed, has a great information potential. This research topic is part of our research "The Image of a Blind Man in the Cultural Heritage of Humanity." The purpose of the study is to systematize knowledge on the subject of image and blindness in philately, to consider the social aspects of this phenomenon. To collect information, the bulletin used the analysis of literature and the search for postage stamps depicting blind people in private collections of philatelists. The iconological method of interpretation of culture and art history was also used, which permitted to reveal the meaning of visions, symbols and their contexts. The monograph is based on the methodological assumptions of art historians Aby Walburg (1866 – 1929) and Erwin Panofsky (1892 – 1968), who claimed that historical and social aspects could be revealed through the works of art. E. Panofsky states that the works of art as human signs as well as other works can be considered documents, encoding the knowledge of the epoch, its culture and attitudes. The work of art is a symbol, indicating “something else” and allowing us to perceive the allegory; it is a document, telling us about certain cultural, religious, social and historic phenomena, depending on the context. The image of a blind person in stamps and commemorative envelopes are divided according to separate themes and analysed as social phenomena. The image of the blind and the topic of blindness in philately allow acquiring more knowledge about the blind, their potential, embossed writing, specificity of their orientation and mobility and at the same time forming positive attitudes towards visually impaired people. These findings activate further research on the image of a blind person in other areas of cultural heritage.
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Milligan, Barry. "LUKE FILDES'STHE DOCTOR, NARRATIVE PAINTING, AND THE SELFLESS PROFESSIONAL IDEAL." Victorian Literature and Culture 44, no. 3 (August 30, 2016): 641–68. http://dx.doi.org/10.1017/s1060150316000097.

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Since its introductionat the Royal Academy exhibition of 1891, Luke Fildes's paintingThe Doctorhas earned that often hyperbolic adjective “iconic.” Immediately hailed as “the picture of the year” (“The Royal Academy,” “The Doctor,” “Fine Arts”), it soon toured the nation as part of a travelling exhibition, in which it “attracted most attention” (“Liverpool Autumn Exhibition”) and so affected spectators that one was even struck dead on the spot (“Sudden Death”). Over the following decades it spawned a school of imitations, supposed companion pictures, poems, parodies, tableaux vivants, an early Edison film, and a mass-produced engraving that graced middle-class homes and doctors' offices in Britain and abroad for generations to come and was reputedly the highest-grossing issue ever for the prominent printmaking firm of Agnew & Sons (Dakers 265–66). When Fildes died in 1927 after a career spanning seven decades and marked by many commercial successes and even several royal portraits, hisTimesobituary nonetheless bore “The Doctor” as its sub-headline (“Sir Luke Fildes”) and sparked a lively discussion of the painting in the letters column for several issues thereafter (“Points From Letters” 2, 4, 5 Mar. 1927). Although the animus against things Victorian in the early twentieth century shadowedThe Doctorit never eclipsed it; by the middle of the century the painting was still being held up as the quasi-Platonic ideal of medical practice (“Bedside Manner,” “98.4”), gracing postage stamps, and serving ironically as the logo for both a celebration of Britain's National Health Service and a campaign against its equivalent in the United States. Appreciation of the painting in mid-century art historical circles was echoed in the popular press (“Victorian Art”), andThe Doctorwas singled out as a highlight of the reorganized Tate Gallery in 1957 (“Tate Gallery”), after which it settled into a sort of dowager status as a cornerstone of that eminent collection, where it is still in the regular rotation for public display. Since the mid-1990s it has been a recurring focus of discussion in both Medical Humanities journals and prominent medical professional organs such as theLancetand theBritish Medical Journal, where a steady stream of articles still cite it as a sort of prelapsarian benchmark for the role and demeanor of the ideal medical practitioner.
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Bevill, James P. "The Great Texas Stamp Collection: How Some Stubborn Texas Confederate Postmasters, a Handful of Determined Texas Stamp Collectors, and a Few of the World's Greatest Philatelists Created, Discovered, and Preserved Some of the World's Most Valuable Postage Stamps by Charles W. Deaton." Southwestern Historical Quarterly 117, no. 2 (2013): 214–15. http://dx.doi.org/10.1353/swh.2013.0105.

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Reeve, Eric. "Genes and Development, volume 1, no. 1, 031987. New Journal, published monthly by Cold Spring Harbor Laboratory in association with The Genetical Society of Great Britain. First year's subscription $65 plus postage for individuals, $195 plus postage for Institutions from Cold Spring Harbor Fulfillment Dept. P.O. Box 100, Cold Spring Harbor, N.Y. 11724." Genetical Research 49, no. 3 (June 1987): 264–65. http://dx.doi.org/10.1017/s0016672300027191.

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Dissertations / Theses on the topic "Postage stamps – Great Britain"

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HOYO, Henio. "Post-nationalism : postage stamps as carriers of national imaginaries." Doctoral thesis, 2013. http://hdl.handle.net/1814/29627.

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Defence date: 7 October 2013
Examining Board: Professor Rainer Bauböck, European University Institute (Supervisor) Professor Mauricio Tenorio, University of Chicago (Co-supervisor) Professor Pavel Kolář, European University Institute Professor Stephan Leibfried, University of Bremen.
First made available online: 07 September 2021
Despite their immense potential as information sources, postage stamps have been virtually ignored in academic research. Therefore, in this thesis I study how official national imaginaries have been promoted through iconographic and written messages in postage stamps; how such messages are linked to the ideology, interests and goals of political elites; and how competing elites and groups with relative power within the state try to influence such official ideas about the nation. The thesis is divided in three sections. The first presents a theoretical framework for the study of national imaginaries. It also presents the properties of stamps that made them ideal 'carriers’ of ideological propaganda. The second section analyses a random sample of 1,000 stamps by means of a typology of ideological messages. It was found that the vast majority of stamps are carrying messages related to the features, composition, and historical development of the nation that issued the stamp. Then, these 'nationalist’ stamps were further studied by means of a second typology, in order to differentiate the particular aspects of the nation that were promoted in each stamp. The third section analyses the political goals and processes behind nationalist messages in stamps. For that, both the United Kingdom during 1950-1970 and post-revolutionary Mexico were studied using process-tracing methodology. It was found that, while the most important actors are still the ruling elites, other actors such as competing elites, local authorities, pressure groups or social organizations will also try to influence the messages about the nation in stamps. A relevant finding is that intermediate structures, such as middle-range public officers in postal institutions, can have a key role not only in the promotion, but also in the shaping of official national imaginaries.
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Books on the topic "Postage stamps – Great Britain"

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Limited, Stanley Gibbons, ed. Great Britain concise stamp catalogue. Ringwood: Stanley Gibbons, 2000.

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Great Britain: Concise stamp catalogue. 2nd ed. London: Stanley Gibbons, 2006.

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Ltd, Stanley Gibbons. Great Britain concise stamp catalogue. London: Stanley Gibbons, 1999.

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Limited, Stanley Gibbons, ed. Stanley Gibbons Great Britain concise stamp catalogue. 9th ed. London: Stanley Gibbons Ltd., 1994.

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Limited, Stanley Gibbons, ed. Stanley Gibbons Great Britain concise stamp catalogue. 2nd ed. London: Stanley Gibbons, 1987.

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Publications, Stanley Gibbons, ed. Collect British stamps: A Stanley Gibbons checklist of the stamps of Great Britain. 4th ed. London: Stanley Gibbons, 1991.

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First class: A history of Britain in 36 postage stamps. London: Square Peg, 2012.

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Langmead, Peter. The telegraph stamps and stationery of Great Britain, 1851-1954. London: GB Philatelic Publications for the Great Britain Philatelic Society, 2003.

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Lacy-Spencer, Roger De. The railway letter stamps of Great Britain & Ireland 1891-1947. Pickering: Moorside, 2000.

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Ltd, Stanley Gibbons Publications. Rare stamps and postal history of the world: Featuring China Expeditionary Force collection, Great Britain 1840 ... 15 October 1999. London: Stanley Gibbons Publications Ltd., 1999.

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Book chapters on the topic "Postage stamps – Great Britain"

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Johnson, Robert. "United Kingdom." In Comparative Grand Strategy, 123–46. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840848.003.0006.

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Great Britain has been influenced strongly by its history, and its grand strategy is shaped by both this legacy and by shifting geopolitics. Nevertheless, it has adapted to these forces, adjusted to its post-imperial posture, and remains an influential, nuclear-armed global power. While Great Britain promotes multilateralism and collective security, and is staunch in its alignment to the United States, it is—as Brexit demonstrates—less certain with regard to its relationship with Europe. It is a firm advocate of NATO, but—harking back to the nineteenth nentury—seeks to avoid the dominance of the continent by any single country. This chapter addresses the tension in the GB’s grand strategy through the legacy of its history, its close alliance with the United States, and the influence of domestic politics on key strategic choices. It also addresses the proactive British approach to the Global War on Terror, and the constraints that now impose themselves in the early decades of the twenty-first century.
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Butcher, Kevin. "Information, Legitimation, or Self-Legitimation? Popular and Elite Designs on the Coin Types of Syria." In Coinage and Identity in the Roman Provinces. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199265268.003.0017.

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In a Famous Essay ‘Numismatics and History’, A. H. M. Jones suggested that Roman imperial coin types could be compared to the designs on modern postage stamps. The purpose of this analogy was to demonstrate the relative insignificance of types and legends for the study of imperial policy. In doing so, however, he addressed a fundamental problem which is of particular relevance here: What are the meaning(s) of coin types, and who chose the designs? Jones’s comparison was perhaps offered with a slight hint of facetiousness, as a way of debunking the notion that imperial history could be reconstructed from the coin designs alone, yet the analogy does have some merit when considering the meanings of types on Roman provincial coins. These do indeed depict ‘famous men of the country concerned, its artistic monuments . . . fairs . . . or . . . great events in national history’, among other things. The analogy is not intended to mean that the designs were empty or frivolous, or that people could not construct a sense of identity from them. This chapter examines some of the coin types of cities in Syria, to show that not only the more unusual types, but also some of the designs that we might consider generic could have been seen as specific and generated a sense of identity among members of the issuing community. Whether individuals within a community found the same meanings in the designs is a question addressed here. What people understood is crucial to any search for identities. It is suggested that whilst people from outside the community might have understood the types, these designs were not generally intended to convey ‘information’ to outsiders. Some of the types may remain unexplained today because they were perhaps equally obscure to many non-citizens in antiquity. However, unless the issuing authorities and the audience can be clearly identified it will be very difficult to say very much about how the coin types generated a sense of identity, and what sort of identities were generated.
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