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Relevant bibliographies by topics / Postage stamps – Belgium – History

Academic literature on the topic 'Postage stamps – Belgium – History'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Postage stamps – Belgium – History"

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Rajasoorya, C. "Stamping with stamps – medical history and postage stamps." Singapore Medical Journal 61, no. 10 (October 2020): 503–4. http://dx.doi.org/10.11622/smedj.2020144.

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Modarressi, Matin. "Philatelic Propaganda: U.S. Postage Stamps during the Cold War." Journal of Cold War Studies 19, no. 3 (August 2017): 196–201. http://dx.doi.org/10.1162/jcws_a_00758.

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Throughout the Cold War, the leading powers used postage stamps to promote their foreign policy goals. This brief research note cites illustrative examples of U.S. and Cuban postage stamps and discusses how and why they were produced.

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van Wijhe, M. "A History of Anaesthesia, Through Postage Stamps." European Journal of Anaesthesiology 19, no. 3 (March 2002): 234. http://dx.doi.org/10.1097/00003643-200203000-00046.

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Didier, Paul, and James C. Eisenach. "A History of Anaesthesia through Postage Stamps." Anesthesiology 97, no. 4 (October 1, 2002): 1043. http://dx.doi.org/10.1097/00000542-200210000-00072.

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Lachover, Einat, and Inbal Ben-Asher Gitler. "Gendered National Memory on Israeli Postage Stamps." Israel Studies Review 37, no. 3 (December 1, 2022): 109–33. http://dx.doi.org/10.3167/isr.2022.370306.

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Abstract In this article we focus on the gendered national construction on Israeli stamps commemorating renowned women over the course of Israel's history. We analyze gender construction on both the selection of the stamps and in their design. Based on analyses of the social role of women in Israeli historiography, archival documents, interviews with fourteen key figures involved in conceiving and designing the stamps, and the way stamp design constructs gendered memory, we outline major aspects of commemorating women in stamps: gender blindness, women's accomplishments, identity politics, and the emergence of gender as a theme. These are discussed in the context of gendering in official commemoration, the development of feminist historiography and discourse in Israel, and the conjunction of these issues and stamp design.

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Oriekhova, Svitlana. "State symbols on stamp stamps: world standards." Bulletin of Mariupol State University. Series: History. Political Studies 10, no. 28-29 (2020): 109–23. http://dx.doi.org/10.34079/2226-2830-2020-10-28-29-109-123.

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The article is devoted to a detailed analysis of issues of postage stamps of the world during the first half of the XIX - beginning of the XXI century. The study is based on the study of the image content of postage stamps of the standard type, which are the most widespread and intended for long-term technological use. The main content of the study is the analysis of symbols of statehood on the background of postage stamps, which act as a carrier of historical information. The postage stamp reflects the historical and cultural heritage of the country and the prospects for the development of culture around the world. Performing its main technological function, a postage stamp with elements of symbolic load automatically formulates – attributive. In this sense, it is not just an artistic miniature, it acts as a kind of matrix that has the ability to connect history with the present. The plots of postal issues cover significant events in the history of the state, with their assistance the historical and cultural heritage is popularized. Therefore, the postal administration of Ukraine is directly interested in the plots depicted in postal issues. Due to its wide distribution in the world, and based on the communicative function of the postage stamp, it is advisable to reproduce the symbols of statehood – flag, coat of arms, national currency, maps, parliament or legislature, national monuments, portraits of national and political leaders who testify to the sovereignty of the state. As a way of understanding the past and perceiving the present, the postage stamp expresses a single concept: historical memory – artistic image - the sovereignty of the state. Possessing a semiotic aspect, the postage stamp fits into the general symbolic, symbolic theory of the image both art, and information. The high artistic level and content of the plots are visual forms that encourage the study of national symbols and form a positive attitude of domestic and foreign collectors to the issuing state.

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Rugendorff, Erwin W., and Tom Wilson. "THE HISTORY OF UROLOGY ON POSTAGE STAMPS AND CANCELLATIONS." Journal of Urology 158, no. 4 (October 1997): 1335–39. http://dx.doi.org/10.1016/s0022-5347(01)64209-5.

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Habashi, Fathi. "Postage stamps: A convergence of metallurgy, art, and history." JOM 54, no. 4 (April 2002): 10–12. http://dx.doi.org/10.1007/bf02701648.

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Ball, C. "Book Review: A History of Anaesthesia through Postage Stamps." Anaesthesia and Intensive Care 29, no. 4 (August 2001): 443. http://dx.doi.org/10.1177/0310057x0102900429.

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Swan, G. "Licking Disability: Reflections on the Politics of Postage Stamps." Radical History Review 2006, no. 94 (January 1, 2006): 228–32. http://dx.doi.org/10.1215/01636545-2006-94-228.

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Dissertations / Theses on the topic "Postage stamps – Belgium – History"

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Ng, Kuok Man. "The collective memories of Macau : from transportation and construction stamps (1949-1999)." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2585604.

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SCHWARZENBACH, Alexis. "Portraits of the Nation : stamps, coins and banknotes in Belgium and Switzerland, 1880-1945." Doctoral thesis, 1997. http://hdl.handle.net/1814/5974.

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Defence date: 13 December 1997
Examining Board: Prof. Urs Altermatt, Université de Fribourg ; Prof. John Brewer, EUI (supervisor) ; Prof. Martin Conway, Balliol College, Oxford (ext. supervisor) ; Prof. Luisa Passerini, EUI
First made available online on 7 January 2020
Portraits of the Nation offers a fascinating insight into the construction and development of national identity in two multilingual countries—Belgium and Switzerland. This book not only shows that multilingualism was no obstacle for the development of national identity—in both countries it was used as a positive means of collective identification —it also demonstrates that other means of identification were much more important. These were found on a national and supra-linguistic level—in Belgium the Royal Family and in Switzerland the Alps—and on a local and sublinguistic level—in Belgium mainly the provinces and in Switzerland the cantons. This study also shows that, contrary to what might be expected, Belgium was often more successful than Switzerland in constructing and adapting its national identity, especially in the inter-war years. Combining written and iconographic sources found in the archives of the national banks, mints and Post Offices in Berne and Brussels this book furthermore fills in an important historiographical gap using stamps, coins and banknotes as historical sources for the first time. Often neglected by historians, Alexis Schwarzenbach successfully argues that these sources have to be seen as important lieux de mernoire and that they are ideally suited for the study of the interrelated topics of memory and identity.
-- 1. Introduction -- 2. Decision-making 1880-1913 -- 3. Portraits 1880-1913 -- 4. The First World War -- 5. Inter-war decision-making -- 6. Portraits 1919-1933/34 -- 7. Portraits 1933/34-1939/40 -- 8. The Second World War

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Yardley, Christopher B. "The representation of science and scientists on postage stamps." Phd thesis, 2014. http://hdl.handle.net/1885/156346.

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Research into science communication has included books, newspapers, television and radio analysis but no-one has studied science on postage stamps as a communication medium. Yet stamps incorporate a literate and a visual communication message that governments have used to elucidate ideological ideals and policies, for civic education, for nation building and to advise on matters of public health. Within every stamp image is a permanent record that preserves that message information from the date of issue through many generations. This thesis examines the multiple science message roles the stamp has carried from ten representative countries since the first use of the medium. It explores paths and into how and why a country visualises and publicises its place locally and to the outside world. The taxonomy developed is applicable to other disciplines in describing classification of communication themes. 'Science' as represented on postage stamps defines the state of science and technology at a set point in time, the date of issue, and provides a commentary on society and a set of activities, functions or needs. A case study methodology has been used provide examples of the many roles of the stamp message. Half of all science stamps show the science as its main image generally accompanied by a textual description explaining the reason for issue at that particular time. The other half of all science stamps depend upon a named scientist as the focal point of the message. Events and anniversaries are the prompts for many issues. Government's hand is shown when the message is political, is nation-building and often in advising of public health issues. The nature of the image has evolved with time, which time can be related to the development of science communication when science has fragmented and is an increasingly specialist endeavour undertaken by institutions. This study analyses how, through stamp issue, the current perspective of science is shown by the context in step with the movement understood as the public understanding of science evolving into the public awareness of science.

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Books on the topic "Postage stamps – Belgium – History"

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Portraits of the nation: Stamps, coins, and banknotes in Belgium and Switzerland, 1880-1945. Bern: Peter Lang, 1999.

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A, Mackay James. British stamps. London: Longman, 1985.

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Karakaş, Sekine. Istanbul in stamps. [Ankara]: Ministry of Culture and Tourism, 2011.

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Sciaky, Roberto. Ethiopia: Haile Selassie, the exile, the restoration, the deposition : history, stamps and postal history, 1936-1974. Vignola, Italy: Vaccari, 2003.

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Postage stamps of Sri Lanka. Colombo: Philatelic Bureau, Department of Posts, Sri Lanka, n.d.

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Indian postage stamps: Princely states. New Delhi: D. K. Agencies (P) Ltd., 2010.

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Alejandro, Reynaldo G. Selyo: Philippine history in postage stamps. Pasig City, Philippines: Published and exclusively distributed by National Book Store, Inc. and Anvil Pub., 2000.

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Bianculli, Anthony J. Railroad history on American postage stamps. Mendham, NJ: Astragal Press, 2004.

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Stamps of Myanmar. Yangon: Yone-Kyi-Chat Pub. House, 2002.

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Cheng, Charles L. Baguio history through stamps-Philippines. [Baguio City: s.n., 2004.

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Book chapters on the topic "Postage stamps – Belgium – History"

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Blodi, Frederick C. "Some famous persons with visual problems as shown on postage stamps." In History of Ophthalmology, 295–334. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-2564-2_3.

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Libera, Maria Zofia. "The Added Value of the Postage Stamp in Promoting National Cultural Heritage and Identity." In Examining a New Paradigm of Heritage With Philosophy, Economy, and Education, 223–31. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3636-0.ch016.

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This chapter highlights the unique status of the postage stamp that, thanks to its multiple dimensions as an official symbol of its nation, contributes significantly to disseminate and promote the cultural heritage, history, identity, and all aspects of cultural life. Many national and international activities are organized around the postage stamp in the fields of culture, the economy, education, history, tourism, etc. Indeed, postage stamps can be identified with various aspects of philosophy, the economy, and education that are part of “a new paradigm of heritage.” Furthermore, the unique quasi-monetary status of the postage stamp is subject to laws and regulations that are enshrined in an international intergovernmental treaty that is renewed every four years by the 192 member countries of the Universal Postal Union. Such laws are essential to safeguard the postage stamp against industry abuses that are undermining the credibility, name, and identity of stamp-issuing countries as well as depriving their national authorities of important revenue.

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Elias, Jamal J. "Toy Guns and the Real Dead in Iran." In Alef Is for Allah. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290075.003.0007.

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This chapter follows the pattern of the previous two: it begins with a brief history of education and religion in modern Iran in order to situate the discussion of representations of childhood in the society. It brings together poster arts and children’s books that are each the focus of the two previous chapters, and adds other visual materials, especially postage stamps. In the case of Iran, the focus is on materials produced by official and parastatal entities as part of a conscious policy of opinion molding and propaganda. Visual materials commemorating the Iranian Revolution, the Iran-Iraq War, and the Basij volunteer soldiers serve as subjects to advanced theories presented in the previous chapters. In particular, this chapter moves forward the discussion of gender and sacrifice, demonstrating how male and female opportunities for offering the gift of sacrifice occur in different forms and at different ages.

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Mecsnóber, Tekla. "Introduction." In Rewriting Joyce's Europe, 1–16. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066981.003.0001.

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Taking the visual-verbal symbolism of postage stamps of the post-World War I era as a starting point, Mecsnóber highlights a key interest that Joyce, like many modernist authors, shared with politicians and officials of the time: an interest in the exploitation of the full symbolic potential of language, including its written forms. Arguing for a greater recognition of the role of the politics of language and writing in literary history and in modernist studies, the introduction sketches the significance of the book’s central trope: rewriting. Seeking to contribute to a reshaping of the critical understanding of the circumstances in which many modernist works were produced, Mecsnóber zooms in on two fundamental sets of (re)writing. Firstly and primarily, the author focuses on Joyce’s own acts of rewriting, which include, crucially, the writer’s creative inscription of a radically changing Europe in his texts but also his textual revisions and his repeated intervention in the visual design of his books. The second set of rewritings provides the historical context for Joyce’s own rewritings: this is how the map of Europe itself was radically revised politically and culturally during and after the war through changes of borders, language policies, and typographic preferences.

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Brennan, T. Corey. "Constructing Fasces in Mussolini’s Italy." In The Fasces, 178—C11.F3. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197644881.003.0011.

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Abstract None of the many activist Italian political groups of the late nineteenth and earlier twentieth centuries that called themselves “fasci” (“bundles”) exploited the Roman device in their public messaging until 1919. In that year, the newspaper editor Benito Mussolini (1883–1945), as founder and leader of the “Italian Fasci of Combat,” embraced the (previously pejorative) tag “fascisti” for his supporters, and used a threatening representation of the fasces to identify his favored political candidates. Use of the historical Roman emblem served as branding for his rapidly growing party, and to a stunning degree also helped valorize its violent methods, which intensified especially from the spring of 1920. Soon after his movement’s largely bloodless “March on Rome” (October 28–30, 1922) that felled the elected government, Mussolini—now as prime minister—successfully forced the fasces into every crevice of Italian daily life, from coinage and postage stamps to cigarette packaging. What followed was a twenty-year program to make the fasces ubiquitous in Italy and the territories it colonized in Africa. Mussolini’s regime’s relentless focus on the fasces, and propagation of the image on a massive scale, had no close parallel in world history. And Mussolini seems to have been the first statesperson ever to interpret the fasces as an instrument for imposing political unity by means of authority. (Everyone else had it the other way around.) It also was a special innovation of Mussolini to idealize the humble lictor who lugged the fasces, and raise him to prominence.

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Butcher, Kevin. "Information, Legitimation, or Self-Legitimation? Popular and Elite Designs on the Coin Types of Syria." In Coinage and Identity in the Roman Provinces. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199265268.003.0017.

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In a Famous Essay ‘Numismatics and History’, A. H. M. Jones suggested that Roman imperial coin types could be compared to the designs on modern postage stamps. The purpose of this analogy was to demonstrate the relative insignificance of types and legends for the study of imperial policy. In doing so, however, he addressed a fundamental problem which is of particular relevance here: What are the meaning(s) of coin types, and who chose the designs? Jones’s comparison was perhaps offered with a slight hint of facetiousness, as a way of debunking the notion that imperial history could be reconstructed from the coin designs alone, yet the analogy does have some merit when considering the meanings of types on Roman provincial coins. These do indeed depict ‘famous men of the country concerned, its artistic monuments . . . fairs . . . or . . . great events in national history’, among other things. The analogy is not intended to mean that the designs were empty or frivolous, or that people could not construct a sense of identity from them. This chapter examines some of the coin types of cities in Syria, to show that not only the more unusual types, but also some of the designs that we might consider generic could have been seen as specific and generated a sense of identity among members of the issuing community. Whether individuals within a community found the same meanings in the designs is a question addressed here. What people understood is crucial to any search for identities. It is suggested that whilst people from outside the community might have understood the types, these designs were not generally intended to convey ‘information’ to outsiders. Some of the types may remain unexplained today because they were perhaps equally obscure to many non-citizens in antiquity. However, unless the issuing authorities and the audience can be clearly identified it will be very difficult to say very much about how the coin types generated a sense of identity, and what sort of identities were generated.

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