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Relevant bibliographies by topics / Post-structuralism

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Academic literature on the topic 'Post-structuralism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Post-structuralism"

1

Schechner, Richard. "Post Post-Structuralism?" TDR/The Drama Review 44, no. 3 (September 2000): 4–7. http://dx.doi.org/10.1162/10542040051058573.

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Eagleton, Terry, and Perry Anderson. "Marxism, Structuralism, and Post-Structuralism." Diacritics 15, no. 4 (1985): 2. http://dx.doi.org/10.2307/464931.

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Schulz, Vladimir L., and Tatiana M. Lyubimova. "Post-structuralism." Epistemology & Philosophy of Science 60, no. 2 (2023): 151–67. http://dx.doi.org/10.5840/eps202360230.

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The article draws a conceptual distinction the (French) structuralism of the 50’s–60’s and the post-structuralism of the 70’s, which are discussed as overlapping in their intellectual paths; their mutual dynamics is defined as a reaction of the intelligence to the pressure of depersonalized unified schemes within the logic of structuralism against free improvisation and loose interpretation instead of total explanations in the post-structuralism interpretation. The article establishes a conceptual identity of the paradoxical nature between post-structuralism (and deconstructionism, which is homogeneous and identical thereto in a number of aspects), on the one hand, and constructionism with its specific process of language dismantling – social/ideological languages, social group dialects, on the other hand, which naturally leads the authors to the analysis of the paradoxicality principles, defined by post-structuralism (five principles of paradoxicality of Gilles Deleuze – paradox of regress, paradox of sterile reiteration, paradox of neutrality, paradox of absurd, paradox of Levi-Strauss); poststructuralists’ paralogisms are examined through paradoxical denotation; the late Roland Barthes’ phenomenon of paradoxicality, becoming a plot-forming principle of narration, is analyzed. Poststructuralism is conceptualized in the article as the first decisive step of post-modernism; the affinity of post-structuralist and postmodernist commitment to parody, game and irony is stated; the theory of language games in post-modern interpretation is explored; one of those games – a game of carnival – is explored within the diachronic retrospective; the affinity of parody and carnival tradition of post-structuralism and post-modernism to the romantic irony of the XIXth century and its inconsistency with the popular culture of laugh is established. The genesis of poststructuralism and post-modernism is connected with the ideological restart of the Western society before the “very end” of the Resistance ideas and the disappointment of the left European intellectuals in the “great legends” and illusions of Marxism. The blurred concepts of relativism are connected with the mutual disproportion of different layers of historical experience.

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Lämmert, Eberhard. "Structuralism, Post-Structuralism and New Hermeneutics." MANUSYA 4, no. 1 (2001): 53–67. http://dx.doi.org/10.1163/26659077-00401005.

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When in European scholarship natural sciences have separated from humanities during the 19th century the concept of hermeneutics won the distinctive mark characterizing the special methods of the humanities in contrast to explanation practiced by natural sciences. The high esteem in literary studies for the individuality of a poet or writer implied that the most important aim of understanding and interpreting was to find the authorʼs secret intention. Maintaining the results of such research in literary studies necessarily must remain subjective or even ideologically determined made the Russian formalists - -later the structuralists from Prague and Western Europe- -try to find a more scientific constitution of a poetic text.

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PATEMAN, M. "17 Post-Structuralism." Year's Work in Critical and Cultural Theory 11, no. 1 (January 1, 2003): 276–89. http://dx.doi.org/10.1093/ywcct/mbg017.

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Callinicos, Alex. "Postmodernism, Post-Structuralism, Post-Marxism?" Theory, Culture & Society 2, no. 3 (November 1985): 85–101. http://dx.doi.org/10.1177/0263276485002003008.

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Kurzweil, Edith, and Richard Harland. "Superstructuralism: The Philosophy of Structuralism and Post-Structuralism." Contemporary Sociology 17, no. 3 (May 1988): 422. http://dx.doi.org/10.2307/2069706.

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Watson, Richard A., and Christopher Tilley. "Reading Material Culture: Structuralism, Hermeneutics, and Post-Structuralism." Journal of Field Archaeology 18, no. 3 (1991): 397. http://dx.doi.org/10.2307/529946.

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Halpin, Marjorie M., and Chrisopher Tilley. "Reading Material Culture: Structuralism, Hermeneutics and Post-Structuralism." Canadian Journal of Sociology / Cahiers canadiens de sociologie 17, no. 4 (1992): 460. http://dx.doi.org/10.2307/3341226.

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Olssen, Mark. "Structuralism, post-structuralism, neo-liberalism: assessing Foucault's legacy." Journal of Education Policy 18, no. 2 (April 2003): 189–202. http://dx.doi.org/10.1080/0268093022000043047.

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Dissertations / Theses on the topic "Post-structuralism"

1

Simpson, Nigel. "Post-structuralism and history." Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282616.

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Allan, Neil Peter. "Kafka : phenomenology and post-structuralism." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/59472/.

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This study seeks to identify a coalition of philosophy and literature in the work of Franz Kafka, and begins with a grounding of his output in the philosophical context from which it emerged. This relatively under-researched philosophical backdrop consists in Kafka's study, at university and in a discussion group, of philosophical positions derived from the "descriptive psychology" of Franz Brentano. Kafka was hence conversant with several philosophical agendas, notably those of logic, Gestalt psychology, and a nascent form of phenomenology, which all derived their impetus from Brentano's work. The initial issue, therefore, is that of assessing the extent of a purported influence of such theories on Kafka's texts. What emerges as a "strategy" of Kafka's work is the aesthetic exploitation of such positions; a tactic which constitutes an almost parodistic subversion of these early forms of phenomenological thought. Thus on the one hand it is implied that the narrative technique of Kafka's work, and in particular the representation of consciousness and its "world", is derived from Brentanian thought, and on the other that this influence is modulated in a specific direction, which renders these texts so singularly amenable to post-structuralist thought. My project consequently proceeds to examine the post-structuralist response to Kafka while juxtaposing this analysis with the grounding of his work in proto-phenomenology. Central to this stage of the study are Blanchot, Derrida, Foucault, and Deleuze and Guattari, and the scrutiny of their perspectives will be organized by the themes of authorship, interpretation, power, and desire. The exploration of the "deconstructive" standpoint, represented primarily through Blanchot and Derrida, will be guided by an account of why such a stance seems to be accommodated so readily by Kafka's work, and also of the extent to which his texts could be said, on the basis of the influence of Brentanian thought, to resist such appropriation.

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Khan, Gulshan Ara. "The subject and politics in Habermas and post-structuralism." Thesis, Nottingham Trent University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424110.

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In this thesis I undertake a critical examination of the work Hirgen Habermas and the poststructuralist thinkers William Connolly, Ernesto Laclau, and Chantal Mouffe and I compare their respective notions of the 'subject' and politics. The objective of my thesis is to use the conceptual distinction between contradictions, dialectical oppositions, and paradoxes to demonstrate three central hypotheses. First, I show that Habermas's charge of 'performative contradiction' levelled against the post-structuralists' supposedly 'totalising' critiques of reason does not hold up to scrutiny, because the post-structuralists acknowledge the paradoxical nature of their ontological foundations. Second, I demonstrate that a simple dichotomy cannot be drawn between the work of Habermas and post-structuralism with him on one side as a rationalist and them on the other as 'anti-rationalists' or 'relativists'. Instead, what I elaborate in this thesis is a complex map of similarities and differences between Habermas and the post-structuralists. For example, I show that on a more straightforwardly political level Habermas shares a number of distinct similarities with the post-structuralist theorists and especially with Mouffe. Indeed, I make the case that Habermas's work cannot be reduced to a form of 'Kantian proceduralism' as it is often said to be. There are in fact distinctly 'Hegelian' elements in Habermas's conception of 'reason' and 'rationality'. Habermas's conception of rationality shares important parallels with the work of Michael Oakeshott, who is a significant influence on Mouffe. Third, I make the case that Habermas's founding principles - despite his claims to contrary - appear to be masking a paradox. I argue that paradoxes have an important place in the in the history of Western philosophy. I show that the acknowledgement of paradoxes has existed alongside the law of noncontradiction, and reconciliation since the ancient Greeks. I conclude the thesis with the suggestion that an 'agonistic' style of democracy is especially conducive to the idea of paradox because it is predicated upon the idea that there is no objective ontological truth or 'complete' identity. Finally, I suggest that it is essential to maintain the distinction between a performative contradiction, a reconciliatory logic, and a paradox, because it is potentially an injustice when a paradox is 'declared' to be resolved and beyond argumentation or contestation.

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Beran, David. "In the wake of failed revolution : romanticism, critical theory, and post-structuralism /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901217.

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Curtis, Neal. "Heteronomous anarchy : Lyotard, justice and the idea." Thesis, Nottingham Trent University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245633.

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Jones, Beverley. "The rhetoric of research in social science : a post-structuralist consideration of world views." Thesis, Keele University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368976.

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Fletcher, Paul Andrew. "The broken body and the fragmented self : theological anthropology after Girard." Thesis, Durham University, 1999. http://etheses.dur.ac.uk/1527/.

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Wenman, Mark Anthony. "The many and the one in twentieth century political pluralism : the contribution of post-structuralism." Thesis, University of Essex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415941.

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Smith, Claude. "Déplacements post-structuraux." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100165/document.

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Ce travail tente de prendre la mesure de certaines des évolutions les plus significatives qui, sous le nom de «post-structuralisme», ont pu affecter la philosophie et la culture contemporaine dans son ensemble. Pour surmonter les difficultés liées à la trop grande généralité de la dénomination, on a choisi de privilégier des lectures suivies d'oeuvres de Deleuze, Derrida et Lyotard, qui servent de fil directeur tout au long de l'étude. Non que nous pensions que ces auteurs suffisent à résumer entièrement le mouvement de pensée dans lequel ils s'inscrivent. Mais ils présentent du moins l'avantage de le traverser très largement, et d'en avoir réfléchi la plupart des composantes. Suivre leurs trajectoires permet donc aussi de revenir sur ces composantes, de la réception post-phénoménologique du structuralisme «méthodologique» aux principaux travaux philosophiques qui en assument un certain héritage (particulièrement dans les oeuvres d'Althusser, Foucault et Lacan), et jusqu'aux gestes de démarcations par lesquels Deleuze, Derrida et Lyotard eux-mêmes en viennent à déterminer ce qu'on pourrait appeler l'originalité «supplémentaire» de leurs orientations. Dans la mesure où ce mouvement de pensée est communément caractérisé comme «français», ce travail tente aussi de rendre compte de la situation d'échanges philosophiques internationaux dans laquelle il s'élabore, et de la position singulière qu'il y occupe, qui conduit souvent à souligner son potentiel critique, sur les terrains de l'art, des moeurs ou de la politique
This work tries to report and estimate some of the most significant evolutions that, under the name of «post-structuralism», have affected contemporary philosophy and culture. But, as the «post-structuralist» appellation seems obviously too general, Deleuze's, Derrida's ans Lyotard's texts are actually, all along this work, more specifically studied. Those texts don't indeed sum up by themselves the whole cultural mouvement. But they widely pass through it, and reflect on most of its components.Consequently, following their trajectories can be a way to come back to those components, from the post-phenomenological receipt of «methodological structuralism», to the most important philosophical works that assume a portion of its inheritance (especially Althusser, Foucault and Lacan), up to the assertion of Deleuze's, Derrida's and Lyotard's own originalities. As this mouvement is frequently said «french», this work also tries to report the international cultural and philosophical context in which it spreads out, and the particular position that it holds. This can lead to underline and estimate the value of its critical dimensions, in the spheres of art, morals or politics

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Nilsson-Tysklind, Emma. ""I'm still here. Sort of." : Constructed Identities in Paul Auster's City of Glass." Thesis, Högskolan Dalarna, Engelska, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3355.

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Paul Auster’s City of Glass contains a jumble of identities. In fact, the identities are more numerous than the characters, and consequently, characters have several different identities. Some of these identities are obvious constructs, but with others the degree of construction is less evident. Poststructuralist theory, however, puts forward the idea that these seemingly original identities are in fact constructs to the same level as all others. Thus, this essay argues that there are no original identities; identities are constructed by outer factors. This essay discusses three outer factors contributing to the construction of identities, factors commonly discussed in poststructuralist criticism, these three being language, cultural codes and chance.

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Books on the topic "Post-structuralism"

1

S, Hasnain Imtiaz, ed. Structuralism and post-structuralism. New Delhi: Bahri Publications, 1993.

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Y, Tilley Christopher, ed. Reading material culture: Structuralism, hermeneutics, and post-structuralism. Oxford, UK: B. Blackwell, 1990.

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3

Jaaware, Aniket. Simplifications: An introduction to structuralism and post-structuralism. New Delhi: Orient Longman, 2001.

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José Gonçalo Herculano de Carvalho. Structuralism and post-structuralism: Common sense for the future. Coimbra: Faculdade de letras de Universidade de Coimbra instituto de lingua e literatura Portuguesas, 1994.

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Woermann, Minka. Bridging Complexity and Post-Structuralism. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39047-5.

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6

Easthope, Antony. British post-structuralism: Since 1968. London: Routledge, 1988.

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Easthope, Antony. British post-structuralism since 1968. London: Routledge, 1991.

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Ian, Bapty, and Yates Tim, eds. Archaeology after structuralism: Post-structuralism and the practice of archaeology. London: Routledge, 1990.

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1949-, Burgoyne Robert, and Flitterman-Lewis Sandy 1946-, eds. New vocabularies in film semiotics: Structuralism, post-structuralism, and beyond. London: Routledge, 1992.

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Alan, Finlayson, and Valentine Jeremy, eds. Politics and post-structuralism: An introduction. Edinburgh: Edinburgh University Press, 2002.

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Book chapters on the topic "Post-structuralism"

1

Etherington-Wright, Christine, and Ruth Doughty. "Structuralism and Post-structuralism." In Understanding Film Theory, 63–82. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34392-4_5.

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Whitworth, Michael H. "Structuralism and Post-Structuralism." In Virginia Woolf: Mrs Dalloway, 74–85. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-54792-7_5.

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Storey, John. "Structuralism and post-structuralism." In Cultural Theory and Popular Culture, 116–39. Eighth edition. | London ; New York : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315226866-6.

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Doughty, Ruth, and Christine Etherington-Wright. "Structuralism and Post-Structuralism." In Understanding Film Theory, 86–103. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-58796-1_5.

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Storey, John. "Structuralism and post-structuralism." In Cultural Theory and Popular Culture: An Introduction, Ninth Edition, 115–36. 9th ed. Ninth Edition. | New York : Routledge, 2021. | Revised edition of the author’s Cultural theory and popular culture, 2018.: Routledge, 2021. http://dx.doi.org/10.4324/9781003011729-6.

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Storey, John. "Structuralism and post-structuralism." In Cultural Theory and Popular Culture, 115–36. 10th ed. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003388890-6.

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Newton, K. M. "Post-Structuralism." In Theory into Practice, 122–91. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22244-5_5.

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Macleod, Timothy, and Matthew Palmer. "Post-structuralism." In Encyclopedia of Critical Psychology, 1460–66. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_511.

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Brassett, James. "Post-structuralism." In International Organization and Global Governance, 193–204. Second edition. | Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315301914-17.

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Devetak, Richard. "Post-structuralism." In Theories of International Relations, 187–216. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-31136-8_8.

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Conference papers on the topic "Post-structuralism"

1

Küçükarslan Emiroğlu, Melahat. "DESIGN SEMIOTICS AND POST-STRUCTURALISM." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-106.

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Quadrato, Vito. "Reinforced concrete prototypes for the factory in Italy (1950-1975). The architectural expressive machines." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7608.

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The relationship between architectural expressiveness and concrete formal structure was the leitmotif of the Italian structuralism in the second post-war two decades. The design of industrial structures radicalized this relationship because of the nature of the production processes that imposed to the architect the dimension of standardisation, repetition and economy of means. This approach reduced the distance between architectural form and informal building. This research aims to show how this condition transforms the idea of design process by some Italian authors, in the restricted field of reinforced-concrete structures for industry. The architectural form becomes a process that includes all the aspects of the project: the technological content (cooling, ventilation and water-drainage systems), the economic side, the engineering start up. In this way, the project of industrial structures is an outcome of the components design, constituted by structural elements (pillars, beams, desk boards), and controlled by the project of a structural bay, as a device for the design process. In this sense, the proposed paper shows the research on the Kodak factory in Marcianise by Aldo Favini and Gianluigi Gh. as a paradigm of this phenomenon. The paper illustrates how the hollow structural form of the elements addresses the problem of the technological content in the architectural design, showing morphological- structural models that isolates the bay as a design device. This aspect defines a specific quality of the industrial prototypes, developed through the professional partnership between the architect and the engineer. The knowledge about this kind of industrial prototypes is useful on one hand to admit these building as an Italian historical heritage that needs to be preserved, on the other hand to understand how it is possible transform these buildings through a new adaptive reuse.

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Santamaria, Giovanni. "Merging Thresholds and New Landscapes of Knowledge." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.11.

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It has become extremely important to revisit our teaching methodology along with pedagogical contents and objectives, in consideration of the impressive and sometimes overwhelming progress that the technology available to document, analyze and represent the complexity of our built and natural environments has reached, and also the role that it has been proactively playing in affecting our way of thinking, designing and building. A renewed “theory of formativity” (Pareyson)1 styles a knowledge that is generated by a constantly transforming process of “making,” in which methodologies, theoriesand learnings arise within the actions of designing and building, and mostly because of the making. Following the etymology of the Greek world2, this making could be understood as poetic way of actively participating to the changes of our environment. If we look carefully, this approach to structure the knowledge has been deeply rooted in the history and legacy of the most relevant architects and designers, as ontological condition imbedded also into the idea of progress. We have been witnessing several experimentations that have been capable of bringing theoretical explorations, such as the ones from the fields of philosophy and literature, into the realm of design and space making. These explorations reach various degrees of quality, but nevertheless they provide openings to further interesting discussions. An example of this sort could be among others, the collaboration between Eisenman and Derrida for the design proposal for Parc de la Villette in Paris of 19873, where the memory of the proposals for Cannaregio in Venice or the project “Romeo and Juliet” in Verona, are considered within the philosophical background of the criticism to the structuralism, and the projection towards a horizon of deconstruction. This concept migrated from the realm of thinking, to the one of designing and form making, in its highest sense, giving strength to role and identity within the field of architecture, of the idea of “fragment” and “text” often interrupted, following Lyotard’s suggestion4, as expression of the post-modern dimension.

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