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Dissertations / Theses on the topic 'Post-Colonial Studies'

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Published: 4 June 2021
Last updated: 30 July 2024

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1

Mustafi, Tamali. "Studies in the History of Prostitution in North Bengal: Colonial and Post-Colonial Perspective." Thesis, University of North Bengal, 2016. http://ir.nbu.ac.in/handle/123456789/2146.

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2

Kwon, Shinyoung. "From colonial patriots to post-colonial citizens| Neighborhood politics in Korea, 1931-1964." Thesis, The University of Chicago, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3595935.

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This dissertation explored Korean mass politics through neighborhood associations from the late 1930s to 1960s, defining them as a nationwide organization for state-led mass campaigns. They carried the state-led mass programs with three different names under three different state powers -Patriotic NAs by the colonial government and U.S. occupational government, Citizens NAs under the Rhee regime and Reconstruction NAs under Park Chung Hee. Putting the wartime colonial period, the post liberation period and the growing cold war period up to the early 1960s together into the category of "times of state-led movements," this dissertation argued that the three types of NAs were a nodal point to shape and cement two different images of the Korean state: a political authoritarian regime, although efficient in decision-making processes as well as effective in policy-implementation processes. It also claimed that state-led movements descended into the "New Community Movement" in the 1970s, the most successful economic modernization movements led by the South Korean government.

The beginning of a new type of movement, the state-led movement, arose in the early 1930s when Japan pushed its territorial extension. The colonial government, desperate to reshape Korean society in a way that was proper to the Great East Asia Co-prosperity Sphere and wartime mobilization, revised its mechanism of rule dependent on an alliance with a minority of the dominant class and tried to establish a contact with the Korean masses. Its historical expression was the "social indoctrination movement" and the National Spiritual General Mobilization Movement. Patriotic NAs, a modification of Korean pre-modern practice, were the institutional realization of the new mechanism. To put down diverse tensions within a NA, patriarchal gatherings made up of a male headman and male heads of household were set up.

Central to their campaigns—rice collection, saving, daily use of Japanese at home, the ration programs and demographic survey for military drafts—was the diverse interpretation of family: the actual place for residence and everyday lives, a symbolic place for consumption and private lives, and a gendered place as a domestic female sphere. The weakest links of the imperial patriarchal family ideology were the demands of equal political rights and the growing participation of women. They truly puzzled the colonial government which wanted to keep its autonomy from the Japanese government and to involve Korean women in Patriotic NAs under the patriarchal authority of male headmen.

The drastic demographic move after liberation, when at least two million Korean repatriates who had been displaced by the wartime mobilization and returned from Japan and Manchuria, made both the shortage of rice and inflation worse. It led the U.S. military occupational government not only to give up their free market economy, but also to use Patriotic NAs for economic control—rice rationing and the elimination of "ghost" populations. Although the re-use of NAs reminiscent of previous colonial mobilization efforts brought backlash based on anti-Japanese sentiment, the desperation over rice control brought passive but widespread acceptance amongst Koreans.

Whilst renaming Patriotic NAs as Citizens NA for the post-Korean War recovery projects in the name of "apolitical" national movements and for the assistance of local administration, the South Korean government strove to give it historical legitimacy and to define it as a liberal democratic institution. They identified its historical origins in Korean pre-modern practices to erase colonial traces, and at the same time they claimed that Citizens NAs would enhance communication between local Koreans and the government. After the pitched political battle in the National Congress in 1957, Citizens NAs got legal status in the Local Autonomy Law. The largest vulnerability to Citizens NAs lied in their relation to politics. While leading "apolitical" national movements as well as assisting with local administration tasks, they were misused in elections. Consequently, they were widely viewed as an anti-democratic institution because they violated the freedom of association guaranteed by the Constitution and undermined local autonomous bodies. In the end, they lost their legal status in Local Autonomy Law, with Rhee regime collapsed.

When Park Chung Hee succeeded in his military coup in 1961, he resuscitated NAs in the name of Reconstruction NAs for the "Reconstruction" movement with the priority being placed on economic development. However, civilians were against the re-use of NAs, with the notion that the governments politically abused them. Finally, the arbitrary link between state power and the NAs waned throughout the 1960s, passing its baton to the "New Community Movement" which began in 1971and swept through Korean society until the 1980s. (Abstract shortened by UMI.)

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Venne, Janique. "L'Accord définitif Nisga'a: Un modèle d'autonomie gouvernementale post-colonial?" Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26408.

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Cette thèse évalue la portée de l'Accord définitif Nisga'a en tant que repère dans le développement de l'autodétermination autochtone au Canada. Par une étude détaillée des paramètres du modèle d'autonomie gouvernementale nisga'a, un examen des potentialités de cet accord en matière de troisième niveau de gouvernement destiné à répondre aux préoccupations des Premières nations est réalisé. L'auteure soutient que l'Accord définitif Nisga'a établit un troisième niveau de gouvernement autochtone dans la fédération canadienne sans toutefois remettre en question les fondements historiques à la base de celle-ci, de même que la politique traditionnelle du gouvernement fédéral en matière d'autonomie gouvernementale.
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Jones, Cassandra L. "FutureBodies: Octavia Butler as a Post-Colonial Cyborg Theorist." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1368927282.

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5

London, Scott Barry 1962. "Family law, marital disputing and domestic violence in post-colonial Senegal, West Africa." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/284052.

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This dissertation examines disputing and dispute resolution primarily among married couples in the small city of Saint-Louis, in the northwest comer of Senegal, West Africa. The goal of this project is two-fold: first, to locate "couples disputing" in the context of the culture and systems of power in urban Senegal; second, to analyze how this context is reproduced and contested through disputing and participation in legal (state) and informal (non-state) dispute resolution processes. At another level, this project focuses on determining how and to what degree the law enables and empowers women to resist domestic violence, and, alternatively, allows it to persist. The place of domestic violence is examined through the lens of local culture and ideology, as well as legal and conflict-oriented behavior. Central to this project is the observation of a dynamic interaction between the daily lived reality of couples and intermediate and higher-level institutional frameworks. In other words, love, cooperation, arguing, disdain, beating, rape, separation, divorce, and reconciliation occur inseparably from the authority structures of family and community, selective coercion and empowerment by state and civil bodies, and the distant impositions of international entities. An ethnographic portrait of marital disputing and domestic violence is created using court observations and recorded speech, structured and unstructured interviews, documentary research on court records, and extended participant observation in the community.
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Boyd, Morag E. "Amazight identity in the post colonial Moroccan state: a case study in ethnicity." Oberlin College Honors Theses / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1348144390.

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7

Coverdale, Katherine Lynn. "An Exploration of Identity in Claire Denis' and Mati Diop's (Post)Colonial Africa." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1594825313325872.

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8

Mataga, Jesmael. "Practices of pastness, postwars of the dead, and the power of heritage: museums, monuments and sites in colonial and post-colonial Zimbabwe, 1890-2010." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12843.

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Includes bibliographical references.
This thesis examines the meanings, significances, and roles of heritage across the colonial and postcolonial eras in Zimbabwe. The study traces dominant ideas about heritage at particular periods in Zimbabwean history, illustrating how heritage has been deployed in ways that challenge common or essentialised understandings of the notion and practice of heritage. The study adds new dimensions to the understanding of the role of heritage as an enduring and persistent source terrain for the negotiation and creation of authority, as well as for challenging it, linked to regimes and the politics of knowledge. This work is part of an emerging body of work that explores developments over a long stretch of time, and suggests that what we have come to think of as heritage is a project for national cohesion, a marketable cultural project, and also a mode of political organisation and activity open for use by various communities in negotiating contemporary challenges or effecting change. While normative approaches to heritage emphasise the disjuncture between the precolonial, colonial and postcolonial periods, or between official and non-official practices, results of this study reveal that in practice, there are connections in the work that heritage does across these categories. Findings of the study shows a persistent and extraordinary investment in the past, across the eras and particularly in times of crises, showing how heritage practices move across landscapes, monuments, dispersed sites, and institutionalised entities such as museums. The thesis also points to a complex relationship between official heritage practices and unofficial practices carried out by local communities. To demonstrate this relationship, it traces the emergence of counter-heritage practices, which respond to and challenge the official conceptualisations of heritage by invoking practices of pastness, mobilised around reconfigured archaeological sites, human remains, ancestral connections, and sacred sites. Counter-heritage practices, undertaken by local communities, challenge hegemonic ideas about heritage embedded in institutionalised heritage practices and they contribute to the creation of alternative practices of preservation. I propose that attention to the relationship between institutionalised heritage practices and community-held practices helps us to think differently about the role of local communities in defining notions of heritage, heritage preservation practices and in knowledge production.
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au, Mkent@iinet net, and Michael Ian Anthony Kent. "The Invisible Empire: Border Protection on the Electronic Frontier." Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.112058.

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The first codes of the Internet made their tentative steps along the information highway in 1969, connecting two computers at UCLA. Since that time, the Internet has grown beyond institutions of research and scholarship. It is now a venue for commerce, popular culture and political discourse. The last decade, following the development of the World Wide Web, has seen access to the Internet, particularly in wealthy countries such as Australia, spread throughout the majority of the population. While this proliferation of users has created many opportunities, it also profiled questions of disadvantage. The development and continuation of a digital divide between the information ‘haves’ and ‘have nots’ was framed as a problem of ‘access.’ In the context of the increasing population online, debates into social inequity have been directed at technical barriers to access, the physical infrastructure and economic impediments to the adoption of the medium by all members of society. This doctoral research probes questions of access with greater subtlety, arching beyond the spread of broadband or the expansion of computers into schools. Forging dialogues between Internet and Cultural Studies, new theories of the screen – as a barrier and border – emerge. It is an appropriate time for such a study. The (seemingly) ever expanding growth in Internet access is stalling. New approaches are required to not only understand the pattern of events, but the type and mode of intervention that is possible. This doctoral research takes theory, politics and policy to the next stage in the history of digital access. By forging interdisciplinary dialogues, the goal is to develop the concept of ‘cultware’. This term, building on the history of hardware, software and wetware, demonstrates the imperative of understanding context in the framing and forging of exclusion and disempowerment. Mobilising the insights of postcolonial theory, Popular Cultural Studies, literacy theory and socio-legal studies, a new network of exclusions emerge that require a broader palette of interventionary strategies than can be solved through infrastructure or freeing codes. Commencing with the Universal Service Obligation, and probing the meaning of each term in this phrase and policy, there is a discussion of networks and ‘gates’ of the Digital Empire. Discussions then follow of citizenship, sovereignty, nationalism and the subaltern. By applying the insights of intellectual culture from the analogue age, there is not only an emphasis on the continuities between ‘old’ and ‘new’ media, but a confirmation of how a focus on ‘the new’ can mask the profound perpetuation of analogue injustices. Access to the Invisible Empire occurs for each individual in a solitary fashion. Alone at the screen, each person is atomised at the point where they interface with the digital. This thesis dissects that point of access. The three components of access at the screen – hardware, software and wetware – intersect and dialogue. All three components form a matrix of access. However, the ability to attain hardware, software and wetware are distinct. An awareness of how and where to attain these literacies requires the activation of cultware, the context in which the three components manifest. Without such an intersection, access is not possible. The size of the overlap determines the scale of the gateway and the value of access. There is an interaction between each of these components that can alter both the value of the access obtained and the point at which the gateway becomes viable and stable for entry into the digital discourse. A highly proficient user with developed wetware is able to extract more value, capital and currency from hardware and software. They have expert knowledge in the use of this medium in contrast to a novice user. In dissecting the complexity of access, my original contribution to knowledge is developing this concept of cultware and confirming its value in explaining digital inequalities. This thesis diagnoses the nodes and structures of digital and analogue inequality. Critical and interpretative Internet Studies, inflected and informed by Cultural Studies approaches and theories, offers methods for intervention, providing contextual understanding of the manifestations of power and social justice in a digital environment. In enacting this project, familiar tropes and theories from Cultural Studies are deployed. Particular attention is placed on the insights of postcolonial theorists. The Invisible Empire, following the path of the digital intellectual, seeks to act as a translator between the digital subaltern and the digital citizen. Similarly, it seeks to apply pre-existing off screen theory and methodology to the Invisible Empire, illuminating how these theories can be reapplied to the digitised environment. Within this context, my research provides a significant and original contribution to knowledge in this field. The majority of analyses in critical and interpretative Internet Studies have centred on the United States and Europe. While correlations can be drawn from these studies, there are features unique to the Australian environment, both socially and culturally, as well as physical factors such as the geographic separation and sparse distribution of the population, that limit the ability to translate these previous findings into an Australian context. The writer, as a white Australian, is liminally positioned in the colonial equation: being a citizen of a (formerly) colonised nation with the relics of Empire littering the symbolic landscape, while also – through presence and language – perpetuating the colonization of the Indigenous peoples. This ‘in-betweenness’ adds discomfort, texture and movement to the research, which is a fundamentally appropriate state to understand the gentle confluences between the digital and analogue. In this context, the screen is the gateway to the Invisible Empire. However, unlike the analogue gate in the city wall that guards a physical core, these gates guard a non-corporeal Invisible Empire. Whereas barbarians could storm the gates of Rome without the literacy to understand the workings of the Empire within, when an army masses to physically strike at these gates, the only consequences are a broken monitor. Questions cannot be asked at the gate to an Invisible Empire. There is no common space in which the digital subaltern and the digital citizen cohabitate. There is no node at which translation can occur. These gates to the Invisible Empire are numerous. The walls cannot be breached and the gates are only open for the citizenry with the required literacy. This literacy in the codes of access is an absolute requirement to pass the gates of Invisible Empire. The digital citizen transverses these gates alone. It is a point where the off screen self interfaces the digital self. Social interaction occurs on either side of the screen, but not at the gateway itself. Resistance within the borders of Invisible Empire is one of the founding ideologies of the Internet, tracing its origin back to the cyberpunk literature that predicted the rise of the network. However this was a resistance to authority, both on and off screen, by the highly literate on screen: the hacker and the cyber-jockey. This thesis addresses resistance to the Invisible Empire from outside its borders. Such an intervention is activated not through a Luddite rejection of technology, but by examining the conditions at the periphery of Empire, the impacts of digital colonisation, and how this potential exclusion can be overcome. Debates around digital literacy have been deliberately removed or bypassed to narrow the debate about the future of the digital environment to a focus on the material commodities necessary to gain access and the potential for more online consumers. Cultware has been neglected. The Invisible Empire, like its analogue predecessors, reaches across the borders of Nation States, as well as snaking invisibly through and between the analogue population, threatening and breaking down previous understandings of citizenship and sovereignty. It invokes new forms of core-periphery relations, a new type of digital colonialism. As the spread of Internet access tapers, and the borders of Empire close to those caught outside, the condition of the digital subaltern calls for outside intervention, the place of the intellectual to raise consciousness of these new colonial relations, both at the core and periphery. My doctoral thesis commences this project.
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10

Jones, Lashonda P. "Case menagers' perceptions of the association between methamphetamine and child neglect." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2008. http://digitalcommons.auctr.edu/dissertations/20.

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This study describes case managers' perceptions of the association between methamphetamine and child neglect. The analysis indicates that out of 30 women, 100.0% agreed that the use of methamphetamine is associated with child neglect. Children are being neglected due to methamphetamine causing impairment in the parents' ability to appropriately care for their children. The study findings note a statistically significant relationship between the variables at the .05 level of probability.
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11

Kenalemang, Lame Maatla. "Things Fall Apart: An Analysis of Pre and Post-Colonial Igbo Society." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-29048.

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Chinua Achebe (1930- 2013) published his first novel Things Fall Apart (TFA) in 1958. Achebe wrote TFA in response to European novels that depicted Africans as savages who needed to be enlightened by the Europeans. Achebe presents to the reader his people’s history with both strengths and imperfections by describing for example, Igbo festivals, the worship of their gods and the practices in their ritual ceremonies, their rich culture and other social practices, the colonial era that was both stopping Igbo culture and also brought in some benefits to their culture. TFA therefore directs the misleading of European novels that depict Africans as savages into a whole new light with its portrayal of Igbo society, and examines the effects of European colonialism on Igbo society from an African perspective. Hence this essay is an attempt to show an insight of pre and post colonialism on Igbo society. It is argued that the interaction between the whites and the Igbo people had both negative and positive consequences. It is evident in Achebe’s novel that the Europeans greatly influenced the lifestyle of Igbo society.
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Johsefin, Tallroth. "The ripple effects of discourses : An examination of post-colonial tendencies among three British NGOs." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-313185.

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13

Noman, Abu Sayeed Mohammad. "POST-COLONIAL DISLOCATION AND AMNESIA: A CURE FROM MOLEFI KETE ASANTE'S AN AFROCENTRIC MANIFESTO." Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216557.

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African American Studies
M.A.
'Post-colonial Dislocation and Amnesia: A Cure from Molefi Kete Asante's An Afrocentric Manifesto' aims at investigating the epistemological problems and theoretical inconsistencies in contemporary post-colonial studies. Capitalizing Molefi Kete Asante's theorizations on agency, location, identity, and history this project applies an Afrocentric approach in its reading of the post-colonial authors and theorists. While current postcolonial theory seems to be at stake with operationalizing many of its terms and concepts, the application of Afrocentric methods can help answering severe allegations raised by a number of critics against this discourse. Issues concerning spatial and temporal location of the term post-colonial, commodity status of post-colonialism, and crises in the post-colonial pedagogy can be addressed from an Afrocentric perspective based on a new historiography. To support the proposed arguments, the paper provides an extensive reading of two post-colonial writers from the Caribbean, and shows how they manipulate their apparent power in perpetuating the misrepresentations of the colonized people initiated by the colonial discourses. With a detailed discussion of the principles of Afrocentricity based on Asante's ground-breaking book An Afrocentric Manifesto, the paper proposes possible ways in which Afrocentric theory could be applied in addressing such misrepresentations and developing a true sense of identity for the oppressed people.
Temple University--Theses
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Magadzike, Blessed. "Rewriting post-colonial historical representations: the case of refugees in Zimbabwe's war of liberation." Doctoral thesis, University of Cape Town, 2020. http://hdl.handle.net/11427/32500.

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'Rewriting postcolonial historical representations: The case of refugees in Zimbabwe's liberation war' focuses on the historicisation of the experiences of people who were refugees during Zimbabwe's liberation war, fought between 1966 and 1980. It uses the narratives of former refugees from Mutasa and Bulilima Districts as a way of capturing their histories of the war period. When Zimbabwe attained independence in 1980, the country embarked on a historicisation project that was ably supported by a memorialization one. The aim of these twin projects was to capture the experiences of people who had either participated in the war or had been affected by it. Whilst all the other key players in that war such as the political leadership, the war veterans, the former detainees and even the ordinary peasants' experiences have been captured in these projects, there has been an absolute silence on those of people who were refugees. The same also applies to the omission of the refugee's voice in the continued regeneration of such histories that has been taking place since the year 2000 in Zimbabwe. Using the central question that asks about the experiences of displacement in Zimbabwe's liberation war, the research argues that we can only understand the totality of that war, the interactions that took place and the identities it created if the refugee figure and voice are represented on the historical record.
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Dobrovoda, David. "Czechoslovakia and East Africa in the late colonial and early post-colonial period : the case studies of Kenya, Uganda and Tanzania." Thesis, SOAS, University of London, 2016. http://eprints.soas.ac.uk/23577/.

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This research sets out to explore the origins, nature and effects of relations between Czechoslovakia and Kenya, Uganda and Tanzania in the late colonial and early post-colonial period from 1958 up to and including 1970. It identifies the motivations and intentions with which both parties entered into these relations. It examines in particular the matter of how Czechoslovak activities and interactions with local political parties and leading politicians influenced political and economic development in Kenya, Uganda and Tanzania in this period. Using a unique set of previously unstudied primary historical sources it identifies the primary and secondary objectives that Czechoslovak foreign policy set out for relations with these countries, the most common and the most effective strategies used to attain these objectives, and the extent to which these objectives were eventually successfully reached. Ultimately, by a comparative analysis of the three case studies it concludes which were the most effective strategies as well as identifying the necessary preconditions that allowed Czechoslovakia to interfere actively in the political development of these states and eventually to come close to reaching its stated objectives. The findings of this research show that if Czechoslovakia was to have had a realistic chance of reaching any of its political objectives in East Africa a combination of specific conditions had to be met. The most effective form of exerting influence on political development in Kenya, Uganda and Tanganyika proved to be special military or security assistance. However, this was effective only when Czechoslovakia was able to ensure political support of the Kenyan, Ugandan or Tanganyikan political leadership. In order to sustain the political influence gained by Czechoslovakia, it was necessary to provide the assisted country with effective economic support or technical aid that would drive that country's development. If all of these conditions were met, Czechoslovakia was able actively to influence the political development of local states, undermine the position of the West and come close to reaching and sustaining her political objectives. However, if any of these conditions were not present or other forms of support were provided instead, the Czechoslovak capacity to influence political development in Kenya, Uganda and Tanganyika was very low.
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Millan, Eva. "Retention Rates of Puerto Rican Women in Treatment for Substance Abuse and Mental Health Issues." ScholarWorks, 2015. https://scholarworks.waldenu.edu/dissertations/1284.

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Individual factors may impact the retention rate of Puerto Rican women in treatment for mental health and substance abuse-related issues. The purpose of this research was to examine the demographic factors that may contribute to the low retention rate of Puerto Rican women in treatment for mental health and substance abuse. The theory of reasoned action was implicit in the intervention. Data were collected from 120 Puerto Rican women enrolled in an addiction center. The following demographic factors were chosen from prior treatment records: age at first chemical abuse, whether the participant was a child of an alcoholic, level of education, and the first language of the participant. The data were analyzed using logistic regression equations. The results of the analysis did not show a significant relationship between the demographic factors and retention rate. However, the current literature regarding the effective use of these services is still limited with this population. This current study can lead to positive social change by helping to promote awareness of how cultural factors can impact substance abuse treatment for minority women. Therefore, one recommendation for a future study would be to use a research design that would allow for more exploration of relevant cultural factors. Significant results from a future study could result in better services, which could lead to positive social change by helping to reduce recidivism and lower substance abuse in this vulnerable population.
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Manetsi, Thabo. "State-prioritised heritage: governmentality, heritage management and the prioritisation of the liberation heritage in post-colonial South Africa." Doctoral thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/27334.

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This study seeks to examine and trace the notion of state prioritisation of heritage in relation to state intervention through political, policy and governance regimes in heritage management in South Africa. The study covers key highlights in the evolution of heritage management and developments through specific epochs and contexts such as the colonial, apartheid and post-colonial South Africa. Drawing on theories such as 'governmentality' and 'authorised heritage discourse' the study provides a perspective on the extent of state influence and dominance in the formalisation of heritage management through policy, legal instruments and governance processes. Using the National Liberation Heritage Route project in South Africa as a case study, the research illustrates the notion of state prioritisation of heritage in relation to the deployment and mobilisation of state resources (policy, legal instruments and material resources) in heritage management to support a select past as 'official' heritage of the nation state. The politics of transforming the heritage landscape in post-1994 South Africa witnessed the emergence of the idea of state prioritisation of the liberation heritage as a site for restorative justice particularly to honour and recognize the legacy of the political struggles for freedom against colonialism and apartheid. Conversely, the framing of the liberation heritage also demonstrates political uses of heritage at expedient moments to achieve political goals by the regime in power and state control. While normative approaches to heritage management tend to emphasise the disjuncture between colonial and post-colonial periods, the results of this study confirm strong ties to colonial and European influences across these categories. The findings outline the complexity of state intervention and its inherent biases that inform the governance of heritage. In this light the study contributes to ongoing research on the discourse of evaluating the global, local, and transnational dimensions of heritage management and practices, in relation to the problematics of heritage as mainly a product of state authority and political power.
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Whittaker, Daniel Joseph. "Re-imaging antiquities in Lincoln Park| Digitized public museological interactions in a post-colonial world." Thesis, Illinois Institute of Technology, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10007515.

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The study of an architecture of autonomy consists of theoretical investigations into the realm of building types where a sole use or purpose is manifest in a structure that could, site provided, be constructed. However, provisions that conventional architecture traditionally provide are not present in these explorations. Technological advancements such as indoor plumbing, electric lights, and vertical conveyance systems in the form of elevators and escalators are excluded. Platonic geometric form-making are instead thoroughly investigated, imagined, and manipulated for the purposes of creating new spatial experiences. The desired resultant is an architecture of singularity, an architecture of fantastical projection.

Through a series of two theoretical ritual-based investigations, three-dimensional form manipulation and construction of proportioned scale models, the essence of elements that compose a spatial experience contributed to a collection of metaphorical tools by which the designer may use to build a third imagined reality: the re-imagination of the archetypal museum. A building whose purpose is not solely to house ancient objects in a near hermetically-sealed environment, free of temperature, humidity and ultra-violet light aberrations, but is a re-imagined. A structure meant to engage the presence of two seemingly divergent communities: the local patron/visitor and the extreme distant denizen.

This paper also examines key contemporary global artists’ work and their contributions to the fragmentation / demolition of architectural assemblages for the purposes of re-evaluating the familiar vernacular urban landscape while critically positioning the rôle of both the artifact and gallery in shaping contemporary audience’s museum experiences.

The power of the internet and live-camera broadcasting of images utilizing both digital image recording and full-scale screen-projections enable the exploration of “transporter-type” virtual-reality experiences: the ability to inhabit an art work’s presumed original in situ location, while remaining in Chicago as a visitor within a vernacular multi-tenant masonry structure: vacated, evicted, and deconstructed for the purposes of displaying art amidst a new urbane ruin. The complexities of this layered experience is meant to simultaneously displace and interrupt a typical set of so-called a priori gallery expectations while providing the expectant simulacrum that video cameras and screens provide, whetting a contemporary patron’s appetite.

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Vaidya, Ashish Akhil. "Beyond Neopatrimonialism: A Normative and Empirical Inquiry into Legitimacy and Structural Violence in Post-Colonial India." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/347514.

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Political Science
Ph.D.
The purpose of this project is to demonstrate that the rational-legal bureaucratic institutions inherited by post-colonial states from their former colonial patrons have clashed with indigenous cultural norms, leading to legitimation failure. This lack of legitimacy, in turn, leads to political and bureaucratic corruption among the individuals tasked with embodying and enforcing the norms of these bureaucratic institutions. Instances of corruption such as bribery and solicitation of bribes, misappropriation of public funds, nepotistic hiring practices, and the general placement of personal gain over the rule of law on the part of officials weaken the state’s ability and willingness to enforce its laws, promote stability and economic growth, and ensure the welfare of its citizens. This corruption and its multidimensional detrimental effects on the lives of citizens are forms of what has been called structural violence. In this project, I examine four case studies of Indian subnational states that have experienced varying degrees and types of colonial bureaucratic imposition, resulting in divergent structurally violent outcomes. Deeming these systems “violent” has normative implications regarding responsibility for the problems of the post-colonial world. Corruption is often cited as a reason not to give loans or aid to certain developing countries; but viewing the matter in terms of structural violence highlights the need for not only economic assistance but also institutional overhaul.
Temple University--Theses
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Catsis, Nicolaos Dimitrios. "Examining the Impact of Colonial Administrations on Post-Independence State Behavior in Southeast Asia." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/257213.

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Political Science
Ph.D.
This project is concerned with examining the impact of colonial administrations on post-independence state behavior in Southeast Asia. Despite a similar historical context, the region exhibits broad variation in terms of policy preferences after independence. Past literature has focused, largely, upon pre-colonial or independence era factors. This project, however, proposes that state behavior is heavily determined by a combination of three colonial variables: indigenous elite mobility, colonial income diversity, and institutional-infrastructure levels. It also constructs a four-category typology for the purposes of ordering the broad variation we see across post-colonial Southeast Asia. Utilizing heavy archival research and historical analysis, I examine three case studies in the region, Vietnam, Cambodia and Laos, that share a common colonial heritage yet exhibit markedly different post-independence preferences. Vietnam's colonial legacy is characterized by high indigenous elite mobility, medium colonial income diversity, and medium-high levels of institutional-infrastructure. This creates a state where the local elites are capable and socially mobile, but lack the fully developed skill sets, institutions and infrastructure we see in a Developmental state such as South Korea or Taiwan. As a result, Vietnam is a Power-Projection state, where elites pursue security oriented projects as a means of compensating for inequalities between their own social mobility and acquired skills, institutions and infrastructure. In Cambodia, indigenous elite mobility and colonial income diversity are both low, creating an entrenched, less experienced elite. Medium levels of institutional-infrastructure enables the elite to extract wealth for class benefit. As a result, the state becomes an instrument for elite enrichment and is thus classified as Self-Enrichment state. Laos' colonial history is characterized by low levels of indigenous elite mobility, colonial income diversity, and institutional-infrastructure levels. Laos' elite are deeply entrenched, like their counterparts in Cambodia. However, unlike Cambodia, Laos lacks sufficient institutional-infrastructure levels to make wealth extraction worthwhile for an elite class. Laos' inability to execute an internal policy course, or even enrich narrow social class, categorize it as a Null state. The theory and typology presented in this project have broad applications to Southeast Asia and the post-colonial world more generally. It suggests that the colonial period, counter to more recent literature, has a much greater impact on states after independence. As most of the world is a post-colonial state, understanding the mechanisms for preferences in these states is very important.
Temple University--Theses
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Brown, La Tasha Amelia. "Yard-hip hopping -- Reggae and hip hop music : commercialized constructions of blackness and gender identity in Jamaica and the United States, 1980-2004." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/1876.

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This thesis examined how skin-tone, gender, and sexuality, within the entertainment industry, help shape the micro-level process by which racial identity is constructed in American culture. The thesis analyzed and critiqued existing ideologies of race across the Americas, with specific reference to Jamaica and the United States. Issues and questions of re-representation within American popular culture are central concerns: in particular, the ways that Black women's roles are defined and redefined through the positionality of female performance artists within the male-dominated music culture. The thesis argued then that skin-tone is fundamental to the understanding of blackness, as American society continues to view race through the lens of the popular entertainment industry. The study examined the positionality of the light-skinned/or biracial Black woman's identity is fixed sexually within the racialized context of American society. The thesis concluded that the glorification of the light-skinned/or biracial Black female recreates a socio-historical and cultural-political context that simultaneously devalues the darker-skinned Black woman.
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Stavrianou, Jennifer Dawn. "Yinka Shonibare. Post Colonial Discord and the Contemporary Social Fabric of 2017." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1492814338595612.

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Hardy-Butler, Kayla A. "Gendered Expressions of the “Passing” Narrative: An Intersectional African-American and Post-Colonial Study." University of Akron / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=akron149157744821062.

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Collier, Melvin J. "Uncovering the roots of Anakah: bridging the gap between America and West Africa." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2008. http://digitalcommons.auctr.edu/dissertations/6.

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This research explores the history of an enslaved African-American family who descend from an eighteenth-century ancestor named Anakah, through archival records in order to uncover any inconspicuous clues and a preponderance of evidence positively linking her family to its West African origins. This research also unearthed the Africanisms that prevailed within her family during slavery. Anakah's family was linked to two possible regions in West Africa, but no concrete evidence was found to definitively link the origins of her family to one of those regions. Additionally, familial customs and practices that mirrored West African customs were found among four generations of her enslaved descendants in South Carolina and Mississippi. This research displayed how definitive links to specific West African regions can be plausibly asserted in some families through an in-depth, historical analysis. Although certain Africanisms can not serve as conclusive evidence to adequately identify the West African origins of this family or any African-American family, the documentation of the West African cultural retentions served as an integral part of successfully bridging the gap between Anakah and her family in America and West Africa.
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Rogers, Mia. "Stokely Carmichael: from freedom now to black power." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2008. http://digitalcommons.auctr.edu/dissertations/16.

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This research was designed to examine the transformation of Stokely Carmichael from a reformist in the Civil Rights Movement to a militant in the Black Power Movement due to experiences which he encountered while an organizer in the Student Nonviolent Coordinating Committee (SNCC). The three factors which Stokely Carmichael, as well as some of his corroborators in SNCC, spoke most of were soured relationships with white liberals, the ineffectiveness of moral appeals to the government and white southerners, and the significance of black nationalist politics These factors contributed to Carmichael's shift in ideology and caused many members of SNCC to follow him. The research suggests that Stokely Carmichael and his comrades in SNCC made the transformation to Black Power due to their disappointment with the results of civil rights tactics. However, due mostly to repression fiom the government, they were never able to move past ideological explanations to actually implementing a program The African-American community made the transformation in much the same way that Carmichael and SNCC did Self-pride and a self-definition became prevalent topics of discussion in the African-American community. However, the psychological gains did not cross over into their economic and political lives There was a definite interest in black nationalist politics in the African-American community However, again, any efforts to mobilize the African-American community into a powehl force working for its own self-interest were squashed by the FBI who sought to eliminate any potential black militant leaders.
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Dieng, Omar Dieng. "The Relation between Race and the State: The Politics of Resistance of the Post-colonial African Diaspora in France." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523960778805865.

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Koh, Bee Kim. "Coming into Intelligibility: Decolonizing Singapore Art, Practice and Curriculum in Post-colonial Globalization." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397669338.

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Bhattacharjee, Shuhita. "The ‘crisis’ cornucopia: anxieties of religion and ‘secularism’ in Victorian fiction of colony and gender, 1880-1900." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/6370.

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My thesis problematizes the simplistically and widely accepted idea of a Victorian ‘crisis of faith’ or religious ‘decline.’ Most historical and critical narratives of nineteenth-century Britain portray the Victorian Age as a period marked by a crisis of faith and a gradual secularization through (Darwinian) scientific developments. My work questions this by examining the late-Victorian novels of colonial India and the British New Woman novels. My first chapter deals with Victorian popular fiction that presents the invasion of Victorian London by colonial idols. The idols, overdetermined as both Hindu and Theosophist in inspiration, force the British legal system to recognize the limits of its own materialist perceptions of reality, so that it finally arrives at a deeper understanding of spirituality. My second chapter deals with Victorian New Woman novels where I study how the British New Woman as a literary figure, despite apparent unbelief and disempowerment, embodies a deep-seated religious power that can be assumed only by a woman and that helps challenge the assumption of declining faith. My final chapter examines the shift of scene to India, where once again the English men and women inadvertently express their fears of British secularization in the context of their encounter with Oriental faiths, but ultimately arrive at a richer appreciation of the religious ‘impossible’ through this encounter with colonial ‘otherness.’
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CHOI, Wing Yee Kimburley. "Remade in Hong Kong : how Hong Kong people use Hong Kong Disneyland." Digital Commons @ Lingnan University, 2007. https://commons.ln.edu.hk/cs_etd/6.

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Recent studies of globalization provide contrasting views of the cultural and sociopolitical effects of such major corporations as Disney as they invest transnationally and circulate their offerings around the world. While some scholars emphasize the ubiquity of Disney’s products and its promotion of consumerism on a global scale, accompanied by cultural homogenization, faltering democracy, and diminishing state sovereignty, others highlight signs of contestation and resistance, questioning the various state-capitalist alliances presumed to hold in the encounter between a global company, a local state, and the people. The settlement process and the cultural import of Hong Kong Disneyland in Hong Kong complicate these studies because of the evolving post-colonial situation that Disney encounters in Hong Kong. While Disney specializes in “imagineering” dreams, Hong Kong itself is messily imagining what “Hong Kong” is and should be, and how it should deal with others, including transnational companies and Mainlanders. In this thesis, I appropriate Doreen Massey’s ideas of space-time in order to examine Hong Kong Disneyland not as a self-enclosed park but as itself a multiplicity of spaces where dynamic social relations intersect in the wider context of post-colonial Hong Kong. I illuminate the shifting relationship between Disney, Mainlanders, and the locals as this relationship develops in its discursive, institutional, and everyday-life aspects. Through interviews and ethnographic research, I study how my respondents have established and interpreted the meanings of Hong Kong Disneyland, and how they have made use of the park to support their own constructions of place, of politics, and of identity.
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McKinnon, Katherine Elizabeth. "“All Food Is Liable to Defile”: Food as a Negative Trope in Twentieth-Century Colonial and (Post)Colonial British Literature." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1292385406.

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31

Hudspeth, Logan Matthew. "Rulers, Rhetoric, and Ray-Guns: A Post Colonial Look at 90's Alien Invasion Media." TopSCHOLAR®, 2014. http://digitalcommons.wku.edu/theses/1439.

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This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the "other" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).
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Scal, Joshua. "White Skin, Black Masks: Jewish Minstrelsy and Performing Whiteness." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2163.

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This work traces the relationship of Jews to African-Americans in the process of Jews attaining whiteness in the 20th century. Specific attention is paid to blackface performance in The Jazz Singer and the process of identification with suffering. Theoretically this work brings together psychoanalytic theories of projection, repression and masochism with afro-pessimist notions of the libidinal economy of white supremacy. Ultimately, I argue that in its enjoyment and its masochism, The Jazz Singer empathizes with blackness both as a way to assimilate into white America and express doubt at this very act.
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Singleton, Kennth L. "Harry H. Singleton.II, a warrior as activist: racism in Horry county, South Carolina , 1965-2005." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2009. http://digitalcommons.auctr.edu/dissertations/157.

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This historical narrative examined the impact of institutional and individual racism during the Post Civil Rights Era by analyzing the life and work of minister, businessman, and educator, Reverend Harry H. Singleton, II of Horry County. South Carolina. Special attention was given to Singleton’s role in the integration of Horry County Public Schools. the Conway High School football boycott, and his work as a civil rights leader with the National Association for the Advancement of Colored People (NAACP). Further, incidents in Singleton’s life and career as a civil rights activist reflect the legal support of district courts in South Carolina. particularly in the case of Harry H. Singleton v. Horry County Board of Education. Based on the research, Singleton’s life is reflective of an African-American leader whose contributions to race relations on the grassroots level was indicative of his life experiences growing up in Edgefield. South Carolina and his commitment to correcting racism in Horry County, South Carolina from 1965 to 2005.
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Steiner, Christina. "Writing in the 'Contact Zone' : the problem of post-colonial translation. A study of the 'Afrikanissmo-Project' and Tsitsi Dangarembga's novel Nervous Condtions in German." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/7887.

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Includes abstract.|Includes bibliographical references (leaves: 91-95).
Post-colonial translations are located in 'contact zones'. They mediate in the interface of disparate cultures and languages. The multiple determinations and effects of this decisive mediation process are examined in a close reading of the Afrikanissimo-project and the translation of Tsitsi Dangarembga's novel Nervous Conditions. They represent an attempt to engage 'Africa' through literature from a German perspective. Such dialogue is caught in the aporetic tension between the preservation of linguistic and cultural difference of the foreign text and the domestication of the cultural other by dominant values in the target-language culture.
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Carson, Karen Michelle. "The function and failure of plantation government: interpreting spaces of power and discipline in representations of slave plantations." FIU Digital Commons, 2000. http://digitalcommons.fiu.edu/etd/2060.

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This investigation focuses on representations of the physical construction and landscape of Southern slave plantations in order to explore the power relationships among inhabitants of those plantations and how those power relationships attempted to function and failed to establish a system of discipline and governance. While every plantation functioned violently in some form, many plantations appear to have attempted to instill a sense of place and permanence of status in slaves with more than just physical violence or obvious and overt forms of mental coercion and abuse. As a supplement to the strategic (and oftentimes random) physical violence inflicted on slaves in the attempts to control their behaviors, owners seem to have also attempted to discipline their slaves through strategic constructions of the plantation landscapes. While concluding that this strategy ultimately failed, this thesis examines attempts by owners to implement particular strategies in regulating and disciplining the behavior of slaves which can be compared with the strategies implemented in a panoptic system as described by Michel Foucault.
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Meslin, Jean-François. "La France au cœur de la Pologne : représentations et attitudes chez les régiments polonais sous Napoléon (1807-1815)." Mémoire, Université de Sherbrooke, 2016. http://hdl.handle.net/11143/8392.

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Ce mémoire explore les différents témoignages que nous ont laissés les soldats et officiers polonais ayant combattu du côté de la France durant l’existence du Duché de Varsovie, entre 1807 et 1815. L’objectif premier de l’analyse est de déterminer quelles étaient les représentations qu’ont faites les Polonais de la France et des Français et quelles attitudes ils ont adoptées envers leurs alliés. La première partie du mémoire fait un survol des sources en présentant plus en détail les auteurs étudiés ainsi que les différentes formations militaires dont ils ont fait partie. La section suivante porte quant à elle sur les représentations de la France et des Français dans les écrits polonais en mettant en perspective de nombreux extraits issus des mémoires et de la correspondance des officiers. En dernier lieu, le mémoire explore les représentations que se sont faites les auteurs de leur propre nation, les attitudes qu’ils ont adoptées envers leurs alliés français au courant des guerres napoléoniennes ainsi que l’influence du parcours suivi par les auteurs suite à la chute de l’Empire en 1815. En empruntant des concepts d’analyse aux post-colonial studies ainsi qu’à plusieurs ouvrages récents portant sur la psychologie des combattants, le mémoire en vient à illustrer l’existence, chez les militaires polonais, d’un double discours mêlant admiration et désir de résistance face à l’influence française en Pologne. Ceci contredit l’idée reçue que les militaires polonais sont entièrement dévoués à la cause de la France et de Napoléon et appui l’idée d’une interaction mutuelle plus complexe qui entraîne l’écriture d’une histoire où les Polonais ne sont pas que des témoins passifs des guerres d’Empire.
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Peruzzi, Bice. "Populating Peucetia: Central Apulian Grave Good Assemblages from the Classical Period (late 6th -3rd centuries B.C.)." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1459165587.

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38

Maliehe, Sean. "A Historical and Heritage Studies of indigenously-owned business in Post-colonial Lesotho : politics constraints marginalisation and survival. 1966-2012." Thesis, University of Pretoria, 2015. http://hdl.handle.net/2263/53431.

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This study chronicles the economic history of Basotho business owners in post-colonial Lesotho, from 1966 to 2012. It focuses on their individual and collective entrepreneurial initiatives as they endeavoured to play a significant role in the country s economic development after independence. Using the political economy of Lesotho as a context, the study explored how indigenously-owned business survived in the local economy, notwithstanding a myriad of constraints and marginalisation it faced. Using archival documents, oral histories and ethnography at the Lesotho Chamber of Commerce and Industry, carried out in 2013, the study documents and utilises the history of Basotho in business to question the dominant post-Second World War development ideology. This ideology prescribed a technical blueprint, which Basotho, like other indigenous people in developing countries, were expected to follow in order to modernise their economies and nurture the perceived lack of entrepreneurial capacity and business acumen, typically found in the West. For the development of indigenously-owned business, technocratic development prioritised the prevalence of various psycho-social entrepreneurial subjectivities and economic rationality, which, according to the model, are indispensable to computational and enthusiastic maximisation of economic gains by and for individuals and national economic development. After independence, Lesotho embraced the post-Second World War dominant development ideology. Accordingly, it followed the economic models of the developmental state from 1966 to 1986 and neo-liberalism from 1987 to the present, in order to transform the backward and externally dependent country s economy. These models were prescribed by the Bretton Woods Institutions and were shepherded by development experts, mainly economists. In line with William Easterly s conception of development as the tyranny of the experts , the study argues that development discourse and practice concealed a narrative of indigenously-owned business, which contrary to popular misconceptions, demonstrates economic spontaneity, freedom of expression and economic solidarity. Apart from trivialising Basotho s entrepreneurial initiatives, it also perpetuated the classic imperialist thinking that African people lacked the capacity to develop independently and had no history to prove otherwise. Basotho business owners efforts would have realised better results had it not been for constant violent and strategic suppression by successive governments that used the altruistic-sounding predispositions of development intervention in order to mask their sinister motives of greed, corruption and encouragement of elitism at the expense of the majority of Basotho in business. Nonetheless, Basotho in business did not stand submissively in the margins of the economy. They organised themselves politically and economically through voluntary associations, credit schemes, movements and cooperatives to change their economic fortunes and challenge exclusion and post-colonial governments authoritarianism and lack of democratic benevolence. Basotho business owners economic pursuits exposed the exclusive character of the neo-liberal ethic and political patronage by demonstrating economic pluralism and economic solidary that can inform the creation of inclusive social, political and economic conditions and formations for the marginalised majority in the Global South.
Thesis (PhD)--University of Pretoria, 2015.
Historical and Heritage Studies
PhD
Unrestricted
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Fink, Susan Oltman. "Politics and prayer in West Perrine, Florida : civic social capital and the black church." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/3324.

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This thesis traces the mechanisms and sources responsible for the generation of civic social capital (a set of shared norms and values that promote cooperation between groups, enabling them to participate in the political process) by black churches in West Perrine, Florida. Data for this thesis includes over fifty interviews and participant observations, archival records, newspaper articles, and scholarly journals. Despite the institutional racism of the first half of the twentieth century, many blacks and whites in Perrine developed levels of trust significant enough to form an integrated local governing body, evidence of high levels of csc. At mid-century, when black and white interactions ceased, Perrine's csc decreased, leading to the deterioration of Perrine's social and physical conditions. Perrine's csc increased in the1980s by way of broad-based coalitions as Perrine's churches invested their csc in an effort to eradicate crime, clean up its neighborhood, and win back its youth.
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Kocieda, Aphrodite. ""We're Taking Slut Back": Analyzing Racialized Gender Politics in Chicago's 2012 Slutwalk March." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5054.

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This thesis examined bodied activism in Chicago's Slutwalk 2012 march, a contemporary movement initiated in Toronto, Canada that publicly challenged the mainstream sentiment that women are responsible for their own rape and victimization. Adopting an intersectional approach, I used textual analysis to discuss photographs posted on the official Chicago Slutwalk website to explore the ways this form of public bodied protest discursively engages women's empowerment from movement feminism as well as third wave and postfeminisms. I additionally analyzed the overall website and its promotional materials for the Slutwalk marches as well as how Chicago's photographic representations privilege the white female body as victim, demonstrating how the reclamation "slut" privileges whiteness. The website depictions normalize how one should react to a system of violence which provides negative implications for women and men who are situated in a postfeminist rape culture. Positioning my analysis within Communication/Cultural Studies and Women's and Gender studies, I contributed to the literature about rape culture and postfeminist activism through my analysis of Slutwalk. By employing intersectionality from feminist theory and textual analysis, I demonstrated how Slutwalk's promotion of bodied activism naturalized postfeminism and excludes Black women from participating.
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41

Hanavan, Caitlin. "Adaptation and Resistance of Mapuche Health Practices within the Chilean State." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/242.

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In order to survive assimilative pressures since the time of colonization, the marginalized Mapuche people have been forced to hybridize with dominant normative gender, ethnic, and religious constructs of the Chilean state. Historically competing beliefs and practices fueled imperious, state-driven hegemonic modes of domination through structural oppression of the Mapuche in attempt to normalize the distinct indigenous population. When assimilation failed, the enduring clash of beliefs and practices led to the construction of indigenous difference as deviant and inferior to justify marginalization of the Mapuche people. This thesis illustrates how contemporary issues of health embody the deeply rooted conflict between the Mapuche and the Chilean nation. It examines three examples of the clash, resistance, and adaptation of Mapuche health practices and concepts within the construction of the state in this assimilative process. These three instances of unequal hybridization of cultures are 1) the development of the traditional Mapuche healer, the machi, 2) the incidence and conceptualization of sexually transmitted disease within the Mapuche community, and 3) the change in food practices and consumption in Mapuche communities.
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Lu, Jenny. "Between homes : examining the notion of the uncanny in art practice and its relationship to post-colonial identity and contemporary society in Taiwan." Thesis, University of the Arts London, 2007. http://ualresearchonline.arts.ac.uk/5251/.

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My research focuses on the notion of 'not being at home' in relation to identity issues, post-colonial society and art practice, focusing in particular on Taiwan. I explore Sigmund Freud's theory of the 'uncanny' (unheimlich) and argue that in contemporary society, experiencing the 'uncanny' is common, while it is nearly impossible to obtain the feeling of 'being at home'. This phenomenon is, shown to be present in art, film and literature. My research asks how artists deliver a sense of the 'uncanny' within their artwork, and how they create feelings of unease in the viewer. I will examine work produced by contemporary artists, focusing especially those in Taiwan, such as Chen Chieh-jen and Wu Mah. I will argue that artists living in a post-colonial society such as Taiwan experience the feeling of 'not being at home' to a greater extent, due to their country's unique history and the ongoing contentious political situation. Re-reading Freud's concept of the 'uncanny' in relation to post-colonial theories and the attempt to construct personal identity, notions such as the 'return of the repressed', 'thedouble' and 'death drive' will be applied to explore identity confusions. I base my argument on issues of confusion about personal and cultural identity, which originate in contrasting ideals and beliefs about 'home' (ideas that are formed by the divergent return of repressed memories that evoke the 'uncanny' social experience). I also present a body of art-work that explores these issues. Intertwined with psychoanalytic theory, the work informs and contextualises the earlier arguments, and creates new insights into the theory of the 'uncanny' and its origins. While allowing me to draw new interpretations of my own art practice, it reinforces my earlier conclusions about the sensation of 'not being at home'.
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Decome, Marion. "La formation du discours conventionnel français sur les Chinois : une approche littéraire, 1840-1945." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30039.

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Avec sa brillante civilisation et son paganisme, la Chine a bousculé le XVIIIe siècle, bouleversé les Lumières et inspiré les auteurs de romans. Au XIXe siècle, tandis que l'Europe se passionne pour l'Asie et que les études chinoises se développent, la France, contrariée dans ses projets coloniaux, met le racisme scientifique au service de sa politique impérialiste. A partir de 1840, le discours sur les « Jaunes » se cristallise. À la fin du XIXe siècle, il représente un danger incarné dans la notion de Péril jaune. Ce propos diabolisateur, oublié de la critique postcoloniale, fait aujourd'hui partie des représentations communes. Pour le comprendre, nous nous proposons d'extraire les spécificités chinoises du discours générique sur l'Asie et l'Orient, pour examiner qui l'énonce et dans quelles conditions en terme d'histoire sociale et culturelle
With its brilliant civilisation and its paganism, China disturbed the eighteenth century, troubled the Enlightenments and inspired novelists. In the nineteenth century, while Europe had a passion for Asia, Chinese studies developped, France, obstructed in its colonial projects in China, used scientific racism in the service of its imperialist policy. From 1840 on, the discourse on the "Yellow" freezed. At the end of the nineteenth century, it embodied a danger known as the ‘Yellow Peril'. This discursive demonisation, put aside by postcolonial studies, is now part of the common representations. In order to understand it, we propose to take the Chinese characteristics out of the generic speech on Asia and the East in order to examine who formulates it and under what conditions, from a social and cultural history point of view
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Neron, Brittany. "White Skin, Red Meat: Analyzing Representations of Meat Consumption for their Racialized, Gendered, and Colonial Connotations." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32984.

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This thesis extrapolates upon theoretical examinations of meat consumption as linked to masculinity in order to consider how meat consumption may also be connected to dominant themes in Canada’s national foundation as marked by whiteness, multiculturalism, and post-coloniality. I investigate two sets of advertisements – Maple Leaf Canada’s “Feeding the Country” commercial, and Alberta Beef Producer’s Raised Right online campaign – through employing multimodal critical discourse analysis and tenets of Stuart Hall’s theories of representations. In doing so, I argue that meat consumption is depicted in advertising as an ideologically and symbolically loaded practice that seizes upon and re-articulates greater themes of Canadian national identity in a way that denotes the nation as having overcome its racial tensions and colonial history.
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Wagner, Casey L. "Restoring Relationship: How the Methodologies of Wangari Maathai and the Green Belt Movement in Post-Colonial Kenya Achieve Environmental Healing and Women's Empowerment." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3164.

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The effects of the colonial project in Kenya created multi-faceted damages to the land and indigenous people-groups. Using the lens of ecofeminism, this study examines the undergirding structures that produce systems such as colonization that oppress and destroy land, people, and other beings. By highlighting the experience of the Kikuyu people within the Kenyan colonial program, the innovative and ingenious response of Wangari Maathai's Green Belt Movement proves to be a relevant and effective counter to women's disempowerment and environmental devastation in a post-colonial nation. The approach of the Green Belt Movement offers a unique and accessible method for empowering women, restoring the land, and addressing loss of cultural identity, while also contributing a theoretical template for addressing climate change.
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46

Langley, Brandy Marie. "The Black Experience in the United States: An Examination of Lynching and Segregation as Instruments of Genocide." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5057.

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Abstract This thesis analyzes lynching and segregation in the American South between the years 1877 and 1951. It argues that these crimes of physical and social violence constitute genocide against black Americans, according to the definitions of genocide proposed by Raphael Lemkin and then the later legal definition adopted by the United Nations. American law and prevailing white American social beliefs sanctioned these crimes. Lynching and segregation were used as tools of persecution intended to keep black people in their designated places in a racial hierarchy in the United States at this time period. These crimes were two of many coordinated actions designed to physically and mentally harm a group of people defined and targeted on grounds of race. These actions of mentally and physically harming members of the group do constitute genocide under both Lemkin's original concept of genocide and the United Nations' legal genocide definition. Studies of the black experience, although starting to gain some research popularity, are virtually absent from genocide historiography. This thesis aims to fill part of that void and contribute to the emerging studies of one of America's "hidden genocides."* * "Hidden genocides" is a term that Alexander Laban Hinton, Thomas La Pointe, and Douglas Irvin-Erickson have used to describe intentional destruction of groups in human history (genocide) that are often denied, dismissed or neglected in popular and scholarly discussions about genocide. [Alexander Laban Hinton, Thomas La Pointe, and Douglas Irvin-Erickson. Hidden Genocides: Power, Knowledge, Memory. New Brunswick, NJ.: Rutgers University Press, 2014).
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Gärde, Rafaella. "Preserving the Colonial Other : A postcolonial discourse analysis of the Millennium and Sustainable Development Goals." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-322624.

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48

So, Kam-tong Bernie, and 蘇錦棠. "The Hong Kong police as a new paradigm of policing in a post colonial city: an analysis of reform achievement." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31966019.

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Gupta, Sharmishtha. "What it Means to be Singaporean: Nation-Building, National Identity and Ethnicity in Twentieth Century Singapore." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/450.

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This thesis is an anthropological and historical exploration of Singapore's emergence as a nation state and determines what it means to have a Singaporean national identity today. As a relatively new country, Singapore and its government has worked to carefully construct its national identity in the past fifty years after independence from the British in 1965. This thesis will show Singapore as a distinctive entity in the study of nationalism and nation building, especially in comparison to the decolonization efforts of other countries in the region and throughout the world in the twentieth century. It is a carefully constructed nation state, and its distinctiveness lies in the authoritarian government's neo-colonial policies, its economic success due to its capitalist system, semi-democratic political environment, and its multiethnic population.
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Ramos, Sefferino. "Silence, Power, and Mexicans in Willa Cather's The Song of the Lark." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/280.

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In The Song of the Lark (1915), Willa Cather does something extraordinary by presenting a well-rounded and likeable Mexican character. This is quite different from her contemporaries’ stereotypical depictions of minorities. To include immigrants in a modern novel was avant-garde and radical subject matter; and presenting a realistic, likeable Mexican character was unheard of because the colonized and immigrants were largely ignored in American literature, or deliberately overlooked. When they were included, persistent demeaning views and unflattering Mexican stereotypes were the norm. This paper seeks to explain how positively Cather depicts Mexican characters, decades before Civil Rights. Cather includes the plight of Mexicans in her novel and gives voice to those that were silenced and ignored. Even though she was a bestselling author and considered one of the best American writers of the era, she has not been properly credited for how progressive she was in her treatment of minorities. It is well documented that Cather used juxtaposition and absences in her writing to convey meaning; I build on these absences to add in rhetorical silence and connect her use of silence to the academic conversation about speech in post-colonial analyses. By contextualizing her writings within the period, I demonstrate how progressive her novels are. Even though most depictions of minorities at the turn of the century were stereotypical, Cather diverges from the racism, which makes her decades ahead of her contemporaries in including good immigrants and minorities in American literature.
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