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Books on the topic 'Post-byzantine art'

Author: Grafiati
Published: 10 March 2023
Last updated: 11 March 2023

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1

From Constantine the Great to Kandinsky: Studies in Byzantine and post-Byzantine art and architecture. Oxford: Archaeopress, 2007.

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2

Vyzantino Mouseio Kastorias: Vyzantines kai metavyzantines eikones = Kastoria Byzantine Museum : Byzantine and Post-Byzantine icons. Athēna: Hypourgeio Politismou, Tameio Archaiologikōn Porōn kai Apallotriōseōn, 2002.

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3

Myrtalē, Acheimastou-Potamianou, and Vyzantino Mouseio (Athens Greece), eds. Byzantine and Post-Byzantine art: [exhibition] Athens, Old University, July 26th 1985-January 6th 1986. Athens: Ministry of Culture, 1985.

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4

Hidryma Hellēnikou Politismou (Athens, Greece), ed. Greek art books: From early antiquity to the post₋Byzantine era. [Athens?] Greece: Foundation For Hellenic Culture, 1994.

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5

Greece) Inscriptions: Their Contribution to the Byzantine and Post-Byzantine History and History of Art (2015 Iōannina. Inscriptions in the Byzantine and post-Byzantine history and history of art: Proceedings of the international symposium "Inscriptions: Their Contribution to the Byzantine and Post-Byzantine History and History of Art" (Ioannina, June 26-27, 2015). Wiesbaden: Harrassowitz Verlag in Kommission, 2016.

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6

Staikos, K. From the incarnation of logos to the theosis of man: Byzantine and post-Byzantine icons from Greece. Edited by Muzeul Național de Artă (Romania) and Hidryma Hellēnikou Politismou (Athens, Greece). Athens: Hellenic Foundation for Culture, 2008.

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7

Antapodosē: Meletes vyzantinēs kai metavyzantinēs archaiologias kai technēs pros timēn tēs kathēgētrias Helenēs Delēgiannē-Dōrē = Antapodosi : studies in Byzantine and post-Byzantine archaeology and art in honour of professor Helen Deliyianni-Doris. Athēna: Vivliotechnia O.E., 2010.

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8

The Von Post Collection of Cypriote late Byzantine glazed pottery. Jonsered, Sweden: P. Åström, 1996.

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9

Maria, Kazanaki-Lappa, ed. Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Villorba (TV) [i.e. Treviso, Italy]: Eurocromlibri, 2009.

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10

Maria, Kazanaki-Lappa, ed. Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Villorba (TV) [i.e. Treviso, Italy]: Eurocromlibri, 2009.

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11

Viani, Maria Cristina Bandera. Venezia: Museo delle icone bizantine e post bizantine e Chiesa di San Giorgio dei Greci. Bologna: Calderini, 1988.

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12

Art and society of Bulgaria in the Turkish period: A sketch of the economic, juridical, and artistic preconditions of Bulgarian post-Byzantine art and its place in the development of the art of the Christian Balkans, 1360/70-1700 : a new interpretation. Assen, The Netherlands: Van Gorcum, 1985.

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13

Alexiou, Maria. Post-Byzantine preliminary drawings: With an assessment of the effects of BEVA 371 and unbleached linen on works of art on paper and the documentation relating to the conservation of six preliminary drawings. (London: Camberwell School of Art and Crafts), 1987.

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14

Bibliographie de l'art byzantin et post-byzantin: La contribution grecque 2006-2010. Athe nes = Athi na: Acade mie d'Athe nes, Centre de recherches d'art byzantin et postbyzantin = Akadi mi a Athi no n, Ke ntro e reunas ti s vyzantini s kai metavyzantini s te chni s, 2011.

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15

Sankt-Peterburgskiĭ gosudarstvennyĭ akademicheskiĭ institut zhivopisi, skulʹptury i arkhitektury imeni I.E. Repina and Russia (Federation) Ministerstvo kulʹtury, eds. Afon, svetoch Pravoslavii︠a︡: Vzaimodeĭstvie kulʹtur : materialy mezhdunarodnoĭ konferent︠s︡ii, 5-7 okti︠a︡bri︠a︡ 2016 g. = Mount Athos, the light of the Orthodox Christianity : interaction of cultures : international conference, 5-7 October 2016 : post prints. Sankt-Peterburg: Sankt-Peterburgskogo gosudarstvennogo akademicheskogo instituta zhivopisi, skulʹptury i arkhitektury imeni I.E.Repina pri Rossiĭskoĭ akademii khudozhestv, 2017.

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16

Series Byzantina: [Studies on Byzantine and Post-Byzantine Art]. Warszawa: Wydawnictwo "Neriton", 2003.

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17

Byzantine and Post-Byzantine Art in Corfu: Monuments, Icons, Treasures, Culture. Most Reverand Metropolitan of Corfu, 1994.

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18

Anthony, Bryer, ed. The post-Byzantine monuments of Pontos. Aldershot, Hampshire: Ashgate, 2002.

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19

Germanidou, Sophia. Secular Byzantine Women: Art, Archaeology, and Ethnography of Female Material Culture from Late Roman to Post-Byzantine Times. Routledge, 2022.

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20

Secular Byzantine Women: Art, Archaeology, and Ethnography of Female Material Culture from Late Roman to Post-Byzantine Times. Taylor & Francis Group, 2022.

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21

Germanidou, Sophia. Secular Byzantine Women: Art, Archaeology, and Ethnography of Female Material Culture from Late Roman to Post-Byzantine Times. Taylor & Francis Group, 2022.

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22

Germanidou, Sophia. Secular Byzantine Women: Art, Archaeology, and Ethnography of Female Material Culture from Late Roman to Post-Byzantine Times. Taylor & Francis Group, 2022.

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23

George, Kakavas, Alexander S. Onassis Public Benefit Foundation., Greece Hypourgeio Politismou, and Vyzantino Mouseio (Athens Greece), eds. Post-Byzantium: The Greek Renaissance : 15th-18th century treasures from the Byzantine & Christian Museum, Athens. Athens: Hellenic Ministry of Culture, 2002.

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24

Krause, Karin. Divine Inspiration in Byzantine Art and Theology: From Early Christianity to the Post-Iconoclast ERA. Cambridge University Press, 2022.

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25

Ballance, Selina, Jane Isaac, David Winfield, and Anthony Bryer. The Post-Byzantine Monuments of the Pontos (Variorum Collected Studies Series, 707). Ashgate Publishing, 2002.

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26

Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Villorba (TV) [i.e. Treviso, Italy]: Eurocromlibri, 2009.

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27

Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Villorba (TV) [i.e. Treviso, Italy]: Eurocromlibri, 2009.

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28

Viani, Maria Cristina Bandera. Venezia: Museo delle icone bizantine e post bizantine e Chiesa di San Giorgio dei Greci (Musei d'Italia-Meraviglie d'Italia). Calderini, 1988.

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29

Lymberopoulou, Angeliki, ed. Hell in the Byzantine World. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108596831.

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The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean – Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.
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30

Sarris, Peter. 3. From antiquity to the Middle Ages. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199236114.003.0003.

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‘From antiquity to the Middle Ages’ describes the key challenges to Roman power in the east and west. The emergence of the post-Roman successor kingdoms in the 5th century constituted a direct challenge to the authority of the remaining Roman Emperor in Constantinople. Emperor Justinian’s reforms encompassed religion, the law, provincial administration, fiscal policy, and imperial ideology, but the early 6th century also saw the revival of warfare between the East Roman and Persian Empires. By Justinian’s death in 565, the Byzantine Empire was larger, but fragile and fiscally unstable. The reign of Heraclius and his holy war are described along with the early 7th-century Arab conquests that effectively destroyed the ancient world.
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31

Kramer, Rutger, and Walter Pohl, eds. Empires and Communities in the Post-Roman and Islamic World, C. 400-1000 CE. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190067946.001.0001.

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This book deals with how empires affect smaller communities such as ethnic groups, religious communities, and local or peripheral populations. It raises the question of how these different types of community were integrated into larger imperial edifices and in which contexts the dialectic between empires and particular communities caused disruption. How did religious discourses or practices reinforce (or subvert) imperial pretenses? How were constructions of identity affected? How were Egyptians accommodated under Islamic rule, Yemenis included in an Arab identity, Aquitanians integrated into the Carolingian Empire, Jews into the Fātimīd caliphate? Why did the dissolution of Western Rome and the Abbasid caliphate leave different types of polities in their wake? How was the Byzantine Empire preserved in the seventh century; how did the Franks construct theirs in the ninth? How did events in early medieval Rome and Constantinople promote social integration in both a local and a broader framework? Focusing on the post-Roman Mediterranean, the book deals with these questions from a comparative perspective. It considers political structures in the Latin West, Byzantium, and the early Islamic world in a period exceptionally well suited for studying the expansive and erosive dynamics of empires and their interaction with smaller communities. By never adhering to a single overall model and avoiding Western notions of empire, this volume combines individual approaches with collaborative perspectives. The chapters are in-depth studies written in full awareness of the other contributions; taken together, they constitute a major contribution to the advancement of comparative studies on premodern empires.
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