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Books on the topic 'Post-9/11 novels'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Skulk: A post-9/11 comic novel. Joshua Tree, Calif: Progressive Press, 2008.

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2

McCarthy, Cormac. La carretera. Barcelona, España: Random House Mondadori, 2007.

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McCarthy, Cormac. The road. New York: Vintage International, 2009.

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McCarthy, Cormac. La strada. Torino: Einaudi, 2007.

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5

McCarthy, Cormac. The Road. New York, USA: Vintage International, 2006.

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6

McCarthy, Cormac. The Road. 2nd ed. New York, USA: Vintage International, 2009.

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7

McCarthy, Cormac. Droga. Krako w: Wydawn. Literackie, 2008.

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8

McCarthy, Cormac. The Road. 3rd ed. London: Picador, 2007.

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9

McCarthy, Cormac. Chang lu. Taibei Shi: Mai tian chu ban, 2008.

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10

McCarthy, Cormac. The Road. New York: Knopf Doubleday Publishing Group, 2007.

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11

McCarthy, Cormac. The Road. London: Picador, 2010.

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12

McCarthy, Cormac. ha-Derekh. Ben-Shemen: Modan, 2009.

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13

McCarthy, Cormac. The Road. New York, USA: Vintage International, 2008.

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14

McCarthy, Cormac. The Road. New York: Vintage International, 2009.

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15

McCarthy, Cormac. The road. Thorndike, Me: Center Point Pub., 2007.

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16

McCarthy, Cormac. The Road. New York, USA: Alfred A. Knopf, 2006.

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17

McCarthy, Cormac. The Road. New York, USA: Vintage International, 2006.

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18

McCarthy, Cormac. La route. Paris: Éd. France loisirs, 2008.

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19

Spiegelman, Art, Robert Cohen, Russell Banks, and Paul Auster. Post 9/11. Universe Publishing, 2011.

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20

Golimowska, Karolina. Post-9/11 City in Novels: Literary Remappings of New York and London. McFarland & Company, Incorporated Publishers, 2016.

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21

Golimowska, Karolina. Post-9/11 City in Novels: Literary Remappings of New York and London. McFarland & Company, Incorporated Publishers, 2016.

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22

Jain, Jayana. Thinking Past 'Post-9/11': Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Taylor & Francis Group, 2021.

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23

Jain, Jayana. Thinking Past 'Post-9/11': Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Taylor & Francis Group, 2021.

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24

Jain, Jayana. Thinking Past 'Post-9/11': Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Taylor & Francis Group, 2021.

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25

Jain, Jayana. Thinking Past Post-9/11: Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Routledge, 2021.

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26

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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27

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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28

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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29

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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30

Conte, Joseph M. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2021.

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31

Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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32

Ty, Eleanor. Gender, Post-9/11, and Ugly Feelings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0007.

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This chapter studies two texts that use humor and irony to deal with broken dreams and with ugly feelings caused by the inability to perform the dominant culture's expectations of race and gender. The protagonists in Alex Gilvarry's postmodern novel From the Memoirs of a Non-Enemy Combatant and in Keshni Kashyap and Mari Araki's Tina's Mouth: An Existential Comic Diary struggle to dissolve rigid categories of masculinity, femininity, and race. They both want to lead the lives of ordinary Americans but are misrecognized, and have to work through cultural expectations generated by their brown bodies, answering to the hopes of their families and friends and to the fantasies created by literature, film, and media.

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33

Visconsi, Elliott. Pluralism, Religion, and Democratic Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0017.

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This article locates Nadeem Aslam’s 2004 novel Maps for Lost Lovers within a European politico-legal argument about religious free expression under Article 9 of the European Convention on Human Rights, demonstrating the novel’s engagement with the norms and lived experience of democratic pluralism under pressure. Maps for Lost Lovers is an intervention into the public argument about pluralism and assimilation in the United Kingdom, a narrative that illuminates the prescriptive regimes and structuring epiphenomena of law in post-9/11 Britain. Maps is an agenda-setting narrativization of a legal regime, and specifically a richly textured and individuated account the failures of democratic pluralism and social relations within an incompletely secularized polity. Like Aslam’s other fiction, Maps for Lost Lovers seeks to cultivate those habits of thought that can lead to collective engagement and political change.

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34

Lurie, Peter. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0006.

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This book concludes by relating its discussion of visualizing history to the media and the public response to the 9/11 terrorist attacks. It shows their overly mediated depiction to have a precedent in Civil War photography, and it avers the shared impulse to visualize attending each of these epochal historical events. The Conclusion reads Toni Morrison’s Beloved as offering a salutary “forgetful remembrance” of history in the novel’s model of “rememory” and as an alternative to historicist criticism, as well as to U.S. culture’s visual archiving of a supposedly accessible and remediable past. The discussion also links Morrison’s work to post-9/11 poetry and to contemporary and recent African-American cinema, which, like Beloved, shows the occasion and the need for a willful look forward for both racialized subjects and for the U.S. polity generally in a postdigital age.

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35

Kong, Belinda. Xiaolu Guo and the Contemporary Chinese Anglophone Novel. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.24.

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This chapter examines Xiaolu Guo as a paradigmatic writer of geopolitics, biopolitics, and capitalism in contemporary Chinese Anglophone fiction. The chapter first focuses onA Concise Chinese-English Dictionary for Loversto rethink models of Anglophone writing. Against utopian conceptions of English as a privileged language of heterogeneity or hybridity,Dictionaryis analyzed in terms of biocapital and geopolitics, as a narrative of the Chinese migrant’s absorption into the Anglophone publishing industry and the Anglophone empire. The chapter then analyzesUFO in Her Eyesas representative of a recent turn in Chinese fiction toward issues of biocapital, the increasing entanglement of the communist state’s regulation of bodies with its capitalist goals. Unique among biocapitalist fiction, however,UFOfurther situates contemporary China in a global post-9/11 context of state surveillance and defense security. Guo’s novels, then, offer a distinctly instructive framework for comparative reflections on biopolitics, biocapital, and the global security state.

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36

Image-Event in the Early Post-9/11 Novel: Literary Representations of Terror after September 11 2001. Jagiellonian University, 2013.

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37

Quinan, Christine. Gender (in)securities: surveillance and transgender bodies in a post-9/11 era of neoliberalism. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526107459.003.0009.

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This chapter addresses questions of neoliberalism and gender surveillance in a post-9/11 era. Working through an account of the situation of trans people in the USA provided by Leslie Feinberg’s novel “Drag King Dreams”, the chapter discusses the boundaries of citizenship in a system that actively attempts to exclude, alienate, and violate certain identities, particularly transgender individuals and racialized or religious ‘others’. The chapter highlights aspects of non-conformity and the governmental practices that are triggered by deviances from mainstream norms. It critically engages the hardships for individuals that are produced from such governmental practices, most notably surveillance.

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38

Masters, Ben. Twenty-First-Century Excess. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.003.0005.

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This chapter evaluates the legacy of Burgess, Carter, and Amis by examining the work of a new generation of excessive English stylists, including Zadie Smith, Nicola Barker, and David Mitchell. It begins by showing how arguments similar to those made against stylistic prolixity in the aftermath of World War Two have resurfaced post-9/11. It goes on, through close readings of three novels (NW, Darkmans, Cloud Atlas), to show how this newer generation of writers has adapted and expanded the methods of the earlier stylists of excess by staging a return to ideas of character, interiority, and empathy in a way that still prioritizes authorial style and amplitude. With reference to Dorothy Hale’s notion of the aesthetics of alterity, it shows how these authors have made innovative use of free indirect style and polyphony to create a critical empathy that self-reflexively trains us to apprehend its own limitations.

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39

Raustiala, Kal. Does the Constitution Follow the Flag? Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780195304596.001.0001.

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The Bush Administration has notoriously argued that detainees at Guantanamo do not enjoy constitutional rights because they are held outside American borders. But where do rules about territorial legal limits such as this one come from? Why does geography make a difference for what legal rules apply? Most people intuitively understand that location affects constitutional rights, but the legal and political basis for territorial jurisdiction is poorly understood. In this novel and accessible treatment of territoriality in American law and foreign policy, Kal Raustiala begins by tracing the history of the subject from its origins in post-revolutionary America to the Indian wars and overseas imperialism of the 19th century. He then takes the reader through the Cold War and the globalization era before closing with a powerful explanation of America's attempt to increase its extraterritorial power in the post-9/11 world. As American power has grown, our understanding of extraterritorial legal rights has expanded too, and Raustiala illuminates why America's assumptions about sovereignty and territory have changed. Throughout, he focuses on how the legal limits of territorial sovereignty have diminished to accommodate the expanding American empire, and addresses how such limits ought to look in the wake of Iraq, Afghanistan, and the war on terror. A timely and engaging narrative, Does the Constitution Follow the Flag? will change how we think about American territory, American law, and-ultimately-the changing nature of American power.

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40

Pinchevski, Amit. Transmitted Wounds. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190625580.001.0001.

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In Transmitted Wounds, Amit Pinchevski explores the ways media technology and logic shape the social life of trauma both clinically and culturally. Bringing media theory to bear on trauma theory, Pinchevski reveals the technical operations that inform the conception and experience of traumatic impact and memory. He offers a bold thesis about the deep association of media and trauma: media bear witness to the human failure to bear witness, making the traumatic technologically transmissible and reproducible. Taking up a number of case studies--the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD--Pinchevski demonstrates how the technological mediation of trauma feeds into the traumatic condition itself. The result is a novel understanding of media as constituting the material conditions for trauma to appear as something that cannot be fully approached and yet somehow must be. While drawing on contemporary materialist media theory, especially the work of Friedrich Kittler and his followers, Pinchevski goes beyond the anti-humanistic tendency characterizing the materialist approach, discovering media as bearing out the human vulnerability epitomized in trauma, and finding therein a basis for moral concern in the face of violence and atrocity. Transmitted Wounds unfolds the ethical and political stakes involved in the technological transmission of mental wounds across clinical, literary, and cultural contexts.

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41

McCarthy, Cormac. The Road [Jan 01, 2011] McCarthy, Cormac. Picador, 2011.

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42

McCarthy, Cormac. The Road. Recorded Books, 2006.

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43

McCarthy, Cormac. The Road (Readers Circle (Center Point)). Center Point Large Print, 2007.

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44

The Road. Recorded Books, 2006.

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45

McCarthy, Cormac. The Road. Macmillan, 2008.

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46

McCarthy, Cormac. ILL - The road. 2004.

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47

Drumul. Humanitas, 2009.

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48

McCarthy, Cormac. Die Straße. Rowohlt Taschenbuch, 2008.

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49

McCarthy, Cormac. The Road. Picador, 2009.

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50

McCarthy, Cormac. The Road (Oprah's Book Club). Perfection Learning, 2007.

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