Relevant bibliographies by topics / Portugal – History – 20th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Portugal – History – 20th century'

Author: Grafiati
Published: 10 March 2023
Last updated: 11 March 2023

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Journal articles on the topic "Portugal – History – 20th century"

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Moody, Ivan. "Mensagens: Portuguese Music in the 20th Century." Tempo, no. 198 (October 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.

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These lines of Fernando Pessoa (1888–1935), the great poet of Portuguese modernism, may seem at first sight to invoke the principal element of fado, Portugal's national music: the element represented by that famously untranslatable word suadade, implying longing, nostalgia, homesickness … However, they hide far deeper resonances. Mensagen (Message), the poetic sequence from which they come, is a profound exploration of Portugal's history, a modern counterpart to Camoens's great 16th-century epic The Lusiads. It is connected to the nationalist Integralismo Lusitano movement, and to Sebastianism. Other poets, particularly Mario Sa-Carneiro (1890–1916), and plastic artists, notably Amadeo de Sousa Cardoso (1887–1918) and Jose de Almada Negreiros (1893–1970), similarly reflect the strength of these patriotic and mystical ideas in Portugal during the country's deepening social crisis in the early part of the century. But Pessoa, who famously split himself into several persons, each with their own name, style and poetic output, may also stand as a symbol of the different currents Portuguese composers have ridden in search of their national identity.
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Marinho, Rui Tato. "‘The Last Coachman’, the Trio of Risk Factors: Alcohol, Tobacco and Traffic Accidents." Acta Médica Portuguesa 27, no. 3 (June 30, 2014): 406. http://dx.doi.org/10.20344/amp.5591.

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Oliveira, Victor. "Quadros Médicos: Egas Moniz, por José Malhoa." Acta Médica Portuguesa 27, no. 5 (October 25, 2014): 669. http://dx.doi.org/10.20344/amp.5765.

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Palazzo, Pedro P. "Vernacular Patterns in Portugal and Brazil: Evolution and Adaptations." Journal of Traditional Building, Architecture and Urbanism, no. 2 (November 10, 2021): 359–70. http://dx.doi.org/10.51303/jtbau.vi2.524.

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Traditional towns in Portugal and Brazil have evolved a finely tuned coordination between, on the one hand, modular dimensions for street widths and lot sizes, and on the other, a typology of room shapes and layouts within houses. Despite being well documented in urban history, this coordination was in the last century often interpreted as contingent, a result of the limited material means of pre-industrial societies. But the continued application and gradual adaptation of these urban and architectural patterns through periods of industrialization and economic development suggests that they respond both to enduring housing requirements and to piecemeal urban growth. This article surveys the persistence of urban and architectural patterns up to the early 20th century, showing their resilience in addressing modern housing and urbanization requirements.
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Soares, Clara Moura, Rute Massano Rodrigues, and Carlos Filipe. "Heritage and history of the marble industry in Alentejo (Portugal)." Revista CPC 15, no. 29 (July 31, 2020): 235–48. http://dx.doi.org/10.11606/issn.1980-4466.v15i29p235-248.

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The Heritage and History of the Marble Industry project (PHIM), based on interdisciplinary principles and practices, highlights the importance of the Portuguese marbles of Alentejo Anticline in a context of patrimonial and cultural valuation of a region where the ornamental rock industry defines landscapes, shapes the economy, and defines ways of life. Knowledge coming from scientific research is being disseminated through various platforms and audiences, contributing to regional development and providing solid contents for industrial and cultural tourism of quality. After two phases of the project that allowed to achieve broad knowledge about the application of the Alentejo marbles in the artistic heritage, the 3rd phase serves to expand the chronology under study (from Roman times to the 20th century) and to allow for new interdisciplinary perspectives, with the cooperation of History of Law and Economic History.
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Silva de Moura, Carlos André, and Dirceu Salviano Marques Marroquim. "The making of a visionary culture: connected histories among Marian apparitions in Portuguese-Brazilian world (1917-1936)." Religiones y religiosidades en América Latina, no. 26 (December 31, 2020): 161–78. http://dx.doi.org/10.36551/2081-1160.2020.26.161-178.

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This paper will analyze the shaping of supposed Marian apparitions in Pesqueira, a Brazilian city located in Pernambuco, as part of a series of events related to the devotions to Our Lady representations in modern and contemporary periods. Based on the propositions of Cultural History, regional newspapers, ecclesiastical documents, and personal letters were used in order to understand the relation of these events to political, economic, and social issues of the first half of the 20th century. The analysis will suggest that the events in Pesqueira were connected to other religious representations, such as the apparitions in Lourdes (France) and Fatima (Portugal), reinforcing the image of the 20th century as the “golden century” of apparitions to members and followers of the Catholic Church. Therefore, this work highlights the central performance of ecclesiastics, scholars, and devotees in the shaping of new devotions and cults in a specific space in Latin America.
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Ramos, Rui Jorge Garcia, Eliseu Gonçalves, and Sérgio Dias Silva. "From the Late 19th Century House Question to Social Housing Programs in the 30s: the Nationalist Regulation of the Picturesque in Portugal." Modern Housing. Patrimonio Vivo, no. 51 (2014): 60–67. http://dx.doi.org/10.52200/51.a.1v7pry77.

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In the early 20th century in Portugal, a new architecture was produced as the offspring of different references, conforming to a process of “Portugueseness” based on the picturesque. From the beginning of the dictatorship in 1926, the State took advantage of that phenomenon to sublimate nationalist values. Through the first programs of mass housing construction, the single-family house became an object of consumption and a cornerstone of national identity. The search for identity brings together different architectures across the century featuring a renewed Portuguese sentiment infused with different perspectives on the “homeland”, its history and its culture.
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Palma, Luís Manuel. "Tracking the ancestral Portuguese name of the osprey across the Atlantic: hints from language, literature, history and geography." Arquivos de Zoologia 48, no. 4 (December 20, 2017): 115. http://dx.doi.org/10.11606/issn.2176-7793.v48i1p115-130.

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Guincho, the traditional Portuguese name of the osprey (Pandion haliaetus) is unique and ancestral. It is found in several sorts of fictional literature from the 16th up to the early 20th centuries in the form of a metaphor born from an old popular proverb. The first time the name appears as the vernacular designation of the osprey is in a 17th falconry treatise, and then in old dictionaries and early ornithological monographs and catalogues throughout the 18th to early 20th centuries. In Portugal, however, the name barely survives, partly due to the species demise in the country during the 20th century, but mainly because it was gradually replaced by an erudite term in ornithological literature since the middle 19th century. However, given the conspicuousness of the species and its nests, the name and its composites are retained in a number of places along the coast. And, following the Portuguese diaspora of the 16th-18th centuries, the term spread to the archipelagos of Madeira, Cape Verde and the Canaries where it impregnated the local vocabulary and again gave the name to many coastal places. Then, it moved from the Canaries to the Spanish speaking areas of the Caribbean riding the mass migration of Canary Islanders to the new colonies. In consequence, the traditional Portuguese name of the osprey is still fully used in several island countries across the Atlantic. The remarkable presence of the ancestral Portuguese name of the osprey in language, literature and geography allows its rehabilitation as the proper popular name of the species and sanctions its legitimacy as a tool for reconstructing the ancient historical ranges of the osprey. Ultimately, revaluing the name is also a matter of cultural preservation, which compliments and enriches the current efforts for the species recovery in Portugal.
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Amorim, Inês, and Bruno Pinto. "Portugal in the European Network of Marine Science Heritage and Outreach (19th–20th Centuries)." Humanities 8, no. 1 (January 17, 2019): 14. http://dx.doi.org/10.3390/h8010014.

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The gradual consciousness of the scientific and economic riches of marine life is rooted in the legacy of some pillars of scientific production and dissemination in institutions such as natural history museums, aquariums, and maritime stations. Nowadays, one of the biggest issues of these scientific collections of species (marine or others) is their contextual interpretation which demands its original collection point, collectors, and original aims. The current research focuses on the origin of collections of marine specimens in Portugal as well as their historical evolution. In this particular approach, we assess the connection of the Portuguese natural history museums, universities and aquariums to similar European institutions since the mid-19th century, crossing primary sources from different archives. It was possible to reconstruct connections with the Zoological Station of the bay of Naples (Italy), the Maritime Museum of Monaco, and Aquariums of Monaco, France, and England. We identify both informers and the circulation of zoological specimens that underpin Museums and Aquariums collections that are today important scientific heritage repositories for a larger understanding of marine biodiversity and its threats, and core places of aesthetic contemplation and of philosophical discussion about the evolution of scientific knowledge.
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De Matos, Fátima. "Ageing and Quality of Life - New Responses from the Real Estate Sector in Portugal (1)." Bulletin of Geography. Socio-economic Series 15, no. 15 (January 1, 2011): 57–69. http://dx.doi.org/10.2478/v10089-011-0004-y.

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Ageing and Quality of Life - New Responses from the Real Estate Sector in Portugal (1) In the second half of the 20th century, the history of European demography is associated with a pronounced and widespread process of ageing. The 21st century will have to cater to the needs of an elderly population in transformation. Portugal is also part of this process and in efforts to improve the quality of life of the elderly, a wide range of facilities, services and social responses have been established by a variety of promoters, targeting several social levels. This paper will analyze a specific segment directed at an exclusive niche of the elderly population, the Senior Residential Condominiums. This is a very recent segment of the housing market, with high levels of comfort, quality, sanitation, health, and recreation, essential to full well-being. The paper intends to characterize this real estate market niche so as to identify its distinctive features, the promoting agents and how they can contribute to residents' quality of life.
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Dissertations / Theses on the topic "Portugal – History – 20th century"

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Rodrigues, Bruno Silva. "As micronarrativas em Portugal : de Almada Negreiros a Ana Hatherly : a brevidade literária narrativa em Portugal no século XX." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:bcb0c981-3c78-4cf8-8ef6-c3a04ec1a05f.

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Literary works and other manifestations that demonstrate, disseminate or stimulate the practice of extremely brief narrative texts have increasingly been gaining ground in the 21st-century. This phenomenon, which varies in intensity depending on the country - seemingly more substantial in the American continent and more timid in European countries - has ramifications more or less on a global scale. Naturally, there has been, over the last few decades, a greater awareness of the dissemination of this type of productions, thanks to the visibility that new information technology, above all the Internet, has afforded. This tendency, however, just like any other human activity, is bound to have antecedents. To analyse its roots may help us to understand its relevance today. The research carried out here has as its object of study extremely brief narrative texts produced in Portugal. It focuses on a period of time which, it will be argued, is of utmost importance for the presence of micro-narratives in the Portuguese literary landscape: the period situated between the dawn of modernism at the beginning of the 1910s and the post-revolutionary moment when Ana Hatherly publishes the third volume of her overarching project entitled Tisanas, in 1980.
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Freitas, Daniela Filipa da Silva. "A busca de belo em design de moda." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/16361.

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Dissertação de Mestrado em Design, com a especialização em Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
Partindo da concepção da arquitectura como uma relação entre objecto e sujeito, concentramos a nossa atenção na interacção do utilizador com o espaço, ou seja, no acto de habitar. Reconhecendo a importância da memória e da emoção nesse acto de habitar, o estudo profundo dessa interacção, como fenómeno, carece de uma sistematização rigorosa. Esta sistematização implica a clarificação do que se entende por ‘cognição do espaço’, onde intervêm a percepção, a memória e o movimento, numa proposta interdisciplinar que articula Teoria e História da Arquitectura com a Psicologia do Espaço. Pretendemos testar a aplicabilidade de metodologias de análise (qualitativa e quantitativa) da apropriação do espaço por utilizadores concretos. Temos como objectivo a proposta da elaboração de um modelo de análise com base no acompanhamento de experiências concretas. A elaboração do modelo de análise visa aferir o papel da memória e da emoção no espaço, na medida em que esse conhecimento seja útil e se torne operativo na análise e prática arquitectónica.
Abstract:Starting from the idea of architecture conceptualized as a relationship between object and subject, we focus our attention on user interaction with the space, i.e. the act of inhabiting. Recognizing the importance of memory and emotion in this act of inhabiting the deep study of this interaction, as a phenomenon, lacks a rigorous systematization. This involves a systematic clarification of what is meant by ‘space cognition’, where intervene perception, memory and movement, at an interdisciplinary proposal that articulates Theory and History of Architecture with the Psychology of Space. We intend to test the applicability of methodologies of analysis (qualitative and quantitative) of the appropriation of space by specific users. We intend to draw up an analysis model based on actual experiences. The analysis model envisages the understanding of the role of memory and emotion in space, to the extent that this knowledge is useful and will become operative in the analysis and architectural practice.
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Luce, Alexandra Isabella. "British intelligence in the Portuguese world, 1939-1945 : operations against German Intelligence and relations with the Polícia de Vigilância e Defesa do Estado (PVDE)." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608984.

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Melo, Maria da Assunção Gil Correia de. "António Dacosta e o sentido de pertença na pintura. Motivações, resistências e inovações." Doctoral thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30073.

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Nesta tese pretende-se fazer uma releitura crítica da obra de António Dacosta, muito mais ampla, para além da fase surrealista. Para tal, foi necessário compreender como o lugar, a identidade e o sentido de pertença podem influenciar a vontade e a expressão do artista. Neste caso mais específico, como a ilha e a sua cultura própria influenciaram a sua iconografia, embora sempre com uma intencionalidade universalista. As questões de memória e identidade poderão ser mais determinantes do que as tendências ou correntes artísticas em vigor. O desconhecimento que existia sobre a iconografia das ilhas foi por vezes confundido com o surrealismo. Compete, assim, fazer uma destrinça. O contexto histórico e espiritual que está na origem do despertar da identidade, bem como o papel dos agentes culturais, importa nesta análise. Foi também relevante perceber como o surrealismo foi apreendido pelos artistas portugueses, que o prolongaram para além da primeira metade do século XX, sob a égide da necessidade de uma reforma temática. António Dacosta, frequentemente associado a duas fases distintas, foi um pintor, mesmo quando, aparentemente, esteve em silêncio, mesmo quando se confundiu com um poeta e com um crítico de arte. Na verdade, Dacosta continuou a pintar. Foi sempre esse o seu desígnio. A vontade de ser dos Açores, em Lisboa ou em Paris foi tão forte que as suas visões míticas de uma religiosidade pagã são uma constante. Nesse sentido, analisou-se o que fez, a relação entre o artista e o lugar de origem, como um produtor de uma imagética muito própria transposta para a tela: a busca um significado nas paisagens, nos lugares, nas pessoas e nos seus rituais promovendo um debate interdisciplinar, entre arte, antropologia e etnografia. A modernidade, o choque e um modo muito próprio de ser ilhéu, sem forçar, sem ter pressa, podem tê-lo agrilhoado a uma vontade de fazer nem sempre consistente. São dinâmicas próprias que estão na origem das motivações da pintura de Dacosta O ensinamento e a lucidez de nunca se ser velho de mais para recomeçar são também lições que se tiram desta obra, deste percurso que importa compreender; ABSTRACT António Dacosta and the Sense of Belonging in Painting. Motivations, Resistances and Innovations This thesis intends to make a critical reinterpretation of António Dacosta's work, much broader, beyond the surrealist phase. For this, it was necessary to understand how the place, the identity and the sense of belonging can influence the artist's will and expression. In this more specific case, how the island and its own culture influenced its iconography, although always with a universalist intention. The issues of memory and identity may be more decisive than current trends or artistic trends. The ignorance that existed about the iconography of the islands was sometimes confused with surrealism. It is therefore up to you to make a difference. The historical and spiritual context that is at the origin of the awakening of identity, as well as the role of cultural agents, matters in this analysis. It was also relevant to understand how surrealism was understood by Portuguese artists, who extended it beyond the first half of the 20th century, under the aegis of the need for a thematic reform. António Dacosta, often associated with two distinct phases, was a painter, even when, apparently, he was silent, even when he mistook himself for a poet and an art critic. In fact, Dacosta continued to paint. That was always his purpose. The Azores' desire to be in Lisbon or Paris was so strong that their mythical views of pagan religiosity are constant. In this sense, we analyzed what he did, the relationship between the artist and the place of origin, as a producer of his own imagery transposed to the canvas: the search for meaning in landscapes, places, people and their rituals promoting an interdisciplinary debate, between art, anthropology and ethnography. Modernity, shock and a very unique way of being an islander, without forcing, without being in a hurry, may have tied you to a desire to do not always consistent. These are dynamics that are at the origin of the motivations of Dacosta's painting. The teaching and the lucidity of never being too old to start over are also lessons that can be learned from this work, from this journey that is important to understand.
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Cao, T. Y. "The intellectual history of 20th century field theories." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383778.

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Baumer, Andreas. "Urban rejuvenation : a contemporary urban topology for the information age." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137647.

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A changing perception based on the appreciation for information in our era allows a broader idea and different understanding of life as a system driven by the flow of information. Simultaneously, our understanding of 'the' urban was broadened. It enabled us to perceive urban structures as living organisms beyond their physical manifestation and separated from human control. Like species, our cities are great products of evolutionary forces and contain invaluable information worth preserving.When writing about urban spaces, urban is understood as a system which is constituted not so much by built forms and infrastructures, but as a heterogeneous field that is constituted by intervention and lines of forces and action. These lines form the coordinates of an urban topology that is not based on the human body and its movements in space alone, but also on relational acts and events within the urban system. These relational acts can be economic, political, technological or tectonic processes, as well as acts of communication. The urban is therefore quite different from the physically defined spaces of events and movements.The focal point of this paper is to explore the relationship between the spaces of movement, the spaces of events and the relational systemic 'spaces'. It will be attempted to identify fundamental processes behind urban design. Rules are derived from connective principles in complexity theory, systems theory, pattern recognition, and artificial intelligence.
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Braun, Ramona. "Laparoscopy as a neo-eugenic practice, 1940s-60s." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708461.

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Ng, Kin-yuen. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." [Hong Kong : University of Hong Kong], 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13280181.

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Ng, Kin-yuen, and 吳健源. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31950395.

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Arthur, Brid Caitrin. "Envisioning Lhasa: 17-20th century paintings of Tibet's sacred city." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437525195.

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Books on the topic "Portugal – History – 20th century"

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O mundo, a Europa e Portugal. [Lisbon]: Sociedade Histórica da Independência de Portugal, 1995.

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Reverte, Jorge Martínez. The Spanish Civil War: A military history. New York, NY: Palgrave Macmillan, 2011.

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Tusell, Javier. Los intelectuales y la República. Madrid: Nerea, 1990.

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Headhunting and colonialism: Anthropology and the circulation of human skulls in the Portuguese empire, 1870-1930. New York: Palgrave Macmillan, 2010.

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B, Serra João, Schirn Kunsthalle Frankfurt, and Centro Cultural de Belém, eds. Modern art in Portugal: 1910-1940 : the artist contemporaries of Fernando Pessoa. Kilchberg/Zürich: Edition Stemmle, 1998.

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Fleck, Brigitte. Alvaro Siza. London: Spon, 1995.

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Paul, Preston. The politics of revenge: Fascism and the military in twentieth-century Spain. London: Unwin Hyman, 1990.

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Paul, Preston. The politics of revenge: Fascism and the military in twentieth-century Spain. London: Routledge, 1995.

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Moura, Eduardo Souto de. Eduardo Souto de Moura: 1995-2005 : la naturalidad de las cosas = the naturalness of things. Madrid, España: El Croquis Editorial, 2005.

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Moura, Eduardo Souto de. Eduardo Souto de Moura: Obra reciente = recent work. Barcelona (España): G. Gili, 1997.

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Book chapters on the topic "Portugal – History – 20th century"

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Bergmann, Karl-Christian. "Milestones in the 20th Century." In History of Allergy, 27–45. Basel: S. KARGER AG, 2014. http://dx.doi.org/10.1159/000358478.

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Abrams, Jesse. "Late 20th-Century Forest History." In Forest Policy and Governance in the United States, 51–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003043669-4.

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De Sousa e Brito, José, José Manuel Aroso Linhares, Luís Meneses do Vale, Ana Margarida Simões Gaudêncio, and Alessandro Serpe. "Chapter 14 20th-Century Legal Philosophy in Portugal." In A Treatise of Legal Philosophy and General Jurisprudence, 503–30. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_14.

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Varvoglis, Harry. "Physics of the 20th Century." In History and Evolution of Concepts in Physics, 105–19. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04292-3_5.

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Flor, João de Almeida. "Publishing translated literature in late 19th century Portugal." In Translation in Anthologies and Collections (19th and 20th Centuries), 123–36. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.11alm.

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Welch Guerra, Max. "Interpreting 20th Century European Planning History." In European Planning History in the 20th Century, 268–71. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-28.

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Rao, J. S. "20th Century Graphical and Numerical Methods." In History of Mechanism and Machine Science, 99–114. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1165-5_11.

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Blaauw, Adriaan. "Earlier 20th Century Developments; World War I." In History of the IAU, 15–53. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0978-9_2.

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Larkham, Peter J. "History and Heritage." In European Planning History in the 20th Century, 139–52. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-15.

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Roberts, Adam. "The Early 20th Century, 2: The Pulps." In The History of Science Fiction, 253–85. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_10.

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Conference papers on the topic "Portugal – History – 20th century"

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COELHO, Nuno. "Packaging design in Portugal during the 20th century as a political propagandistic device." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-048.

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HIRAOKA, RYUJI. "JESUITS, COSMOLOGY AND CREATION IN JAPAN’S “CHRISTIAN CENTURY” (1549–1650)." In Conference on History of Mathematical Sciences: Portugal and East Asia V. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813233256_0010.

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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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HSU, KUANG-TAI. "A SIXTEENTH-CENTURY JESUIT MAP OF CHINA: SINARUM REGNI ALIORUMQUE REGNORUM ET INSULARUM ILLI ADIACENTIUM DESCRIPTIO." In Conference on History of Mathematical Sciences: Portugal and East Asia V. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813233256_0004.

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Neves, Fernando P., Jorge M. Barata, and Andre R. Silva. "Geostrategic Conjuncture of Commercial and Civil Aviation at Portugal on Early 20th Century." In AIAA Scitech 2020 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2020. http://dx.doi.org/10.2514/6.2020-0645.

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Szoro, Ilona. "READING CIRCLES IN HUNGARY IN THE 20TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.072.

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Zhou, Dian. "THE HISTORY OF THE RUSSIAN ETCHING OF THE 20th CENTURY." In VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.134.138.

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Munhanova, Yu A. "HISTORY OF THE MONGOLIAN AGITPROP POSTER OF THE 20TH CENTURY." In Искусство и дизайн: история и практика. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868829_258.

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BARBOSA, Helena. "The signature of Portuguese posters from 17th Century to 20th Century: one history of identities." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-035.

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KURAS, L. V., and B. D. TSYBENOV. "KYAKHTA IN 20th – THE BEGINNING OF 21 CENTURY: HISTORY, PRESENT, PROSPECTS." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-81-84.

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Reports on the topic "Portugal – History – 20th century"

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Kempgen, Sebastian. Was Postkarten erzählen können… Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49498.

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