Journal articles on the topic 'Portraits Social aspects'
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Sari, Reni Junita, Nurhafizah Nurhafizah, and Yaswinda Yaswinda. "Portraits of Children's Autonomy in PAUD Alam Minangkabau." International Journal of Emerging Issues in Early Childhood Education 1, no. 2 (March 25, 2020): 142–48. http://dx.doi.org/10.31098/ijeiece.v1i2.154.
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This article is motivated by the results of research on how children's autonomy in PAUD Alam Minangkabau. Autonomy is one aspect of human personality that cannot stand alone, this means that autonomy is related to other aspects of personality such as social aspects, emotional aspects, physical and psychological aspects. The purpose of this study is to describe how the autonomy of children in PAUD Alam Minangkabau. Data collection techniques used are the format of observation, interviews, and documentation. Observations focused on children and interviews were conducted with school principals and teachers on how to instill autonomy. From the results of this study, it is illustrated that almost all children have good autonomy where autonomy has been well developed through the collaboration of parents and teachers in the development of children's autonomy. With the existence of such cooperation the development of autonomy can be carried out maximally. Seen when the child can be left by parents at school and do various activities for him without having to be helped by teachers or other adult.DOI: https://doi.org/10.31098/ijeiece.v1i2.31
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Wang, Bin, Enhui Wang, Zikun Zhu, Yangyang Sun, Yaodong Tao, and Wei Wang. "An explainable sentiment prediction model based on the portraits of users sharing representative opinions in social sensors." International Journal of Distributed Sensor Networks 17, no. 10 (October 2021): 155014772110337. http://dx.doi.org/10.1177/15501477211033765.
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“Social sensors” refer to those who provide opinions through electronic communication channels such as social networks. There are two major issues in current models of sentiment analysis in social sensor networks. First, most existing models only analyzed the sentiment within the text but did not analyze the users, which led to the experimental results difficult to explain. Second, few studies extract the specific opinions of users. Only analyzing the emotional tendencies or aspect-level emotions of social users brings difficulties to the analysis of the opinion evolution in public emergencies. To resolve these issues, we propose an explainable sentiment prediction model based on the portraits of users sharing representative opinions in social sensors. Our model extracts the specific opinions of the user groups on the topics and fully considers the impacts of their diverse features on sentiment analysis. We conduct experiments on 51,853 tweets about the “COVID-19” collected from 1 May 2020 to 9 July 2020. We build users’ portraits from three aspects: attribute features, interest features, and emotional features. Six machine learning algorithms are used to predict emotional tendency based on users’ portraits. We analyze the influence of users’ features on the sentiment. The prediction accuracy of our model is 64.88%.
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Anisimov, Nikolai. "Magic Specialists in Udmurt Culture:Some Portraits." Journal of Ethnology and Folkloristics 16, no. 2 (December 1, 2022): 104–31. http://dx.doi.org/10.2478/jef-2022-0015.
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Abstract This article* is dedicated to special people whom their community marked as having secret knowledge and magic power, and who belong of the institution of the initiated. My main sources are my field materials, interviews with these magic specialists, gathered between 2010 and 2021. My fieldwork data reveal that some healers have magic abilities from childhood, while others received them when they give birth or after some particular event in their lives. Some of these people specialise in and heal only particular ailments (for example of children), while others cure a wide range of diseases and difficulties. Some have special buildings to receive their visitors. The communities of which these personalities are part have ambiguous feelings towards them, and thus they become marginalised. As examples, I present the characters and describe the activities of seven women healers. I attempt to analyse precise examples of magic and social interaction within the relationships between the community and the magic specialist, and to investigate the understanding of the world that these healers have. To date there has been no focus on the personal and subjective aspect of this question, as well as to the socially regulative aspect: most publications so far have mainly emphasised the magic and mythological aspects.
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Stevenson, Tom. "The ‘Problem’ With Nude Honorific Statuary and Portraits in Late Republican and Augustan Rome." Greece and Rome 45, no. 1 (April 1998): 45–69. http://dx.doi.org/10.1093/gr/45.1.45.
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In his seminal work, The Power of Images in the Age of Augustus, Paul Zanker wrote of a problem with nude honorific statuary in Late Republican Rome and of ‘conflict and contradiction’ in the style of Roman portraits during the same period. The ‘problem’ was a matter of nudity and style; it also had a moral dimension. Under political or social pressure, there was a tendency at Rome to express the effects of cultural change in moral terms: viz., literary works concerned with political or social attitudes of the Romans tended to describe elements like luxuria and adulatio(‘luxury’ and ‘sycophancy’) as ‘Greek and decadent in contrast to good, honest, ‘Roman’ values and traditions, such as virtus (‘courage’), fides (‘good faith’), and pietas (‘devotion’). Taking his cue from such attacks on aspects of the hellenization of Rome, Zanker gave a moral dimension to the ‘conflict and contradiction’ he discerned in the style of Roman honorific statues and portraits of the second and first centuries B.C. This idea that art can express moral values, even moral conflict, is of great interest and fundamental significance. The present paper focuses upon the way Zanker applies it to Late Republican statues and portraits in the light of recent scholarship. In particular, it will be argued, firstly, that the form of the art does not really make sense if there was as much conflict with Greek ideas and styles as generalizations from the literary sources might imply; secondly, that a nude or partially nude portrait statue of a living noble or emperor was not as problematic at Rome as is commonly believed; and thirdly, as a consequence, that Zanker's views about moral conflict in the style of Late Republican statues and portraits, and about the stylistic resolution of this ‘conflict’ under Augustus, should be substantially modified.
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Khomenko, Z. I. "THEORETICAL AND EMPIRICAL ASPECTS OF RESEARCH OF SOCIAL-PSYCHOLOGICAL PORTRAITS OF TEENAGERS OF ADOLESCENT CYBERBULING." Habitus, no. 14 (2020): 276–82. http://dx.doi.org/10.32843/2663-5208.2020.14.47.
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Mersmann, Birgit. "Migrant Portraiture and Life Imaging in Fazal Sheikh’s Photodocumentaries." Imaginations Journal of Cross-Cultural Image Studies/revue d études interculturelle de l image 13, no. 2 (October 30, 2022): 47–78. http://dx.doi.org/10.17742/image.tp.13.2.3.
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This article explores the role of migrant photo portraiture for life imaging by providing a close reading of two photobooks by contemporary photographer Fazal Sheikh – *A Sense of Common Ground* (1996) and *The Victor Weeps. Afghanistan* (1998). Visual storytelling is a core feature of this social and humanitarian photographer’s work, through which two main questions are addressed: how are real-life migration experiences as survival stories and personal biographies inscribed in the portraits of refugees and migrants? Which form(at)s of portraits are chosen, and which practices of portrayal are employed for the purpose of documenting migrant lives? Based on Jean-Luc Nancy’s portrait theory and Giorgio Agamben’s notion of ‘bare life’, the author introduces a process-analytical category of the ‘migrant/refugee portrait’ in order to grasp the complex (de-)figuration processes connected with the sociopolitical issues of human displacement. In Sheikh’s long-term portrayal of migrant/refugee communities and his concept of relational portraiture, she recognizes an effective documentary photo practice for de-othering and demigrantizing the portrait of the migrant as a stereotypical representation of the ‘other’.
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Smith, R. R. R. "The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century." Journal of Roman Studies 87 (November 1997): 170–202. http://dx.doi.org/10.2307/301374.
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Ancient history, it could be said, is composed of long and broad bands of unchanging social and political culture, punctuated in the upper levels by periods of upheaval and re-orientation. Ancient art works document and make visible both aspects: numbing continuity and static production on the one hand and sudden shifts and sharp turns in representation on the other. This paper takes as an example one of those periods of highly-charged visual re-orientation, the early fourth century A.D., and is intended as an alternative to the discussion and explanation of ancient images in this period in terms of artistic and formal processes. It aims to set an unusual and fat-faced late antique portrait (Pl. I) in its proper context alongside the thin-faced portraits of a better known figure (Pl. XII), and looks at the wider implications of this for the interpretation of imperial portrait sculpture as a significant expression of political ideology. The leanfaced man is Constantine, the other it will be argued is Licinius.
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Ermawati, Pitri. "ORIENTASI FOTOGRAFI PENGUNJUNG ANJUNGAN WISATA DI KAWASAN MANGUNAN: KAJIAN FUNGSI FOTO POTRET DI MEDIA SOSIAL INSTAGRAM." spectā: Journal of Photography, Arts, and Media 2, no. 2 (April 24, 2019): 105–22. http://dx.doi.org/10.24821/specta.v2i2.2551.
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Abstrak Penelitian ini bermaksud menjelaskan orientasi fotografi pengunjung yang berfoto di anjungan wisata kawasan Mangunan dengan objek penelitian berupa foto potret di media sosial Instagram. Menerapkan metode penelitian deskriptif-kualitatif, analisis kritis dilakukan dalam pembacaan foto-foto potret menggunakan telaah fungsi foto potret Soeprapto Soedjono, serta telaah aspek teknis-fisik fotografi potret yang dikemukakan oleh Famous Photographers School. Mengambil sampel berupa lima foto dari lima akun Instagram yang berlatar di lima anjungan wisata di kawasan Mangunan, hasil penelitian menunjukkan tiga fungsi foto potret yang diunggah oleh para pengunjung yang merupakan subjek foto sekaligus pemilik akun Instagram; yaitu fungsi personal, sosial, dan komersial. Dalam upaya mewujudkan foto potret yang sesuai dengan fungsi-fungsi tersebut, pengunjung tampak memperhitungkan aspek teknis-fisik fotografi potret berupa pencahayaan, pose, dan background. Adapun poperti, kurang mendapatkan perhatian dikarenakan tidak semua anjungan menyediakannya. Kata kunci: fotografi, anjungan, foto potret, Instagram AbstractVisitors’ Photography Orientation of Scenery Stages in Mangunan Tourism Area: Study of The Functions of Portrait Photos in Social Media Instagram. This research explains the photography orientation of visitors who taking photograph of theirselves (portrait) on the scenary stages (selfie spots) in Mangunan tourism area, by studying their portraits in social media Instagram. This research allows the descriptive-qualitative method. It uses the study of the portrait functions explained by Soeprapto Soedjono to read and to analise the portrait photos. It also studies the physical-technical aspect in portrait photography explained by Famous Photographers School applied by the visitors. There are five portrait photo samples from five Instagram accounts which setting are on scenery stages in Mangunan tourism area. This research conclusion shows three functions of the portrait photos uploaded by the visitors, either as the Instagram account owners and the subjects (sitters) of those photos: personal function, social function, and commercial function. In order to make her/ his portrait matches on the function desired, visitor seems to care about physical-technical aspects on portrait photography: lighting, pose, and background. Another element is property, which is the most ignorable element due to it’s rare availability on the spot. Keywords: photography, scenary stage, portrait photo, Instagram
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Xu, Nan, Jiancheng Luo, Tianjun Wu, Wen Dong, Wei Liu, and Nan Zhou. "Identification and Portrait of Urban Functional Zones Based on Multisource Heterogeneous Data and Ensemble Learning." Remote Sensing 13, no. 3 (January 21, 2021): 373. http://dx.doi.org/10.3390/rs13030373.
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Urban functional zones are important space carriers for urban economic and social function. The accurate and rapid identification of urban functional zones is of great significance to urban planning and resource allocation. However, the factors considered in the existing functional zone identification methods are not comprehensive enough, and the recognition of functional zones stops at their categories. This paper proposes a framework that combines multisource heterogeneous data to identify the categories of functional zones and draw the portraits of functional zones. The framework comprehensively describes the features of functional zones from four aspects: building-level metrics, landscape metrics, semantic metrics, and human activity metrics, and uses a combination of ensemble learning and active learning to balance the identification accuracy of functional zones and the labeling cost during large-scale generalization. Furthermore, sentiment analysis, word cloud analysis, and land cover proportion maps are added to the portraits of typical functional zones to make the image of functional zones vivid. The experiment carried out within the Fifth Ring Road, Haidian District, Beijing, shows that the overall accuracy of the method reached 82.37% and the portraits of the four typical functional zones are clear. The method in this paper has good repeatability and generalization, which is helpful to carry out quantitative and objective research on urban functional zones.
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Rachmawati, Dina. "Self-concept of EFL preservice teachers as reflected in their teaching performance." Indonesian Journal of Applied Linguistics 12, no. 1 (May 31, 2022): 40–55. http://dx.doi.org/10.17509/ijal.v12i1.46533.
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A number of studies discussing the significant role of self-concept in the educational field are evident. However, research investigating the self-concept of English as a Foreign Language (EFL) preservice teachers and how the self-concept is reflected in the teaching performance is limited. Thus, this study was aimed at investigating the portrait of the self-concept of English preservice teachers in the Indonesian context and how the self-concept is reflected in their teaching performance. A qualitative research paradigm, especially an explanatory case study design was employed to figure them out. The study found that first, diverse portraits of self-concept i.e. highly positive, moderate, and low or negative self-concept were captured in the participants’ academic self-concept (pedagogic and professional self-concept) with the inclination of higher portrayal in the non-academic sub-aspects of self-concept (social and emotional self-concept). Second, the congruent and incongruent reflection of self-concept were identified. The findings imply that academic aspects of self-concept (pedagogic and professional competence) seem to be contributing factors to the participants’ negative self-perception of their self-concept. Moreover, reflexivity, internal and external frames of reference, and emotion regulation strategies seem to be contributing factors to the construction of the participants’ self-concept. This study concludes that the construction of the participants’ self-concept dynamic during the practicum and its manifestation in the teaching performance is affected by internal and external factors.
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Arifin, Win Listyaningrum. "A Discourse Analysis on “Under the Same Sun” from Scorpions." Journal of Pragmatics Research 1, no. 1 (April 26, 2019): 78–88. http://dx.doi.org/10.18326/jopr.v1i1.78-88.
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The song "Under the Same Sun" firstly released in 1993 is a song written by famous rock group music namely Scorpions. This group is coming from Hannover, Germany. Though renowned phenomenally as a music group with loud genre but this song is a ballad one because it really tells the story of real-life people in the war zone while citizens of the world just show a little caring concern. The song portraits a common view on the hopelessness of victimized people in war zone who need for sympathy and empathy. Otherwise, they get no positive response from other people who live in comfort. This paper is a library research with a descriptive qualitative approach to investigate the discourse analysis of a song lyric. The approach is then used to analyze the data from the song lyrics. The discourse aims at finding the discourse on its grammatical aspect, lexical aspects, situational aspect, and contextual aspect. The study’s discourse analysis on the song lyrics reveals several features. From the grammatical aspect of this song revealed the references in the form of pronoun and demonstrative, ellipsis and conjunction. While in the lexical aspects, it found only two components, namely reps and collocation. The contextual analysis showed the cultural context and the context of the situation. Meanwhile, the situational context itself is divided into physical context, epistemic context and social context.Keywords: Grammatical Aspect, Lexical Aspect, Contextual Aspect
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Semenova, Elena. "The Literary Genre of a “Diary of Anorexia”: Aspects of Artistic Semiotics and the Practice of Thanatology." southern semiotic review 2021 i, no. 14 (July 14, 2021): 18–36. http://dx.doi.org/10.33234/ssr.14.2.
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The paper continues the author's research series in the field of women's eating disorders. The focus of this work is on cases of anorexia nervosa, provoked by the desire of the individual to identify himself with the ideal body image, in which the thanatological intention is clearly traced. The destructive impact of an ideal aesthetic image on a person with these features of artistic perception is considered on the example of biographical fiction portraits, stories, novels of teenage girls and young womens suffering from anorexia nervosa or bulimia nervosa. The author examines the manifesto of anorexia “I don't want to have a doll — I want to be a doll” in the framework of a social semiotic concept. The author sees this phenomenon as interdisciplinary problem that lies on the border of art, psychopathology and thanatology philosophy. The methodological basis of the research is the art semiotic concepts, notion “celebrity anorexia” by E. Burke, the theory of performance by E. Fischer-Lichte, the consept “an aesthetic object” of M.M. Bakhtin.
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Sokolova, Svetlana. "Spot the Miner." Poljarnyj vestnik 25, no. 1 (June 27, 2022): 86–107. http://dx.doi.org/10.7557/6.6581.
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Coal mining is an industry that is associated with hard physical labor and harsh mental conditions. Modern artistic projects involving portraits of miners evolve as artists' responses to political and economic changes in the mining industry, which is currently in decline, and place a major focus on miner communities, rather than individual miners. This article presents an overview of relevant selected artistic projects, and supplements them with a small mini-gallery sketched by the author. The mini-gallery viewers have been invited to test their perception of miners based on a series of charcoal portraits representing men and women dressed in mining workwear and everyday clothes. Who in this mini-gallery is a miner, what serves as the basis for the respondents' guesswork, and, overall, how different is today’s perception of miners from those of the past centuries? Three main factors are outlined as potentially relevant for identifying miners: mining workwear, gender, and facial expression. The readers can compare their intuitive reactions with the results from an online experiment, which was presented in Norwegian, Russian, and English and collected 136 responses. Although the presence of mining workwear and male gender still carry a strong association with miners, the results reveal certain differences across Norway, Russia, and the United States. The article is interdisciplinary and combines aspects of art history, social studies and psychology with an artistic project.
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Wulandari, Arti, and Zulisih Maryani. "FOTOGRAFI POTRET WANITA PENAMBANG PASIR DFOTOGRAFI POTRET WANITA PENAMBANG PASIR DI LERENG SELATAN GUNUNG MERAPI, DAERAH ISTIMEWA YOGYAKARTA." REKAM: Jurnal Fotografi, Televisi, dan Animasi 13, no. 1 (September 14, 2017): 53. http://dx.doi.org/10.24821/rekam.v13i1.1578.
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Ketegaran dan kesabaran yang luar biasa, sebagai sesama wanita, dari para wanita penambang pasir di Lereng Selatan Gunung Merapi, Daerah Istimewa Yogyakarta menjadi inspirasi bagi penulis untuk diungkapkan dalam karya fotografi dengan bentuk potret hitam putih karena potret bisa mewakili keadaan sebenarnya dari objek. Penciptaan ini bertujuan mengungkapkan kehidupan wanita penambang pasir di Lereng Selatan Gunung Merapi, Daerah Istimewa Yogyakarta dalam fotografi potret hitam putih dikaitkan dengan aspek teknis kreatif dan fungsi nilai sosialnya.Proses perwujudan mencakup tahap-tahap penciptaan dan media yang digunakan untuk mewujudkan karya seni fotografi potret yang tentunya membutuhkan bahan, alat, dan teknik. Prosedur pelaksanaan meliputi persiapan, pemotretan, proses editing, penentuan lay out, dan pencetakan hasil akhir. Karya penciptaan ini menampilkan karya-karya yang merupakan serangkaian fotografi potret wanita penambang pasir di Lereng Selatan Gunung Merapi, Daerah Istimewa Yogyakarta. Melalui foto-foto yang ditampilkan diharapkan dapat memberikan sudut pandang bagi masyarakat dalam mengapresiasi sosok wanita penambang pasir, melalui ketegaran dan kesabarannya yang luar biasa. Keunggulan karya ini adalah menampilkan foto potret wanita penambang pasir dengan hitam putih sehingga tampak lebih dramatis. Obstinacy and remarkable patience, as a fellow woman, from the women sand miners in South Slope of Mount Merapi, Yogyakarta became the inspiration for the author to be expressed in the form of photographic works with black and white portrait because a portrait can represent the actual state of the object. The aim of this creation reveals a woman's life sand miners in South Slope of Mount Merapi, Yogyakarta in black and white portrait photography associated with the creative and technical aspects of the function of social value. The embodiment process includes the stages of creation and media that are used to create works of art portrait photography that will require materials, equipment, and techniques. Implementation procedures covering the preparation, shooting, editing, determination lay out, and print the final results. This creative work featuring the works is a series of photographic portraits of women sand miners in South Slope of Mount Merapi, Yogyakarta. Through the photographs displayed are expected to provide viewpoints for society to appreciate the female figure sand miners, through fortitude and patience were outstanding. The advantages of this work is to show a portrait photo woman sand miners with black and white so that it looks more dramatic.
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Rueda, Jon. "Socrates in the fMRI Scanner: The Neurofoundations of Morality and the Challenge to Ethics." Cambridge Quarterly of Healthcare Ethics 30, no. 4 (October 2021): 604–12. http://dx.doi.org/10.1017/s0963180121000074.
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AbstractThe neuroscience of ethics is allegedly having a double impact. First, it is transforming the view of human morality through the discovery of the neurobiological underpinnings that influence moral behavior. Second, some neuroscientific findings are radically challenging traditional views on normative ethics. Both claims have some truth but are also overstated. In this article, the author shows that they can be understood together, although with different caveats, under the label of “neurofoundationalism.” Whereas the neuroscientific picture of human morality is undoubtedly valuable if we avoid neuroessentialistic portraits, the empirical disruption of normative ethics seems less plausible. The neuroscience of morality, however, is providing relevant evidence that any empirically informed ethical theory needs to critically consider. Although neuroethics is not going to bridge the is–ought divide, it may establish certain facts that require us to rethink the way we achieve our ethical aspirations.
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El Bakkali, Abdelaaziz, and Tayeb Ghourdou. "The Western Framing of the Female Captive: A Hermeneutic Study of Captivity in Morocco." European Journal of Language and Culture Studies 1, no. 5 (September 7, 2022): 17–22. http://dx.doi.org/10.24018/ejlang.2022.1.5.21.
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The study of the Western consumption of the female captive remains central to the circulation of cultural and social constructions in the mainstream visual and literary texts. Due to the massive upsurge of such constructs, the hermeneutic study of the existing images about captivity in the East has stipulated new perspectives into the production of these substantial messages that determine genuine challenges to the preexisting canonical view of cultural representations. As many scholars have advanced critics about the female images in many narratives, Western cinema has shown significant portraits of the female which draws an orientalist design of a discursive discourse, introducing extreme exoticness of both pleasures and destruction. With the promise to deconstruct the captive portraits of the female identity, this paper discusses the circulation of such images, explaining why they exist, offering some solutions, as well as offering an analysis of their possible impact on the public. Given the damaging misperceptions that exist as a result of their circulation and consumption, this paper fills a much-needed research gap by asking the following research questions. How does the circulation of these images reproduce issues of femininity and captivity? How do visuals reinvent the literary tradition to depict the female captive in the orientalist discourse? By answering these questions, the paper attempts to examine the issue of representation by adopting a cultural studies approach, relying specifically on qualitative content analysis to reveal alternative possibilities of some of the Western perceptions. The rationale behind this approach lies in the fact that cultural studies bash to study all aspects of cultures without canonizing some artifacts at the expense of others.
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Cottier-Fábián, Elisabeth. "Résonances littéraires franco-hongroises, 1920–1980." Hungarian Studies 34, no. 2 (July 6, 2021): 295–300. http://dx.doi.org/10.1556/044.2020.00017.
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RésuméL’ouvrage d’Anna TÜSKÉS s’appuie sur des recherches menées depuis déjà plus de dix ans (2008–2019) qui s’intéressent, de façon tout à fait originale, à certains aspects personnels, « privés », des relations littéraires entre la France et la Hongrie tout au long du siècle dernier. Ayant su mettre à profit des ressources non encore publiées du Musée littéraire Petőfi (Petőfi Irodalmi Múzeum), l’auteur réunit ici, en un dense ouvrage (383 pages), sept études distinctes au sujet d’écrivains ou traducteurs (ou encore spécialistes en arts plastiques) qui ont contribué à construire et renforcer les liens littéraires entre les deux pays, en dépit des vicissitudes historiques et politiques ayant, pendant presque un siècle, souvent menacé de les affaiblir. Les portraits individuels sont rassemblés autour d’une idée centrale, bien mise en valeur par l’auteur : le désir constant de dialogue éprouvé par des femmes et des hommes de Hongrie et de France, s’exprimant au travers d’écrits littéraires ou de correspondances, de poèmes lyriques ou cocasses, de photographies partagées… Ce livre à la très riche documentation donne à voir un tableau qui met en jeu non des « théories » littéraires, mais des sujets agissants et passionnés.
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BASSINTSA BOUESSO, Aetius. "fiction romanesque comme réceptacle d'anthroponymes chargés de sens chez Alain Mabanckou." Anales de Filología Francesa 28, no. 1 (October 21, 2020): 291–306. http://dx.doi.org/10.6018/analesff.425591.
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Una novela constituye un universo en toda regla, producto de la imaginaciόn de un escritor. En el corazόn de este universo se mueven personajes representando a seres humanos segùn las modalidades de la ficciόn. Los atributos que permiten reconstruir sus retratos se prestan a diversas interpretaciones. Estas no solamente implican consideraciones estéticas (porque el escritor es “antes de nadaˮ un artista), sino también sociolόgicas y antropolόgicas, debido a que la literatura no puede ser disociada de las realidades proprias de la vida social y comunitaria. De hecho, el nombre siendo la referencia identitaria que especifica al individuo a priori, que y le distingue de sus semejantes, es interesante ver hasta qué punto es rico en implicaciones y “nos hablaˮ en las novelas de Alain Mabanckou. En efecto; los nombres de sus personajes definen totalmente a los seres que los llevan. Sugieren aspectos de su personalidad o incluso influyen en sus destinos. Y con razόn, comprender el sentido de sus significados aporta una luz nada despreciable a los relatos del escritor congolés. A novel constitutes a fully-fledged universe a product of a writer’s imagination. The characters representing some beings move to the core of this universe according to the modes of the fiction. The attributes that permit to reconstitute their portraits are suitable to various interpretations. These not only imply aesthetic considerations ( because the writer is first of all an artist ) , but also sociological and anthropological, insofar the literature would not be dissociated of the realities of the social and communal life. In fact, the name being the identical reference that first specifies the individual and distinguishes him/her of his/her fellow creatures, it is permissible to see to what point it is rich of implications and “talking” in the novels of Alain Mabanckou. Indeed ; the names of his characters define the people who carry them in the absolute. They suggest aspects oh their personality or influence their destiny. And for reason, to seize the senses of which they are invested brings non negligible lightings on the narrations that the congolese writer provides us with.
Un roman constitue un univers à part entière, produit de l’imagination d’un écrivain. Au cœur de cet univers se meuvent des personnages représentant des êtres humains selon les modalités de la fiction. Les attributs qui permettent de reconstituer leurs portraits se prêtent à divers interprétations. Celles-ci impliquent non seulement des considérations esthétiques (parce que l’écrivain est avant tout un artiste), mais aussi sociologiques et anthropologiques, dans la mesure où la littérature ne saurait être dissociée des réalités propres à la vie sociale et communautaire. De fait, le nom étant la référence identitaire qui spécifie l’individu de prime abord et le distingue de ses semblables, il est intéressant de voir à quel point il est riche d’implications et « parlant » dans les roman d’Alain Mabanckou. En effet ; les noms de ses personnages définissent les êtres qui les portent dans l’absolu. Ils suggèrent des aspects de leur personnalité ou encore influencent leurs destinées. Et pour cause, saisir les sens dont ils sont investis apporte des éclairages non négligeables sur les récits que nous livre l’écrivain Congolais.
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Norwood, Janice. "Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane." New Theatre Quarterly 33, no. 1 (January 10, 2017): 3–21. http://dx.doi.org/10.1017/s0266464x16000592.
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Lucia Elizabeth Vestris (1797–1856) and Sara Lane (1822–99) were two pioneering women in nineteenth-century theatre history. Both were accomplished singers who made their names initially in comic and breeches roles and, during periods when theatrical management was almost exclusively confined to men, both ran successful theatre companies in London. Despite these parallels in their professional activities, there are substantial disparities in the scrutiny to which their personal lives were subjected and in how their contemporaries and posterity have memorialized them. In this article, Janice Norwood examines a range of portraits and cartoons of the two women, revealing how the images created and reflected the women's public identities, as well as recording changes in aesthetic practice and social attitudes. She argues that the women's iconology was fundamentally shaped by the contemporary discourse of gender difference. Janice Norwood is Senior Lecturer in English Literature, Drama, and Theatre Studies at the University of Hertfordshire. She has published on various aspects of nineteenth-century theatre history and edited a volume on Vestris for the Lives of Shakespearian Actors series (London: Pickering and Chatto, 2011).
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Nowak-Kluczyński, Konrad. "Od znaku „Polski Walczącej” po hasło „FaceBóg” – rola polskiego graffiti w latach 1942–2011." Biuletyn Historii Wychowania, no. 27 (January 1, 2019): 127–40. http://dx.doi.org/10.14746/bhw.2011.27.9.
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Against the general opinion the history of graffiti goes back to the beginnings of civilization. There are numerous examples of graffiti, for instance the inscriptions hollowed with a chisel found on the ancient household artifacts or on the walls. The inscriptions had an informative function but they were also magical. The phenomenon of spray art was widespread in the 1960s and the beginning of the Polish taggers subculture was in the 1980s, although one can find street art during the Second World War. But it is usually neglected or disregarded in the Polish literature. The Anchor – the sign of “Fighting Poland”, was placed on pavements, walls, notice boards or train stops of the occupied country. It was the sign of the fight for freedom and independence. As the years passed, the Polish reality was changing and the role of graffiti also changed. Now, it expresses itself in slogans, appeals, messages, drawings, portraits or murals. The aim of the work is to show the role of the Polish graffiti between 1942 and 2011. The author analyses graffiti in a number of aspects and throughout many years. The author identifies Polish spray art with teenage rebellion, sense of humor, political engagement, commentary or the negation of reality. Moreover, the article focuses on social, psychological or urban aspects of the examined phenomenon and identifies it with widespread modern hip-hop culture.
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Alekseev, Оleksii. "Rural memoirs of Southern Ukraine of the 20th century : prosopographic approach." Universum Historiae et Archeologiae 4, no. 1 (December 25, 2021): 147. http://dx.doi.org/10.15421/26210402.
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The aim : to consider the application of prosopographic approaches in the study of biographies of authors of peasant memoirs in order to identify common features that laid the conditions for the emergence of memoir practices among the peasants of the Southern Ukraine in the 20th century; to analyze the potential of prosopography for researching general processes. The article considers the application of the prosopographic method to the study of biographies of authors of peasant memoirs in order to identify common features that created conditions for the emergence of memoir practices among the peasants of southern Ukraine in the twentieth century. Modern historical science suggests that individuals having their own little life stories are present behind all processes and events. New directions and principles of historical research are becoming increasingly important. The prosopographic method is one of them. Under prosopography we understand the scientific method of studying individual biographies of authors of historical sources in order to create a “collective biography” of a certain social group on their basis. Methods: analytical, historical, comparative, system-structural. The article author uses methods of specific scientific activity, empirical research and general logic. Practical meaning: recommended for use by scholars for historical research; provides opportunities for the use of this issue in theoretical and methodological and source studies. Originality: research, in particular on the choice of research source base and methodology of its analysis. Scientific novelty: creation of a collective portrait of a peasant author of a memoir source. Conclusions: on the basis of the analysis with the involvement of prosopographic research methods we have the opportunity to create a conditional collective portrait of a peasant of the Southern Ukraine of the twentieth century, the author of the memoir. When creating a “biography” of a peasant author, the following features are distinguished: common social origin, primary education, teaching and educational skills, psychological characteristics, propensity for creative activity, external influences. The materials collected by the researchers from the Zaporizhzhia branch of the NASU Institute of Ukrainian Archaeography and Source Studies named after M. S. Hrushevsky and the History Faculty of the Zaporizhzhia National University and published as a part of collections titled “Sources on the History of the Southern Ukraine”, “Antiquities of the Southern Ukraine” and “Ascension Antiquities”, are used as sources in the analysis. The purpose of the current investigation is to identify the causes and conditions that prompted particular peasants of the Southern Ukraine to create their own historical narrative – memoirs. Another goal is to create a “collective portrait” of an average author using prosopographic methods. The article investigates through the analysis of biographies the background of peasant authors, which singled them out from the general mass of peasants. It also highlights an “average author” as a “historical figure” and analyzes his attribution to a particular era, place, social group and culture. The use of prosopographic methods in the study of biographies of Southern Ukrainian peasants, who distinguished themselves by creating their own memoirs, allows to determine those aspects of the era and the position of the little man who chose to create their own historical excursions contrary to general trends and understanding the risks of totalitarian system. The creation of prosopographical (collective biographies) portraits of peasant authors is a very important component of the reproduction of general processes that created the conditions for the emergence of peasant narrative sources. The author tries to highlight the modern era in all its aspects through the prism of individual biographies and works of peasant authors. Type of article: scientific and theoretical.
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Kamal, Ashryani Sitinur M., and Hayatul Cholsy. "Leksikon dalamTradisi Sib Mimnyen (Cacing Laut/Nyale) di Kabupaten Halmahera Tengah." Deskripsi Bahasa 4, no. 1 (March 31, 2021): 1–12. http://dx.doi.org/10.22146/db.v4i1.4108.
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This research was conducted to explore lexicon naming used in sib mimnyen tradition and the relationship with social values, community beliefs, and social activities. Data were collected using documentation techniques obtained from portraits of daily life and interviews with local communities. The research sample was randomly selected using random sampling technique. The results of this study found that the naming of nyale (marine worms) is influenced by several aspects such as language relation (Patani language in North Maluku - Thai Pattani language in Thailand), and the way of proccessing the worm, cognates vocabulary spesifically the sounds, and marine worm habitat. Furthermore, there were also non-language factors that supported determinism of sib mimnyen tradition consist of geographical location and social activities.
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Penelitian ini dilakukan dengan tujuan untuk menelisik penamaan leksikon yang digunakan dalam tradisi sib mimnyen dan hubungannya dengan nilai-nilai sosial, kepercayaan masyarakat, dan aktifitas sosial. Data dikumpulkan dengan menggunakan teknik dokumentasi yang diperoleh dari potret kehidupan sehari-hari dan wawancara terhadap masyarakat setempat. Sampel penelitian ini dipilih secara acak menggunakan teknik pengambilan sampel purposif. Hasil penelitian ini ditemukan penamaan nyale (cacing laut) dipengaruhi oleh beberapa aspek seperti hubungan kata antarbahasa (bahasa Patani Maluku Utara – bahasa Pattani Thailand), antarproses pengolahan, antarbunyi kosakata yang serupa (cognates vocabulary), dan habitat cacing laut. Selain itu, ditemukan juga faktor non bahasa yang menopang detrminasi budaya dalam tradisi sib mimnyen diantaranya letak geografis dan aktivitas sosial masyarakat.
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Rumbaut, Ruben G. "The Crucible Within: Ethnic Identity, Self-Esteem, and Segmented Assimilation among Children of Immigrants." International Migration Review 28, no. 4 (December 1994): 748–94. http://dx.doi.org/10.1177/019791839402800407.
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Focusing on the formation of ethnic self-identities during adolescence, this article examines the psychosocial adaptation of children of immigrants from Asia, Latin America and the Caribbean. The data are drawn from a survey carried out in the San Diego and Miami metropolitan areas of over 5,000 children of immigrants attending the eighth and ninth grades in local schools. The sample is evenly split by gender and nativity (half are U.S. born, half foreign born). The results show major differences in their patterns of ethnic self-identification, both between and within groups from diverse national origins. Instead of a uniform assimilative path, we found segmented paths to identity formation. Detailed social portraits are sketched for each ethnic identity type. Multivariate analyses then explore the determinants of assimilative and dissimilative ethnic self-identities and of other aspects of psychosocial adaptation such as self-esteem, depressive affect, and parent-child conflict, controlling for gender, socioeconomic status, and national origin. The theoretical and practical implications of these results –especially the effects of acculturation, discrimination, location and ethnic density of schools, parental socialization and family context, upon the psychosocial adaptation of children of recent immigrants to the United States – are discussed.
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Heryansyah, Despan, and Muhammad Hidayatullah. "THE PROBLEMS OF LAW ENFORCEMENT AND IDEAS OF PROPHETIC PARADIGM IN INDONESIA." Jambe Law Journal 1, no. 1 (July 9, 2018): 91–114. http://dx.doi.org/10.22437/home.v1i1.2.
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Law enforcement portraits in Indonesia have not provided encouraging results. The reforms of 1998 in all aspects of the state including law have not always proceeded as planned. The fact that law continues to be legalistic-positivist is a major problem of law enforcement in Indonesia that never succeeded. Therefore, the reconstruction of such thinking model must first be done. As the law is not an independent entity separate from its association with other entities, however, the law is part of the life of society that can not be released away from social entities, politics and so on. The idea of prophetic law is the right solution for the improvement of the Indonesian legal system. The prophetic paradigm is a set of theories that not only describe and transform social phenomena, nor simply change a thing for change, but more than that, it is expected to lead to change on the basis of ethical and prophetic ideals. Where in the basis of the conception of humanization, liberation, and transdensi as stated in the letter of Ali Imron: 110. The prophetic paradigm differs greatly from the positivist paradigm. The transcendence base, humanization orientation and liberation embedded in law enforcement will encourage its existence to always be total in making legal findings (ijtihad al hukmi) objective to be applied to a case. By making the paradigm of prefetics law as the base of law enforcement value in Indonesia, it is expected that law can really give a sense of justice to society which so far only limited to wishful thinking
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Heryansyah, Despan, and Muhammad Hidayatullah. "THE PROBLEMS OF LAW ENFORCEMENT AND IDEAS OF PROPHETIC PARADIGM IN INDONESIA." Jambe Law Journal 1, no. 1 (July 9, 2018): 91–114. http://dx.doi.org/10.22437/jlj.1.1.91-114.
Full textAbstract:
Law enforcement portraits in Indonesia have not provided encouraging results. The reforms of 1998 in all aspects of the state including law have not always proceeded as planned. The fact that law continues to be legalistic-positivist is a major problem of law enforcement in Indonesia that never succeeded. Therefore, the reconstruction of such thinking model must first be done. As the law is not an independent entity separate from its association with other entities, however, the law is part of the life of society that can not be released away from social entities, politics and so on. The idea of prophetic law is the right solution for the improvement of the Indonesian legal system. The prophetic paradigm is a set of theories that not only describe and transform social phenomena, nor simply change a thing for change, but more than that, it is expected to lead to change on the basis of ethical and prophetic ideals. Where in the basis of the conception of humanization, liberation, and transdensi as stated in the letter of Ali Imron: 110. The prophetic paradigm differs greatly from the positivist paradigm. The transcendence base, humanization orientation and liberation embedded in law enforcement will encourage its existence to always be total in making legal findings (ijtihad al hukmi) objective to be applied to a case. By making the paradigm of prefetics law as the base of law enforcement value in Indonesia, it is expected that law can really give a sense of justice to society which so far only limited to wishful thinking
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Danyliuk, I. V., I. V. Kozytska, and S. O. Shykovets. "The cultural syndrome "individualism-collectivism" and its psychological peculiarities including well-being of regional communities' representatives in Ukraine." Fundamental and applied researches in practice of leading scientific schools 30, no. 6 (December 31, 2018): 55–61. http://dx.doi.org/10.33531/farplss.2018.6.08.
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The study of the psychological components of the cultural stratum of Ukrainian mentality in general and of its regional peculiarities is quite important today, taking into account the peculiarities of social processes in the Ukrainian state and the transformation of the modern Ukrainians' consciousness. Particular attention is drawn to the cultural syndromes due to the great applicational value of a detailed study of their features among the representatives of the country's regional communities. It allows to distinguish the key features for depicting the psychological portraits of personalities of the regional communities' representatives.
The results of the study help to systematize knowledge in the quantitative measurements of the cultural syndrome "individualism-collectivism" and to fill the gaps in ethnometric researches in Ukraine. It broadens the understanding of the structure and temporal dynamics of this cultural syndrome, its dependence on such factors as the age, the gender and the religiosity of personality. A practical application of the obtained results may include their use in psychological and pedagogical work, in business and cultural contacts, in interethnic communication, etc.
In general, the results of the study are the basis for expanding the study of the psychological characteristics of the political consciousness of Ukrainians, which we intend to carry out in the future. This study will help to create a strategy for changing the worldview and behavioral patterns of Ukrainian society in order to allow effective counteraction to attempts of manipulations with human rights and personal freedom of people on the basis of their weakness (ignorance of modern features of important aspects of social existence and limited worldview).
Also, the results can be used to help to create, to disseminate and to develop effectively regional projects of non-governmental organizations, international social, psychological and political projects, local self-government bodies, local and regional communities, regional initiatives, etc.
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Cassoli, Marileide Lázara. ""Trata-se de uma rapariga de cor...": honestidade, moral e serviço doméstico feminino. Belo Horizonte, 1897-1920." Revista de História e Historiografia da Educação 1 (July 11, 2017): 170. http://dx.doi.org/10.5380/rhhe.v1i0.52211.
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Os diálogos entre a História da Educação e a História Cultural possibilitam desvelar aspectos diversos das práticas educacionais fora da escola e da escolarização, revitalizando, dessa forma, as abordagens em História da Educação. A partir dessa perspectiva, buscamos compreender as interfaces existentes entre as dinâmicas sociais, culturais, políticas e “educacionais”, que marcaram as vivências das mulheres afrodescendentes, que se dedicaram aos serviços domésticos, em Belo Horizonte, Minas Gerais, entre os anos de 1897 a 1920, no âmbito do processo de formação do mercado de trabalho livre no Brasil. As histórias das mulheres afrodescendentes permitem “esboçar” múltiplos retratos das liberdades por elas construídas naquele contexto. Contudo, para aquelas que se dedicaram ao serviço doméstico no pós-abolição, a conduta moral e o controle sobre o corpo feminino possibilitaram traçar um “fio condutor” em comum para as suas distintas histórias de vida e de trabalhadoras.“A girl of color…”: honesty, morality, and female domestic service. Belo Horizonte, 1897-1920. The dialogues that exist between the History of Education and Cultural History reveal various aspects of educational practices outside of school and schooling, thus revitalizing our approaches to the History of Education. Based on this perspective, we sought to understand the existing interfaces between the social, cultural, political, and "educational" dynamics that marked the experiences of Afro-descendant women who dedicated themselves to domestic services in Belo Horizonte, Minas Gerais, from 1897 to 1920, as part of the process of forming the free labor market in Brazil. The histories of Afro-descendant women allow us to "sketch" multiple portraits of the freedoms that they created within this context. However, for those who dedicated themselves to domestic services in the post-slavery era, moral conduct and control of the female body enabled us to trace a common thread running through the different histories of their lives and work. Keywords: Work; Education; Gender.
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Yarosh, O. V. "M.P. Mussorgsky’s Vocal Compositions in the Genre of Musical Portrait." Art & Culture Studies, no. 3 (August 2022): 220–45. http://dx.doi.org/10.51678/2226-0072-2022-3-220-245.
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One of the amazing facets of M.P. Mussorgsky’s creative talent was his ability to capture vivid images of specific people: those of contemporaries surrounding him in everyday life and those associated with recreating historical figures and characters from other eras. The article considers the peculiarities of the implementation of the musical portrait genre in the composer’s music. The relevance of the topic is due to the fact that this aspect in the study of M.P. Mussorgsky’s chamber-vocal music has not attracted the attention of scholars yet. The first part of the article reveals the specifics of the musical portrait genre based on both musicological works and works in the field of literature and fine arts. The main features in this genre are the following: human image; emphasis on the visible; authenticity; spatial and temporal limitations; generalization of the whole through a part, national and social principles. The revealed statements form the methodological basis for considering various options for the implementation of the musical portrait genre in the composer’s chamber-vocal works, which is the purpose of this study. The article shows that the main role in revealing the inner world of M.P. Mussorgsky’s characters is played by speech intonation, which predetermined the composer’s appeal to such genres as monologue, implied dialogue, internal dialogue, and prayer. The second part of the article considers the peculiarities of the implementation of these genres on the example of the composer’s specific works. Special attention is paid to children’s portraits. The study results in the conclusion that M.P. Mussorgsky, possessing the talent of a genius psychologist, managed to capture in his chamber and vocal music the stunningly accurate and profound portraits of his contemporaries, belonging to different classes. The portraits of children occupy a special place among his works. He succeeded in penetrating into their psychology by means of the artistic embodiment of vocal intonation based on Russian oral speech and folk songs. All his portraits are characterized by their amazing vitality and truthfulness, emphasizing the uniqueness of the composer’s talent.
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Kasyanova, Olena. "Architectonics of the "Dance of The Seven Veils "From Richard Strauss's Opera "Salome" Through the Prism of Historical Reconstruction." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(52-53) (December 14, 2021): 160–80. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251819.
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The phenomenon of the popularity of R. Strauss's opera "Salome" is explained through the prism of a new paradigm of performing arts, which is due to the rethinking of works of the modern era in the context of postmodern aesthetics. A comprehensive intersectional integrated analysis of musicological, iconographic, culturological, theological, social, psychological and physiological components of the work has been carried out. The methodology of key aspects of the research is determined: features of musical drama — genre-stylistic; content of ancient entertainments —historical and stylistic reconstruction; creation of psychological portraits of characters — system analysis; the concept of dance in opera is an interpretive method. The libretto of the opera is compared with O. Wilde's drama highlighting differences in the image of the main character: in the drama — two "Salome lines", in the libretto — three with the addition of "Dance of the Seven Veils" as an important scene in the conflict, personifying the story of the tragic love of a young princess. The peculiarities of the musical drama of the dance scene in the opera are studied, two opposing points of view on its role and place in the score of the work, the thoughts of the composer R. Strauss on this subject are outlined. The nature of dance entertainment at the courts of ancient rulers, the specifics of the performance of dances "Almeh" and "Ghawazi", which could serve as a prototype of the "Dance of the Seven Veils" performed by princess Salome is described in the article. The stylistics of the "Almeh" dances included a demonstration of highly artistic eroticism, and the "Ghawazi" dances a Bacchic seduction. In the dance scene, it is possible to combine these opposite patterns in the context to solve the musical drama of the work. The psychological and physiological features of Salome's age are analyzed, her characteristic features are explained, which could elucidate the logic of the young princess's actions. Psychological portraits of Salome, Jochanaan, Herodes and Herodias have been made, which directly or indirectly influence the specifics of the interpretation of the dance scene. The key aspects of the architectonics of the specified scene, the content of its parts, the correspondence of the nature of the dance performance to their content are determined, which determines the scientific novelty of the research. The results of the research are compared with modern incarnations of the dance scene in the opera, their partial correspondence is revealed in four out of five parts of dance drama, except for the development of the action. In the latter, there is a loss of tempo due to the mismatch between the gradual growth and decline of the musical drama of the dance scene with its choreographic embodiment. The necessity of using the concept of different branches of knowledge to establish a holistic picture of events in this scene is proved. Prospects for research of the chosen issues through the prism of the latest achievements in the field of musical theater, the attraction of modern interpretations to neo-syncretism are predicted.
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Ryazanov, Sergey M. "Social Characteristics of the Ural Policemen in the 1st Half of the 19th Century (According to the Service Records of Officers in the Perm Province for 1845)." Vestnik NSU. Series: History and Philology 20, no. 1 (2021): 104–14. http://dx.doi.org/10.25205/1818-7919-2021-20-1-104-114.
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Up until now Russian and foreign researchers have been studying various aspects of servicemen for more than a century and a half. However, the problem of pre-reform police bureaucracy in the Ural has stayed out of the focus of academic discussion. Therefore, the author chose this subject for the research project. The study is based on the database compiled by the author from service records of 164 police officers of the Perm province for 1845 preserved in the State Archives of the Perm region. For a more objective approach to the social and service characteristics of police officers, the author sequentially built three collective portraits using the information from database: the chief of police, an executive officer, and a clerical officer. Although representatives of the nobility predominated among the police officers of local governments (zemstvo), mayors and police chiefs usually did not possess estates or serfs. Officials of a lower rank came, predominantly, from clerks, chief officers, and clergy children. Service practices also differed: police officers, mayors and police chiefs of local governments usually belonged to army officers incapable of further military service. Executive officials often began their career, albeit not in the police, but still in the civil service. An analysis of the demographic characteristics of the bureaucratic staff showes that the average age of police chiefs was 47 years, the rest of the executive ranks – about 39 years old, clerical officials – 27 years. According to the “Table of Ranks”, the executive ranks more rapid and successful career growth. At the same time, every third bailiff and quarterly overseer had a criminal record. And every fifth clerical official had negative attestation. This allows the conclusion about the low level of professionalism of the class police officers during the reign of Nicholas I. Against the background of an ever-growing range of law enforcement and administrative tasks of the police, the situation on the ground was problematic. Ultimately, this was one of the reasons for the reorganization of the police in 1862.
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Zhigarenko, Igor. "Gender-role features of professionalism in the work of socio-individual professionals." Теоретичні і прикладні проблеми психології, no. 3(50)T3 (2019): 75–84. http://dx.doi.org/10.33216/2219-2654-2019-50-3-3-75-84.
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The article provides an analysis of various aspects of professional activity and professional growth of specialists in the socio-economic sector, in particular civil servants, and ways to improve it. The main directions of the study of professionalism in public administration are defined. The characteristics and professionalism of the civil servants' professionalism are highlighted. At the same time, attention was paid to the study of gender differences within the framework of philosophy, psychology, pedagogy, sociology, public administration, both in our country and abroad. An analysis of studies on gender issues in the professionalism of civil servants was carried out, which showed that the main attention is paid to: studies of differences in the profile of professional interests of men and women; the study of the effectiveness of leadership by men and women; research on gender aspects of career development; identifying differences in professional motivation; the study of professional self-determination, professional adaptation; comparison of business and personal qualities of men and women, etc. It is emphasized that the main general psychological requirements for the professional activity of civil servants are: social competence; emotional and psychological culture, which in turn require qualities such as the ability to integrate emotional evaluations and intuitive ideas in decision-making; the degree of psychological and emotional stability; ability to establish effective interaction; ability to understand the interests of both their own and those of colleagues and subordinates; ability to work in a team; ability to manage oneself, understanding of personal values and goals, ability to influence the environment, to manage, to teach; ingenuity, creativity, pursuit of professional and personal growth and more. It is shown that on the basis of interdisciplinary base of knowledge about professionalism a scientific vision is formed concerning: social and psychological bases of formation of professionalism, its dynamics in the context of professional life cycle and career and professional development of professional, acmeological bases of professionalism; various characteristics of professionalism of employees ("portraits", morphological descriptions, models of subjects as a management activity in general, and special types of activity in public administration); professionalism as an object of assessment in the context of personnel management; components of professionalism (knowledge, skills, skills), which are formed in the course of professional training of employees, etc. Therefore, it is important to determine how the gender characteristics of civil servants affect the professional development, as the above-mentioned requirements for professional activity require both feminine and masculine manifestations of personality.
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Sarancha, Iryna, Borys Maksymchuk, Galyna Gordiichuk, Tetiana Berbets, Vitalii Berbets, Liudmyla Chepurna, Volodymyr Golub, et al. "Neuroscientific Principles in Labour Adaptation of People with Musculoskeletal Disorders." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 12, no. 4 (December 20, 2021): 206–23. http://dx.doi.org/10.18662/brain/12.4/245.
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The article proves that the socialization of adults and children with musculoskeletal disorders (MSDs) is closely related to development, education, rehabilitation and includes the following neuropsychological aspects: social adaptation, labour adaptation, assessment of prospects for one’s adult life and creation of a non-discriminatory environment in society. Besides, the article shows how the photography club implements such goals, as well as evaluates the effectiveness of its activities. The educational aim of the photography club was to familiarize persons with MSDs with the basic types of working with digital photography and basic computer programmes that enable processing of digital information; to develop their knowledge about the photography and design business, computer skills and independent work skills. The experimental group (EG) consists of 40 leavers (18 males and 22 females) from the Vinnytsia Centre for Social Rehabilitation of Children with Special Needs “Promin”, who were diagnosed with cerebral palsy and six leavers with mild mental disorders. The age requirement for EG is 14-19 years old. The control group (CG) consists of 40 persons diagnosed with CP and seven persons with mild mental disorders (23 males and 17 females). The respondents managed to study different types of shooting: portraits, landscapes, group and individual photography. The photography club used different methods: verbal methods (mini-lectures, stories, explanations, conversations); practical methods (computer exercises, independent work, role-playing games), as well as paid considerable attention to the psychological correction of persons with MSDs. Unfortunately, most options of the respondents for employment are rather passive. Therefore, it is necessary to prepare persons with MSDs for competition in the labour market through psychological training and counselling. It is also crucial to promptly inform them about the dynamics of the labour market. The international relevance of the article lies in an attempt to adjust available electronic and software technologies to labour adaptation of people with MSDs and consider neurophysiological patterns of such a process.
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Jara, Daniela. "El Diario de Francisca: Representaciones infantiles sobre la violencia política en la vida cotidiana durante los 70 / Francisca’s private diary: Childhood representations of political violence in everyday life during the 70s." Castalia - Revista de Psicología de la Academia, no. 29 (January 10, 2018): 16–26. http://dx.doi.org/10.25074/07198051.5.683.
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En este artículo se propone una lectura del Diario de Francisca, un registro autobiográfico escrito en plenos días de la Unidad Popular y el golpe de Estado por una niña de 11 años, miembro de una familia urbana de clase media alta. Luego de situar brevemente al diario íntimo o de vida como una práctica cultural propia de la modernidad, se analiza la manera en que el texto ilumina las operaciones a través de las cuales la niña va habitando el mundo, entramadas en dinámicas socio-afectivas mediadas, interrumpidas o potenciadas por la clase. Se sugiere que las representaciones infantiles articuladas en la escritura del diario íntimo muestran diversos aspectos de la producción y transmisión de la memoria de la violencia política, y de la relación con los contextos de su producción. El Diario describe una escena de la violencia política en que ésta, lejos de producirse de manera intempestiva, ya estaba instalada en las formas de la vida cotidiana de la Unidad Popular (UP). Así, la voz de la niña nos permite ver cómo la violencia política está en parte instalada y cómo va instalándose en la sociedad civil durante la UP, ya no sólo entre víctimas y perpetradores, sino también entre los niños, quienes participan de ésta, la negocian y recrean o reproducen. Palabras claves: diario íntimo, violencia política, representaciones infantiles AbstractThis article focuses on Francisca's Diary, an autobiographical record written during the Unidad Popular (UP) period, more specifically in 1973. Francisca, an 11 year old girl, member of an urban middle-class family, witnesses the military coup and produces an intimate account of the events. After briefly situating the personal diary as a cultural practice typical of modernity, I will reflect on the way in which the text illuminates the operations through which the girl inhabits the world, embedded in socio-affective dynamics, interrupted or enhanced by social class. I suggest that Francisca’s Diary sheds light on various aspects of the production and transmission of the memory of political violence, the role of children representations and their relationship with the contexts in which they are produced. Also, I suggest that the Diary portraits a scene in which political violence was already embodied in the everyday life during the UP, no longer as a monopoly of victim and perpetrator agents. Rather I draw attention to the way in which the child negotiates, reproduces, represents and resists violence.Keywords: private diary, political violence, childhood representations
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Bandyopadhyay, Arup Ratan, Denis V. Pezhemsky, Yurii A. Alexeev, Elena A. Vagner-Sapukhina, A. Kh Chirkova, Liliya R. Zaripova, Tatiana E. Klyuchikova, Natalya A. Leybova, Diptendu Chatterjee, and Rajesh Chatterjee. "North-East Indian Anthropological Research 2019 (preliminary results)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 2 (July 14, 2022): 49–61. http://dx.doi.org/10.32521/2074-8132.2022.2.049-061.
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Introduction. Russian-Indian Anthropological expedition was organized in 2019 by Paleoethnology Research Center (Russia), Timiryazev State Museum of Biology (Russia) and Department of Anthropology University of Calcutta (India). The goal was to examine the peoples of Tripura state, North-East India. Data and methods. About 350 individuals from eight different locations next to Agartala were examined. Currently there are 19 tribes in Tripura, Tripuri being one of them. The most common Tripuri’s surname is Debbarma. During the research 254 Debbarmas were examined, among them 106 individuals were children and teenagers (58 male and 48 female), and 148 individuals were older than 17 years (76 male and 72 female). The Russian-Indian Anthropological expedition research consisted of a complex study of Tripuri including morphology of body, head and face, dermatoglyphics, and dental anthropology. Social questionnaire and anthropological photo were also obligatory. All data was hold according to bioethics and the Privacy law. For further examination the data was depersonificated. Results. During the survey, basic information about the individual, including tribal affiliation, was clarified. An extended questionnaire made it possible to study many aspects of social relationships and build a population-genetic network. According to somatometric characteristics, tripuri males from the Debbarma family have an average body length (162.1 cm), relatively broad shoulders and an average pelvic width. A cephalometric study of 19 features was carried out. The studied group can be characterized as brachycephalic, leptoprosopic according to the morphological facial index and mesorrhine according to the nasal index. The zygomatic diameter is large, and the mandibular diameter is above average (on the Indian scale of variability). A detailed fixation of cephaloscopic features in children and adults was carried out, which made it possible to describe tripuri as representatives of a large Asian-American branch (race) of humanity. According to the odontological program, 293 people were examined, 221 of which were tripuri. Anthropological photo-fixation was carried out, and based on these materials the first composite tripuri portraits were compiled, published in this article. Conclusion. In the second season of the Russian-Indian anthropological expedition, data were collected on one of the insufficiently studied peoples of Northeast India – the Tripuri tribe. The group was investigated according to the maximum number of anthropological methods available in the field. For the first time, somatometric, cephalometric and cephaloscopic materials have been obtained and preliminary presented.
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Shurupova, K. V., and K. V. Shustrova. "PSYCHOLOGICAL ASPECT OF LOWER CLASS SOCIAL PORTRAIT IN UKRAINE." Habitus, no. 29 (2021): 168–72. http://dx.doi.org/10.32843/2663-5208.2021.29.28.
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Bugay, Nikolay F. "Review of the book: Gavrilov S.V. Representative authority of Kamchatka (1917–1977)(1977–1993)." Historical and social-educational ideas 13, no. 2 (April 29, 2021): 293–304. http://dx.doi.org/10.17748/2075-9908-2021-13-2-293-304.
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In the proposed review of scientific research, set out in 2 books, in a chronological framework: 1917–1977. and 1977–1993, the analysis of social technologies associated with the forms of organization of councils as state authorities, its political basis in the USSR / Russia, their capabilities, which had transformations during the periods of their formation and development, as well as other types – executive committees, revolutionary committees (revolutionary committees). The process of the emergence of the system of these authorities on the territory of the Kamchatka province / region is considered. The attitude of the researcher to the study of aspects of the topic is shown. His knowledge of both the essence of the existing assessments of their role, and the contribution to the development of the system itself. The content of directions for improving the management and regulation of social processes is analyzed. Attention is drawn to the direction of solutions to the problems of strengthening statehood, achieving effective activity of structural units, from lower to higher authorities. The author identified about 2000 portraits of political and public figures, representatives of this system in the Kamchatka region, disclosed the forms and methods of their work in different areas of management, development of the community of peoples on the territory of the multinational region. Materials and methods. In the writing of a review, the appeal to such methods as historical-genetic, historical-comparative, historical-typological, which allows, in aggregate, to trace the differences of the process, events that reflect the essence of the phenomenon that characterize the interaction, prevails. Along with this, a comparison of the processes of development of society and the management system at different stages of the period under study in 1917–1977, the military situation on the eve of the war, the war period of 1941–1945, post-war reconstruction, 1977–1993, the degree of generalization by the author of the material presented, revealing by him the essence of the transformations that took place. It is also obvious that there was every reason for attracting the prosopographic method of research, which allows not only to fully cognize the person (who represents power), but also to show the background of events. As for the materials directly, http://www.hist-edu.ru Историческая и социально-образовательная мысль. Toм 13 №2, 2021 Historical and Social-Educational Idea. Volume 13 #2, 2021 295 the researcher evaluates those that are used by him in the narrative – "living sources" (archival documents, press, memoirs) Due to the lack of analysis of the historiography of the problem under study, it is possible to present not only an assessment of the work done by the author. They mention, with rare exceptions, for example, the works of the famous writer of the Kamchatka Territory A.A. Smyshlyaev, as well as a collection of documents. The author identifies in the course of his work a large corps of workers' deputies employed in the past or in modern conditions in the work of government bodies (since 1917), of whom about 2 thousand people are mentioned.
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Kroll, L., E. Mikhailova, and E. Serdiouk. "Taking Turns Before the Mirror I: Theory and Setting." Group Analysis 28, no. 3 (September 1995): 281–89. http://dx.doi.org/10.1177/0533316495283004.
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This article deals with one aspect of mirroring in the group therapeutic context. A group member sitting before a mirror describes in detail his or her face as if creating a self-portrait; the group may give support, share feelings, ask questions, produce associations and so on. Many aspects of this technique are relevant to the Group-analytic tradition though the procedure also has something in common with psychodrama and gestalt. At the same time the process obviously deals with altered states of mind, being closely related to the magical and ritualistic function of a mirror in a cultural tradition.
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Pratiwi, Ratri, Ainurizan Ridho Rahmatulloh, Rahimatussalisa Rahimatussalisa, and Maryama Nihayah. "Portrait of mental health literacy in schools: Knowledge exploration of counseling teachers." KONSELI : Jurnal Bimbingan dan Konseling (E-Journal) 9, no. 1 (May 31, 2022): 15–26. http://dx.doi.org/10.24042/kons.v9i1.10638.
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Mental health has an important implication for every teenager's life aspect, such as an ability to take action in education, friendship, family relation, and how they will go through their next life journey. School is an ideal place to help teenagers develop their mental health conditions, and the teacher is an essential factor as the service provider. This study aims to explore the mental health knowledge of counseling teachers to help students achieve a well-being condition. The research design and analysis techniques were a qualitative survey by distributing open questionnaires online to counseling teachers in junior and senior high school. The result of the research showed that the knowledge of participants about mental health in the school was less comprehensive. Most of the responses explained the emotional aspect (35%), whereas other aspects of knowledge (cognitive, habits, self-control, and social) are lower. Besides, knowledge about mental health in the school showed 26% of participant responses related to knowledge from the health aspect, whereas knowledge from being and loving aspect was lower. Another finding of this research was that most (57%) cases often handled by the participant are teenage naughtiness cases such as bullying, smoking, and stealing. Recommendations from this research are we need psychoeducation training and mental health for counseling teachers in the school.
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Felder, Pamela. "The Philosophical Approach of Sankofa: Perspectives on Historically Marginalized Doctoral Students in the United States and South Africa." International Journal of Doctoral Studies 14 (2019): 783–801. http://dx.doi.org/10.28945/4463.
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Aim/Purpose: This work contributes to the expansion of dialogue on doctoral education research in the United States, South Africa, and within the context of higher education internationalization. There is an emphasis on identifying and reinterpreting the doctoral process where racial and cultural aspects have been marginalized by way of institutional and systemic exclusion. An underlying premise is to support representation of marginalized doctoral student experiences to raise questions about participation and contributions within the dialogue on doctoral education research and practice. Background: Decades of reporting provide evidence of statistical portraits on degree at-tainment. Yet, some large-scale reporting does not include representation of historically marginalized doctoral students until the 1970s in the United States, and the 2000s for South Africa. With the growth of internationalization in higher education, examination of the impact of marginalization serves to support representation of diversity-focused discussions in the development of regional international education organizations, multilateral networks, and cross-collaborative teaching and research projects. Methodology: The philosophical approach for this conceptual paper embraces the Sankofa tradition as a process of going back to previous trends in literature on doctoral degree completion to identify opportunities for interrogation and reinterpretation of the doctoral experience. A dimensional framework of diversity and critical race theory, CRT, guides interpretation of racial and cultural perspectives focused on exclusion, structural diversity, and the psychological/behavioral experiences related to doctoral degree completion in the United States and South Africa. A purposeful sampling strategy is used to identify of literature sources where these dimensions are identified. Contribution: A major contribution of this work is the use of a dimensional diversity framework in doctoral education in both the US and South Africa. Findings: Interpretation of previous studies reveal critical insight for understanding the racial and cultural aspects of the doctoral process through comparison of perspectives on the historically marginalized doctoral experience in the United States and South Africa. They include consideration of the social developments leading to the current predicament of marginalization for students, awareness of the different reporting strategies of data, implementation of cultural philosophies to broaden the focus on how to understand student experiences, and an understanding of the differences in student-faculty relationships. Recommendations for Practitioners: Recommendations for practitioners highlight the application of cultural approaches in the development and implementation of practical strategies for supporting historically marginalized doctoral students. Recommendations for Researchers: Recommendations for researchers consider the application of cultural ap-proaches in the development of scholarship supporting historically marginal-ized doctoral students within a global context. Impact on Society: Intended outcomes for this work include increasing awareness about historically marginalized doctoral students. Recommendations are focused on improving their academic and career experiences in the United States and South Africa with global implications regarding their contributions. Future Research: Future research should consider the application of cultural philosophical ap-proaches when examining the historically marginalized doctoral experience within global, national, and local contexts.
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Becker, Carlo. "“Every New Land Demands Blood”: ‘Nature’ and the Justification of Frontier Violence in Hell on Wheels." aspeers: emerging voices in american studies 10 (2017): 21–37. http://dx.doi.org/10.54465/aspeers.10-04.
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This paper demonstrates how AMC’s TV show Hell on Wheels portrays the ideological force of nature to justify violence in frontier mythology. After a short look into the historical and ongoing relevance of frontier mythology in US culture, I will argue for its ideological reliance on nature. The following chapter will provide a theoretical background on social Darwinism, determinism, and scientism. I will then analyze how these relationships are examined in Hell on Wheels. First, as Thomas Durant’s social Darwinist monologue is paralleled with imagery that challenges the providential myth of Manifest Destiny, the show reveals that both ideologies equally replace human responsibility with a quasi-evolutionary rhetoric of inevitable progress. Second, the Swede’s deterministic notions of nature demonstrate the mythical power of the natural environment and evolutionary biology, which can easily assume Manifest Destiny’s divine authority as a justification for violence. Finally, the Swede’s and Reverend Cole’s discursive replacement of God with blood signifies a shift from religion to a redemptive scientism, in which science purports not only to explain but also to justify the violence of westward expansion. In these renditions, nature is variably utilized as the prime model for social behavior, as the ultimate victor over culture, and as the final authority whose imperatives are intelligible only through science.
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Yarmak, O. V., P. P. Deryugin, and V. E. Yarmak. "Social Portrait of a Modern Student." Discourse 5, no. 4 (October 29, 2019): 53–64. http://dx.doi.org/10.32603/2412-8562-2019-5-4-53-64.
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Introduction. Sociological studies of the social portrait of students are an urgent problem of science, which has recently acquired special significance in Russian conditions. This is due to those circumstances, which, on the one hand, follow from the special characteristics of students as a specific social group, for which the problems of successful socialization are especially relevant, and on the other, they are dictated by the significant dependence of students on those factors that are formed in the political, economic and the legal space of different regions. In conditions of social transformations and turbulence, almost always young students find themselves in a more difficult situation than older generations. In particular, a number of problems arise on the basis of the divergences and nuances of the social perception of reality, which are formed among students who, to varying degrees, are adapted to the local conditions of the university.Methodology and sources. The theoretical foundation of the study is the concept of youth as a cultural group, the methodology of sociological research of risk and social uncertainty, the works of foreign and national researchers of student youth, which reflect various aspects of students' social life, in particular, the results of a study of the effects of social factors in the information space, new phenomena of youth subcultures, etc., which involve the development of new strategies for a sociological study of the social portrait of young students.Results and discussion. Particular problems of students' socialization arise in those regions of the country where new legal and political realities are forming. Compared with other social groups, in such social spaces, it is more difficult for young people to integrate and join in a new reality, because the usual mechanisms of socialization, formed earlier, are not actual now, and how to achieve full potential in the new social space is not yet clear to everyone. In particular, such contradictions are clearly visible in the Crimean realities, in the university community of Sevastopol. The purpose of the sociological research conducted by the Centre for Sociological Research of Sevastopol State University was to study the characteristics of the social portrait of student youth in Sevastopol, including those representing various groups of students according the period of their residence on the peninsula. For this purpose, two groups of young people were distinguished in the analysis, differing by the period of their residence in Sevastopol: an “indigenous” one – those who live in Sevastopol from birth or moved here at an early age, and a “new” one – those who moved to Sevastopol after 2014. The results of the study made it possible to determine the strategic life goals of university students, which can be described as ambitious: starting a business, acquiring a car and housing, providing material wealth, pursuing career success and self-realization.Conclusion. Most of the “indigenous” youth and “new” residents of the southern capital of Russia have shown their attitude to Sevastopol as a city that they want to develop together. This fact was assessed as a phenomenon of social gratitude: the young generation, who found in Sevastopol the opportunity to live peacefully and fulfill itself, binds itself to the city, but wants to make it better. The study also confirms the relevance of highlighting among students social and demographic groups that differ in the perception of social reality, due to the time spent in this social environment. In particular, this is noted in a higher degree of readiness of “old-timers” for practical participation in changes in social reality – participation in public life, volunteering, etc.
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Caravaca Guerrero, Consuelo Isabel. "Problemática de estudio en el caso de los retratos de El- Fayum." Antigüedad y Cristianismo, no. 38 (December 23, 2021): 17–32. http://dx.doi.org/10.6018/ayc.471621.
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The mummification process of the ancient Egyptians has created great myths about this civilization but the process of creating the mummies was not immutable throughout the entire history of Egypt. Such is so, that before El-Fayum's portraits we find ourselves facing the best example in which three great civilisations converge, such as Egypt, Greece and Rome, in the same space-time framework. Nevertheless, this fact has meant a grievance as for its conservation, not having a clear answer about which researchers were better prepared to study them. Another one of the most outstanding peculiarities of these portraits, is the pictorial technique used, the great information it give us about the physical aspect of the mummy and even the social position they occupied, since until the appearance of these portraits, not everyone could afford a funeral in which its remains were mummified. El proceso de momificación de los antiguos egipcios ha creado grandes mitos acerca de esta civilización pero no durante toda la historia de Egipto el proceso de creación de las momias fue inmutable. Tal es así, que ante los retratos de El- Fayum nos encontramos frente al mejor ejemplo en el que convergen tres grandes civilizaciones, como son Egipto, Grecia y Roma, en un mismo marco espacio-temporal. Sin embargo, este hecho ha significado un agravio a la hora de su conservación, al no tener claro que investigadores estarían mejor preparados para estudiarlas. Otras de las peculiaridades más destacadas de estos retratos, son la técnica pictórica utilizada, la gran información que nos aportan sobre el aspecto físico de la momia e incluso la posición social a la que pertenecían ya que hasta la aparición de estos retratos, no todo el mundo podía permitirse un sepelio en el que sus restos fuesen momificados.
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Ikhsan, Afni Nurul, and Bambang Sumadyo. "Aspek Sosial dalam Novel “33 Senja Di Halmahera” Karya Andaru Intan." Diskursus: Jurnal Pendidikan Bahasa Indonesia 4, no. 3 (March 30, 2022): 279. http://dx.doi.org/10.30998/diskursus.v4i3.11069.
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<p><em>The aims of this research are 1) to describe the economy of the Halmahera community in Andaru Intan's 33 Senja di Halmahera novel, 2) to describe the social changes of the Halmahera community in Andaru Intan's 33 Senja di Halmahera novel, and 3) to describe the social values of the Halmahera community in Andaru Intan’s 33 Senja di Halmahera novel. The method used in this study is a qualitative method with a descriptive approach. The analysis was carried out by reading the novel 33 Senja di Halmahera and then analyzing the novel by noting every quote related to the social aspects of the Halmahera community. The results of the research in this study are 1) describing the economic situation in Halmahera which still requires assistance from various parties and the results of the community's main search, 2) describing the social changes that occurred after horizontal conflict, and 3) describing the social values of the Halmahera community in the form of ethics, social status, and religion. This novel can be clearly described about the economy, social change, and the social values of the Halmahera community.</em><em></em></p><p><strong><em>Keywords:</em></strong><em> portrait of life, social aspect, cultural aspect, novel 33 Senja di Halmahera</em></p>
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Toupin, Sophie, Christian Dessureault, and Emmanuelle Roy. "Recrutement, mobilité professionnelle et reproduction sociale des artisans de Saint-Denis-sur-Richelieu, 1740-1810." Scientia Canadensis 24 (June 29, 2009): 27–50. http://dx.doi.org/10.7202/800414ar.
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Résumé Jusqu’à ce jour, les travaux sur les artisans du Canada préindustriel ont permis de mieux saisir les principaux traits familiaux et sociaux de certains métiers. Toutefois, la majorité des auteurs se sont surtout intéressés aux artisans urbains. Cet article vise à mieux définir le portrait social des artisans ruraux de la région de Montréal au tournant du XIXe siècle. Nous cherchons plus spécifiquement à définir les modalités de recrutement et la cohésion sociale de l’ensemble des artisans d’une communauté rurale spécifique : Saint-Denis-sur-Richelieu. Nous définissons d’abord l’origine géographique et sociale des familles artisanales de cette paroisse. Puis, nous vérifions le degré de mobilité professionnelle de ces artisans à l’intérieur de leur cycle de vie. Nous abordons finalement les aspects de la mobilité ou de l’enracinement des artisans dans cette région sous l’angle de la reproduction familiale et sociale.
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N., Pats, Redkin D., and Pats O. "SOME ASPECTS OF MEDICAL AND SOCIAL PORTRAIT OF ADOLESCENTS AND YOUTH FROM SINGLE-PARENT FAMILIES." Health, physical culture and sports 17, no. 1 (2020): 33–42. http://dx.doi.org/10.14258/zosh(2020)1.3.
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Laryusheva, T. Mikhaylovna, A. N. Baranov, and T. B. Lebedeva. "EPIDEMIOLOGY OF ADOLESCENT PREGNANCY." Ekologiya cheloveka (Human Ecology) 21, no. 12 (December 15, 2014): 26–34. http://dx.doi.org/10.17816/humeco17177.
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The review has summarized the present knowledge reflecting urgency, incidence and causes of pregnancies among adolescents, their reproductive preferences and attitudes to contraceptive methods. A social portrait of adolescent pregnant girls has been shown. Statistical data have been given on choices of minors in pregnancy; adolescents’ attitude to abortions, social and psychological aspects contributing to abortions, as well as features of clinical course of pregnancy, delivery and perinatal outcomes in this age category.
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Layman, Chrisanty Victoria, Sasmoko, Mohammad Hamsal, and Lim Sanny. "A Portrait of Socially Responsible Hospitals in Indonesia." Sustainability 14, no. 6 (March 15, 2022): 3437. http://dx.doi.org/10.3390/su14063437.
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This study’s purpose is to measure social performance in hospitals in Indonesia, specifically focusing on the tendency for hospitals to act in the process of achieving various targets with a focus on social impacts on the community, stakeholders, and the environment. Although previous studies on hospital performance exist, few focus on the aspect of social responsibility. This study offers a way to measure the current social performance of hospitals using valued reference by hospital stakeholders. This study uses descriptive analysis and ANOVA for the indicators of social performance in the context of hospitals in Indonesia. Data used are from the Indonesian Commission on Accreditation of Hospital (ICAHO). This study uses data from 752 accredited hospitals in Indonesia. Results show that there were no significant differences in social performance between the different classes of hospitals. Social performance was found to be moderate on average for all classes: A, B, C, and D. However, across different accreditation levels of hospitals in Indonesia, social performance is scored as moderate with significant differences between the groups of accreditations. The implications of the results from this study provide a practical reference point measuring social performance for accredited hospitals in Indonesia.
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Stolyarov, Yu N. "Ekaterina Yuryevna Genieva’s mental portrait." Scientific and Technical Libraries, no. 2 (March 16, 2022): 139–46. http://dx.doi.org/10.33186/1027-3689-2022-2-139-146.
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The author expresses his positive attitude to the three-volume book by Yakov Shrayberg: “My friend Katia Genieva” (Moscow, 2021). The reviewer argues that by addressing to E. Yu. Genieva’s personality and activities, the author, in fact, portrays the historical experience of the recent forty years rich in social, political, economic and ideological developments. Ekaterina Yuryevna Genieva – late Director General of the All-Russia State Library for Foreign Literature named after M. I. Rudomino, a global personality, famous for her public, cultural, philanthropic, philological, library and library science initiatives. Her efforts coincided with Russia’s hinge period, and she found herself “in the right place at the right time”. The book conveys Genieva’s exceptionalism; her leadership, compassion and contribution to many aspects of life, are well-documented in the book. The book focuses on her many good points; while humanly downsides may make the theme of another book, if anyone volunteers – then we will get the objective profile of our outstanding contemporary.
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Averina, Kateryna, and Natalia Hlebova. "Value-Motivational Aspects Social Activity Development at the Higher Education Institution Specialists." Postmodern Openings 13, no. 1 Sup1 (March 14, 2022): 38–56. http://dx.doi.org/10.18662/po/13.1sup1/413.
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Using the latest educational technologies and active methods of social activity development in future specialists in the educational space under today’s conditions is significantly complicated by existing levels of the object and subject studies of various patterns. The authors studied a wide range of foreign and domestic interdisciplinary works and models which describe the implementation of research methodology of the individual socialization process to study the development of specialists’ social activity. Also, the authors defined the relevant patterns of students’ involving in socially significant activities due to the changes in value-motivational aspects at different stages of social activity development at the higher education institution. The structural and functional components are determined, and the research parameters specifying the changes of value-motivational factors of social activity development in future socionomy specialists are substantiated. The article provides empirical diagnostics of values among the students of socionomic professions within the sociological and pedagogical research of social activity with the participation of 610 students from four Ukrainian higher education institutions. The diagnostics was carried out by means of the shortened version of the “Portrait Questionnaire of Values - PVQ-Revised”. It has been found out that the development of social activity in future socionomy specialists is mainly related to changes in motivational aspects at different levels of generality and complexity; it includes such constructs as values, goals, behavior plans which require a qualitative analysis of social factors and identification of relevant patterns of students’ involvement in socially significant activities.
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Vaskiv, Mykola. "Journalistic publications features of columnist Viacheslav Medvid." Synopsis: Text Context Media 26, no. 4 (2020): 159–71. http://dx.doi.org/10.28925/2311-259x.2020.4.7.
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The subject of the inquiry is the peculiarity of Ukrainian literary columnistics. The main problem of the paper was to find out the reasons for the flourishing of Ukrainian columnistics at the intersection of fiction and journalism, to outline the main range of its themes, motives, images as exemplified by V. Medvid’s publications. Only ever some theoretical aspects of author’s columns in national magazines were the object of research of Ukrainian scholars, without a thorough analysis of particular journalistic works, so a detailed description of the writer’s columnist output has determined the scientific novelty of the paper. The objective of the paper is a comprehensive study of the individual uniqueness of the content in author’s columns by V. Medvid against the backdrop of the development of national columnistics and journalism in the 1990s and 2000s. For this purpose, a cultural-historical method was used to determine the reasons for writing and the context of specific publications of the columnist, their place and role in the work of the writer and in the intellectual life of Ukrainian society; a philological method was used for the analysis of texts of these publications and a comparative method was used to determine the commonalities and differences in the materials of the author’s columns by V. Medvid and other Ukrainian writers of this period. The results of the study are: 1) Among various definitions of the author’s column for Ukrainian columnistics, the most acceptable is its understanding as a rubric, which contains works of different genres, but in a specific column — works of one genre and one style, as evidenced by the output by V. Medvid. In the rubrics “Literary Pages” and “Librarian-review” V. Medvid finds himself as a literary critic, publishing reviews of anthologies of modern literature in the former and short literary portraits of contemporaries in the latter. Publications in the columns “From the Heights and Lowlands” and “Light and Shadow” are descriptive, essayistic. 2) V. Medvid’s columnistics emerges as a synthesis of public attention to key social, moral and ethical problems, an unbiased author’s worldview and a unique parable style of a writer-publicist. 3) It is stated that publications with clear, mostly simplified, conclusions, as well as clear accents in the division into positive and negative, are popular with readers of magazines, so V. Medvid’s columnistics was not very successful in general. His writing requires of the readers a high intellectual level, intended for a narrow elite audience. The application of the paper lies in the possibility of using its results in works on journalistic genre, the history of Ukrainian journalism and literature of the XX–XXI centuries, in the study of V. Medvid’s work.