Academic literature on the topic 'Portraits Social aspects'
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Journal articles on the topic "Portraits Social aspects"
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Sari, Reni Junita, Nurhafizah Nurhafizah, and Yaswinda Yaswinda. "Portraits of Children's Autonomy in PAUD Alam Minangkabau." International Journal of Emerging Issues in Early Childhood Education 1, no. 2 (March 25, 2020): 142–48. http://dx.doi.org/10.31098/ijeiece.v1i2.154.
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This article is motivated by the results of research on how children's autonomy in PAUD Alam Minangkabau. Autonomy is one aspect of human personality that cannot stand alone, this means that autonomy is related to other aspects of personality such as social aspects, emotional aspects, physical and psychological aspects. The purpose of this study is to describe how the autonomy of children in PAUD Alam Minangkabau. Data collection techniques used are the format of observation, interviews, and documentation. Observations focused on children and interviews were conducted with school principals and teachers on how to instill autonomy. From the results of this study, it is illustrated that almost all children have good autonomy where autonomy has been well developed through the collaboration of parents and teachers in the development of children's autonomy. With the existence of such cooperation the development of autonomy can be carried out maximally. Seen when the child can be left by parents at school and do various activities for him without having to be helped by teachers or other adult.DOI: https://doi.org/10.31098/ijeiece.v1i2.31
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Wang, Bin, Enhui Wang, Zikun Zhu, Yangyang Sun, Yaodong Tao, and Wei Wang. "An explainable sentiment prediction model based on the portraits of users sharing representative opinions in social sensors." International Journal of Distributed Sensor Networks 17, no. 10 (October 2021): 155014772110337. http://dx.doi.org/10.1177/15501477211033765.
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“Social sensors” refer to those who provide opinions through electronic communication channels such as social networks. There are two major issues in current models of sentiment analysis in social sensor networks. First, most existing models only analyzed the sentiment within the text but did not analyze the users, which led to the experimental results difficult to explain. Second, few studies extract the specific opinions of users. Only analyzing the emotional tendencies or aspect-level emotions of social users brings difficulties to the analysis of the opinion evolution in public emergencies. To resolve these issues, we propose an explainable sentiment prediction model based on the portraits of users sharing representative opinions in social sensors. Our model extracts the specific opinions of the user groups on the topics and fully considers the impacts of their diverse features on sentiment analysis. We conduct experiments on 51,853 tweets about the “COVID-19” collected from 1 May 2020 to 9 July 2020. We build users’ portraits from three aspects: attribute features, interest features, and emotional features. Six machine learning algorithms are used to predict emotional tendency based on users’ portraits. We analyze the influence of users’ features on the sentiment. The prediction accuracy of our model is 64.88%.
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Anisimov, Nikolai. "Magic Specialists in Udmurt Culture:Some Portraits." Journal of Ethnology and Folkloristics 16, no. 2 (December 1, 2022): 104–31. http://dx.doi.org/10.2478/jef-2022-0015.
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Abstract This article* is dedicated to special people whom their community marked as having secret knowledge and magic power, and who belong of the institution of the initiated. My main sources are my field materials, interviews with these magic specialists, gathered between 2010 and 2021. My fieldwork data reveal that some healers have magic abilities from childhood, while others received them when they give birth or after some particular event in their lives. Some of these people specialise in and heal only particular ailments (for example of children), while others cure a wide range of diseases and difficulties. Some have special buildings to receive their visitors. The communities of which these personalities are part have ambiguous feelings towards them, and thus they become marginalised. As examples, I present the characters and describe the activities of seven women healers. I attempt to analyse precise examples of magic and social interaction within the relationships between the community and the magic specialist, and to investigate the understanding of the world that these healers have. To date there has been no focus on the personal and subjective aspect of this question, as well as to the socially regulative aspect: most publications so far have mainly emphasised the magic and mythological aspects.
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Stevenson, Tom. "The ‘Problem’ With Nude Honorific Statuary and Portraits in Late Republican and Augustan Rome." Greece and Rome 45, no. 1 (April 1998): 45–69. http://dx.doi.org/10.1093/gr/45.1.45.
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In his seminal work, The Power of Images in the Age of Augustus, Paul Zanker wrote of a problem with nude honorific statuary in Late Republican Rome and of ‘conflict and contradiction’ in the style of Roman portraits during the same period. The ‘problem’ was a matter of nudity and style; it also had a moral dimension. Under political or social pressure, there was a tendency at Rome to express the effects of cultural change in moral terms: viz., literary works concerned with political or social attitudes of the Romans tended to describe elements like luxuria and adulatio(‘luxury’ and ‘sycophancy’) as ‘Greek and decadent in contrast to good, honest, ‘Roman’ values and traditions, such as virtus (‘courage’), fides (‘good faith’), and pietas (‘devotion’). Taking his cue from such attacks on aspects of the hellenization of Rome, Zanker gave a moral dimension to the ‘conflict and contradiction’ he discerned in the style of Roman honorific statues and portraits of the second and first centuries B.C. This idea that art can express moral values, even moral conflict, is of great interest and fundamental significance. The present paper focuses upon the way Zanker applies it to Late Republican statues and portraits in the light of recent scholarship. In particular, it will be argued, firstly, that the form of the art does not really make sense if there was as much conflict with Greek ideas and styles as generalizations from the literary sources might imply; secondly, that a nude or partially nude portrait statue of a living noble or emperor was not as problematic at Rome as is commonly believed; and thirdly, as a consequence, that Zanker's views about moral conflict in the style of Late Republican statues and portraits, and about the stylistic resolution of this ‘conflict’ under Augustus, should be substantially modified.
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Khomenko, Z. I. "THEORETICAL AND EMPIRICAL ASPECTS OF RESEARCH OF SOCIAL-PSYCHOLOGICAL PORTRAITS OF TEENAGERS OF ADOLESCENT CYBERBULING." Habitus, no. 14 (2020): 276–82. http://dx.doi.org/10.32843/2663-5208.2020.14.47.
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Mersmann, Birgit. "Migrant Portraiture and Life Imaging in Fazal Sheikh’s Photodocumentaries." Imaginations Journal of Cross-Cultural Image Studies/revue d études interculturelle de l image 13, no. 2 (October 30, 2022): 47–78. http://dx.doi.org/10.17742/image.tp.13.2.3.
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This article explores the role of migrant photo portraiture for life imaging by providing a close reading of two photobooks by contemporary photographer Fazal Sheikh – *A Sense of Common Ground* (1996) and *The Victor Weeps. Afghanistan* (1998). Visual storytelling is a core feature of this social and humanitarian photographer’s work, through which two main questions are addressed: how are real-life migration experiences as survival stories and personal biographies inscribed in the portraits of refugees and migrants? Which form(at)s of portraits are chosen, and which practices of portrayal are employed for the purpose of documenting migrant lives? Based on Jean-Luc Nancy’s portrait theory and Giorgio Agamben’s notion of ‘bare life’, the author introduces a process-analytical category of the ‘migrant/refugee portrait’ in order to grasp the complex (de-)figuration processes connected with the sociopolitical issues of human displacement. In Sheikh’s long-term portrayal of migrant/refugee communities and his concept of relational portraiture, she recognizes an effective documentary photo practice for de-othering and demigrantizing the portrait of the migrant as a stereotypical representation of the ‘other’.
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Smith, R. R. R. "The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century." Journal of Roman Studies 87 (November 1997): 170–202. http://dx.doi.org/10.2307/301374.
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Ancient history, it could be said, is composed of long and broad bands of unchanging social and political culture, punctuated in the upper levels by periods of upheaval and re-orientation. Ancient art works document and make visible both aspects: numbing continuity and static production on the one hand and sudden shifts and sharp turns in representation on the other. This paper takes as an example one of those periods of highly-charged visual re-orientation, the early fourth century A.D., and is intended as an alternative to the discussion and explanation of ancient images in this period in terms of artistic and formal processes. It aims to set an unusual and fat-faced late antique portrait (Pl. I) in its proper context alongside the thin-faced portraits of a better known figure (Pl. XII), and looks at the wider implications of this for the interpretation of imperial portrait sculpture as a significant expression of political ideology. The leanfaced man is Constantine, the other it will be argued is Licinius.
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Ermawati, Pitri. "ORIENTASI FOTOGRAFI PENGUNJUNG ANJUNGAN WISATA DI KAWASAN MANGUNAN: KAJIAN FUNGSI FOTO POTRET DI MEDIA SOSIAL INSTAGRAM." spectā: Journal of Photography, Arts, and Media 2, no. 2 (April 24, 2019): 105–22. http://dx.doi.org/10.24821/specta.v2i2.2551.
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Abstrak Penelitian ini bermaksud menjelaskan orientasi fotografi pengunjung yang berfoto di anjungan wisata kawasan Mangunan dengan objek penelitian berupa foto potret di media sosial Instagram. Menerapkan metode penelitian deskriptif-kualitatif, analisis kritis dilakukan dalam pembacaan foto-foto potret menggunakan telaah fungsi foto potret Soeprapto Soedjono, serta telaah aspek teknis-fisik fotografi potret yang dikemukakan oleh Famous Photographers School. Mengambil sampel berupa lima foto dari lima akun Instagram yang berlatar di lima anjungan wisata di kawasan Mangunan, hasil penelitian menunjukkan tiga fungsi foto potret yang diunggah oleh para pengunjung yang merupakan subjek foto sekaligus pemilik akun Instagram; yaitu fungsi personal, sosial, dan komersial. Dalam upaya mewujudkan foto potret yang sesuai dengan fungsi-fungsi tersebut, pengunjung tampak memperhitungkan aspek teknis-fisik fotografi potret berupa pencahayaan, pose, dan background. Adapun poperti, kurang mendapatkan perhatian dikarenakan tidak semua anjungan menyediakannya. Kata kunci: fotografi, anjungan, foto potret, Instagram AbstractVisitors’ Photography Orientation of Scenery Stages in Mangunan Tourism Area: Study of The Functions of Portrait Photos in Social Media Instagram. This research explains the photography orientation of visitors who taking photograph of theirselves (portrait) on the scenary stages (selfie spots) in Mangunan tourism area, by studying their portraits in social media Instagram. This research allows the descriptive-qualitative method. It uses the study of the portrait functions explained by Soeprapto Soedjono to read and to analise the portrait photos. It also studies the physical-technical aspect in portrait photography explained by Famous Photographers School applied by the visitors. There are five portrait photo samples from five Instagram accounts which setting are on scenery stages in Mangunan tourism area. This research conclusion shows three functions of the portrait photos uploaded by the visitors, either as the Instagram account owners and the subjects (sitters) of those photos: personal function, social function, and commercial function. In order to make her/ his portrait matches on the function desired, visitor seems to care about physical-technical aspects on portrait photography: lighting, pose, and background. Another element is property, which is the most ignorable element due to it’s rare availability on the spot. Keywords: photography, scenary stage, portrait photo, Instagram
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Xu, Nan, Jiancheng Luo, Tianjun Wu, Wen Dong, Wei Liu, and Nan Zhou. "Identification and Portrait of Urban Functional Zones Based on Multisource Heterogeneous Data and Ensemble Learning." Remote Sensing 13, no. 3 (January 21, 2021): 373. http://dx.doi.org/10.3390/rs13030373.
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Urban functional zones are important space carriers for urban economic and social function. The accurate and rapid identification of urban functional zones is of great significance to urban planning and resource allocation. However, the factors considered in the existing functional zone identification methods are not comprehensive enough, and the recognition of functional zones stops at their categories. This paper proposes a framework that combines multisource heterogeneous data to identify the categories of functional zones and draw the portraits of functional zones. The framework comprehensively describes the features of functional zones from four aspects: building-level metrics, landscape metrics, semantic metrics, and human activity metrics, and uses a combination of ensemble learning and active learning to balance the identification accuracy of functional zones and the labeling cost during large-scale generalization. Furthermore, sentiment analysis, word cloud analysis, and land cover proportion maps are added to the portraits of typical functional zones to make the image of functional zones vivid. The experiment carried out within the Fifth Ring Road, Haidian District, Beijing, shows that the overall accuracy of the method reached 82.37% and the portraits of the four typical functional zones are clear. The method in this paper has good repeatability and generalization, which is helpful to carry out quantitative and objective research on urban functional zones.
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Rachmawati, Dina. "Self-concept of EFL preservice teachers as reflected in their teaching performance." Indonesian Journal of Applied Linguistics 12, no. 1 (May 31, 2022): 40–55. http://dx.doi.org/10.17509/ijal.v12i1.46533.
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A number of studies discussing the significant role of self-concept in the educational field are evident. However, research investigating the self-concept of English as a Foreign Language (EFL) preservice teachers and how the self-concept is reflected in the teaching performance is limited. Thus, this study was aimed at investigating the portrait of the self-concept of English preservice teachers in the Indonesian context and how the self-concept is reflected in their teaching performance. A qualitative research paradigm, especially an explanatory case study design was employed to figure them out. The study found that first, diverse portraits of self-concept i.e. highly positive, moderate, and low or negative self-concept were captured in the participants’ academic self-concept (pedagogic and professional self-concept) with the inclination of higher portrayal in the non-academic sub-aspects of self-concept (social and emotional self-concept). Second, the congruent and incongruent reflection of self-concept were identified. The findings imply that academic aspects of self-concept (pedagogic and professional competence) seem to be contributing factors to the participants’ negative self-perception of their self-concept. Moreover, reflexivity, internal and external frames of reference, and emotion regulation strategies seem to be contributing factors to the construction of the participants’ self-concept. This study concludes that the construction of the participants’ self-concept dynamic during the practicum and its manifestation in the teaching performance is affected by internal and external factors.
Dissertations / Theses on the topic "Portraits Social aspects"
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Harrison, Helen E. "In the picture of health, portraits of health, disease and citizenship in Canada's public health advice literature, 1920-1960." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ63424.pdf.
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彭文慧 and M. W. Petti Pang. "The image of physics and physicists in modern drama: portraits and social implications." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
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Ataie, Jutta Elisabeth. ""Who Would Have Thought, With a Diagnosis Like This, I Would be Happy?": Portraits of Perceived Strengths and Resources in Early-Stage Dementia." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1107.
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This study used photovoice methodology to explore how people with early-stage dementia use their perceived strength and resources to cope with the illness. Purposive sampling was used to recruit participants. Thirteen women and seven men age 57 to 90 (mean 73.4) with MMSE scores ranging from 20 to 28 (mean 25.6) participated in the project. Participants were provided with a disposable camera and invited to take photographs relevant to their well-being. The photographs provided the means for participants to take the lead in dialogue sessions about their coping response.
Grounded theory analysis revealed that initially, early-stage dementia precipitated a disruption in well-being. For the participants in this study, learning to live with the illness was an ongoing, continually shifting process of adjustment, where the participants moved from a familiar sense of well-being to an alternative sense of well-being. In this process the participants used a variety of strengths and resources ranging from those that supported them in reconstructing identity, regaining control, and rebuilding relationships to those that assisted them in reestablishing a healthy lifestyle and restoring meaning and purpose. Striving toward well-being while acknowledging the inconceivable notion of losing one's cognitive abilities was the central strength that the participants brought to this process. It captured the paradox the participants faced in living with early-stage dementia, which was to relegate the illness to the background of their lives while managing its symptoms in the foreground.
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Boude, Yvan. "Les portraits officiels des présidents de la République en France : histoire et sociologie d’une mise en scène." Grenoble 2, 2005. http://www.theses.fr/2005GRE21010.
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Les portraits officiels des présidents de la République sont des mises en image du pouvoir investies par l’institution présidentielle d’une certaine efficacité symbolique. Ils sont des clichés médiateurs dont la dimension symbolique s’exprime dans une mise en scène particulière qui permet de figurer et de dramatiser le pouvoir, de lui offrir un corps visible et une identité apparente. L’effigie présidentielle s’affirme donc comme un exercice de perpétuation et de légitimation, comme une image révélée du pouvoir. Toutefois, loin de n’être qu’un simple cliché immortalisant son investiture ou pérennisant son apparence physique, le portrait du Président est destiné à être distribué puis affiché dans les principales administrations. Aussi, afin de définir ses usages propres, il s’agit de prolonger la lecture connotative de ces images par une approche socio-historique s’articulant autour d’un discours global portant aussi bien sur l’image que sur ses différents contextes — la « chaîne sensitive » d’une photographie. Cette lecture des liens existant entre l’image et le pouvoir s’intéresse alors aux dispositifs de production et aux mécanismes de vulgarisation mis en œuvre par l’institution pour provoquer la rencontre entre le citoyen et le portrait — mécanismes d’attribution, statut de l’image… Elle interroge ensuite les usages proprement administratifs du portrait officiel, c’est-à-dire les problèmes liés à l’acquisition de ces images particulières par leurs bénéficiaires institutionnels — circonstances d’acquisition et d’affichage du portrait… Elle questionne enfin les usages publics et les gestes populaires du portrait — appropriation partisane, détournement mémoriel…Official portraits of presidents of the French republic are symbolically efficient ways for the presidential institution to turn power into image. They are mediatory snapshots the symbolic dimension of which is expressed through a particular staging, a scenography which allows them to represent and dramatise power, to provide a visible body and an apparent identity. The presidential effigy therefore asserts itself as an exercise of perpetuation and legitimization, as a revealed image of power. However, far from being a mere snap immortalizing his investiture or perpetuating his physical appearance, the President’s portrait is meant to be distributed and posted in the mains administrations. Thus, in order to define the proper practices of this portrait, we will have to further analyse the connotative reading of these pictures thanks to a socio-historical approach which will be based on a global discourse focusing on both the picture itself and its various contexts, i. E. The “sensitive chain” of a photograph. This interpretation of the links connecting image and power will then be interested in production devices and popularization mechanisms implemented by the institution to trigger the encounter between the citizen and the portrait attribution processes, the status of the picture…It will then question the purely administrative customs of the official portrait, that is to say the problems connected to the acquisition of its specific images by their institutional beneficiaries, such as acquiring and showing the portrait. It will finally question the public traditions and popular gesturesof the presidential portrait - partisan appropriation or perversion of memory.
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Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.
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Loin de la dénonciation sociale ou d’un exercice strictement historique, le présent travail cherche à comprendre comment se construit l’image du personnage bourgeois à travers l’étude de portraits de la bourgeoisie mexicaine entre 1854 et 2008. Le concept de masque permet de rendre compte du portrait en tant que construction d’un modèle de représentation sociale. La première partie propose un aperçu général des origines et de l’évolution du portrait pictural, de son influence sur le portrait photographique, des conséquences des idées humanistes sur l’art, enfin de l’histoire de la bourgeoisie mexicaine et du portrait photographique bourgeois au Mexique. La deuxième partie s’intéresse au phénomène de la carte-de-visite en tant que source et modèle du portrait photographique de la bourgeoisie mexicaine, avant d’examiner la question de la figure : l’interprétation de la pose et du visage en tant qu’éléments constitutifs de la construction d’une identité sociale. La troisième partie étudie le fond, c'est-à-dire les différents espaces dans lesquels le personnage bourgeois se fait photographier, les objets qui l’entourent et son rapport à eux. Cette recherche s’appuie sur les contributions théoriques de philosophes, d’écrivains, d’historiens et de photographes tels qu’André Adolphe Eugène Disdéri, Joan Foncuberta, Geoffrey Batchen, Octavio Paz, Carlos Monsiváis, Celso Sánchez Capdequí, Pierre Francastel, Christian Phéline, E. H. Gombrich, Gilles Lipovetsky, Gillo Dorfles, Graham Clarke, Jacques Aumont, Jean Sagne, Jean-Luc Nancy, Michel Frizot, Philippe Dubois, John Berger, Hermann Broch, Umberto Eco, Roland Barthes, Tzvetan Todorov, Michel Foucault, Susan Sontag, Walter Benjamin. Parmi les photographes mexicains abordés dans cette étude, l’on citera les frères Valleto, Cruces et Campa, les Archives Casasola, Nacho López, Héctor García, Pedro Meyer, Daniela Rossell et Ivonne VenegasFar from social condemnation or a strictly historic review, this work seeks to understand the construction of the bourgeois personage through the study of Mexican bourgeoisie portraits between 1854 and 2008. The “mask” concept allows us to explain the portrait as the construction of a model of social representation. Part I offers an overview of the origin and evolution of the pictorial portrait and its influence on the photographic portrait, as well as the consequences of humanist ideas on art, the history of Mexican bourgeoisie and the bourgeois photographic portrait in Mexico. Part II analyses the carte-de-visite phenomenon as origin and model for the photographic portrait of the Mexican bourgeoisie, to later study the figure, the interpretation of posture, stance and facial expression as components of the construction of social identity. Part III studies depth: different spaces where the bourgeois character is photographed, the objects around him and his relation to them. Taken into account are the theoretical contributions of philosophers, writers, historians, and photographers, like André Adolphe Eugène Disdéri, Joan Foncuberta, Geoffrey Batchen, Octavio Paz, Carlos Monsiváis, Celso Sánchez Capdequí, Pierre Francastel, Christian Phéline, E. H. Gombrich, Gilles Lipovetsky, Gillo Dorfles, Graham Clarke, Jacques Aumont, Jean Sagne, Jean-Luc Nancy, Michel Frizot, Philippe Dubois, John Berger, Hermann Broch, Umberto Eco, Roland Barthes, Tzvetan Todorov, Michel Foucault, Susan Sontag, Walter Benjamin. Among the Mexican photographers studied are the Valleto brothers, Cruces y Campa, the Casasola Archive, Nacho López, Héctor García, Pedro Meyer, Daniela Rossell and Ivonne Venegas
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Solinas, Stéphanie. "Photographie et identité : images du corps surveillé." Paris 1, 2008. http://www.theses.fr/2008PA010709.
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Et si la photographie avait inventé l'identité ? Le corps, au moment de sa transformation en image, devient le lieu d'un affrontement entre le général et le particulier afin de définir l'identité. Il est interrogé, interprété, et remis en question, dans la perspective de ses rapports à l'Homme moyen. Mais l'individu, en cela même qu'il est un et irréductiblement différent de tous les autres, n'est jamais l'identité modèle que la société voudrait lui attribuer ou dont il se désirerait porteur. Ces « individus », dont l'identité est dissoute et irréductible dans le même temps, ces « singularités quelconques » sont la matière de mes travaux. J'interroge le rapport de forces qui se joue dans l'identité représentée, entre volonté de contrôle et libération de l'individu, entre clichés et singularités. Le portrait photographique révèle ses composantes politiques et artistiques indissociablement mêlées, au coeur d'une réflexion sur l'image et sur la société de surveillance qui l'élabore.
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Moris, Jean-François. "Portrait filmique d'un artisan-paysan des Vosges Saonoises." Paris 10, 1988. http://www.theses.fr/1988PA100070.
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Dans ce travail de recherche, nous nous sommes demande s'il était possible de réaliser le portrait filmique d'un artisan-paysan à partir de la description des activités auxquelles il se livre et de l'appréhension de l'environnement immédiat dans lequel il vit quotidiennement. Nous avons proposé d'appeler ce type de portrait qui présente un homme au travail et révèle divers aspects de son mode de vie, portrait indirect. En visionnant et en analysant les activités que nous avons filmées, nous avons repère les éléments constitutifs du portrait indirect et détermine les options de mise-en-scène qui permettent de concilier la mise en valeur du portrait indirect et la description suivie des activités matérielles. Enfin, nous avons dégagé les limites du portrait indirect en le comparant à d'autres formes de portraits filmiques.
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Bernier, Geneviève. "La bourgeoisie en portrait au Bas-Canada (1790-1830)." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/29172.pdf.
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Tremblay-Houde, Sandrine. "La fascination pour les tueurs de masse : portrait d'une communauté sous-culturelle centrée sur la tragédie de Columbine." Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66308.
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Les tueries de masse, de par leur caractère extraordinairement violent, provoquent l’indignation de la population. Pour des individus, ces évènements suscitent plutôt un sentiment de curiosité, lequel transite parfois vers l’admiration des auteurs de ces drames et à l’identification envers ceux-ci. Sur la toile, ces personnes se joignent pour former un groupe que l'on peut qualifier de « fandom ». Ce mémoire s’intéresse à ce phénomène qui,bien qu’il suscite la crainte chez la population, reste à ce jour peu exploré. Ainsi, l’étude vise à pousser l’exploration plus loin. Contrairement aux études précédentes, qui se sont davantage penchées sur les particularités individuelles, la recherche qui suit vise àcomprendre la façon le fandom centré sur les tueries de masse s’organise en communautés virtuelles. Pour y parvenir, la recherche a examiné, à l’aide de l’analyse thématique, les discussions tenues par les membres de la communauté r/Columbine, un site hébergé parla plateforme Reddit. Les discussions analysées ont pris place sur une période d’environ un an, la dernière publication ayant été publiée en janvier 2019. Les résultats suggèrent que, un peu à la façon des fandoms plus classiques, la communauté s’approprie, transforme etré interprète le narratif officiel pour créer son propre narratif à propos des tueurs. Ce narratif propre à la communauté r/Columbine semble être influencé par la subjectivité et les expériences de vie propres aux membres qui la composent. Consciente du regard externe porté à son endroit, la communauté négocie sa propre déviance en opposant son identité à celles des communautés qu’elle juge « plus déviantes » qu’elle. De cet exercice naît également un autre narratif, cette fois-ci à propos de l’identité de la communauté.Due to its extreme violent nature, mass shootings provoke indignation within society. Tosome people, those events rather generate curiosity, which sometimes evolve toward identification to and admiration of the perpetrators of these crimes. Those people reach toeach other through the internet to form a group called « fandom ». This work wishes to explore that phenomena, which has been poorly studied up to now. Unlike previous studies, which have focused on individual peculiarities, this research aims to understand how the fandoms centered on mass shootings are organized into virtual communities. To achieve this objective, the research studied, through thematic analysis, the discussions held by the members of r/Columbine, a community hosted on Reddit. The analyzed discussion took place over a period of approximately one year, the last discussion having been published in January 2019. Results suggest that, in a way similar to the mainstream fandoms, the community appropriates, transforms and reinterprets the official narrative to create its own narrative about the shooters. This narrative specific to the r/Columbine community seem to be influenced by the subjectivity and the life experiences of its members. Aware of the way society sees them, community negotiate its own deviance by opposing its identity to those of the communities it deems ‘’more deviant’’. This exercise generates a second narrative concerning the community’s identity.
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Marchal-Roy, Véronique. "L'art du portrait en Espagne de 1814 A 1873 : peinture et société : paradoxale gestation d'une unité." Paris 4, 1997. http://www.theses.fr/1997PA040158.
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Entre 1814 et 1873, peinture et societe sont confrontes en espagne a la meme problematique, affirmer leur identite sur une scene internationale ou nations et ecoles nationales d'art doivent prouver leur unite. Leur pays erige en mythe romantique, les espagnols ne se reconnaissent pas dans les images stereotypees qu'on leur renvoie d'eux-memes, ni dans ce champ de bataille, ou s'entrechoquent les ideologies politiques les plus extremes, qui se deploie sur son territoire, contradictions que nous explorons. Ils ne cessent d'interroger leurs reflets en commandant a madrazo, esquivel, becquer, rosales etc. Leurs portraits, pratique jugee indigne par le monde de l'art ou regne la peinture d'histoire. Les paradoxes que souleve l'etude des liens entre portraitistes et modeles vont remettre en cause les conventions de l'histoire de l'art, mais leur contrat fonde sur une communaute d'interets se revelera un marche de dupes. Ni marchandise, ni instrument de seduction ou de propagande, le portrait doit se liberer du contexte, s'affranchir de l'obligation de ressemblance, et du detail narratif. Le principe de la noblesse du sujet est ecarte au profit d'une peinture du present, par nature ephemere, mais dont l'universalite permet d'acceder a l'eternite. Tous les elements constitutifs du portrait -releves dans une typologie- sont mis en jeu pour y contribuer. Le costume ne sera ni pittoresque, ni historique. Le decor disparait peu a peu au profit de la matiere picturale, qui definit davantage le portraitiste que son modele, auquel echappe peu a peu la representation de son individualite, et dont la perte d'identite est precipitee. Les portraits royaux sont l'illustration de leur grandeur manquee; les autoportraits revelent la nature des enjeux, non pas l'environnement social, mais l'autorite d'un langage pictural. La societe est dissoute dans la creation artistique, seul signe perceptible, qui traitera, par-dela les amateurs de couleur locale et les aspirations des modeles, avec l'eterniteDuring the period 1814-1873 painting and society in spain face the same problem: to affirm their identity on an international scene where nations and national art schools each must prove their unity. With their country elevated into a romantic myth, the spanish people do not recognize themselves in the stereotypical images reflected upon them, nor in the battles waged on their territory between the most diverse political ideologies. In this thesis we explore these contradictions. They tirelessly question the reflections of their portraits painted by madrazo, esquivel, becquer, rosales, etc. Historical painting dominating the art world, portraiture is judged unbecoming. The paradoxes revealed by the study of the links between painter and model will question the conventions of art history. Furthermore, their contract based on a commonality of interest will reveal to be a fraud. Neither merchandise, nor instrument of seduction or propaganda, a portrait must free itself from context, from an obligation of resemblance, and of narrative detail. The principle of the nobility of subject makes way for a desire to paint the present, by nature ephemeral, but which through its universality also represents eternity. All the constituent parts of the portrait, here presented in a typology, are called on to contribute to this purpose. The costume will be neither picturesque, nor historical. The decor disappears slowly in favor of the pictorial matter which defines the artist rather than his model. The representation of the latter's individuality gradually defuses, his loss of identity is in fact precipitated. The royal portraits illustrate their missing greatness. Self-portraits reveal not the social environment, but the authority of the pictorial language. Society is being dissolved in artistic creation which, beyond the amateurs of local color and the aspiration of the models, remains the only perceptible link with eternity
Books on the topic "Portraits Social aspects"
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Hanging the head: Portraiture and social formation in eighteenth-century England. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
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Martinez, Brigitte. J'ai deux amours: Portraits d'exil. Paris: Cherche midi, 1998.
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1973-, Jeffrey Craig, and Dyson Jane 1974, eds. Telling young lives: Portraits in global youth. Philadelphia, PA: Temple University Press, 2008.
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WahnsinnsFrauen: [elf biographische Portraits]. Frankfurt am Main: Suhrkamp, 1994.
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Portraiture. Oxford: Oxford University Press, 2004.
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Spanke, Daniel. Porträt, Ikone, Kunst: Methodologische Studien zur Geschichte des Porträts in der Kunstliteratur ; zu einer Bildtheorie der Kunst. München: Wilhelm Fink, 2004.
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Gueunier, Nicole. Le français du Liban: Cent portraits linguistiques. [Aix-en-Provence]: Institut d'études créoles et francophones, URA 1041 du CNRS, Université de Provence, 1993.
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Bronfen, Elisabeth. Die Diva: Eine Geschichte der Bewunderung. München: Schirmer/Mosel, 2002.
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K, Adjibolosoo Senyo B.-S., ed. Portraits of human behavior and performance: The human factor in action. Lanham, MD: University Press of America, 2001.
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Kassa, Sabrina. Nos ancêtres les chibanis!: Portraits d'Algériens arrivés en France pendant les trente glorieuses. Paris: Autrement, 2006.
Find full textBook chapters on the topic "Portraits Social aspects"
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del Val Talen, Paula. "Social Enterprises and Benefit Corporations in Spain." In The International Handbook of Social Enterprise Law, 803–30. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14216-1_39.
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AbstractThis chapter provides an overview of the legal framework for social enterprises in Spain and portrays the benefit-corporation phenomenon from the perspective of the Spanish law. The former is presided over by Ley 5/2011, de 29 de marzo, de Economía Social (LES), the main conceptual and policy aspects of which are discussed in this chapter. On the latter, since benefit corporations are not regulated in Spain, the contribution draws up their identifying elements from both a comparative methodology and a failed proposal for a general interest private limited liability company (S.L.I.G.). We consider benefit corporations and their applicable regime within the everlasting debate on the role of profit—both objective and subjective—as part of the cause of the company contract. Against this background, this chapter provides three theoretical models for benefit corporations under the Spanish company law and assesses how they may be adapted into the articles of association. We then examine how core finance and governance aspects may be touched, namely, the distribution of profits, directors’ duties, and shareholder protection mechanisms. The chapter supports the view that benefit corporations may be lawfully formed de lege lata under the Spanish companies and social enterprise law, although significant regulatory amendments are advisable to smoothen the process.
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Boursier, Valentina, and Valentina Manna. "Relational Body Identities." In Advances in Human and Social Aspects of Technology, 40–63. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-4047-2.ch003.
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Self-portrayal is one of the most popular online activities, especially among adolescents and young adults. The selfie-craze explosion through photo-sharing represent a new task for adolescents' researchers, but few instruments explore how adolescents can control their body image through self-portraits. One of these is the body image control in photos questionnaire. The aim of this chapter is to develop and validate a revised short version of the BICPQ, administered to 1220 Italian adolescents. The establishment of a cut-off procedure is proposed for screening purposes to identify at-risk and problematic users. Moreover, differences by gender and age are explored and discussed.
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Woodard, Rebecca, and Kristine M. Schutz. "The Disruptive Potential of Critical Writing Pedagogies in Elementary Literacy Methods Courses." In Integrating Social Justice Education in Teacher Preparation Programs, 29–55. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-5098-4.ch002.
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This chapter shares three portraits of practice from the authors' implementation of a critical writing pedagogy in an elementary ELA methods course. Critical writing pedagogies that acknowledge writing as a sociopolitical act, consider power relations and broad social forces, and position youth as social agents are uncommon in both k-12 and teacher education contexts. In sharing rich descriptions of a theoretically-driven literacy methods courses, the chapter explores how pre-service teachers engaged with and responded to three specific aspects of the course: the course launch, the use of critical reading to support writing, and a critical writing workshop. The authors discuss the tensions they experienced in their attempts towards multiple kinds of disruption and conclude with recommendations for future research.
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Antropov, Nikolai. "Собиратели русского фольклора и их дневники: архив Эстонского литературного музея." In Перспективы изучения фольклора. Взгляд из Эстонии и Беларуси. Миссия выполнима 3, 144–72. ELM Scholarly Press / Научное издательство ЭЛМ, 2022. http://dx.doi.org/10.7592/sator.2022.23.05.
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The “Russian Collection” of the Folklore Archive of the Estonian Literary Museum (Tartu) contains the field diaries of the collectors – they were the students of the University of Tartu who did their folklore internship in the museum. These diaries are valuable artefacts of the late 1930s which reflect the life of the local population of the Lake Peipsi region, their social and spiritual life before the start of the Soviet occupation of Estonia and the World War II. The article analyzes the content of the collectors’ diary entries in accordance with the common themes and motives: routes and maps; working conditions; life, material aspects of life of the local population; traditional spiritual culture; religious and secular life; weekdays and holidays; portraits and characteristics of informants; notes on local dialects.
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Armstrong, Joshua. "Conclusion." In Maps and Territories, 215–22. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786942012.003.0010.
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The Conclusion summarizes the most prominent aspects of the spatial crisis of globalized capitalism, as these have been encountered in the corpus. It draws parallels between these and current events—including U.S. President Donald Trump’s withdrawing from the Paris Agreement on climate, and his creation of a Space Force. It draws the conclusion that French novels written in the second decade of the new millennium—post-2008-recession, perhaps—become increasingly dystopian, as they move away from the personal existential crises of protagonists finding themselves awkwardly lost in translation toward portraits of societies at large facing more palpably existential threats (financial collapse, war). Indeed, a host of more recent novels depict the near-future demise of the Fifth Republic, if not of France (as a nation) itself. However, these near-future dystopian versions of France also become the occasion for social awakenings and revolution. This is demonstrated by a brief reading of Marie Darriuessecq’s Notre vie dans les forêts (2017).
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Delgado, Melvin. "Understanding the Crisis of Urban Gun Violence." In Urban Gun Violence, 145–81. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197515518.003.0004.
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There is a place for a statistical portrait of urban gun violence, particularly when deconstructing how it is manifested at a neighborhood or community level, and this chapter provides it. This portrait provides the backdrop or canvas on which to better place and understand the stories associated with gun violence. Numerous publications provide a statistical portrait of gun violence to further pursue if interested. This chapter highlights key aspects from national and urban perspectives, including subjects that must be a part of any urban gun violence strategy, setting the stage for the introduction of key constructs in the following chapter that influence urban practice, research, and scholarship. This chapter’s statistical portrait is one dimensional but critical in shaping the argument about the saliency of gun violence in the communities served. This picture can best be conceptualized as a backdrop to the social, economic, political, and cultural perspectives, allowing for a more in-depth appreciation for the challenge ahead for those embracing this social justice mission. The narratives embraced to bring this subject to light can use statistics as a backdrop.
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"Social Capital and Micro-Entrepreneurship." In Micro-Entrepreneurship and Micro-Enterprise Development in Malaysia, 133–56. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-8473-5.ch004.
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Social capital has been proven in many studies to correlate with economic development and increment in standards of living in a collective manner. This chapter presents a brief description regarding social capital and micro-enterprises that narrowly focuses on the relationship between social capital theory and entrepreneurship. The chapter further portrays the varied dimensions of social capital followed by the status of social capital from the Malaysian perspective. Finally, the chapter ends with a discussion on the effect of social capital on competitive advantage, which has been presumed to be the most important aspect for micro-enterprises.
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Sarini, Marcello. "The Activity Circle." In Cognitively Informed Intelligent Interfaces, 201–17. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-1628-8.ch012.
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The chapter describes the Activity Circle, a social visualization mechanism based on the concept of Social Proxy, a minimalist graphical representation that portrays socially salient aspects of users’ interactions. The Activity Circle allows users to socialize how they perceive the accomplishment of work activities that are regulated by a workflow technology. The social information visualized by the Activity Circle should primarily allow people to share the distributed viscosity perception about the workflow technology used; perceived distributed viscosity concerns the perception of the extra amount of work required by this technology to fulfill the users’ organization goals, where “distributed” indicates that different groups of users perceive the impact of workflow technology differently. Making this information explicit may help groups of users reconcile the conflicts about disparities introduced by workflow technology. This information could also be used by management to design more equitable workflow technology.
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Conte, Richard. "The Zidane Film." In Post-cinema. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463727235_ch15.
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Post-cinema in the post-art era can also arise from the collaboration of two artists, as in the case of Zidane: A 21st Century Portrait (2006), a film by Douglas Gordon and Philippe Parreno: 17 cameras placed around the Bernabéu stadium in Madrid where a match is taking place follow the well-known football player, Zinédine Zidane, from the beginning of the game until his dismissal. Richard Conte examines this special portrait, paying particular attention to how the film focuses primarily on Zidane and on details that could only be captured by the artistic filmic device. This in-depth analysis of such an approach and its astonishing filmic result also concern a social aspect of post-cinema that deserves to be highlighted: here, “the elitist contemporary art meets the most popular sport of the world and one of its most emblematic figures.”
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Reutter, Susan S. "Administrative Leadership Mindset and Philosophical Approaches." In Advances in Human Resources Management and Organizational Development, 89–121. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6537-7.ch006.
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Corrections is a multi-layered business containing all aspects of life for the employees, clients/inmates, and the general public. Therefore, the findings of the study are transferable to many types of administrators. The chapter uses a case study approach and qualitative research methods. The study findings focuses on corrections administrative leadership mindset, philosophical approaches, and practice policies.. The conceptual and theoretical approaches included effective corrections administrators are promoting the growth of social capital (e.g., social skills and relationships), human capital (employable skills), and cultural capital (e.g., community and public safety). Four state prison wardens/administrators participated in this study. Data was collected via Creswell's in-depth portrait of cases: three-part series of semi-structured interviews. Four themes emerged during data analysis. This chapter focuses on the fourth theme and the conceptual framework.
Conference papers on the topic "Portraits Social aspects"
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Motuz, Valeriіa. "SOCIAL PORTRAIT OF A UKRAINIAN DISPLACED WOMAN IN THE SOVIET REAR AREAS DURING SECOND WORLD WAR." In THEORETICAL AND PRACTICAL ASPECTS OF MODERN SCIENTIFIC RESEARCH. European Scientific Platform, 2021. http://dx.doi.org/10.36074/logos-30.04.2021.v2.55.
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"Perspectives on Historically Marginalized Doctoral Students in the United States and South Africa." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4210.
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[This Proceedings paper was revised and published in the 2019 issue of the International Journal of Doctoral Studies, Volume 14] Aim/Purpose: This work expands discussions on the application of cultural frameworks on research in doctoral education in the United States and South Africa. There is an emphasis on identifying and reinterpreting the doctoral process where racial and cultural aspects have been marginalized by way of legacies of exclusions in both contexts. An underlying premise of this work is to support representation of marginalized students within the context of higher education internationalization. Background: Decades of reporting provide evidence of statistical portraits on degree attainment. Yet, some large-scale reporting does not include representation of historically marginalized groups until the 1970’s in the United States, and the 2000’s for South Africa. With the growth of internationalization in higher education, examination of the impact of marginalization serves to support representation of diversity-focused discussions in the development of regional international education organizations, multilateral networks, and cross-collaborative teaching and research projects. Methodology: Qualitative research synthesis of literature focused on a dimensional framework of diversity provides a basis for this discussion paper regarding the potential of Sankofa as a cultural framework for examining the historically marginalized doctoral experience in the United States and South Africa. Contribution: A major contribution of this work offers critical questions on the use of cultural frameworks in doctoral education in the US and South Africa and broader dynamics of higher education internationalization. Findings: Sankofa reveals critical insight for reinterpretation of the doctoral process through comparison of perspectives on the historically marginalized doctoral experience in the United States and South Africa. They include consideration of the social developments leading to the current predicament of marginalization for students; awareness of the different reporting strategies of data; implementation of cultural frameworks to broaden the focus on how to understand student experiences; and, an understanding of the differences in student-faculty relationships. Recommendations for Practitioners: Recommendations for practitioners highlight the application of cultural frameworks in the development and implementation of practical strategies in the support of historically marginalized doctoral students. Recommendations for Researchers: Recommendations for researchers consider the application of cultural frameworks in the development of scholarship supporting historically marginalized doctoral students within a global context. Impact on Society: Intended outcomes for this work include increasing awareness about historically marginalized doctoral students. Recommendations are focused on improving their academic and career experiences in the United States and South Africa with global implications for this student population. Future Research: Future research should consider the application of cultural frameworks when examining the historically marginalized doctoral experience within global, national, and local contexts.
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Catrópa da Silva, Andréa, and Isabela Covre Sagrillo. "The Design through the screens: the adaptations of Interior Design elaborated for Social Media." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.78.
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In the Covid-19 Pandemics, the virtual world has become even more popular amongst people and companies, with the intent to maintain connections that social distancing inhibited. In this scenario, virtual commerce and digital influencers invested even further in what is known in the commercial architecture and design sphere as “Instagram-able”. Environments, foods, clothes, objects, everything has needed to draw attention in the social media and for that, people appeal to “Instagram-able” features, i.e., something that is photographically interesting, that incites desire, empathy, and dreaming. However, this subject is little studied in academia yet, since the articulation of elements and spaces destined for social network dissemination still does not have a solid theoretical development, for it is a recent theme. From a practical observation of spaces that have this denomination as their main characteristic, this paper begins to elaborate on an academically acceptable concept for this trend that is likely to settle in the market due to the constant rising of digital media in society. If we observe a physical environment made for residential or commercial purposes or other daily needs, we will find in the usage of thermal and acoustic comfort features, ergonomics, lighting, and functionality. However, when we label an environment “Instagram-able” or when we analyze stages that are prepared and dedicated to social media photography, we identify other characteristics, more suited to digital image propagation and bi-dimensional visualization of such spaces. There is, therefore, a certain aesthetic aspect standard that spaces that are directed mostly at social media content creation, such as “Instagram-able spaces” or selfie museums (places made with scenarios suited for taking self-portraits), follow as a means to attract people to visit and take photos to be shared in social networks. But what makes a place attractive to be displayed online? Which features lead people to photograph certain places? This paper identifies interior design features common to this kind of ambiance, focused on selfie museums found around the world. For this, a survey of museum selfies located through its main communication branch, Instagram, was carried out so far, 32 (thirty-two) of these models have been found around the world, so that we can establish a taxonomy of what is considered “Instagram-able” for the commercial area, in an analysis of colors, themes, elements, psychodynamics, and senses that are capable of attracting and leading a person to the act of photographing themselves in that environment, and so, after this practical research, with a theoretical deepening, where it will be A multidisciplinary connection to design was analyzed to establish the concept and guidelines of what is an " Instagram-able" space for the academia environment, making this a grounded and regulated proposal for the more assertive use of designers and architects in environments that have sales interest, whether of products or of the image.
Reports on the topic "Portraits Social aspects"
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Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.
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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral, theanalysisofthe concept-maximums and concept-minimum gender and their characteristics is carried out in the context of gender stereotypes that have been forme dand function in the society, system atizing the a ctual presentations. The study of the gender concept is relevant because it reveals new trends and features of modern gender images. Taking into account the special features of gender-labeled periodicals in general and the practical absence of comprehensive scientific studies of the gender concept in particular, there is a need to supplement Ukrainian science with this topic. Gender psychology, which is served by methods of various sciences, primarily sociological, pedagogical, linguistic, psychological, socio-psychological. Let us pay attention to linguistic and psycholinguistic methods in gender studies. Linguistic methods complement intelligence research tasks, associated with speech, word and text. Psycholinguistic methods used in gender psychology (semantic differential, semantic integral, semantic analysis of words and texts), aimed at studying speech messages, specific mechanisms of origin and perception, functions of speech activity in society, studying the relationship between speech messages and gender properties participants in the communication, to analyze the linguistic development in connection with the general development of the individual. Nowhere in gender practice there is the whole arsenal of psychological methods that allow you to explore psychological peculiarities of a person like observation, experiments, questionnaires, interviews, testing, modeling, etc. The methods of psychological self-diagnostics include: the gender aspect of the own socio-psychological portrait, a gender biography as a variant of the biographical method, aimed at the reconstruction of individual social experience. In the process of writing a gender autobiography, a person can understand the characteristics of his gender identity, as well as ways and means of their formation. Socio-psychological methods of studying gender include the study of socially constructed women’s and men’s roles, relationships and identities, sexual characteristics, psychological characteristics, etc. The use of gender indicators and gender approaches as a means of socio-psychological and sociological analysis broadens the subject boundaries of these disciplines and makes them the subject of study within these disciplines. And also, in the article a combination of concrete-historical, structural-typological, system-functional methods is implemented. Descriptive and comparative methods, method of typology, modeling are used. Also used is a method of content analysis for the study of gender content of modern gender-stamped journals. It was he who allowed quantitatively to identify and explore the features of the gender concept in the pages of periodicals for women and men. A combination of historical, structural-typological, system-functional methods is also implemented in the article. Descriptive and comparative methods, method of typology, modeling are used. A method of content analysis for the study of gender content of modern gender-labeled journals is also used. It allowed to identify and explore the features of the gender concept quantitatively in the periodicals for women and men. The conceptual perception and interpretation of the gender concept «woman», which is highlighted in the modern gender-labeled press in Ukraine, requires the elaboration of the polyfunctionality of gender interpretations, the comprehension of the metaphorical perception of this image and its role and purpose in society. A gendered approach to researching the gender content of contemporary periodicals for women and men. Conceptual analysis of contemporary gender-stamped publications within the gender conceptual sphere allows to identify and correlate the meta-gender and gender concepts that appear in society.