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Books on the topic 'Portrait medal'

Author: Grafiati

Published: 28 June 2021

Last updated: 1 February 2022

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1

Harris, Elizabeth M. The art of medal engraving: A curious chapter in the development of 19th century printing process. Newtown, Penn: Bird & Bull Press, 1991.

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2

Fischer, Dieter P. W. Die Medaillen der Hohenzollern in Franken. Nürnberg: Verlag des Germanischen Nationalmuseums, 2000.

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3

Inès, Villela-Petit, David d'Angers Pierre-Jean 1788-1856, and Centre André Chastel, eds. David d'Angers: Les visages du romantisme. [Paris]: Gourcuff Gradenigo, 2011.

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4

Rulau, Russell. Medallic portraits of Washington. Iola, Wis: Krause Publications, 1985.

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5

Rulau, Russell. Medallic portraits of Washington. 2nd ed. Iola, WI: Krause Publications, 1999.

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6

J'ai commencé à travailler: Portraits ouvriers. Grâne [France]: Créaphis, 2005.

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7

Druckman, Dick. Gold medal impressions: A gallery of Olympic photographs. [Princeton Junction, NJ: Gold Medal Impressions], 2007.

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8

Medaillen und Plaketten der Renaissance: Aus einer Schweizer Sammlung. München: Hirmer, 2013.

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9

(Italy), Scuola normale superiore, ed. Le arti a dialogo: Medaglie e medaglisti tra Quattro e Settecento. Pisa: Edizioni della Normale, 2015.

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10

Zeitz, Lisa. Napoleons Medaillen. Petersberg [Germany]: Michael Imhof, 2003.

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11

Peter, Collier. Medal of Honor: Portraits of valor beyond the call of duty. 3rd ed. New York: Artisan, 2011.

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12

Peter, Collier. Medal of Honor: Portraits of valor beyond the call of duty. New York: Artisan, 2003.

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13

Serani, Fernando. Metal: Eye witness. Evansdale, Iowa: Arts Publications, 2008.

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14

Serani, Fernando. Metal: Eye witness. Evansdale, Iowa: Arts Publications, 2008.

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15

Augusto, Calzini, Palazzo Foschieri-Veterani (Urbino Italy), and Biblioteca e musei oliveriani di Pesaro., eds. Volti fra Rinascimento e Barocco: Montefeltro, Malatesta, Sforza, Della Rovere : dal medagliere della Biblioteca e musei oliveriani di Pesaro. Urbino: Associazione pro Urbino, Comune di Urbino, Assessorato al turismo, 2002.

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16

Georges, Montcharmont, ed. Le visage de Jeanne d'Arc. Arles: Éditions Errance, 2012.

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17

Philippe, Flandrin, ed. Le portrait d'Alexandre le grand: Histoire d'une découverte pour l'humanité. Monaco: Rocher, 2005.

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18

Bopearachchi, Osmund. Le portrait d'Alexandre le Grand: Histoire d'une découverte pour l'humanité. Monaco: Ed. du Rocher, 2005.

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19

Prucha, Francis Paul. Peace & friendship: Indian peace medals from the Schermer Collection, National Portrait Gallery. [Washington, D.C.]: Smithsonian, National Portrait Gallery, 2001.

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20

The encyclöpedia öf heavy metal. New York: Barnes & Noble Books, 2003.

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21

Ruess, Céline. Vies de Zinc: Portraits de travailleurs, images d'entreprise. Liège]: Maison de la Métallurgie et de l'industrie de Liège, 2013.

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22

Simonato, Lucia. Impronta di Sua Santità: Urbano VIII e le medaglie. Pisa: Edizioni della Normale, 2008.

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23

Impronta di Sua Santità: Urbano VIII e le medaglie. Pisa: Edizioni della Normale, 2008.

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24

Every Night & Every Morn: Portraits of Asian, Hispanic, Jewish, African-American, and Native-American Recipients of the Congressional Medal of Honor. Atlanta, Georgia, USA: Tristan Press, 2007.

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25

Christoph, Jokisch Hans, ed. Emblems of eminence: German Renaissance portrait medals, the age of Albrecht Dürer : the collection of an art connoisseur. Munich: Hirmer, 2008.

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26

Erbgut, Hildegard. Porträt einer Gymnastikschule: Entstehung und Entwicklung rhythmischer Gymnastik am Beispiel der Medau-Schule. Schorndorf: Hofmann, 1991.

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27

Prucha, Francis Paul. Peace and friendship: Indian peace medals in the United States. City of Washington: National Portrait Gallery, Smithsonian Institution, 1985.

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28

Schneider, Konrad. Die Medaillen und Gedenkmünzen der Erzbischöfe und Kurfürsten von Trier. Trier: Selbstverlag des Bischöflichen Dom- und Diözesanmuseums Trier, 1993.

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29

Santuarios de lo íntimo: Retrato en miniatura y relicarios : la colección de Museo Soumaya. México, D.F: Asociación Carso, 2004.

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30

Vinke, Hermann. Metaller-Porträts: Reportagen über Gewerkschafterinnen und Gewerkschafter in den USA, in Brasilien, in der Sowjetunion, in Südafrika, in Japan und in Indien. Köln: Bund-Verlag, 1992.

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31

Dimebag Darrell: He came to rock! [S.l.]: Big Vin Records, 2008.

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32

Meinarte, Anita. The historical portrait of the 17th-18th century in Latvia: Paintings, engravings, maps, medals and coins from the collections of the History Museum of Latvia. Riga, LV: Latvijas vēstures muzejs, 2004.

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33

Pasti, Matteo de', ca. 1420-ca. 1467, ed. Il tesoro di Sigismondo e le medaglie di Matteo de' Pasti. Bologna: Minerva, 2009.

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34

Timothy, Wallis, ed. Ordinary heroes: A tribute to Congressional Medal of Honor recipients : reflections of freedom, faith, duty and the heroic possibilities of the everyday human spirit. Zionsville, Ind: Sweet Pea Press, 2000.

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35

Doerk, Elisabeth. Reformatio in nummis: Luther und die Reformation auf Münzen und Medaillen : Katalog zur Sonderausstellung auf der Wartburg 4. Mai bis 31. Oktober 2014. Regensburg: Schnell + Steiner, 2014.

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36

Scher, Stephen K. Perspectives on the Renaissance Medal: Portrait Medals of the Renaissance. Taylor & Francis Group, 2015.

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37

Scher, Stephen K. Perspectives on the Renaissance Medal: Portrait Medals of the Renaissance (Garland Studies in the Renaissance). Routledge, 1999.

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38

Williams, Gareth D. The Bembo Collection, and Evocations of Noniano. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.003.0008.

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Chapter 7 focuses on Pietro Bembo’s renown as a collector of antiquities, books, manuscripts, contemporary art, and scientific instrumentation. De Aetna’s relevance to this topic lies partly in its credentials as a work of naturalist collection in itself, recording the physical and topographical features that Pietro encountered on Etna. The chapter further explores the ways in which, later in his life, De Aetna is nostalgically evoked in the material arts. The main exhibits are the portrait medal Pietro commissioned in the early 1530s from the eminent Valerio Belli, and two portraits of Cardinal Bembo by Titian. The chapter also considers the controversial case of Giovanni Bellini’s Portrait of a Young Man of c. 1505, not to argue that Bellini’s sitter in this painting is in fact Pietro, but rather to illustrate the interplay claimed for De Aetna between its content and form, its typeface and verbal portraiture.

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39

Mao Zedong xiang zhang shou cang tu jian. Beijing chu ban she, 1993.

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40

Mao Zedong xiang zhang jing pin hui cui. Beijing chu ban she, 1993.

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41

K, Scher Stephen, Frick Collection, and National Gallery of Art (U.S.), eds. The Currency of fame: Portrait medals of the Rennaissance. New York: H.N. Abrams in association with the Frick Collection, 1994.

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42

Fame and Immortality: The Scher Collection of Portrait Medals. Giles Limited, D., 2018.

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43

K, Scher Stephen, ed. Perspectives on the Renaissance medal. New York: Garland Pub., 2000.

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44

(Introduction), Chuck Klosterman, ed. Too Fast For Love: Heavy Metal Portraits. powerHouse Books, 2004.

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45

Kleege, Georgina. Blind Self-Portraits. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190604356.003.0010.

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This chapter discusses artists with impaired sight, specifically their self-portraits. Jacques Derrida observes a connection between traditional self-portraits and visual portrayals of blind people, such as Pablo Picasso’s Blind Man’s Meal. He observes that in both instances the viewer’s eye is drawn to the hands of the figure, and concludes that in this way the artist is drawing attention to his own handiwork. I collect examples of self-portraits by blind artists where blindness is a theme of the work. Some focus on a sense of loss, others simulate the experience of their visual impairment, while others represent a transition to nonvisual ways of knowing which are intended to be experienced through nonvisual modalities.

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46

Meinrad, Pizzinini, Sporer-Heis Claudia 1961-, Tiroler Landesmuseum Ferdinandeum, and Tiroler Landeskundliches Museum im Zeughaus Kaiser Maximilians I., eds. Das Bildnis Kaiser Maximilians I. auf Münzen und Medaillen: Tiroler Landeskundliches Museum im Zeughaus Kaiser Maximilians I., Innsbruck, 13. Mai bis 30. September 1992. Innsbruck: Tiroler Landesmuseum Ferdinandeum, 1992.

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47

(Photographer), Peter Collier, and Nick Del Calzo (Photographer), eds. Medal of Honor: Portraits of Valor Beyond the Call of Duty. Artisan, 2003.

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48

Peter, Collier. Medal of Honor: Portraits of Valor Beyond the Call of Duty. Artisan, 2006.

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49

Medal Of Honor Portraits Of Valor Beyond The Call Of Duty. Artisan Publishers, 2011.

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50

Collection, Frick, ed. The pursuit of immortality: Masterpieces from the Scher Collection of portrait medals. 2017.

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