Relevant bibliographies by topics / Portrait

Academic literature on the topic 'Portrait'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Portrait.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Portrait"

1

Aslan qızı Məmmədova, Ləman. "Portrait treasury of great Azerbaijan female artists." SCIENTIFIC WORK 78, no. 5 (May 17, 2022): 31–37. http://dx.doi.org/10.36719/2663-4619/78/31-37.

Full text
Abstract:
Məqalədə Maral Rəhmanzadə, Vəcihə Səmədova, Elmira Şahtaxstinskaya kimi görkəmli Azərbaycan rəssamlarının bəzi əsərləri təhlil edilmişdir. Maral Rəhmanzadənin, mahir fırça ustasının portret əsərləri incəsənətimizin tarixinə boyakarlığın qiymətli nümunələri kimi daxil olmuşdur. Böyük rəssamın portret janrında yüksək sənətkarlıq nümunəsi sayılan əsərləri son dərəcə özünəməxsusluğu ilə səciyyələnir. Maral Rəhmanzadənin yaradıcılığında başlıca xüsusiyyətlərdən biri Azərbaycan qadınına xas gözəlliyin, zərifliyin, məğrurluğun və zəngin mənəvi aləmin parlaq vəhdətidir. Azərbaycanın görkəmli rəssamı Vəcihə Səmədovanın tablolarında isə biz maraqlı rəng çalarları, milli kolorit, kompozisiyanın dinamikliyini və böyük ustalıq görürük. Görkəmli rəssamın belə xüsusiyyətləri ilə seçilən tabloları dünya muzeylərində layiqli yer tutur. Elmira Şaxtaxtinskaya isə daha çox plakat və dəzgah rəsmlərinin müəllifi kimi şöhrət tapmışdır. Rəssamın Azərbaycanın elm, ədəbiyyat və incəsənət xadimlərinin portretlər qalereyası yüksək sənətkarlığı ilə fərqlənir: Üzeyir Hacıbəyovun portreti, Hüseyn Cavidin portreti, Qara Qarayevin portreti, Əcəmi Naxçıvaninin portreti, Sultan Məhəmmədin portreti, Məhəmməd Füzulinin portreti, Məhsəti Gəncəvinin portreti və b. Açar sözlər: qadın rəssam, portret, XX əsr təsviri sənəti, rəssam, rəngkarlıq, bədii obraz, rəsm qalereyası Leman Aslan Mamedova Portrait treasury of great Azerbaijan female artists Abstract The article analyzes some of the works of such outstanding Azerbaijan artists as Maral Rahmanzade, Vajiha Samadova, Elmira Shahtakhstinskaya. The portraits of the great master of the brush Maral Rahmanzade entered the history of our art as valuable examples of painting. The works of the great artis, considered an example of high skill in the genre of portraiture, are distinguished by high originality. One of the main features of Maral Rahmanzade’s creativity is a bright unity of beauty, fragility, pride and rich spiritual world of Azerbaijan women. In the paintings of the outstanding Azerbaijan artist Vajiha Samadova, we see interesting shades of colour, national color, dynamism of composition and great skill. The painting s of the famous artist, characterized by such features, a worthy place in museums around the world. Elmira Shahtakhstinskaya is best known as the author of posters and picturesque paintings. Elmira Shahtakhstinskaya has created a portrait gallery of Azerbaijan culture and science figures, which is distinguished by high skill of execution: portrait of Uzeyir Hajibeyov, portrait of Huseyn Javid, portrait of Gara Garayev, portrait of Ajami Nakhchivani, portrait of Sultan Muhammad, portrait of Muhammad Fizuli, portrait of Mehseti Ganjavi, etc. Key words: artist, portrait, 20th century fine art, artist, painting, artistic image, art gallery
APA, Harvard, Vancouver, ISO, and other styles
2

Heikkilä, Martta. "From the Self-Image to the Image Itself." Glimpse 22, no. 1 (2021): 18–22. http://dx.doi.org/10.5840/glimpse20212214.

Full text
Abstract:
In this article, I examine the idea of the portrait from two viewpoints: the ‘classical’ portrait as it appears in Jean-Luc Nancy’s post-phenomenological philosophy, and the recent self-portrait photographs or ‘selfies’ on social media. First, I consider the portrait’s value in Nancy’s theories of art: for him, portraits hold an important position among the genres of visual art, since they present themselves as distinctive images by extracting the innermost force of the portrayed person. Secondly, I take up the philosophical and political implications of Nancy’s notion of the portrait vis-a-vis the contemporary selfie culture. I suggest that, instead of emphasizing the model’s singularity as traditional artistic portraits do, the flow of selfies tends to create similarity. I begin by clarifying Nancy’s paradoxical claim that the human portrait may resemble a person only on the condition of not representing him or her. After this, I inquire about the philosophical position of selfies as constructed portraits that make visible the absence of the self. However, as I argue, they do this in a sense that differs from Nancy’s account of the portrait. As a result, I propose that the repetition and circulation of selfies has remarkably changed our view on the significance and, finally, the ontology of the portrait.
APA, Harvard, Vancouver, ISO, and other styles
3

Darmadi, Indra. "Tinjauan Visual Subyek Foto dalam Karya Fotografi Potret Henri Cartie-Bresson dan Richard Avedon." Magenta | Official Journal STMK Trisakti 1, no. 01 (August 26, 2017): 83–91. http://dx.doi.org/10.61344/magenta.v1i01.10.

Full text
Abstract:
Photography potrait is a photography field that highlight the character and traits of someone. In the world of photography there are two world leaders who are pioneers of photography in portrait photography, Henri Cartier-Bresson and Richard Avedon. Both have different theories in doing portrait photography. Conflicts that arise between the two is whether portrait photography should be done naturally or with posing. Of course, both have similarities photographic portraits, which portray someone in a work of portrait photography. This paper will discuss some of the work of portrait photography of Henri Cartier-Bresson and Richard Avedon, and compare the two works to find the answer to whether or not subjects to pose in a portrait photography.
APA, Harvard, Vancouver, ISO, and other styles
4

Mikulcová, Anežka. "Profilové portréty ze sbírek Národního muzea." Časopis Národního muzea. Řada historická 190, no. 1-2 (2022): 3–18. http://dx.doi.org/10.37520/cnm.2021.001.

Full text
Abstract:
A historic collection of the Department of Older Czech History of the National Museum, which includes, among others, a very extensive collection of portraits encompassing various techniques, from painted, graphic and photographic portraits, through ceroplastic portraits, portrait silhouettes and portrait medallions, to portrait busts. While painted portraits in the form of miniatures, small and large hanging paintings have been the subject of detailed scientific attention, other types of portraits have been somewhat neglected. The aim of this paper is to draw attention to the presence of ceroplastic works, portrait silhouettes and small portrait medallions in the collections of the National Museum and to describe the phenomenon of profile portraits by means of these examples.
APA, Harvard, Vancouver, ISO, and other styles
5

Wu, Yiqian, Hao Xu, Xiangjun Tang, Xien Chen, Siyu Tang, Zhebin Zhang, Chen Li, and Xiaogang Jin. "Portrait3D: Text-Guided High-Quality 3D Portrait Generation Using Pyramid Representation and GANs Prior." ACM Transactions on Graphics 43, no. 4 (July 19, 2024): 1–12. http://dx.doi.org/10.1145/3658162.

Full text
Abstract:
Existing neural rendering-based text-to-3D-portrait generation methods typically make use of human geometry prior and diffusion models to obtain guidance. However, relying solely on geometry information introduces issues such as the Janus problem, over-saturation, and over-smoothing. We present Portrait3D , a novel neural rendering-based framework with a novel joint geometry-appearance prior to achieve text-to-3D-portrait generation that overcomes the aforementioned issues. To accomplish this, we train a 3D portrait generator, 3DPortraitGAN, as a robust prior. This generator is capable of producing 360° canonical 3D portraits, serving as a starting point for the subsequent diffusion-based generation process. To mitigate the "grid-like" artifact caused by the high-frequency information in the feature-map-based 3D representation commonly used by most 3D-aware GANs, we integrate a novel pyramid tri-grid 3D representation into 3DPortraitGAN. To generate 3D portraits from text, we first project a randomly generated image aligned with the given prompt into the pre-trained 3DPortraitGAN's latent space. The resulting latent code is then used to synthesize a pyramid tri-grid. Beginning with the obtained pyramid tri-grid , we use score distillation sampling to distill the diffusion model's knowledge into the pyramid tri-grid. Following that, we utilize the diffusion model to refine the rendered images of the 3D portrait and then use these refined images as training data to further optimize the pyramid tri-grid , effectively eliminating issues with unrealistic color and unnatural artifacts. Our experimental results show that Portrait3D can produce realistic, high-quality, and canonical 3D portraits that align with the prompt.
APA, Harvard, Vancouver, ISO, and other styles
6

Kotliar, Svitlana, and Iryna Zaspa. "Female Portrait in Photography Art: from Authenticity to Modernity." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (June 30, 2021): 84–96. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235094.

Full text
Abstract:
The purpose of the research is to analyze female photo portrait, the concept of female beauty in photography, the history of the origin and formation of female portrait in photography. Moreover, the aim was to trace the common and distinct features of a female portrait from the past to nowadays. It was decided to establish a role of female photo portrait in the art of photography, to prove its peculiarity and importance. The research methodology consists of the following parts: theoretical – analysis of the female beauty concept in the photo portrait, history of female portrait development in photography, empirical – study of relationships between female portraits of different times, comparative – comparison of modern and authentic portraits. In the course of cognitive synthesis and generalization of distinctive and similar features of female photo portraits of different times, special features of the female portrait were determined. Scientific novelty. For the first time, the history and formation of female photo portrait from authenticity to the nowadays were analyzed. The analysis was conducted based on photo portraits researches of different times. A detailed analysis of factors influencing the formation of this genre of photography was carried out. With the help of the theoretical analysis, the factors influencing the development of the female photo portrait were determined, its specifics and features were outlined. Conclusions. In the course of the article, we analyzed female portrait in photography and the concept of female beauty in different periods. With the help of the analysis of the history of development and formation of the female portrait photography genre, its role in the art of photography has been established. Peculiarities of female photo portrait as a genre of the art of photography were determined. Its peculiarity and importance have been proved. The factors influencing the concept of female beauty in photography, the development of female portrait and its features have been generalized.
APA, Harvard, Vancouver, ISO, and other styles
7

Sabeti, Shari. "Coming ‘Face to Face with the People who Shaped Scotland’: Portrait Galleries, Creative Writing and the Pedagogical Dynamism of the Portrait Image." Museum and Society 21, no. 1 (May 16, 2023): 45–61. http://dx.doi.org/10.29311/mas.v21i1.4077.

Full text
Abstract:
Museum education literature has paid surprisingly little attention to the distinctiveness of portrait galleries or portraits as a genre, despite the fact that they provide ‘powerful spaces for pedagogy’ (Hooper-Greenhill 2020: 24). Taking an ethnographic approach, this article offers a detailed analysis of such pedagogies at work in one creative writing class based at the Scottish National Portrait Gallery. It describes two pedagogical regimes – the institution’s and the guide’s – and explores how they compete to frame the portraits in different ways. Focusing on two specific portraits, and the creative writing produced in response to them, it argues that while the portrait gallery’s implied pedagogy insists on the subject in the portrait, the class tutor focuses on the portrait as object. Employing Hans Belting’s theory of images (2011), the article concludes that there is a distinctive pedagogical dynamism inherent in the portrait genre, which can be mined for different educational purposes.
APA, Harvard, Vancouver, ISO, and other styles
8

Lindell, Annukka K. "No Cheek Bias." Empirical Studies of the Arts 35, no. 2 (August 8, 2016): 127–38. http://dx.doi.org/10.1177/0276237416661988.

Full text
Abstract:
In the history of portraiture, left cheek poses dominate. However, self-portraits favor the right cheek. Previous studies consistently report left biases for portraits of others and right biases for self-portraits; only one study has examined self-portrait pose orientation across a single artist’s corpus. The present study investigated posing biases of prolific self-portraitist Vincent van Gogh. Posing orientation in single-figure portrait ( N = 174) and self-portrait ( N = 37) paintings was coded. Unlike other artists, van Gogh was equally likely to paint himself in left and right cheek poses. Similarly, portraits of others showed no difference in left and right cheek frequencies but were distinguished by the inclusion of midline poses. These data highlight the importance of single artist cases studies when investigating portrait posing biases.
APA, Harvard, Vancouver, ISO, and other styles
9

Akimova, Natalia V. "Portrait Poetics in Dostoevsky’s Novel “The Adolescent”." Current Issues in Philology and Pedagogical Linguistics, no. 4 (December 25, 2022): 167–82. http://dx.doi.org/10.29025/2079-6021-2022-4-167-182.

Full text
Abstract:
The article is devoted to the analysis of the features of the construction of portrait characteristics, as well as determining the role of the portrait in revealing the image of the characters of Dostoevsky’s novel “The Adolescent”. The relevance of the article is determined by the study of the portrait as a means of exploring the inner world of characters, the ability to trace the evolution of the use of static and dynamic portraits. The purpose of the article was to study the portrait as a means of artistic and psychological analysis in relation to the author’s concept of personality, the aesthetic views of the writer and the problems of the work. The definition of the role of portrait characteristics in the novel “The Adolescent” is facilitated by the analysis of the principles of portrait construction, a comparative typological method that allows identifying the features of creating static and dynamic portraits. It is noted that in the novel “The Adolescent” the theme of the chaos of post-reform reality, moral and spiritual decay is reflected in the characters of the characters, and by introducing a new type of hero into the novel, first-person narratives, change the ways of creating portraiture. Static and dynamic portraits are colored by subjective assessment, the feeling of the hero-narrator. Portrait typing techniques depend on the content of the person being portrayed. The characters are one-liners, whose inner world is unambiguous, and in the future there are no significant changes in their perception of the world and behavior, are depicted in monologue portraits (Lambert, Makar Ivanovich, etc.). The image of ambivalent heroes, who were affected by “disorder” and spiritual decay, is revealed in dialogical static portraits (Kraft, Vasin, both Princes Sokolsky). Especially in the novel, portraits stand out-impressions of two of the most complex characters and the most important persons in the fate of a teenager – Versilov and Akhmakova. These portraits are imbued with an emotional element. The study of the poetics of the portrait has given reason to assert that in the “The Adolescent” the portrait not only reveals the dominant psychological characteristics of the character, but also becomes a refraction of the inner world of the teenager, his artistic and psychological characteristics.
APA, Harvard, Vancouver, ISO, and other styles
10

Abdul Rahim, Rosliza, Mumtaz Mokhtar, and Ishak Ramli. "A Review Of Alternative Ways Malaysian Artists Approach Self-portraits Painting." Idealogy Journal 8, no. 1 (April 1, 2023): 152–58. http://dx.doi.org/10.24191/idealogy.v8i1.415.

Full text
Abstract:
Painting for presentation Self-portraits have been revolutionised on several occasions. To achieve different effects in their portrait painting, the artist experimented and manipulated various media. Portraits are commonly defined in art as a likeness of a person, particularly a face till shoulders, but there are other ways to define a portrait and a painting. There is a lack of comprehension and interpretation of the topic. As a result, the purpose of this research is to trace the history of the self-portrait. From the 1940s to the 2000s, reviews were written in the form of a year-by-year chronology, identifying the approach used by local painters. Conclusion: The shift in the art movement from naturalistic approaches to a variety of styles resulted in new interpretations and opportunities for artists to create exciting portrait paintings. The development of a new understanding of the term "portrait painting" resulted in new interpretations and suggestions for a new way of presenting self-portraits, contributing to an alternative and creative way of practising portrait painting for Muslim artists.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Portrait"

1

Shininger, Soni. "Portraiture : the self as art." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864932.

Full text
Abstract:
The purpose of this project was to find out what it is about the self that deserves to be depicted in a work of art; what other artists have done in selfportraiture that may help me in my efforts; and what my own contribution to the history of self-portraiture could be. Self-portraiture is significant in its ability to serve as a personal platform to define the artist's life and relationships with society as well as other individuals. Many times selfportraiture becomes a visual self-search to recognize our own characteristics and traits that make us complete individuals. I investigated the history of self-portraiture as well as the life and work of six artists. I concentrated on the symbolism and psychological undercurrents present in many selfportraits. With my research in mind, four images were created based on preliminary sketches of myself and another close friend. The final images are watercolor, oilbar and sgraffito on paper. Two images are grid pieces and the other two are single companion pieces. The finished pieces were framed andexhibited at the Ball State University Museum of Art. The final images fulfilled all the goals at which I had aimed. They are visually exciting, successfully composed and well constructed. During their execution I was able to elevate the quality of my work, bringing it to a greater maturity level. This group of portraits also worked as a tool to put my life and relationships into a new perspective.
Department of Art
APA, Harvard, Vancouver, ISO, and other styles
2

Makun, Adetoun Jones. "International passports : portrait of the Nigerian diaspora." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002226.

Full text
Abstract:
International Passports: Portraits of the Nigerian Diaspora considers notions of 'alienation‘ and 'nation-hood‘ through the lens of portraiture. This dissertation addresses issues of identity and representation in a contemporary cultural context as they pertain to the concerns presented through my current visual practice. The paintings that I have produced from 'real‘ life are primarily depictions of Nigerian individuals, friends and acquaintances (professionals and students) residing in Grahamstown, South Africa as temporary or permanent migrants. I reference the mug shot pose of identity documents and passport photographs and render them in such a way that ideas of their persona are subject to the viewer‘s gaze and deliberations, thus provoking the spectator to consider questions of 'otherness‘ and 'stereotypes‘. This provocation is subtle and complex, and in many ways I am offering the viewer a 're-looking‘, an opportunity to examine one‘s moral position and subsequent implication within the act of stereotyping an 'other‘ individual. The initial idea within this body of work was to paint images of Nigerian nationals exclusively, yet the restrictive nature of such categorization pushed me to complicate certain nationalist ideologies through the inclusion of non-Nigerian individuals. I look specifically at notions of the 'other‘ and 'strangeness‘ in a contemporary South African context and how this connects to the concept of portraiture and not simply portraiture theory but also the social theory in relation to how people are 'imaged‘. Throughout this thesis I consider several theoretical concerns in portraiture practice and discourse whilst simultaneously unpacking the psychological and social contexts that influence my practice.
APA, Harvard, Vancouver, ISO, and other styles
3

Munsie, Richard. "Intimation of life : photographic portraiture in art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/719.

Full text
Abstract:
Photographic artists have a continuing desire to express intimately aspects of their social world through the genre of portraiture. However, in attempting to make known the lives of those around them, portraitists encounter a range of complexities inherent in the representation of the human subject in a two-dimensional visual field. Portraits were initially an indicator of social class until the introduction of photography, when more and more people became involved in their production and ownership. It was at its inception that the photographic portrait assumed conventions consistent with those of the painted portrait in Western art and its social use. These conventions have persisted and, along with the accumulation of conventions specific to the medium, have come to define photographic portraiture as a genre. It is either from within the limitations of the genre, or through the challenging of its authority, that artists seek to portray issues relevant to contemporary life. This endeavour is affected by certain concerns associated with a person's photographic representation. These include issues pertaining to notions of likeness, identity, subjectivity, and realism. A photographic image of someone has traditionally been perceived to convey a realistic impression of that person's identity, however, concepts of identity and realism have come under increasing scrutiny, contesting the authority of the photographic representation. The portrait's verisimilitude is also undermined by limitations in photographic processes and technology, and the manipulation and control exercised by the photographer who can frame, filter, crop, and enlarge the image at will. In considering the inadequacies of the medium, the fragmentation of identity and subjectivity, and threats concerning the demise of the genre, a further concern to contemporary portraiture is the status of the psychological interaction between photographer and subject. For many participants this exchange is an important aspect of the portrait transaction in which rituals of pose and performance are enacted, and feeling states or emotional truths are sought out. Kozloff (1994, p. 4) considers stilt portraits to be scanty objects in which the intricacies of human experience are inadequately represented, yet they remain as a site for the documentation of experiences that are to become memories. The increasing influence of digital media in photography presents an opportunity for the re-evaluation of these concerns, and new creative and expressive possibilities.
APA, Harvard, Vancouver, ISO, and other styles
4

Letts, Michael. "Self-portrait." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1300475353.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jugend, Nurit K. "Self-portrait /." May be available electronically:, 2004. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shield, John, and John Shield. "Selfie-Portrait." CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/743.

Full text
Abstract:
The selfie has become the currency of today; boldly stating: I was here, this is how I felt, and, most importantly, I exist. This has become our self-reflection. Exploring the self-portrait, as have countless artists of the past, Johnny Shield uses the various selfies as reference for his sculptural works - both empty vessels and sculptural busts. Made from glass these fragile objects are all doomed to break. You, the viewer, are witnessing a truly damned object: the central portrait uneasily rests on a pedestal that is actively electrolytically corroding. While on display, this pedestal will lean more and more precariously, ultimately spilling the glass portrait onto the ground. By participating in the legacy of self-portraiture but producing a self-destructive object, Johnny is simultaneously endorsing and condemning the sacredness of the art object, the selfie, as well as the practice of glorifying the artist.
APA, Harvard, Vancouver, ISO, and other styles
7

Rea, Giorgio. "Imagines pictae. Il ritratto nella pittura romana." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL070.

Full text
Abstract:
Ce projet vise à reconstruire le développement du portrait peint à Rome et l’utilisation de ce type de support figuré à Rome, à partir de la République jusqu’à la fin du IIIe siècle après J.C. Le portrait peint dans l’art romain suit les changements culturels et les limites de l’Empire, en se mêlant avec des traditions artistiques de différentes aires culturelles. L’étude de ce sujet, qui présente de profondes difficultés, est souvent considéré à tort comme un sous-argument de la thématique du portrait statuaire à Rome. Or le portrait peint mérite une étude comme sujet indépendant car, dans l’Antiquité, la peinture a été « l’arte guida ». La peinture ancienne est aujourd’hui peu connue car la plupart des œuvres ont été perdues, ce qui rend le portrait peint difficile à reconstruire. Le manque de sources archéologiques relatives à la genèse de cette forme d'art est comblé par certaines sources littéraires grecques et romaines. Pour la période impériale, les témoignages archéologiques sont plus abondants, comme dans le cas des portraits du Fayoum, qui, cependant, sont limités à la province de l'Egypte, ou des fresques trouvées dans un certain nombre de sites archéologiques importants en Méditerranée (les plus précieux ont été trouvés à Herculanum, Pompéi et Stabies, mais aussi en Syrie)
This project aims to reconstruct the development of painting portraits in Rome and the use of these types of image employed for Romans, from the Republic until the end of the third century AD. The portrait painted in Roman art follows the cultural changes and the limits of the Empire, mingling with artistic traditions from different cultural areas. The study of this subject, which presents profound difficulties, is often wrongly considered as a sub-argument of the theme of the statuary portrait in Rome. The painted portrait deserves a study as an independent subject because in Antiquity the painting was "l’arte guida". The old painting is now little known because most of the works have been lost and it makes the painted portrait difficult to reconstruct. The lack of archaeological sources relating to the genesis of this art form is filled by some Greek and Roman literary sources. For the imperial period archaeological evidence is more abundant, as in the case of Fayum portraits, which, however, are limited to the province of Egypt, or frescoes found in several important archaeological sites in the Mediterranean (the more valuable were found at Herculaneum, Pompeii and Stabies, but also in Syria)
APA, Harvard, Vancouver, ISO, and other styles
8

Arnold, J. David. "Naked portraits : figures in oil." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864927.

Full text
Abstract:
The purpose of this project is to create a group of paintings/portraits of two close friends, using the medium of oil bars on gessoed paper. This medium will be explained in the text of the paper. The paintings were an attempt to describe aspects of personality that I see in my friends, their own personal struggles and victories. I observed these changes first hand. I told the story of these changes, as they evolved, in the paintings.The six paintings explore the naturalistic style which is new for me. It will open other avenues of visual expression. It was necessary for me to spend time in research and study of other contemporary artists who have worked with the figure and portraits. The study of other artists is an artistic discipline that helped me clarify, in my own mind, the purpose and problem-solving that took place in the course of my study.
Department of Art
APA, Harvard, Vancouver, ISO, and other styles
9

Foley, Sean Patrick. "A self portrait." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314739094.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Painter-de, Jonge Mardoe. "A self portrait." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328122393.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Portrait"

1

Company, British Petroleum, ed. 500 portraits: BP Portrait Award. London: National Portrait Gallery Publications, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Sarah, Howgate, and Nairne Sandy, eds. The portrait now. London: National Portrait Gallery, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Herrmann, Frank. Portrait photography. Sparkford: Oxford Illustrated, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Badge, Peter. Nobelpreisträger im Portrait =: Nobel laureates in portraits. Nürnberg: ars vivendi, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Peter, Weiermair, ed. Portraits: Das Portrait in der zeitgenössischen Photographie = Portraits in contemporary photography = Le portrait dans la photographie contemporaine. Schaffhausen: Edition Stemmle, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Brou, Musée de, Musée savoisien, and Musée de Valence (Valence, Drôme, France), eds. Portrait: Le portrait dans les collections des musées Rhônes-Alpes. Paris: Réunion des musées nationaux, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Galbois, Estelle. Images du pouvoir et pouvoir de l'image: Les "médaillons-portraits" miniatures des Lagides. Pessac: Ausonius, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

National Portrait Gallery (Great Britain). Victorian portraits in the National Portrait Gallery collection. London: National Portrait Gallery, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lussu, Joyce. Portrait. Bologna: Transeuropa, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Baal, Frédéric. Portrait. [France]: Fata Morgana, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Portrait"

1

Weiß, Klaus-Dieter. "Portrait." In Gatermann + Schossig Bauten für Industrie und Technik, 14–15. Wiesbaden: Vieweg+Teubner Verlag, 1996. http://dx.doi.org/10.1007/978-3-322-85041-6_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Weik, Martin H. "portrait." In Computer Science and Communications Dictionary, 1302. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_14316.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ramakrishnan, S., P. C. Ramakrishna, and &. Malini Seshadri. "Portrait." In Katha Vilasam, 159–62. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003247722-39.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"7. ‘Portrait! Portrait!! Portrait!!!’." In Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836. Paul Mellon Centre, 2001. http://dx.doi.org/10.37862/aaeportal.00023.013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Librett, Jeffrey S. "Introduction." In Portrait, 1–10. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279944.003.0001.

Full text
Abstract:
This introductory chapter provides an overview of the two essays published in this book. In the two essays, the author reads the art of the portrait in terms of an ontology of the subject while construing the subject's being in terms of its artistic portrayal. He argues that subject and portrait are to be inscribed in each other, and he sketches in broad strokes the intertwining histories of each. Inthe author's portrait of portraiture, the history of portraiture (which is illustrated with a selective Ahnengalerie, or gallery of portraits) gives access to a history of the subject, and the converse. While the author's depiction of these histories remains just a sketch, it provides a rigorous conceptual orientation for both art-historical and philosophical discussions of the portrait and its subject.
APA, Harvard, Vancouver, ISO, and other styles
6

Nancy, Jean-Luc. "Resemblance." In Portrait, translated by Sarah Clift and Simon Sparks, 21–28. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279944.003.0003.

Full text
Abstract:
It gradually becomes clear that a portrait does not resemble because it looks like a face; rather resemblance begins and exists only with the portrait and in it alone; resemblance is the portrait’s work, its glory or its disgrace, expressing the fact that the face is not there, that it is absent, that it only appears by way of the absence that resemblance precisely is....
APA, Harvard, Vancouver, ISO, and other styles
7

Nancy, Jean-Luc. "Mimesis." In Portrait, translated by Sarah Clift and Simon Sparks, 59–62. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279944.003.0010.

Full text
Abstract:
A portrait presents above all the tension of a relation, but not a relation to “someone” else. To the contrary, a relation between two characters is not necessarily a “double portrait” but could just as well be offering up a scene or narrative, whereas the portrait does not tell a story but arrests every kind of speech, narration, or declaration in order to sustain an almost exclusive relation to itself. At the same time, the portrait’s self-relation constitutes the entire substance of the relation to the spectator, who is presented with someone as a “self” and not as an interlocutor—except perhaps as a silent interlocutor of itself. To put it in these terms: I am presented with a “me” (or an “I”) and therefore with another me and/or the “me” of another …...
APA, Harvard, Vancouver, ISO, and other styles
8

Prior, William J. "The Portrait Of Socrates In Plato’s Symposium." In Oxford Studies In Ancient Philosophy, 137–66. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199204212.003.0005.

Full text
Abstract:
Abstract Plato’s dialogues offer us numerous portraits of Socrates. Some of these are dramatic depictions that show us Socrates in conversation with various interlocutors. Others are descriptions of Socrates, sometimes presented by others, sometimes by Socrates himself. One of these descriptive portraits occurs in Plato’s Symposium. The portrait is complex, being made up of several contributions from several different characters. The relation between these various portraits is complicated. I believe that, taken together, they constitute a coherent description, when certain perspectival differences and other internal features of the individual portraits are taken into account. Thus, I shall speak in this paper of ‘the portrait’ of Socrates in the Symposium, rather than of multiple portraits. I cannot prove, beyond what I say here, that the various portraits amount to a coherent whole. Nor can I establish that the portrait is coherent in every detail. Still, I believe it is consistent in its main elements.
APA, Harvard, Vancouver, ISO, and other styles
9

"Preface to the English-Language Edition." In Portrait, vii—x. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823279975-001.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Introduction. The Subject of the Portrait." In Portrait, 1–10. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823279975-002.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Portrait"

1

Marian, Ana. "Anatomical constructions of the creation of a sculptural portrait in the works of Lazar Dubinivsky." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.26.

Full text
Abstract:
Anatomical constructions are the important point in creating a sculptural portrait. The academic school of modelling, as well as modernist tendencies can be tested in the work of Alexandru Plămădeală (1888—1940). A severe anatomical interpretation also characterized the creativity of Lazăr Dubinovschi (1910—1982). Already in a series of works, dedicated to colleagues in the workshop (1968—1979), Lazăr Dubinovschi realized the prevalence of the inner world in the portrait, which contributed to the modeling of the anatomical features of the portrayed people. Claudia Cobizev (1905—1995) went through a good school, which helped to update the anatomical structures in the female portrait. Dumitru Rusu-Scvorţov (1926—1991) is a good connoisseur of anatomy in sculptural portraits of famous people. Alexandra Picunov-Târţău (1928—2002) conveys the secrets of the images she creates through the laconicism of anatomical features in the portraits of her colleagues (1972—1981). Brunhilda Epelbaum-Marcenco (b. 1927) experiments with color in the portrait genre. The work of Yuri Kanashin (b. 1939) contains a whole range of modeling between realistic and stylized interpretation in portraits of great personalities. Sculptor Constantin C. Constantinov (b. 1943) introduces anatomical constructions in portraits of elderly people (1985—1989). Portraits of Dumitru Verdianu (b. 1954) contain, in addition to anatomical structures, both impressionist and modernist interpretations (1982—1989). The minimalism and conceptualism of Ion Bolocan (b. 1961) reduces anatomical constructions to external forms, displaced and extracted. Anatomical constructions have always contributed to lifelikeness and plastic expression in the portrait.
APA, Harvard, Vancouver, ISO, and other styles
2

Hou, Keyu, Shunxun Li, Jingjing Li, Wei Xu, Rui Wang, and Jin Zhou. "Research on consumer portraits of offline fast fashion shoe stores based on IoT smart hardware." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.iii.9.

Full text
Abstract:
There is a close relationship between consumer’s portrait and product’s attributes. Consumer portraits are usually obtained from information provided by consumers or by using data analysis of computer vision technology when they were in store. However, there was few concerns on the product’s attribute which was a critical factor affecting consumer portrait establishment. Therefore, the purpose of this study was to establish IoT based product attributes’ data collection system then to use this system to portrait consumers behaviors. Firstly, we used our own developed smart hardware to collect consumers' attention data on products of fast fashion shoe stores. Then the product attention index was obtained by combining sales data, and the quantitative attributes of the products with the highest attention index were analyzed, including the age, style and price. At last, improved the TOFA model to make it suitable for the conversion analysis of product attributes to consumer portraits. The results showed that there were core hedonic middle-aged consumer groups and potential thrifty youth consumer groups in the store, and the styles of shoes tend to be fashionable and casual. The conclusion was that the new model can effectively analyze the core consumer portraits of shoe stores and provide strategies for shoe store positioning and supply.
APA, Harvard, Vancouver, ISO, and other styles
3

Ding, Y. J., and A. E. Kaplan. "Dynamics of multiphoton optical resonances of a single cyclotron electron." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1988. http://dx.doi.org/10.1364/oam.1988.wm6.

Full text
Abstract:
A single relativistic electron may exhibit large hysteresis and bistability in its cyclotron resonance at the main frequency (Ω ≈ Ω0, where Ω0 = eH0/m0c is the cyclotron frequency with H0 being a dc magnetic field).1 The microwave cyclotron motion of an electron can also be excited by an optical laser using either biharmonic driving with the optical frequencies ω1 and ω2 so that ω1– ω2 = nΩ, where n is an integer (the so-called cyclo-Raman excitation) or higher-order subharmonics with ω = nΩ.1 So far, only steady-state regimes of oscillations for all these processes have been analyzed in detail. Here we report the results of our study on the dynamic behavior of the electron in large using a phase portrait technique for all the relativistic-related nonlinear effects mentioned above. These results confirm our previously reported results as to the small-perturbation stability of all the steady states and reveal topology of phase portraits of the system for large perturbations very much similar to that of classical anharmonic oscillators.2 The phase portrait for main frequency oscillation consists of two (stable) focal points and one saddle point. The phase portrait for subharmonic oscillation shows the similarity to that for other physical nonlinear systems.2 In biharmonically excited cyclotron oscillations, the phase portrait for the first-order process (n = 1) is qualitatively similar to that for the main frequency, and the higher-order processes have phase portraits essentially similar to those of subharmonic cyclotron excitation.
APA, Harvard, Vancouver, ISO, and other styles
4

Ohnmacht, Tina. "Family portrait." In ACM SIGGRAPH 2008 computer animation festival. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400468.1400498.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Trujillo-Pisanty, Diego, Abigail Durrant, Sarah Martindale, Stuart James, and John Collomosse. "Admixed portrait." In DIS '14: Designing Interactive Systems Conference 2014. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2598510.2602962.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Brewer, Robin N., Moritz Gellner, and Anne Marie Piper. "Portrait pigeon." In UbiComp '14: The 2014 ACM Conference on Ubiquitous Computing. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2638728.2638793.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Tobreluts, Olga. "Family portrait." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281509.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Durrant, Abigail C., David S. Kirk, Diego Trujillo-Pisanty, and Sarah Martindale. "Admixed Portrait." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173574.3173586.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

van der Burg, Vera, Gijs de Boer, Alkim Almila Akdag Salah, Senthil Chandrasegaran, and Peter Lloyd. "Objective Portrait." In DIS '23: Designing Interactive Systems Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3563657.3595974.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Redko, Anatoliy Maksimovich. "A Portrait." In International Research-to-practice conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530674.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Portrait"

1

Mills, Kelly, Josh Weisgrau, Quinn Burke, Keun-woo Lee, Teresa Solorzano, and Merijke Coenraad. Shifting Education with Learning Pathways: Becoming Your Portrait of a Graduate. Digital Promise, March 2024. http://dx.doi.org/10.51388/20.500.12265/205.

Full text
Abstract:
There is a necessity for an educational shift to equip today’s learners for success in a dynamically evolving world shaped by emerging technologies and globalization. Emphasizing the importance of academic and technical skills, this report stresses the need for learners to possess adaptability and interpretive abilities to apply these skills in diverse contexts. The “Portrait of the Graduate” initiative is introduced as a visionary framework where readers will learn more about the skillsets districts across the country have identified for students. Furthermore, this report will introduce readers to the design and implementation of “Integrated Learning Pathways'' as a strategy to breathe life into the Portrait of the Graduate and will provide examples of districts putting their Portraits into action. The report concludes with recommending district leaders to create Integrated Learning Pathways to align learning and initiatives to their Portrait of a Graduate and ultimately better prepare students for a successful future.
APA, Harvard, Vancouver, ISO, and other styles
2

von Balthasar, Hans Urs. La Communauté Saint⁠-⁠Jean: un portrait. Saint John Publications, 2022. http://dx.doi.org/10.56154/ru.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bailey, Jody, Daniel Babb, Shamir Banks, Tyler Dvorak, Tom Gruis, Xiao Luo, and Rose Phillips. Sustainable Dubuque 2012: Portrait of Poverty Study. University of Iowa, 2012. http://dx.doi.org/10.17077/x66q-kdx9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kamal, Fariha. A Portrait of U.S. Factoryless Goods Producers. Cambridge, MA: National Bureau of Economic Research, October 2018. http://dx.doi.org/10.3386/w25193.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Watson, Dorothy, Oona Kenny, Frances McGinnity, and Helen Russell. A social portrait of Travellers in Ireland. ESRI, January 2017. http://dx.doi.org/10.26504/rs56.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Benowitz, June. Grace Wick : portrait of a right-wing extremist. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5673.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mighetto, Lisa, and Heather L. Miller. A Portrait of the Tribal Liaison Program, 1987-2005. Fort Belvoir, VA: Defense Technical Information Center, January 2005. http://dx.doi.org/10.21236/ada635729.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Turner, R. J. W., C. M. Mougeot, C. F. Roots, J. J. Clague, and R. Franklin. Géopanorama de Whitehorse : portrait géologique d'une collectivité du Yukon. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2003. http://dx.doi.org/10.4095/214248.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fernandez, Cledwyn, and Havishaye Puri. A Statistical Portrait of the Indian Female Labor Force. Asian Development Bank Institute, December 2023. http://dx.doi.org/10.56506/bdxr3681.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Johnson, Robert, and Guillermo Noguera. A Portrait of Trade in Value Added over Four Decades. Cambridge, MA: National Bureau of Economic Research, December 2016. http://dx.doi.org/10.3386/w22974.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Portrait' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography