Books on the topic 'Porcelain, japanese – edo period, 1600-1868'

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1

The early porcelain kilns of Japan: Arita in the first half of the seventeenth century. Oxford: Clarendon Press, 1996.

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2

John, Ayers. Porcelain for palaces: The fashion for Japan in Europe 1650 - 1750 : an exhibition organised jointly with the British Museum in the new Japanese galleries 6th July to 4th November 1990. London: Oriental Ceramic Society, 1990.

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3

R, Impey O., Mallet J. V. G, Oriental Ceramic Society, and British Museum, eds. Porcelain for palaces: The fashion for Japan in Europe, 1650-1750. [London]: Oriental Ceramic Society, 1990.

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4

Horiuchi, Annick. Japanese Mathematics in the Edo Period (1600-1868). Basel: Birkhäuser Basel, 2010. http://dx.doi.org/10.1007/978-3-7643-8745-7.

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5

Hakkokan, Senʼoku. Senʼoku hakko: Nihon kaiga = Sen-oku Hakuko Kan : Sumitomo collection. Kyōto-shi: Senʼoku Hakkokan, 2010.

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6

Ryōkan. Kōchū Ryōkan zenkashū. Tōkyō: Shunjūsha, 1996.

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7

Neuer, Roni. Ukiyo-e: 250 years of Japanese art. New York: Gallery Books, 1988.

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8

Wong, Russel. Life in Edo: Russel Wong in Kyoto. Edited by Onn Clement curator, Guth Christine contributor, Toh Charmaine 1977 contributor, Kōbe Shinbunsha, and Asian Civilisations Museum (Singapore). Singapore: Asian Civilisations Museum, 2021.

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9

Tenri Toshokan. Wataya Bunko Haisho Shūsei Henshū Iinkai., ed. Haikai Saitanshū. Naraken Tneri-shi: Tenri Daigaku Shuppanbu, 1995.

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10

Jun, Etō. Kindai izen. Tōkyō: Bungei Shunjū, 1985.

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11

Sawada, Tōkō. Iso rokujō.: Kokon niwakasen. Kuro ururi. Inaka shibai. Tōkyō: Iwanami Shoten, 1998.

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12

Kira, Sueo. Bashō renku kochūshū: Sarumino hen. Tōkyō: Kyūko Shoin, 1987.

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13

Kōnoike, Zenʼemon. Haifū Ōyokote. Nara-ken Tenri-shi: Tenri Daigaku Shuppanbu, 2000.

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14

Tenri Toshokan. Wataya Bunko Haisho Shūsei Henshū Iinkai., ed. Tenri Toshokan Wataya bunko haisho shūsei. Naraken Tenri-shi: Tenri Daigaku Shuppanbu, 1994.

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15

1941-, Kobayashi Tadashi, Link Howard A, and Honolulu Academy of Arts, eds. Prints by Utagawa Hiroshige in the James A. Michener Collection. Honolulu: Honolulu Academy of Arts, 1991.

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16

1929-, Harootunian Harry D., and Asia Society Galleries, eds. Undercurrents in the Floating World: Censorship and Japanese prints. New York: Asia Society Galleries, 1991.

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17

Kamei, Hideo. Transformations of Sensibility: The Phenomenology of Meiji Literature. Ann Arbor: University of Michigan Press, 2020.

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18

John, Stevens. Zenga, brushstrokes of enlightenment. New Orleans, La: New Orleans Museum of Art, 1990.

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19

1947-, Stevens John, Yelen Alice Rae, and New Orleans Museum of Art., eds. Zenga, brushstrokes of enlightenment. New Orleans, LA: New Orleans Museum of Art, 1990.

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20

1947-, Stevens John, Yelen Alice Rae, and New Orleans Museum of Art., eds. Zenga, brushstrokes of enlightenment. New Orleans, LA: New Orleans Museum of Art, 1990.

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21

Ueda, Makoto. Dew on the grass: The life and poetry of Kobayashi Issa. Leiden: Brill, 2000.

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22

1931-, Seigle Cecilia Segawa, Kitagawa Utamaro 1753?-1806, Taiso Yoshitoshi 1839-1892, and Toyohara Kunichika 1835-1900, eds. A courtesan's day: Hour by hour. Amsterdam: Hotei, 2004.

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23

Edamatsu, Campbell Kazue, Dalby Liza Crihfield, Oshima Mark, Worcester Art Museum, Equitable Gallery (New York, N.Y.), and Kimbell Art Museum, eds. The women of the pleasure quarter: Japanese paintings and prints of the floating world. New York: Hudson Hills Press, 1995.

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24

Vos, K. Symbolism & simplicity: Korean art from the collection of Won-Kyung Cho. Leiden: Hotei Pub., 1997.

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25

Marceau, Lawrence Edward. Takebe Ayatari: A Bunjin Bohemian in early modern Japan. Ann Arbor, MI: Center for Japanese Studies, University of Michigan, 2005.

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26

Marceau, Lawrence Edward. Takebe Ayatari: A Bunjin Bohemian in early modern Japan. Ann Arbor: Center for Japanese Studies, University of Michigan, 2004.

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27

1950-, Kita Sandy, ed. The floating world of Ukiyo-e: Shadows, dreams, and substance. New York: Abrams in association with the Library of Congress, 2001.

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28

1950-, Kita Sandy, ed. The floating world of Ukiyo-e: Shadows, dreams, and substance. New York: Abrams in association with the Library of Congress, 2001.

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29

1950-, Kita Sandy, ed. The floating world of Ukiyo-e: Shadows, dreams, and substance. New York: Abrams in association with the Library of Congress, 2001.

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30

Itō, Jakuchū. On a riverboat journey: A handscroll. New York, N.Y: George Braziller, 1989.

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31

Ayers, John, Oriental Ceramic Society, Oliver Impey, and J. V. G. Mallet. Porcelain in Palaces. Oriental Ceramic Society, 2001.

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32

A third gender : beautiful youths in Japanese Edo-period prints and paintings (1600-1868). Royal Ontario Museum, 2016.

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33

Hisatomi, Tetsuo. "Oku no hosomichi" o aruku jiten (San rekishika). Sanseido, 1987.

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34

Neuer, Roni, and Susugu Yoshida. Ukiyo-E: 250 Years of Japanese Art. Not Avail, 1991.

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35

Rosen haikaishu (Tenri Toshokan Wataya bunko haisho shusei). Hatsubai Yagi Shoten, 1998.

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36

Kakimori Bunko mokuroku. Tōkyō: Yagi Shoten, 1990.

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37

Iso rokujo: Kokon niwakasen. Kuro ururi. Inaka shibai (Shin Nihon koten bungaku taikei). Iwanami Shoten, 1998.

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38

Edo no naka no kindai: Akita Ranga to "Kaitai shinsho". Tōkyō: Chikuma Shobō, 1996.

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39

Danrin haishoshu (Tenri Toshokan Wataya bunko haisho shusei). Hatsubai Yagi Shoten, 1995.

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40

Harootunian, Harry D. Undercurrents in the Floating World: Censorship and Japanese Prints. Univ of Washington Pr, 1992.

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41

Kamei, Hideo, and Michael K. Bourdaghs. Transformations of Sensibility: The Phenomenology of Meiji Literature. University of Michigan, Center for Japanese Studies, 2021.

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42

Kamei, Hideo, and Michael K. Bourdaghs. Transformations of Sensibility: The Phenomenology of Meiji Literature. University of Michigan, Center for Japanese Studies, 2020.

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43

Kamei, Hideo, and Michael K. Bourdaghs. Transformations of Sensibility: The Phenomenology of Meiji Literature. University of Michigan, Center for Japanese Studies, 2020.

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44

Kamei, Hideo, and Michael Bourdaghs. Transformations of Sensibility: The Phenomenology of Meiji Literature (Michigan Monograph Series in Japanese Studies, No. 40). Center for Japanese Studies University of Mic, 2001.

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45

Taiga's True Views: The Language of Landscape Painting in Eighteenth-Century Japan. Stanford University Press, 1994.

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46

Taiga's True Views: The Language of Landscape Painting in Eighteenth-Century Japan. Stanford University Press, 1994.

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47

Taiga's true views: The language of landscape painting in eighteenth-century Japan. Stanford, Calif: Stanford University Press, 1992.

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48

Hibbett, Howard. Floating World in Japanese Fiction. Diane Pub Co, 2001.

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49

The Floating World in Japanese Fiction. 2nd ed. Tuttle Publishing, 2002.

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50

Newland, Amy Reigle, Tim Clark, Alfred Marks, and Cecilia Seigle. A Courtesan's Day: Hour by Hour (Famous Japanese Print Series). Hotei Publishing, 2004.

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