Academic literature on the topic 'Porcelain, chinese – collectors and collecting'
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Journal articles on the topic "Porcelain, chinese – collectors and collecting"
Guseva, Anna V. "Chinese Paintings from Western Museum Collections at the International Exhibition of Chinese Art in London, 1935: On the History of Collecting and Attributing Chinese Paintings." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 2 (2022): 287–302. http://dx.doi.org/10.15826/izv2.2022.24.2.040.
Full textWang, Yu, and Zhengding Liao. "Porcelain interior plastic of the 1950s in museums and private collections in China." Issues of Museology 12, no. 1 (2021): 58–67. http://dx.doi.org/10.21638/spbu27.2021.106.
Full textWang, Xingqian. "Contemporary ceramic art of China: a look from the perspective of the art market." Культура и искусство, no. 8 (August 2023): 86–95. http://dx.doi.org/10.7256/2454-0625.2023.8.43723.
Full textZhang, Wenpu. "A Chinese screen in the collection of the State Hermitage Museum." Культура и искусство, no. 6 (June 2024): 225–34. http://dx.doi.org/10.7256/2454-0625.2024.6.70796.
Full textColomban, Philippe, Gulsu Simsek Franci, Jacques Burlot, Xavier Gallet, Bing Zhao, and Jean-Baptiste Clais. "Non-Invasive On-Site pXRF Analysis of Coloring Agents, Marks and Enamels of Qing Imperial and Non-Imperial Porcelain." Ceramics 6, no. 1 (February 3, 2023): 447–74. http://dx.doi.org/10.3390/ceramics6010026.
Full textMouquin, Sophie. "Chinese Porcelain from the Butler Collections, MNHA, 2008." Revue du Nord 379, no. 1 (January 1, 2009): VII. http://dx.doi.org/10.3917/rdn.379.0177g.
Full textTelste, Kari. "A Wedding Gift and Transculturation: Chinese Porcelain in Norway and the Danish Asian Company in China in the Eighteenth Century." Cultural History 7, no. 1 (April 2018): 1–19. http://dx.doi.org/10.3366/cult.2018.0156.
Full textColomban, Philippe, Burcu Kırmızı, Bing Zhao, Jean-Baptiste Clais, Yong Yang, and Vincent Droguet. "Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry." Heritage 3, no. 3 (August 17, 2020): 915–40. http://dx.doi.org/10.3390/heritage3030050.
Full textGrela-Chen, Magdalena. "Antithesis versus Inspiration: Chinese Clothing in the Eyes of Western Theorists and Fashion Designers." Intercultural Relations 4, no. 2(8) (February 16, 2021): 81–95. http://dx.doi.org/10.12797/rm.02.2020.08.05.
Full textНовікова Ольга. "ЦІНСЬКИЙ ФАРФОР ІЗ НАДПОЛИВ'ЯНИМ РОЗПИСОМ ЕМАЛЕВИМИ ФАРБАМИ (FAMILLE ROSE) З КОЛЕКЦІЇ НАЦІОНАЛЬНОГО МУЗЕЮ МИСТЕЦТВ ІМЕНІ БОГДАНА І ВАРВАРИ ХАНЕНКІВ." World Science 2, no. 1(41) (January 31, 2019): 33–39. http://dx.doi.org/10.31435/rsglobal_ws/31012019/6304.
Full textDissertations / Theses on the topic "Porcelain, chinese – collectors and collecting"
Knittler, Konstanze Amelie. "Motivations and patterns of collecting : George Salting, William G. Gulland and William Lever as collectors of Chinese porcelain." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2811/.
Full textLim, Eunmin. "Re-collections and movements : Murray Marks's translations of Chinese porcelain and Italian Renaissance bronzes, ca. 1860-1918." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/17780/.
Full textChopard, Lucie. "La collection d'Ernest Grandidier au Louvre (1870-1915) : voir, comprendre, donner à voir la porcelaine chinoise." Thesis, Université Paris sciences et lettres, 2021. http://www.theses.fr/2021UPSLP091.
Full textIn 1894, a collection of more than 3000 pieces, already famous in Paris, enters the Musée du Louvre: that of Ernest Grandidier. The nature of the objects that formed it - Chinese porcelains - and the role the collector intends to keep next to his collection - he requires to become its keeper - distinguishes it from the other donations made to the museum during the Third Republic. From the installation of the collection in the “entresol” of the Grande Galerie in 1895, to his death in 1912, Grandidier keeps enriching his showcases (now at the museum) and watching after his pieces.My approach is not a study of the ceramics gathered together by Grandidier, but a study of his collection in its context which develops around the perception and, thus, the gaze. The complex interaction between these porcelains, identified as material culture of a distant country, and the second half of the 19th-century, is examined in the light of the history of a collection, the conditions of its installation at the Louvre and the French gaze on Chinese porcelain at that time. The history of the Grandidier collection reveals that although its creator is involved in a specific process towards Chinese porcelain - its dating and classification -, he is not indifferent to the critical and artistic discourses of his time. He connects together sinology of the period, mostly devoted to the philology, to the universal exhibitions, and the Lazarist missionaries to the work of the Union centrale des arts décoratifs (UCAD). Indeed, the collector, as he supports his gift, presents his porcelains as a teaching tool of two fields: industry and history of Chinese porcelain. I would like to question these two justifications in order to precise the reception of these objects by the collector and his contemporaries
Wear, Eric Otto, and 華立強. "Patterns in the collecting and connoisseurship of Chinese art in Hong Kong and Taiwan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894392.
Full textVivien, Béatrice. "Les demeures et collections d'un grand seigneur : René de Longueil, Président de Maisons (1597-1677)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040195.
Full textIn an unexpected manner, and in a short time, Rene de Longueil inherited to the family seigneury of Maisons in 1629 and the heritage of his wife’s family in 1630 which he took advantage by his cleverness. Ever since Rene de Longueil undertook the construction of a new chateau, trusted François Mansart and Jacques Sarrazin’s team, and celebrated as one of the most beautiful residence in France. But he saw the finishing of the project only ten years before his death: Maisons was an endless building site, done one stage at a time. In Paris, he lived at rue de Béthisy, in a town house, inherited from Nicolas Chevalier, his uncle in-law. His wife, Madeleine, dead too early, stays a mysterious person who inspired the decoration of the new chateau. He had one’s heart set on extending the seigneury with the purchase of fief which constituted a huge territory in le Pincerais, surrounding nearly the crown estate of Saint-Germain. Descendant of a noble family, he baught the charges of la Cour des Aides and Président à mortier. During the Fronde, he played an important role as an agent between the Parlment and the Regency. He had the honour of serving the king as captain of his chateau in Versailles and Saint-Germain, before he’s promoted Superintendent of Finances in 1650. He lived in exile in Normandy a few years. Back in favour, he could assent to rank of Marquis in 1658 and welcoming the king and the Court. His places of residence in Maisons and Bethisy contained sumptuous and precious furniture, as well as many works of art. Man with a lot of taste and moving with the times, he took an interest in tapestries work, chinas, and orange trees. The poets celebrated the gardens of Maisons. Excellence became his rule employing the best craftmens and the best servants. Powerful, rich and famous man, he transferred a considerable heritage and his title of Marquis to his descendants
"明中葉吳中地區書法鑑藏與文徵明書法之關係 =: Connoisseurship of calligraphy in Suzhou during mid-Ming and its relationship with Wen Zhengming's calligraphy." 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5895577.
Full text論文(碩士) -- 香港中文大學硏究院藝術學部,1995.
參考文獻: leaves [1-9] (2nd group)
Deng Minliang.
前言 --- p.2
Chapter 第一章 --- 吳中地區的復興對書法好¯‘ة之影響 --- p.4
Chapter 第二章 --- 文徵明的交遊與吳中文苑 --- p.22
Chapter 第三章 --- 吳中地區的書法收藏槪況與 文徵明的鑑藏活動 --- p.72
Chapter 第四章 --- 文徵明的書學 --- p.103
Chapter 第五章 --- 文徵明的書法風格與所見藏品之關係 --- p.122
總結 --- p.157
參考書目
附錄一文徵明家藏及題跋書法名蹟
附錄二著錄所見及傳世文徵明所書《千字文》
附錄三文徵明題跋所見引用書目
附錄四吳寬《匏翁家藏集》所載書法題跋
附錄五都穆《寓意編》所載書法收藏
附錄六華夏所藏書法
附錄七《珊瑚網》所載王世貞書法收藏
附錄八《珊瑚網》所載王世貞收藏碑帖
附錄九《珊瑚網》所載王世懋收藏書法
附錄十項元汴所藏書法
附錄十一《鈐山堂書畫記》所載書法收藏
附錄十二《珊瑚網》著錄書法收藏
附錄十三詹景鳳《東圖玄覽編》所載書法收藏
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Books on the topic "Porcelain, chinese – collectors and collecting"
Castelluccio, Stéphane. Collecting Chinese and Japanese porcelain in pre-revolutionary Paris. Los Angeles: The J. Paul Getty Museum, 2013.
Find full textMin jian xun ci ji shi. Beijing Shi: Xue yuan chu ban she, 2004.
Find full textChilnese ceramics: The Koger collection. London: P. Wilson Pubs., 1985.
Find full textEkkehard, Schmidberger, Achenbach Nora von, Klein Lisa, Weinberger Cornelia, and Landesmuseum (Staatliche Kunstammlungen Kassel). Abteilung Kunsthandwerk und Plastik., eds. Porzellan aus China und Japan: Die Porzellangalerie der Landgrafen von Hessen-Kassel, Staatliche Kunstsammlungen Kassel. Berlin: D. Reimer, 1990.
Find full textChunyuan, Wang, ed. Ma shuo tao ci. Beijing: Zhongguo qing nian chu ban she, 1997.
Find full textMark, Hinton, Impey O. R, Ashmolean Museum, and Christie, Manson & Woods., eds. Kensington Palace and the porcelain of Queen Mary II: Essays in association with the exhibition China Mania, a re-creation of Queen Mary II's display of oriental porcelain at Kensington Palace in the 1690's. London: Christie's, 1998.
Find full textT, Bailey Ann, Howard David S, and Washington and Lee University. Reeves Center., eds. Chinese export porcelain: In the Reeves Center collection at Washington and Lee University. London: Third Millennium Publishing, 2003.
Find full textZui wen ming: Shou cang Ma Weidu. Beijing Shi: Zhong xin chu ban she, 2014.
Find full textLeite, José Roberto Teixeira. As companhias das Indias e a porcelana chinesa de ecomenda. Salvador: Fundação Cultural da Bahia, 1986.
Find full textÉtienne, Martin, and Musée des arts décoratifs (Strasbourg, France), eds. Le goût chinois du cardinal Louis de Rohan: Les collections extrême-orientales du Musée des arts décoratifs. Strasbourg: Musées de la ville de Strasbourg, 2008.
Find full textBook chapters on the topic "Porcelain, chinese – collectors and collecting"
Xia, Nai. "Chinese Export Porcelain Collections in Sweden." In Studies in Silk Road Archaeology, 159–66. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7475-7_17.
Full textGlaister, Helen. "Chinese Porcelain in European Style." In Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain, 1–32. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003230779-1.
Full textSuchomel, Filip. "Chinese Porcelain in the Czech Aristocratic Collections of the 17th, 18th and 19th Century." In Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700–1900), 153–66. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7767/9783205207139.153.
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