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Books on the topic 'Popularity detection'

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Author: Grafiati
Published: 25 May 2024

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1

Copyright Paperback Collection (Library of Congress), ed. Play it again. New York: Volo, 2001.

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2

Identität ermitteln: Ethnische und postkoloniale Kriminalromane zwischen Popularität und Subversion. Würzburg: Königshausen & Neumann, 2011.

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3

Revenge of the homecoming queen. New York: Berkley Jam, 2007.

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4

Gildersleeve, Jessica, and Kate Cantrell. Screening the Gothic in Australia and New Zealand. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721141.

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The persistent popularity of the detective narrative, new obsessions with psychological and supernatural disturbances, as well as the resurgence of older narratives of mystery or the Gothic all constitute a vast proportion of contemporary film and television productions. New ways of watching film and television have also seen a reinvigoration of this ‘most domestic of media’. But what does this ‘domesticity’ of genre and media look like ‘Down Under’ in the twenty.first century? This collection traces representations of the Gothic on both the small and large screens in Australia and New Zealand in the twenty.first century. It attends to the development and mutation of the Gothic in these post. or neo.colonial contexts, concentrating on the generic innovations of this temporal and geographical focus.
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5

Henderson, Lauren. Nụ hôn thần chết. Hà Nội: NXB Văn hóa thông tin, 2009.

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6

Scripted. New York, NY: G. P. Putnam's Sons, an imprint of Penguin Group (USA), 2015.

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7

Henderson, Lauren. Kiss me kill me. New York: Delacorte Press, 2008.

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8

Henderson, Lauren. Kiss Me Kill Me. New York: Random House Children's Books, 2009.

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9

Stine, R. L. The dare. London: Pocket Books, 1994.

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10

Stine, R. L. The dare. New York: Archway Paperbacks, 1994.

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11

Stine, R. L. The dare. New York: Archway Paperbacks, 1994.

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12

Stine, R. L. The Dare: Fear Street #21. New York: Pocket Books, 1994.

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13

Stine, R. L. The dare. New York: Pocket Books, 1994.

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14

Askew, Kim. Exposure. Blue Ash, Ohio: Merit Press, 2012.

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15

Juby, Susan. Getting the girl. HarperTeen: New York, NY, 2008.

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16

Juby, Susan. Getting the Girl. New York: HarperCollins, 2009.

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17

ill, Manfredi Federica, ed. Kat & Mouse. Edina, Minn: Spotlight, 2009.

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18

Campi, Alex De. Kat & Mouse. Hamburg [Germany]: Tokyopop, 2006.

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19

Vrij, Aldert. Nonverbal Detection of Deception. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190612016.003.0008.

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Throughout history it has been assumed that lying is accompanied by specific nonverbal behaviors; various sources still claim that nonverbal behavior is very revealing about deception. Systematic research, however, examining nonverbal cues to deceit has shown that nonverbal cues to deceit are faint and unreliable. This chapter starts with discussing under which circumstances people pay attention to nonverbal behavior and provides reasons why they do so. This is followed by a theoretical background of nonverbal cues to deception and discussions of the (weak) empirical evidence about (1) the relationship between nonverbal cues and deception, including the empirical evidence regarding the Behavior Analysis Interview and Ekman’s approach of observing facial expressions, and (2) people’s (poor) ability to detect deceit when paying attention to nonverbal behavior. Despite the popularity of observing nonverbal behavior to detect deception, analyzing speech content provides more accurate results, particularly when specific interview protocols are used.
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20

Doyle, Arthur Conan. The Adventures of Sherlock Holmes. Edited by Richard Lancelyn Green. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536955.001.0001.

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The Adventures of Sherlock Holmes is the series of short stories that made the fortunes of the Strand magazine, in which they were first published, and won immense popularity for Sherlock Holmes and Dr Watson. The detective is at the height of his powers and the volume is full of famous cases, including ‘The Red-Headed League’, ‘The Blue Carbuncle’, and ‘The Speckled Band’. Although Holmes gained a reputation for infallibility, Conan Doyle showed his own realism and feminism by having the great detective defeated by Irene Adler - the woman - in the very first story, ‘A Scandal in Bohemia’.
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21

Cavender, Gray, and Nancy C. Jurik. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037191.003.0001.

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This introductory chapter begins with a background on the television series Prime Suspect, which chronicles the life and career of Jane Tennison (Helen Mirren), a detective chief inspector and later a detective superintendent for the London Metropolitan Police. Beyond its worldwide popularity, Prime Suspect is a pathbreaking series because it centers a strong woman lead in a gritty portrayal within what had been an otherwise overwhelmingly male-dominated police procedural subgenre. The series has shaped also the police procedural subgenre by setting higher standards for conveying a sense of social realism in the coverage of police work and, more specifically, what media analysts call “forensic realism.” The remainder of the chapter presents a brief history of the crime genre and women's place as well as a brief history of how television has portrayed women more generally. It concludes with an overview of the subsequent chapters is also presented.
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22

Ruble, Raymond. Round Up the Usual Suspects. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216010135.

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TV shows that retain their popularity over the years do so for obvious reasons: good production values, good acting, and compelling storylines. But detective stories in particular also endure because they appeal to the gumshoe in all of us. America is obsessed with crime solving. Nancy Grace on CNN Headline News, Greta Van Susteren on Fox, and the seemingly annual recurrence of the courtroom sensation all testify to this fact. And these people and cases are able to reach their phenomenal status not simply because of the media-the media only demonstrates the enormous national appetite for this material. Rather, Cold Case, CSI, and Law & Order have achieved their current popularity because they all respond to the same national craving for crime, and do so with great skill and creativity. Round Up the Usual Suspects provides a comparison of the crime fighting models and justice proceedings of each of these TV series. Each series has its own special crime-fighting niche, and each approaches its job with a different set of values and different paradigms of discovery and proof. Their separate approaches are each firmly grounded in different components of human nature — analytical reasoning, for instance, in CSI, memory in Cold Case, and teamwork in Law & Order. After examining each of the individual series in depth, Ruble goes on to investigate some of the historical antecedents in classical TV detective series such as The FBI and Dragnet. It is interesting to note that these crime fighting methodologies are extensions of the way we all process information about the world. Ray Ruble here aims to increase our appreciation for the ingenious manner in which fictional cases are broken and convictions convincingly secured, and also illuminates the deeper human elements that lie under a more implicit spotlight in these runaway hits.
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23

Piccato, Pablo. A Historical Perspective on Crime Fiction in Mexico During the Middle Decades of the Twentieth Century. Edited by Paul Knepper and Anja Johansen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199352333.013.18.

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Detective and murder stories emerged and had their moment of greatest popularity in Mexico in the 1940s and 1950s. Although this genre has been neglected in scholarship, this essay argues that it catered to a growing number of readers and authors eager to make sense of a Mexican reality seen as closely connected with the rest of the world. This article surveys this production during the middle decades of the twentieth century and argues that, despite great differences in their styles and themes, these narratives illustrate the critical engagement of Mexican readers with the state, particularly in relation to its inability to provide justice through police and judicial investigations. Better than any other cultural text or field of knowledge, this literature, along with the police news in newspapers, laid out the coordinates that readers in Mexico’s rapidly expanding urban centers had to follow in order to navigate that complex life-world.
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24

Kotker, Joan. James Patterson. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400673597.

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Since the publication and cinematic success of 1992's Along Came a Spider, James Patterson seems to have taken up permanent residence on the bestseller lists. In the ensuing decade, his hit detective novels, with memorable nursery rhyme titles like Cat and Mouse, (1997) and Pop! Goes the Weasel (1999), came in rapid-fire succession and generated similar popularity and praise. His Alex Cross series created one of the most recognizable detectives in literature, and one of the first urban African American detectives to appeal, on such a grand scale, to audiences of all demographics. With full literary analyses of ten of his most popular works of fiction, this critical companion offers readers a chance to more fully explore Patterson's writings. Beginning with his 1976 bestseller The Thomas Berryman Number and moving chronologically to 2002's 2nd Chance, each chapter examines elements of plot, character development, theme, and critical perspectives. A full chapter offers a delving biographical study of Patterson, including a brief timeline, that traces his early literary and personal interests and later professional achievements. Another chapter discusses the genres of detective and mystery writing, and situates Patterson 's contributions within this framework. Patterson's sociological writings are also considered. Whether for personal pursuits or school assignments, this volume provides ample insight and extensive bibliographic information on Patterson's work, including critical sources and reviews.
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25

Rock, Maya. Scripted. Brilliance Audio, 2015.

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26

Rock, Maya, and Jessica Almasy. Scripted. Brilliance Audio, 2016.

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27

Rock, Maya. Scripted. Penguin Publishing Group, 2016.

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28

Juby, Susan. Getting the Girl: A Guide to Private Investigation, Surveillance, and Cookery. HarperCollins Publishers Limited, 2010.

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29

Stine, R. L. Desafio, El. Grupo Zeta, 1998.

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30

Stine, R. L. The Dare (Fear Street). Perfection Learning Prebound, 1994.

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31

Stine, R. L. Dare. Simon & Schuster, Limited, 2008.

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32

Stine, R. L. The Dare. Tandem Library, 1999.

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33

Stine, R. L. The DARE (FEAR STREET ) : THE DARE. Simon Pulse, 1994.

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34

Stine, R. L. Desafio del Caballero, El. Susaeta, 1992.

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35

Hale, Stephanie. Revenge of the Homecoming Queen (Berkley Jam Books). Berkley Trade, 2007.

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36

Pringle, Mary Beth. John Grisham. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798400674563.

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With his seven legal thrillers, all published since 1989, John Grisham has won a huge following of readers and set a standard few contributors to the genre can match. Because of the success of his novels, the legal thriller is the most popular genre in American fiction today. In this study, Pringle explains how Grisham's legal thriller evolved from the thriller tradition and borrowed from the heroic romance novel, gothic novel, crime novel, and detective fiction. She shows how his novels examine contemporary social and legal problems that do not have simple solutions—ecology, ethnic relations, capital punishment, corporate greed, and health insurance—and how he depicts both the legal system and lawyers in their best and worst lights. Following a biographical chapter that focuses on Grisham's childhood in Arkansas, education, political career, and development as a writer, Pringle examines the legal thriller, its antecedents, and Grisham's contribution to the genre. An individual chapter is devoted to analysis of each of his novels. Each chapter synopsizes the novel, discusses its reception by critics, and features sections on plot development, character development, social/historical context and issues, and an alternative critical perspective from which to approach the novel, such as psychoanalytic theory or feminist criticism. The work includes a complete bibliography of Grisham's work, critical sources, and list of reviews of all of his novels. Because of Grisham's popularity with adults and young adults and the contemporary issues he raises, this study is valuable to students, book discussion group participants, and other interested readers, and is an essential purchase for school and public libraries.
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37

Henderson, Lauren. Kiss Me Kill Me. Delacorte Books for Young Readers, 2008.

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38

Henderson, Lauren. Kiss Me Kill Me. Delacorte Books for Young Readers, 2008.

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39

Mack, Jeff. Clueless McGee gets famous! 2014.

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40

Getting the Girl. Harper Collins, 2008.

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41

Getting the girl. Harper Collins, 2010.

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42

Vicious. New York, USA: HarperTeen, 2014.

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43

Manfredi, Federica, and Alex De Campi. Kat & Mouse Volume 2 (Kat and Mouse (Graphic Novels)). TokyoPop, 2007.

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44

Campi, Alex De, and Frederica Manfredi. Kat and Mouse. TOKYOPOP, Incorporated, 2017.

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