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Books on the topic 'Popular voice'

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Author: Grafiati

Published: 14 March 2024

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1

Patterson, Annabel M. Shakespeare and the popular voice. Cambridge, MA, USA: B. Blackwell, 1990.

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2

Dovchin, Sender, Alastair Pennycook, and Shaila Sultana. Popular Culture, Voice and Linguistic Diversity. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-61955-2.

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3

Wang, Wen. Wen sheng: Hear voice. Beijing Shi: Jiu zhou yin xiang chu ban gong si, 2016.

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4

Jorstad, Erling. Popular religion in America: The evangelical voice. Westport, Conn: Greenwood Press, 1993.

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5

A voice of my own. Cleveland, SC: Bonne Chance Press, 1993.

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6

The voice in the govi. Cascade, Trinidad and Tobago: Paria Publishing, 2011.

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7

Garrod, Charles. Nat "King" Cole, his voice and piano. Zephyrhills, Fla. (Box 1687, Zephyrhills 34283): Joyce Record Club Publication, 1987.

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8

(Publisher), Dawson Michael, ed. The voice of the Jamaican ghetto. Kingston, Jamaica: Ghetto People Pub. Co., 2012.

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9

Democratic personality: Popular voice and the trial of American authorship. Stanford, Calif: Stanford University Press, 1998.

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10

(Fiji), Citizens' Constitutional Forum. Our voice, our future, our constitution. Suva, Fiji: Citizens' Constitutional Forum Ltd., 2012.

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11

Pattison, Pat. Song-writing without boundaries: Lyric writing exercises for finding your voice. Cincinnati, Ohio: Writer's Digest, 2011.

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12

J, Ewbank Alison, and Papageorgiou Fouli T, eds. Whose master's voice?: The development of popular music in thirteen cultures. Westport, Conn: Greenwood Press, 1997.

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13

Piaf, Edith. The voice of the sparrow: The very best of Edith Piaf. Hollywood, CA: Capitol, 1991.

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14

The voice of the city: Vaudeville and popular culture in New York. Chicago: I.R. Dee, 2000.

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15

Stiefel, Matthias. A voice for the excluded: Popular participation in development : utopia or necessity? London: Zed Books in association with the United Nations Research Institute for Social Development (UNRISD), Geneva, 1994.

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16

The voice of the city: Vaudeville and popular culture in New York. New York: Oxford University Press, 1989.

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17

Stiefel, M. A voice for the excluded: Popular participation in development : utopia or necessity? London: Zed in association with the United Nations Research Institute for Social Development, 1994.

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18

Dinneen, Mark. Listening to the people's voice: Erudite and popular literature in North East Brazil. London: Kegan Paul International, 1996.

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19

Syiemlieh, Cassandra. The West wind of all time popular music: The poetic voice of mankind. Shillong, Meghalaya: Cassandra Syiemlieh, 2015.

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20

Sobol, John. Digitopia blues: Race, technology, and the American voice. Banff, AB: Banff Centre Press, 2002.

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21

DiDonato, Joyce. Rejoyce!: The best of Joyce DiDonato. [S.l.]: Erato, 2013.

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22

James, Wawro, ed. Listen to your inner voice. London: Vega, 2001.

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23

Micheal, Ó hAodha, ed. On the margins of memory: Recovering the migrant voice. Newcastle: Cambridge Scholars Pub., 2003.

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24

Let me hear your voice: A family's triumph over autism. New York: Knopf, 1993.

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25

Maurice, Catherine. Let me hear your voice: A family's triumph over autism. London: Hale, 1994.

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26

Let me hear your voice: A family's triumph over autism. New York: Fawcett Columbine, 1994.

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27

undifferentiated, Michael Smith. His Master's Voice recordings: BD series, magenta label--a discography. Hastings: Tamarisk Books, 1992.

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28

Zaslavskai͡a, T. I. A voice of reform: Essays. Armonk, N.Y: M.E. Sharpe, 1989.

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29

Paul, Barker. Composing for voice: A guide for composers, singers, and teachers. New York: Routledge, 2004.

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30

Feist, Tim. The stationers' voice: English almanacs in the early eighteenth century. Philadelphia: American Philosophical Society, 2005.

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31

Contested culture: The image, the voice, and the law. Chapel Hill: University of North Carolina Press, 1991.

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32

1958-, DeVenney David P., ed. The new Broadway song companion: An annotated guide to musical theatre literature by voice type and song style. Lanham [Md.]: Scarecrow Press, 2009.

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33

Odhiambo, Erick. Voice of the Popular: Moralistic Society. Independently Published, 2020.

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34

Little Voice. Cherry Lane Music Company, 2008.

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35

Staff, Hal Leonard Corp. Voice Songbook - Season 1. Leonard Corporation, Hal, 2011.

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36

Staff, Hal Leonard Corp. Voice Songbook - Season 1. Leonard Corporation, Hal, 2011.

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37

The Captive Voice. Wheaton, Ill.: Tyndale House Publishers, 1995.

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38

Pathways of Songs: High Voice. Warner Bros Pubns, 1999.

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39

Popular Ballads for Classical Singers: Low Voice. Hal Leonard Publishing Corporation, 1992.

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40

Walters, Richard. Popular Ballads for Classical Singers - Low Voice: The Vocal Library Low Voice. Hal Leonard Corporation, 2002.

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41

(Creator), Hal Leonard Corp, ed. Popular Ballads for Classical Singers - High Voice: The Vocal Library High Voice. Hal Leonard Corporation, 2002.

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42

Grieg, Edvard. Fifty Songs for High Voice. Dover Publications, 2005.

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43

Staff, Hal Leonard Corp. Real Vocal Book - Volume IV: High Voice. Leonard Corporation, Hal, 2015.

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44

(Narrator), Jean Debieris, ed. The Captive Voice (Daybreak Mysteries #2). Books in Motion, 1999.

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45

Elliott, Richard. Late Voice: Time, Age and Experience in Popular Music. Bloomsbury Publishing Plc, 2015.

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46

Elliott, Richard. Late Voice: Time, Age and Experience in Popular Music. Bloomsbury Publishing Plc, 2017.

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47

Houston, Whitney. Whitney Houston: Piano, Voice and Guitar. Faber Music Ltd, 2012.

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48

Staff, Hal Leonard Corp. Real Vocal Book - Volume III - Low Voice Edition. Leonard Corporation, Hal, 2014.

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49

authors, Various. Russian Popular Songs. VoIume IX. Songs for voice and piano. Compozitor (SPb.), 2004.

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50

Maurice, Catherine. Let Me Hear Your Voice. Robert Hale Ltd, 1999.

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