Journal articles on the topic 'Popular music – social aspects – california'
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Handayani, Diah. "Political Identity, Popular Culture, and Ideological Coercion: The Discourses of Feminist Movement in the Report of Ummi Magazine." Jurnal Pemberdayaan Masyarakat: Media Pemikiran dan Dakwah Pembangunan 5, no. 1 (June 18, 2021): 185–210. http://dx.doi.org/10.14421/jpm.2021.051-08.
Full textJunko, Kitagawa. "Some aspects of Japanese popular music." Popular Music 10, no. 3 (October 1991): 305–15. http://dx.doi.org/10.1017/s0261143000004669.
Full textYasiuk, Tamara. "Ritualism in Ethnic and Popular Culture: Social and Historical Aspects." Folk art and ethnology, no. 4 (December 30, 2022): 89–94. http://dx.doi.org/10.15407/nte2022.04.089.
Full textFAIRCHILD, CHARLES. "The medium and materials of popular music: ‘Hound Dog’, turntablism and muzak as situated musical practices." Popular Music 27, no. 1 (December 13, 2007): 99–116. http://dx.doi.org/10.1017/s0261143008001499.
Full textPowell, Bryan. "Community music interventions, popular music education and eudaimonia." International Journal of Community Music 00, no. 00 (February 24, 2021): 1–23. http://dx.doi.org/10.1386/ijcm_00031_1.
Full textJunior, Jeder. "Música popular massiva e gêneros musicais: produção e consumo da canção na mídia." Comunicação Mídia e Consumo 3, no. 7 (September 23, 2008): 31–47. http://dx.doi.org/10.18568/cmc.v3i7.69.
Full textZmudzińska, Kamila, and Roman Matykowski. "Spatial and social aspects of the impact of Pol’and’Rock Festival and Jarocin Festival in Poland." Journal of Geography, Politics and Society 13, no. 2 (September 29, 2023): 46–66. http://dx.doi.org/10.26881/jpgs.2023.2.05.
Full textAlvarenga, Claudia Helena Azevedo, and Tarso Bonilha Mazzotti. "Samba as Representation of Brazilianness in the Popular Songs Rhetoric." Per Musi, no. 39 (September 12, 2019): 1–12. http://dx.doi.org/10.35699/2317-6377.2019.15152.
Full textTemperley, David. "Syncopation in rock: a perceptual perspective." Popular Music 18, no. 1 (January 1999): 19–40. http://dx.doi.org/10.1017/s0261143000008710.
Full textAnantia, Alviana Aslama, Yolanda Masnita, and Kurniawati Kurniawati. "Effectiveness of Digital Music Platforms’ Social Media Interaction on Advertising Trust Using Cognitive Aspects." Manajemen dan Bisnis 22, no. 1 (March 20, 2023): 1. http://dx.doi.org/10.24123/jmb.v22i1.624.
Full textPark, Sun-Min. "A Study on the Aspects of Accepting Popular Music in Regard to Social Media." JOURNAL OF GLOBAL CULTURAL CONTENTS 36 (October 31, 2018): 69–83. http://dx.doi.org/10.32611/jgcc.2018.10.36.69.
Full textSpanu, Michael. "Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music." Open Cultural Studies 3, no. 1 (February 1, 2019): 195–206. http://dx.doi.org/10.1515/culture-2019-0018.
Full textThomson, Raymond A. "Dance bands and dance halls in Greenock, 1945–55." Popular Music 8, no. 2 (May 1989): 143–55. http://dx.doi.org/10.1017/s0261143000003330.
Full textKostiuk, Ekaterina B. "Musical culture of the post-industrial society: on the problem of analyzing basic definitions." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 45–50. http://dx.doi.org/10.30725/2619-0303-2021-2-45-50.
Full textBorn, Georgina. "For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn." Journal of the Royal Musical Association 135, no. 2 (2010): 205–43. http://dx.doi.org/10.1080/02690403.2010.506265.
Full textBechtold, Toni A., Lorenz Kilchenmann, Ben Curry, and Maria A. G. Witek. "Understanding the Relationship Between Catchiness and Groove." Music Perception: An Interdisciplinary Journal 40, no. 5 (June 1, 2023): 353–72. http://dx.doi.org/10.1525/mp.2023.40.5.353.
Full textBaďurová, Barbora. "Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia)." Studia Polensia 10, no. 1 (January 19, 2022): 23–42. http://dx.doi.org/10.32728/studpol/2021.10.01.02.
Full textBaďurová, Barbora. "Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia)." Studia Polensia 10, no. 1 (January 19, 2022): 23–42. http://dx.doi.org/10.32728/studpol/2021.10.01.02.
Full textTiantini, Wendy Belinda, Johny Alfian Khusyairi, Nadya Afdholy, and Yulia Mega Puspita. "Jamet Stereotyping in Jedag-Jedug Music: An Analysis of Jedag-Jedug Music Stereotype." Jurnal Seni Musik 12, no. 2 (December 31, 2023): 198–209. http://dx.doi.org/10.15294/jsm.v12i2.75278.
Full textKocaj, Agata, and Izabela Krasińska. "Musical education from the perspective "Musical news" (1925-1926)." Edukacja Muzyczna 15 (2020): 363–77. http://dx.doi.org/10.16926/em.2020.15.20.
Full textHo, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19, no. 3 (October 2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.
Full textRasolofondraosolo, Zafimahaleo, and Ulrike H. Meinhof. "Popular Malagasy music and the construction of cultural identities." AILA Review 16 (July 8, 2003): 127–48. http://dx.doi.org/10.1075/aila.16.12ras.
Full textBennett, Andy, and Catherine Strong. "Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign." Cultural Sociology 12, no. 3 (July 12, 2018): 368–83. http://dx.doi.org/10.1177/1749975518762569.
Full textGRASSE, JONATHON. "Conflation and conflict in Brazilian popular music: forty years between ‘filming’ bossa nova in Orfeu Negro and rap in Orfeu." Popular Music 23, no. 3 (October 2004): 291–310. http://dx.doi.org/10.1017/s0261143004000182.
Full textPruitt, Cenate. "“Boys ‘Round Here”: Masculine Life-Course Narratives in Contemporary Country Music." Social Sciences 8, no. 6 (June 7, 2019): 176. http://dx.doi.org/10.3390/socsci8060176.
Full textNeuenfeldt, Karl, and Steve Mullins. "‘The Saving Grace of Social Culture’: Early Popular Music and Performance Culture on Thursday Island, Torres Strait, Queensland." Queensland Review 8, no. 2 (November 2001): 1–20. http://dx.doi.org/10.1017/s1321816600006796.
Full textMalm, Tobias. "The ambivalence of becoming a small business: Learning processes within an aspiring rock band." Popular Music 39, no. 3-4 (December 2020): 585–99. http://dx.doi.org/10.1017/s0261143020000471.
Full textBen Mna, Ilias. "Between the Bogside and boy bands: Pop music and place-based identities in Derry Girls." Journal of European Popular Culture 14, no. 2 (October 1, 2023): 109–24. http://dx.doi.org/10.1386/jepc_00058_1.
Full textLavengood, Megan. "What Makes It Sound ’80s?" Journal of Popular Music Studies 31, no. 3 (September 2019): 73–94. http://dx.doi.org/10.1525/jpms.2019.313009.
Full textHolt, Fabian. "Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents." IASPM Journal 4, no. 1 (March 11, 2013): 21–41. http://dx.doi.org/10.5429/584.
Full textParham, John. "Stranded Out of Place: Environmental Alienation in Australian Punk." Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) 1 (October 24, 2011): 9–17. http://dx.doi.org/10.60162/swamphen.1.10584.
Full textBroess, Erik. "“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–60." Journal of the Society for American Music 17, no. 4 (November 2023): 315–36. http://dx.doi.org/10.1017/s1752196323000299.
Full textZhuk, Sergei I. "Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84." Carl Beck Papers in Russian and East European Studies, no. 1906 (January 1, 2008): 72. http://dx.doi.org/10.5195/cbp.2008.143.
Full textDrozda, Jacek. "Grime jako muzyka i etnografia kryzysu." Kultura Popularna 3, no. 53 (February 26, 2018): 31–40. http://dx.doi.org/10.5604/01.3001.0010.8264.
Full textMochocka, Aleksandra. "The Resurrectionist duetu Pet Shop Boys: transgresje i queerowe spojrzenie w przeszłość." Przegląd Kulturoznawczy, no. 3 (57) (October 2023): 336–55. http://dx.doi.org/10.4467/20843860pk.23.024.18582.
Full textJunior, Valdemar Valente. "O popular e o erudito: a música nos contos de Machado de Assis." Scriptorium 4, no. 2 (January 25, 2019): 174. http://dx.doi.org/10.15448/2526-8848.2018.2.32183.
Full textKumar, V. Saravana. "A Novel Classical Music Recommendation System Using User Facial Expression." International Journal for Research in Applied Science and Engineering Technology 11, no. 5 (May 31, 2023): 5374–79. http://dx.doi.org/10.22214/ijraset.2023.52832.
Full textDahal, Bishnu Prasad. "Nepalese Nation, Nationalism and Identities in Patriotic Songs." International Journal of Learning and Development 10, no. 4 (December 31, 2020): 77. http://dx.doi.org/10.5296/ijld.v10i4.18135.
Full textPilkevych, Andrii. "Contemporary Popular Culture Through the Lens of Historical and Philosophical Vision." Ethnic History of European Nations, no. 70 (2023): 117–21. http://dx.doi.org/10.17721/2518-1270.2023.70.13.
Full textAbramo, Joseph Michael. "Who’s aloud* to have fun? On covers and identity crossing1." Journal of Popular Music Education 6, no. 3 (November 1, 2022): 329–48. http://dx.doi.org/10.1386/jpme_00095_1.
Full textValencialaw, Natasya, and Lusia Savitri Setyo Utami. "K-Pop dan Perilaku Konsumtif Menonton Konser." Koneksi 7, no. 1 (March 29, 2023): 112–19. http://dx.doi.org/10.24912/kn.v7i1.21301.
Full textTOURNÈS, LUDOVIC. "The Landscape of Sound in the Nineteenth and Twentieth Centuries." Contemporary European History 13, no. 4 (November 2004): 493–504. http://dx.doi.org/10.1017/s0960777304001912.
Full textHadi, Sumasno. "Estetika Lagu Banjar Populer: Suatu Representasi Kultural, Pengalaman Eksistensial, dan Nilai Sosial Masyarakat Banjar." KAMBOTI: Jurnal Sosial dan Humaniora 1, no. 2 (April 29, 2021): 106–13. http://dx.doi.org/10.51135/kambotivol1iss2pp106-113.
Full textJeong, Minhui, and Kyung Hoon Han. "Examples of Popular Music Marketing Using Social Networking Service (SNS) and Its Promotional Effect: Focusing on Instagram, YouTube, and TikTok." Korean Society of Culture and Convergence 44, no. 10 (October 31, 2022): 729–44. http://dx.doi.org/10.33645/cnc.2022.10.44.10.729.
Full textMalkovskaya, I. A. "Brazil: Roots of Popular Culture (experience of interpretations)." Cuadernos Iberoamericanos 11, no. 3 (October 5, 2023): 107–30. http://dx.doi.org/10.46272/2409-3416-2023-11-3-107-130.
Full textStreet, John, Matthew Worley, and David Wilkinson. "‘Does it threaten the status quo?’ Elite responses to British punk, 1976–1978." Popular Music 37, no. 2 (April 13, 2018): 271–89. http://dx.doi.org/10.1017/s026114301800003x.
Full textJola, Corinne, Moa Sundström, and Julia McLeod. "Benefits of dance for Parkinson’s: The music, the moves, and the company." PLOS ONE 17, no. 11 (November 21, 2022): e0265921. http://dx.doi.org/10.1371/journal.pone.0265921.
Full textYe, Ye, and Erxin Wang. "Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective." Journal of Chinese Literature and Culture 8, no. 1 (April 1, 2021): 113–38. http://dx.doi.org/10.1215/23290048-8898648.
Full textPiech, Magdalena. "Regionalism in the Virtual Era." Politeja 16, no. 2(59) (December 31, 2019): 195–206. http://dx.doi.org/10.12797/politeja.16.2019.59.13.
Full textBorecky, Andrew. "Dungeons, Dragons, and Music." Journal of Sound and Music in Games 2, no. 1 (January 1, 2021): 46–64. http://dx.doi.org/10.1525/jsmg.2021.2.1.46.
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