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Books on the topic 'Popular music – Korean influences'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Ik-ki, Kim, ed. Hallyu wa Asia p'ap munhwa ŭi pyŏndong: Hallyu and the transformations of Asian pop culture. Sŏul-si: P'urŭn Kil, 2014.

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2

Hallyuhak kaeron: Introduction to Hallyuology. Sŏul-si: Sŏn, 2014.

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3

Segyehwa wa tijit'ŏl munhwa sidae ŭi hallyu: P'ul hausŭ, Kangnam sŭt'ail, kŭrigo kŭ ihu = Hallyu in globalization and digital culture era : Full house, Gangnam style, and after. Kyŏnggi-do P'aju-si: Hanul Ak'ademi, 2013.

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4

K-pop ŭl mein sŭt'ŭrim ŭro hanŭn chŏnhwan'gi ŭi Hallyu. Sŏul-si: Pukpuksŏ, 2013.

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5

K-POP Now!: The Korean Music Revolution. New York: Tuttle Publishing, 2014.

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6

Kim, Min-Sun, and Do kyun Kim. Hallyu: Influence of Korean popular culture in Asia and Beyond. Seoul: Seoul National University Press, 2011.

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7

1927-, Oliver Paul, ed. Black music in Britain: Essays on the Afro-Asian contribution to popular music. Milton Keynes [England]: Open University Press, 1990.

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8

Siriyuwasak, ʻUbonrat, ed. Pop culture formations across East Asia. Seoul: Jimoondang., 2010.

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9

Hallyu, Asia rŭl nŏmo segye ro: The Korean wave. Sŏul-si: Kukhoe Tosŏgwan, 2011.

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10

Bordolli, Marita Fornaro. El " cancionero norteño": Música tradicional y popular de influencia brasileña en el Uruguay. Montevideo: Instituto Nacional del Libro, Ministerio de Educación y Cultura, 1994.

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11

Chʻang-nam, Kim, ed. Kim Min-gi. Sŏul-si: Hanul, 2004.

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12

Shamans, nostalgias, and the IMF: South Korean popular religion in motion. Honolulu: University of Hawaii Press, 2010.

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13

Carmina urbana orientalium graecorum: Poéticas de la indentidad en la canción urbana greco-oriental. Madrid: Consejo Superior de Ivestigaciones Científicas, 2008.

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14

Phương, Lê Thị Hoài, ed. Pet'ŭnam hallyu rŭl ponŭn Han'guk kwa Pet'ŭnam ŭi sigak. Sŏul-si: Imaejin, 2013.

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15

Ilbon hallyu sobija yŏnʼgu: Hallyu mania wa ilban sobija ŭi sobi haengtʻae rŭl chungsim ŭiro. Sŏul: Hanʼguk Munhwa Kwanʼgwang Chŏngchʻaek Yŏnʼguwŏn, 2005.

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16

Chŏn'guk Kyŏngjein Yŏnhaphoe. Munhwa Sanŏp T'ŭkpyŏl Wiwŏnhoe, ed. Hallyu p'oebŏ: Hallyu ŭi hyŏnjuso wa kyŏngjejŏk hyokwa punsŏk. Sŏul-si: Kukche Munhwa Sanŏp Kyoryu Chaedan, 2008.

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17

Kŭndae Ilbon ŭi 'Chosŏn pum'. Sŏul-si: Yŏngnak, 2013.

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18

Kallimopoulou, Eleni. Paradhosiaka: Music, meaning and identity in modern Greece. Burlington, VT: Ashgate, 2008.

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19

Samba, o dono do corpo. 2nd ed. Rio de Janeiro, RJ: MAUAD, 1998.

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20

Pop dedik: Türkçe sözlü hafif Batı müziği. Cağaloğlu, İstanbul: İletişim, 2006.

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21

Hallyu ŭi hŭnghaeng yujŏnja mim. Sŏul-si: Pukpuksŏ, 2011.

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22

Jin, Dal Yong. Critical Discourse of K-pop within Globalization. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039973.003.0006.

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This chapter examines the transformation of K-pop in the early twenty-first century in a broader sociocultural context. It maps out whether hybridity has generated new creative cultures, ones that are free from Western dominance, or whether this trend eventually oppresses local music. The aim is therefore to investigate the different cultural stages and transition of popular music in Korea occurring within the unfolding logic of globalization and to interrogate the adequacy of cultural hybridity as a plausible framework to explain cultural phenomena currently under way. In particular, it analyzes the development of English mixed into the lyrics of Korean popular music in order to identify and examine several key factors involved in the rapid growth of K-pop and its influence in the New Korean Wave. From the perspective gained from the combined angles of critical cultural studies and textual analysis, new insights are generated into the emerging discourse of cultural hybridization in Korean popular music.

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23

Kim, Kyung Hyun. Hegemonic Mimicry. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021803.

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In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television, which is also known as hallyu—from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly “minor” culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity.

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24

K-Pop : Roots and Blossoming of Korean Popular Music: Roots and Blossoming of Korean Popular Music. KONG & PARK, Incorporated, 2012.

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25

Jung, Sun. K-Pop and Korean Popular Culture. Taylor & Francis Group, 2018.

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26

Herald, Korea, ed. Korean wave. Paju-si: Jimoondang, 2008.

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27

Korean wave. Paju-si: Jimoondang, 2008.

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28

Korean Pop Music: Riding the Wave. Global Oriental, 2006.

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29

Lee, Young-mee. You Call That Music?!: Korean Popular Music Through the Generations. Taylor & Francis Group, 2022.

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30

You Call That Music?!: Korean Popular Music Through the Generations. Taylor & Francis Group, 2022.

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31

Lee, Young-mee. You Call That Music?!: Korean Popular Music Through the Generations. Taylor & Francis Group, 2022.

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32

Yi, Yong-Mi, Jean Yoon, Brandon J. Park, and Young-mee Yu Cho. You Call That Music?!: Korean Popular Music Through the Generations. Routledge, 2022.

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33

Russell, Mark James. K-Pop Now!: The Korean Music Revolution. Tuttle Publishing, 2014.

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34

Russell, Mark James. K-Pop Now!: The Korean Music Revolution. Tuttle Publishing, 2014.

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35

K-Pop : the Ultimate Fan Book: Your Essential Guide to the Hottest K-Pop Bands. Carlton Books, Limited, 2019.

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36

K-Pop Idols: Popular Culture and the Emergence of the Korean Music Industry. Rowman & Littlefield Publishers, Incorporated, 2019.

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37

Jin, Dal Yong, and Hark Joon Lee. K-Pop Idols: Popular Culture and the Emergence of the Korean Music Industry. Rowman & Littlefield Publishers, Incorporated, 2021.

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38

Iadevito, Paula, Valentina Marinescu, Colette Balmain, Crystal S. Anderson, and Ecaterina Balica. Global Impact of South Korean Popular Culture. Lexington Books/Fortress Academic, 2014.

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39

Made in Korea: Studies in Popular Music. Taylor & Francis Group, 2016.

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40

Shin, Hyunjoon, and Seung-Ah Lee. Made in Korea: Studies in Popular Music. Taylor & Francis Group, 2016.

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41

American sabor: Latinos y latinas en la música popular estadounidense = Latinos and latinas in US popular music. 2018.

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42

La Musica Cubana En Colombia y La Musica Colombiana En Cuba. Jose Portaccio Fontalvo, 2003.

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43

The Black and White of American Popular Music. Schenkman Books, 2007.

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44

Buchanan, Donna Anne. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Rowman & Littlefield Publishers, Incorporated, 2007.

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45

Balkan popular culture and the Ottoman ecumene: Music, image, and regional political discourse. Lanham, Md: Scarecrow Press, 2008.

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46

group), Exo (Musical. The war: The power of music : EXO the 4th album repackage. 2017.

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47

group), Apink (Musical. Apink 3rd concert 2016: Pink party : the secret invitation. 2017.

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48

group), T.-ara (Musical. What's my name: T-ara's mini album. 2017.

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49

Psy. Psy 8th album: 4 x 2 = 8. 2010.

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50

Bobby. Love and Fall: Bobby first solo Album. 2017.

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