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Books on the topic 'Popular music competitions Japan'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

C'era una volta il-- disco!: Storia della discografia italiana (1960-1969). Pisa: Istituti editoriali e poligrafici internazionali, 2001.

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2

The Eurovision Song Contest: The official history. London: Carlton, 2010.

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3

Feddersen, Jan. Ein Lied kann eine Brücke sein: Die deutsche und internationale Geschichte des Grand Prix Eurovision. Hamburg: Hoffmann und Campe, 2002.

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4

Smith, Jared (Jared Michael), 1978- author, Josephson, Erik (Erik Hill), 1985- author, and Myers Chris 1986 author, eds. Your all-access pass to American idol. Springville, Utah: CFI, 2011.

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5

Soeda, Azenbō. A life adrift: Soeda Azembo, popular song and modern mass culture in Japan. New York: Routledge, 2009.

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6

Insights into American idol. Broomall, Pa: Mason Crest, 2010.

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7

Bednar, Chuck. Insights into American idol. Broomall, Pa: Mason Crest, 2010.

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8

Bednar, Chuck. Insights into American idol. Broomall, Pa: Mason Crest, 2010.

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9

American idol profiles index: Top finalists from seasons 1 to 7 (82 contestants). Broomall, Pa: Mason Crest, 2010.

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10

Bednar, Chuck. American idol profiles index: Top finalists from each season (82 contestants). Broomall, Pa: Mason Crest, 2010.

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11

Bednar, Chuck. American idol profiles index: Top finalists from seasons 1 to 7 (82 contestants). Broomall, Pa: Mason Crest, 2010.

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12

Making the band. Philadelphia, PA: Mason Crest Publishers, 2011.

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13

Idolized: Music, media, and identity in American idol. Bloomington: Indiana University Press, 2010.

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14

Pop princess. London: Simon & Schuster, 2004.

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15

Pop princess. New York: Simon Pulse, 2005.

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16

Pop Princess. New York: Simon & Schuster Books for Young Readers, 2004.

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17

University of Trinidad and Tobago, ed. The illustrated story of pan. Arima, Trinidad and Tobago: University of Trinidad and Tobago, O'Meara Campus, 2011.

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18

Adapting idols: Authenticity, identity and performance in a global television format. Farnham: Ashgate, 2012.

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19

McClure, Steve. Nipponpop. Tokyo: Tuttle Publishing, 1998.

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20

Satoshi, Kanazawa, ed. Order by accident: The origins and consequences of conformity in contemporary Japan. Boulder, Colo: Westview Press, 2000.

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21

Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

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Abstract:

This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.

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22

Shōriki Matsutarō: Akusen kutō. Tōkyō: Nihon Tosho Sentā, 1999.

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23

Mitsui, Tōru. Popular Music in Japan. Bloomsbury Publishing Inc, 2020. http://dx.doi.org/10.5040/9781501363894.

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24

(Editor), Ivan Raykoff, and Robert Deam Tobin (Editor), eds. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Ashgate Popular and Folk Music Series). Ashgate Publishing, 2007.

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25

Shimabukuro, Jake. Jake Shimabukuro - Live in Japan. Leonard Corporation, Hal, 2016.

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26

Fulvio, Marion, and Sancin Pier Paolo, eds. Trieste mia!: 100 anni di concorsi di canzonette a Trieste. Udine: Pizzicato, 1992.

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27

Barclay, Simon. Complete and Independent Guide to the Eurovision Song Contest 2009. Lulu Press, Inc., 2009.

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28

A guide to popular music in Japan. Hyogo: IASPM-Japan, 1991.

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29

Mitsui, Toru. Made in Japan: Studies in Popular Music. Taylor & Francis Group, 2014.

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30

Made in Japan: Studies in popular music. 2014.

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31

Mitsui, Toru. Made in Japan: Studies in Popular Music. Taylor & Francis Group, 2014.

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32

Postwar Europe and the Eurovision Song Contest. Bloomsbury Academic, 2018.

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33

Vuletic, Dean. Postwar Europe and the Eurovision Song Contest. Bloomsbury Publishing Plc, 2019.

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34

Grand Prix d'Eurovision und deutsche Schlagerwettbewerbe seit 1956. 2nd ed. Berlin: Nather & Regauer, 2002.

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35

Mitsui, Toru. Popular Music in Japan: Transformation Inspired by the West. Bloomsbury Publishing Plc, 2020.

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36

Mitsui, Toru. Popular Music in Japan: Transformation Inspired by the West. Bloomsbury Publishing Plc, 2022.

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37

1954-, Terada Yoshitaka, and Kokuritsu Minzokugaku Hakubutsukan, eds. Music and society in South Asia: Perspectives from Japan. Osaka: National Museum of Ethnology, 2008.

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38

Music and Words: Producing Popular Songs in Modern Japan, 1887-1952. Rowman & Littlefield Publishers, Incorporated, 2018.

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39

Stevens, Carolyn S. Japanese Popular Music: Culture, Authenticity and Power. Taylor & Francis Group, 2012.

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40

Stevens, Carolyn S. Japanese Popular Music: Culture, Authenticity and Power. Taylor & Francis Group, 2012.

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41

Stevens, Carolyn S. Japanese Popular Music: Culture, Authenticity and Power. Taylor & Francis Group, 2012.

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42

Stevens, Carolyn S. Japanese Popular Music: Culture, Authenticity and Power. Taylor & Francis Group, 2012.

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43

Stevens, Carolyn. Japanese Popular Music: Culture, Authenticity and Power. Taylor & Francis Group, 2007.

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44

A Life Adrift: Soeda Azembo, Popular Song, and Modern Mass Culture in Japan (Kegan Paul Japan Library). Kegan Paul, 2007.

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45

Performing The New Europe Identities Feelings And Politics In The Eurovision Song Contest. Palgrave Macmillan, 2013.

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46

Islands of Eight Million Smiles: Idol Performance and Symbolic Production in Contemporary Japan (Harvard East Asian Monographs). Harvard University Asia Center, 2005.

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47

Japanese Popular Music: Culture, Authenticity and Power (Media, Culture and Social Change in Asia). Routledge, 2007.

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48

Stevens, Carolyn S., and Joseph D. Hankins. Sound, Space and Sociality in Modern Japan. Taylor & Francis Group, 2016.

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49

Sound, Space and Sociality in Modern Japan. Routledge, 2013.

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50

Stevens, Carolyn S., and Joseph D. Hankins. Sound, Space and Sociality in Modern Japan. Taylor & Francis Group, 2013.

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