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Books on the topic 'Popular fiction'

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Author: Grafiati

Published: 4 June 2021

Last updated: 7 July 2024

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1

Bennett, Tony. Popular Fiction. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003391258.

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Makinen, Merja. Feminist Popular Fiction. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511781.

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Srivastava, Prem Kumari, and Mona Sinha. Indian Popular Fiction. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003239949.

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4

Feminist popular fiction. New York: Palgrave, 2001.

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5

Pulp: Reading popular fiction. Manchester: Manchester University Press, 1998.

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Fletcher, Lisa, ed. Popular Fiction and Spatiality. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56902-8.

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7

McCracken, Scott. Pulp: Reading popular fiction. Manchester [England]: Manchester University Press, 1998.

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8

Gary, Hoppenstand, ed. Popular fiction: An anthology. New York: Longman, 1998.

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9

Language in popular fiction. London: Routledge, 1990.

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10

Great authors of popular fiction. New York: Rosen Publishing, 2014.

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11

Popular themes in American fiction. Clayton, Del: Prestwick House, 2008.

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12

Gelder, Ken, ed. New Directions in Popular Fiction. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4.

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13

Bloom, Clive. Bestsellers: Popular Fiction Since 1900. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79154-4.

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14

Bestsellers: Popular fiction since 1900. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2002.

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15

Brian, Jones, ed. Encyclopedia of American popular fiction. New York: Facts on File, 2009.

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16

1943-, Beacham Walton, and Niemeyer Suzanne, eds. Beacham's popular fiction in America. Washington, D.C: Beacham Pub./Research Pub., 1986.

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17

1943-, Beacham Walton, Niemeyer Suzanne, and Beacham Publishing, eds. Popular world fiction, 1900-present. Washington, D.C: Beacham Publishing, 1987.

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18

Smith, R. Gaines. Popular fiction by Oregon authors. Eugene, Or: A Is A Literary Services, 1986.

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19

1968-, Newell Stephanie, and International African Institute, eds. Readings in African popular fiction. London: International African Institute in association with Indiana University Press, 2002.

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20

Bestsellers: Popular fiction since 1900. 2nd ed. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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21

Moss, Gemma. Un/popular fictions. London: Virago, 1989.

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22

Sillars, Stuart. Visualisation in popular fiction, 1860-1960: Graphicnarratives, fictional images. London: Routledge, 1995.

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23

Un/popular fictions. London: Virago, 1989.

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24

Visualisation in popular fiction, 1860-1960: Graphic narratives, fictional images. London: Routledge, 1995.

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25

Chawla, Gitanjali, Sangeeta Mittal, and Advaita Kala. Indian Popular Fiction Redefining the Canon. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003240945.

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26

Kamblé, Jayashree. Making Meaning in Popular Romance Fiction. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137395054.

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27

Elliott, Jane. Popular Feminist Fiction as American Allegory. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612808.

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28

Popular fiction in England, 1914-1918. Lexington: University Press of Kentucky, 1992.

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29

1947-, Bennett Tony, ed. Popular fiction: Technology, ideology, production, reading. London: Routledge, 1988.

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30

Carr, Robyn. Practical tips for writing popular fiction. Cincinnati, Ohio, n.d.

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31

The Cambridge companion to popular fiction. Cambridge: Cambridge University Press, 2012.

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32

Weaver, Roslyn. Popular Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0023.

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This chapter discusses the history of popular fiction in Australia. The question of place has always been central to Australian fiction, not only as a thematic element but also as a critical or political preoccupation. In part, this is because popular fiction writers, wanting to attract broad audiences, either exploited their Australian content to appeal to international readers or have excised the local to produce a generic and thus more readily accessible setting for outsiders. The chapter considers works by popular fiction writers who adopt a range of positions in relation to their focus on place, but often tackle many different aspects of Australian social and historical change. These novels cover various genres such as crime fiction, historical fiction and romance, science fiction and fantasy, and include Fergus Hume's The Mystery of a Hansom Cab (1886), Nevil Shute's On the Beach (1957), Damien Broderick's The Dreaming Dragons (1980), and Cecilia Dart-Thornton's The Ill-Made Mute (2001).

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33

Sloniowski, Jeannette, and Marilyn Rose. Popular Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0028.

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This chapter examines the history of popular fiction in Canada. In Canada, popular culture reflects not only Canadian experience but also cultural anxieties as they have permeated and shaped the national imaginary since the days of settlement. The most significant component of that national imaginary in relation to popular narrative is probably what might be called an evolving Gothic sensibility. Gothicism refers to the portrayal of strange or frightening experiences in mysterious and daunting places and spaces. The chapter considers a number of earlier Canadian novels that stand out in the Canadian popular imagination, including L. M. Montgomery's Anne of Green Gables (1908), Margaret Laurence's The Diviners (1974). It also discusses genre fiction in the modern and contemporary periods, such as Harlequin Enterprises (founded Winnipeg 1949) and women's romances, crime fiction, fantasy, and speculative fiction, notably William Gibson's cyberpunk novel Neuromancer (1984).

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34

Gelder, Ken. Popular Fiction. Routledge, 2004. http://dx.doi.org/10.4324/9780203023365.

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35

Popular Fiction. Routledge, 2004.

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36

Popular Fiction. Segue Foundation, 1985.

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37

Bennett, Tony. Popular Fiction: Technology, Ideology, Production, Reading (Popular Fiction Series). Routledge, 1990.

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38

Makinen, Merja. Feminist Popular Fiction. Palgrave Macmillan, 2001.

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39

Makinen, M. Feminist Popular Fiction. Palgrave Macmillan, 2001.

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40

Indian Popular Fiction. Taylor & Francis Group, 2021.

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41

Indian Popular Fiction. Taylor & Francis Group, 2021.

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42

undifferentiated, Tony Bennett. Popular Fiction Reader. Routledge, 1988.

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43

Srivastava, Prem Kumari, and Mona Sinha. Indian Popular Fiction. Taylor & Francis Group, 2021.

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44

Chawla, Gitanjali, and Sangeeta Mittal. Indian Popular Fiction. Taylor & Francis Group, 2021.

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45

Makinen, M. Feminist Popular Fiction. Palgrave Macmillan Limited, 2001.

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46

Bromley, Roger. Lost Narratives: Popular Fictions, Politics, and Recent History (Popular Fiction Series). Routledge, 1989.

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47

Broderick, Damie. Reading by Starlight: Postmodern Science Fiction (Popular Fictions). Routledge, 1994.

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48

Nash, Walter. Language in Popular Fiction. Taylor & Francis Group, 2021.

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49

McCracken, Scott. Pulp: Reading Popular Fiction. Manchester University Press, 1998.

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50

Language in Popular Fiction. Taylor & Francis Group, 2021.

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