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Journal articles on the topic 'Popular culture studies'

Author: Grafiati
Published: 28 July 2024
Last updated: 30 July 2024

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1

Piatti-Farnell, Lorna, and Donna Lee Brien. "Contemporary popular culture studies." Australasian Journal of Popular Culture 8, no. 2 (September 1, 2019): 139–41. http://dx.doi.org/10.1386/ajpc_00001_2.

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2

Browne, Ray B. "Internationalizing Popular Culture Studies." Journal of Popular Culture 30, no. 1 (June 1996): 21–37. http://dx.doi.org/10.1111/j.0022-3840.1996.00021.x.

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3

Žikić, Bojan. "Anthropological Studies of Popular Culture." Issues in Ethnology and Anthropology 5, no. 2 (April 12, 2010): 17–39. http://dx.doi.org/10.21301/eap.v5i2.1.

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One of the questions raised at the symposium "Our World, Other Worlds. Anthropology, Science Fiction and Cultural Identity", held in Belgrade in December 2009, is how anthropology is to study contemporary art forms: how research issues are to be defined and approached; how research is to be organized in a specific semantic area, which cannot always and with absolute certainty be said not to be an anthropological construction; whether the subject of research can be said to have the shared nature of cultural communication; whether the anthropologist is to interpret the author/artist’s intention, or that which is produced as a result of that intention, etc. The aim of this paper is to suggest some answers to these questions, from the point of view of a researcher focused on cultural communication.
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4

Szántó, András. "Popular Culture and Media Studies." Journal of Communication 48, no. 1 (March 1, 1998): 122–27. http://dx.doi.org/10.1111/j.1460-2466.1998.tb02742.x.

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5

Gaboriau, Patrick, and Philippe Gaboriau. "Popular Culture Studies in France." Journal of Popular Culture 24, no. 4 (March 1991): 177–81. http://dx.doi.org/10.1111/j.0022-3840.1991.2404_177.x.

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6

Salmon, Catherine, and Rebecca L. Burch. "Popular Culture." Evolutionary Studies in Imaginative Culture 5, no. 1 (June 1, 2021): 149–52. http://dx.doi.org/10.26613/esic.5.1.232.

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7

Salmon, Catherine, and Rebecca L. Burch. "Popular Culture." Evolutionary Studies in Imaginative Culture 5, no. 2 (December 1, 2021): 155–58. http://dx.doi.org/10.26613/esic.5.2.262.

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8

Salmon, Catherine, and Rebecca L. Burch. "Popular Culture." Evolutionary Studies in Imaginative Culture 6, no. 1 (April 1, 2022): 147–50. http://dx.doi.org/10.26613/esic.6.1.292.

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9

Salmon, Catherine, and Rebecca L. Burch. "Popular Culture." Evolutionary Studies in Imaginative Culture 6, no. 2 (December 1, 2022): 165–68. http://dx.doi.org/10.26613/esic.6.2.317.

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10

Lindop, Samantha. "Gender and Popular Culture." Australian Feminist Studies 28, no. 76 (June 2013): 236–37. http://dx.doi.org/10.1080/08164649.2013.789578.

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11

Stevenson, Gordon. "Popular Culture Studies and Library Education." Journal of Education for Library and Information Science 41, no. 1 (2000): 15. http://dx.doi.org/10.2307/40324084.

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12

Narváez, Peter. "Folkloristics, Cultural Studies and Popular Culture." Ethnologies 14, no. 1 (1992): 15. http://dx.doi.org/10.7202/1082444ar.

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13

Banes, Ruth A. "Counterculture Politics and Popular Culture Studies." Canadian Review of American Studies 17, no. 1 (March 1986): 93–108. http://dx.doi.org/10.3138/cras-017-01-07.

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14

Larabee, Ann. "Editorial: Slavery and Popular Culture Studies." Journal of Popular Culture 52, no. 5 (October 2019): 973–75. http://dx.doi.org/10.1111/jpcu.12851.

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15

BRABAZON, T. "Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 4, no. 1 (January 1, 1994): 256–80. http://dx.doi.org/10.1093/ywcct/4.1.256.

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16

BRABAZON, T. "Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 5, no. 1 (January 1, 1995): 174–94. http://dx.doi.org/10.1093/ywcct/5.1.174.

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17

BRABAZON, T. "Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 6, no. 1 (January 1, 1996): 226–50. http://dx.doi.org/10.1093/ywcct/6.1.226.

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18

BRABAZON, T. "Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 7, no. 1 (January 1, 1997): 134–68. http://dx.doi.org/10.1093/ywcct/7.1.134.

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19

BRABAZON, T. "Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 8, no. 1 (January 1, 2001): 61–93. http://dx.doi.org/10.1093/ywcct/8.1.61.

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20

Fishwick, Marshall W. "Popular Culture Studies across the Curriculum." Journal of American Culture 28, no. 3 (September 2005): 333–34. http://dx.doi.org/10.1111/j.1542-734x.2005.00229.x.

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21

Cameron, Ardis. "Cultures of Belonging: Women, Popular Culture, and Activism." Journal of Women's History 18, no. 4 (2006): 128–36. http://dx.doi.org/10.1353/jowh.2006.0054.

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22

O'Connor, June. "Ethics in Popular Culture." Journal of the Society of Christian Ethics 24, no. 2 (2004): 3–23. http://dx.doi.org/10.5840/jsce20042422.

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23

RESHEF, Y. "Creating a Popular Culture." Revue des Études Juives 163, no. 1 (January 1, 2004): 46–69. http://dx.doi.org/10.2143/rej.163.1.504715.

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24

Nathalang, Siraporn, and John A. Lent. "Asian Popular Culture." Asian Folklore Studies 58, no. 1 (1999): 242. http://dx.doi.org/10.2307/1178898.

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25

RIETVELD, H. "Popular Culture." Year's Work in Critical and Cultural Theory 4, no. 1 (January 1, 1994): 238–55. http://dx.doi.org/10.1093/ywcct/4.1.238.

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RIETVELD, H. "Popular Culture." Year's Work in Critical and Cultural Theory 5, no. 1 (January 1, 1995): 159–73. http://dx.doi.org/10.1093/ywcct/5.1.159.

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27

RIETVELD, HILLEGONDA C. "Popular Culture." Year's Work in Critical and Cultural Theory 6, no. 1 (October 1, 1996): 132–39. http://dx.doi.org/10.1093/ywcct/6.1.

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28

RIETVELD, H. C. "Popular Culture." Year's Work in Critical and Cultural Theory 6, no. 1 (January 1, 1996): 132–39. http://dx.doi.org/10.1093/ywcct/6.1.132.

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29

RIETVELD, H. "Popular Culture." Year's Work in Critical and Cultural Theory 7, no. 1 (January 1, 1997): 121–33. http://dx.doi.org/10.1093/ywcct/7.1.121.

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30

RIETVELD, H. C. "Popular Culture." Year's Work in Critical and Cultural Theory 8, no. 1 (January 1, 2001): 52–60. http://dx.doi.org/10.1093/ywcct/8.1.52.

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31

POST, Paul. "Religious Popular Culture and Liturgy." Questions Liturgiques/Studies in Liturgy 79, no. 1 (January 1, 1998): 14–58. http://dx.doi.org/10.2143/ql.79.1.2003583.

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32

Taylor, Anthea. "POPULAR CULTURE AND (POST)FEMINISM." Australian Feminist Studies 23, no. 57 (September 2008): 427–30. http://dx.doi.org/10.1080/08164640802233344.

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33

BRABAZON, T. "8 Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 9, no. 1 (January 1, 2002): 82–118. http://dx.doi.org/10.1093/ywcct/mbe008.

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34

BRABAZON, T. "7 Australian Popular Culture and Media Studies." Year's Work in Critical and Cultural Theory 10, no. 1 (January 1, 2002): 76–110. http://dx.doi.org/10.1093/ywcct/mbf007.

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35

Browne, Ray B. "Inventing Popular Culture." Journal of American Culture 27, no. 1 (March 2004): 115. http://dx.doi.org/10.1111/j.1537-4726.2004.121_6.x.

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36

Cino, Ana Maradiaga, Michelle Habell-Pallan, and Mary Romero. "Latino/a Popular Culture." MELUS 28, no. 2 (2003): 245. http://dx.doi.org/10.2307/3595293.

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37

SHIACH, MORAG. "Feminism and popular culture." Critical Quarterly 33, no. 2 (June 1991): 37–46. http://dx.doi.org/10.1111/j.1467-8705.1991.tb00944.x.

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38

Holland, Samantha. "Feminism in popular culture." Feminist Review 88, no. 1 (April 2008): 183–85. http://dx.doi.org/10.1057/palgrave.fr.9400395.

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39

Mager, Donald N., and Douglas Lanier. "Shakespeare and Modern Popular Culture." Sixteenth Century Journal 35, no. 1 (April 1, 2004): 262. http://dx.doi.org/10.2307/20476895.

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40

Bukač, Zlatko. "Croatianess and Children’s Popular Culture." Etnološka tribina 51, no. 44 (December 20, 2021): 163–85. http://dx.doi.org/10.15378/1848-9540.2021.44.09.

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This paper examines the discursive formation of Croatianness (hrvatstvo) during the Croatian War of Independence in the 1990s and the post-war era, focusing mainly on the domain of popular culture. In this analysis of Croatian children’s popular culture, the main emphasis is on chocolate bar stickers and sticker albums manufactured by Kraš. At the time, the company had published Cro-Army chocolate stickers and the accompanying Croatian army sticker album, Knights’ Tales, about Croatian history and various historical events, and Maki, a sticker album of Catholic saints. In relying on theoretical and methodological frameworks of representational and discourse theory regarding national identity and fantasy, this paper shows one of the ways in which Croatianness was formed in children’s popular culture through three main aspects – war, history, and religion
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41

Ojaide, Tanure, and Karin Barber. "Readings in African Popular Culture." African Studies Review 42, no. 3 (December 1999): 193. http://dx.doi.org/10.2307/525274.

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42

Moeran, Brian. "Popular Culture, Anthropology, and Japan." Reviews in Anthropology 32, no. 3 (January 2003): 265–74. http://dx.doi.org/10.1080/00988150390230282.

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43

Piatti-Farnell, Lorna, Gwyneth Peaty, and Ashleigh Prosser. "Evolving identities in popular culture." Australasian Journal of Popular Culture 11, no. 1 (December 1, 2022): 3–8. http://dx.doi.org/10.1386/ajpc_00047_2.

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In our twenty-first century context, we tell stories through the foods we eat, the images we share, the people we follow on social media, the shows we watch and the music we listen to. From film to television, from Twitter accounts to the latest fandom trend, popular culture provides us with channels through which our narratives of everyday can transform from immaterial notions to very material and tangible objects of consumption. At the centre of our ways of storytelling lies the formation of our identities. This editorial introduces a Special Issue of the Australasian Journal of Popular Culture that is focused on exploring the many complex intersections between storytelling, identity and popular culture.
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44

Piatti-Farnell, Lorna, Ashleigh Prosser, and Gwyneth Peaty. "Critical intersections in popular culture." Australasian Journal of Popular Culture 12, no. 2 (December 1, 2023): 107–11. http://dx.doi.org/10.1386/ajpc_00072_2.

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In this editorial, the editors introduce the 12.2 volume of The Australasian Journal of Popular Culture. The dynamic and interdisciplinary nature of the field is discussed with reference to the collection of articles within the volume, highlighting the malleability of popular culture in all its transdisciplinary forms. The editors provide a summary of the seven articles included in the volume, which collectively represent diverse critical discussions of the field across sociopolitical, socioeconomic and sociocultural artistic realms. The articles examine the evolving realms of the monstrous, the mythic, the heroic and the historical through various mediums like television, film, characters and historical moments. The editors then conclude by offering a summary of the three book reviews included in the volume.
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45

Maughan-Brown, David, and John M. MacKenzie. "Imperialism and Popular Culture." International Journal of African Historical Studies 20, no. 3 (1987): 556. http://dx.doi.org/10.2307/219728.

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46

McRobbie, Angela. "Postrnodernism and Popular Culture." Journal of Communication Inquiry 10, no. 2 (June 1986): 108–16. http://dx.doi.org/10.1177/019685998601000209.

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47

Sabry, Tarik. "Emigration as popular culture." European Journal of Cultural Studies 8, no. 1 (February 2005): 5–22. http://dx.doi.org/10.1177/1367549405049489.

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48

Cepeda, María Elena. "Latino/a Popular Culture." Latino Studies 3, no. 2 (July 2005): 317–19. http://dx.doi.org/10.1057/palgrave.lst.8600143.

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49

Rajan, Gita, and Vinay Lal. "SOUTH ASIAN POPULAR CULTURE." South Asian Popular Culture 5, no. 1 (April 2007): 1–10. http://dx.doi.org/10.1080/14746680701208596.

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50

Hermes, Joke, and Jan Teurlings. "The Loss of the Popular: Reconstructing Fifty Years of Studying Popular Culture." Media and Communication 9, no. 3 (September 13, 2021): 228–38. http://dx.doi.org/10.17645/mac.v9i3.4218.

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This article starts from the observation that popular culture resides in a contradictory space. On the one hand it seems to be thriving, in that the range of media objects that were previously studied under the rubric of popular culture has certainly expanded. Yet, cultural studies scholars rarely study these media objects <em>as</em> popular culture. Instead, concerns about immaterial labor, about the manipulation of voting behavior and public opinion, about filter bubbles and societal polarization, and about populist authoritarianism, determine the dominant frames with which the contemporary media environment is approached. This article aims to trace how this change has come to pass over the last 50 years. It argues that changes in the media environment are important, but also that cultural studies as an institutionalizing interdisciplinary project has changed. It identifies “the moment of popular culture” as a relatively short-lived but epoch-defining moment in cultural studies. This moment was subsequently displaced by a set of related yet different theoretical problematics that gradually moved the study of popular culture away from the popular. These displacements are: the hollowing out of the notion of the popular, as signaled early on by Meaghan Morris’ article “The Banality of Cultural Studies” in 1988; the institutionalization of cultural studies; the rise of the governmentality approach and a growing engagement with affect theory.
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