Academic literature on the topic 'Popular culture industry'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Popular culture industry.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Popular culture industry"
Alexander, Peter J. "Entropy and Popular Culture: Product Diversity in the Popular Music Recording Industry." American Sociological Review 61, no. 1 (February 1996): 171. http://dx.doi.org/10.2307/2096412.
Full textGIESTA, GABRIEL VALLADARES. "Os primeiros passos do samba com a indústria fonográfica: da Casa Edison à diversificação das gravadoras * The first steps of samba with the phonographic industry: from Casa Edison to the diversification of record." História e Cultura 2, no. 2 (December 30, 2013): 35. http://dx.doi.org/10.18223/hiscult.v2i2.1073.
Full textSingh, Ankita. "CAPITALISM, CONSUMERISM AND POPULAR CULTURE." International Journal of Research -GRANTHAALAYAH 6, no. 4 (April 30, 2018): 205–10. http://dx.doi.org/10.29121/granthaalayah.v6.i4.2018.1645.
Full textBabich, Babette. "Musical “Covers” and the Culture Industry." Research in Phenomenology 48, no. 3 (September 27, 2018): 385–407. http://dx.doi.org/10.1163/15691640-12341403.
Full textCloonan, Martin, and John Street. "Rock the Vote: Popular Culture and Politics." Politics 18, no. 1 (February 1998): 33–38. http://dx.doi.org/10.1111/1467-9256.00058.
Full textPilkevych, Andrii. "US popular culture in the mirror of video game industry conventions." Ethnic History of European Nations, no. 64 (2021): 97–101. http://dx.doi.org/10.17721/2518-1270.2021.64.13.
Full textPilkevych, Andrii. "«Multigenre Convention» Through a Prism of US Popular Culture." Ethnic History of European Nations, no. 67 (2022): 136–41. http://dx.doi.org/10.17721/2518-1270.2022.67.18.
Full textThumim, J. "The 'popular', cash and culture in the postwar British cinema industry." Screen 32, no. 3 (September 1, 1991): 245–71. http://dx.doi.org/10.1093/screen/32.3.245.
Full textCuneo, Michael W. "Of demons and Hollywood: Exorcism in American culture." Studies in Religion/Sciences Religieuses 27, no. 4 (December 1998): 455–65. http://dx.doi.org/10.1177/000842989802700407.
Full textVenegas Ramos, Alberto. "Retrolugares, definición, formación y repetición de lugares, escenarios y escenas imaginados del pasado en la cultura popular y el videojuego." REVISTA DE HISTORIOGRAFÍA (RevHisto) 28 (May 18, 2018): 323. http://dx.doi.org/10.20318/revhisto.2018.4225.
Full textDissertations / Theses on the topic "Popular culture industry"
Marshman, Sophia Francesca. "From testimony to the culture industry : representations of the Holocaust in popular culture." Thesis, University of Portsmouth, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416226.
Full textSelby, Shawn M. "Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulation, 1953-1967." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1212766295.
Full textAustin, Thomas. "Industry, intertexts and audiences : the marketing and reception of contemporary popular film in Britain." Thesis, University of East Anglia, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389273.
Full textMoraes, Stela Guimarães de. "Do rabo e chifre às marchinhas: como uma reportagem da Rede Globo interferiu na criação do carnaval de São Luiz do Paraitinga (SP)." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-26092011-115241/.
Full textIt knows that celebrations and other cultural human manifestations can suffer both positiveand negative influences from religious institutions and from the media. Here, it sought to comprehend the medias interference in the construction of São Luiz do Paraitingas Carnival, in 1981 - previously banned by the Church -, and also in the promotion of this party at present time. Taking in consideration the concepts of the culture industry, it was investigated whether the party, motivated by a news report from Globo Network Television, became itself a product of the culture industry. The precepts of Theodor W. Adorno regarding the impact of the mass media in that society were used as theoretical support for the research. The origins of São Luizs Carnival were also investigated. The study has concluded that the influence of the media was determinant to the party, both in the past and nowadays, but other elements, such as the citys inhabitants cultural ethos, also interfered in the peoples mobilization to produce a ressignified Carnival.
Rodrigues, Vanúzia Almeida. "Música popular e dança de salão: o maxixe nos jornais norte-americanos do início do século XX." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27032018-171249/.
Full textThis paper explores the circulation of Brazilian maxixe news in American newspapers at the beginning of the 20th century. The journals collected in the Newspaperarchive repository were systematized in the form of a documentary corpus. This was the main objective of the work presented here: to produce a research instrument through the construction of a collection of all the Brazilian maxixe materials, published in the United States newspapers, in the form of advertisements, articles, short stories, notes, news and poems, between 1906 - when we found the first news focusing on the theme - and the late 1930s, when Brazilian music was already developing in Brazil, and the products of Brazilian culture had already circulated throughout the world, especially in Europe and the United States. In the period studied, popular music is fun music, made for dancing. Dancing in the halls of Brazil, in the dancings of Paris, in the American ballrooms, more than fashion, was a way to participate in society, to find out about the news, the best known steps, after all, popular music and choreographic dance are artistic expressions which pass through the different social classes. Maxixe was born miscegenated, reflects the \"mixed\" rhythms and genres, present in Brazil since before the 18th century, such as the batuque, the lundu (both African matrix). But it was also strongly influenced by European genres such as modinha, and later by the polka (19th century) and choro - a Brazilian invention. Like all dance, it caused scandal when it arose, by virtue of the movements considered daring, extravagant and lascivious. Little by little, the steps displayed in the cabarets of Rio de Janeiro were transformed, adapting themselves to the \"dignified\" places of Brazilian society, and that is how they began to occupy the ballrooms frequented by the wealthiest classes. On the international axis, Paris was the compass that guided and led the codes of behavior throughout the world, especially during the Belle Époque. The trips of musicians, agents, patrons, etc. and sound objects across the Atlantic are seen from the perspective of transculturation. The contact between groups of different cultures contributes to the transformation of artists and their art, and this occurs independently of the process of economic domination, since all undergo changes (dominated and dominant). On the other hand, the concept of triangulation is appropriate to understand the way the sound and dance objects circulate, and it provides a mapping of the places through which these objects transited, collaborating to the perception of the aspects that are at play in their circulation. In the United States, schools, universities and technique, on the one hand; And family and dance teachers on the other, were central to the bleaching process that allowed the acceptance of the maxixe. On the other hand, theater like a vaudeville and, later, musicals in the theater and in the cinema, collaborated so that the music and the maxixe dance continued present in that country, advancing beyond the 1930s. Diffusion of the maxixe obeyed the logic of the cultural industry, articulating itself to the mechanisms of reproducibility proper to the market.
Pires, Carlos Eduardo de Barros Moreira. "Canção popular e processo social no tropicalismo." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-22022010-135938/.
Full textThis dissertation investigates three important tropicalist solo albums - Gilberto Gil (1968), Caetano Veloso (1968) e Grande Liquidação (1968), Tom Zé´s album searching the signs of the social process in its songs and lyrical attitudes. This reading purpose rethinks the meaning of the tropicalismo in the politic and cultural transformation in the late 1960´s, maybe the principal moment to understand the contemporary history of Brazil.
au, l. huf@cqu edu, and Elizabeth L. Huf. "On the western line : the impact of Central Queensland's heritage industry on regional identity." Murdoch University, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061121.145704.
Full textMello, Maurício de. "O encontro da cultura popular e os meios de comunicação na obra de Solano Trindade - Os anos em Embu das Artes (1961-1970)." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-07102009-155102/.
Full textThis dissertation brings socio-historical and cultural issues that guided the formation of many conceptualizations about the Brazilian culture during the 1960s and 1970s in Brazil, and aims to research the poet Solano Trindade\'s life and work, his intellectual, poetic and theatrical activies. In support of theoretical work, the popular culture manifestations and its relations with the cultural practices certified by the mass media were investigated in order to bring to light for the consequences of this meeting, the discussions about the cultural politics that have emerged in attempt to control such expression, the focus of resistance and social configuration lined by capitalist modernity. The idea of contributing to a sense of culture, and how it permeates many settings in Brazilian society, it crossed most of the inquiries during the readings and data analysis that guided the writing. To review a confused period in terms of new social and political horizons in Brazil allowed us to evaluate a fact not always clear to most social groups.
Ranocchi, Di Cesare Francesco. "L'arquitectura: de la societat de l'espectacle a l'era de les xarxes. L'architettura: dalla società dello spettacolo all'era delle reti." Doctoral thesis, Universitat de Girona, 2015. http://hdl.handle.net/10803/402894.
Full textEn aquest treball s’analitza l'adaptació de la cultura del disseny a la americanització de la societat occidental i a un univers de la publicitat propi de la cultura de masses, en relació amb el creixement de la societat de les xarxes, és a dir, el procés de comunicació global desenvolupat per la tecnologia digital. El nostre estudi aborda les raons que estan en l'arrel, tant dels paràmetres de les configuracions de superfície en l'art i l'arquitectura, com en les limitacions del mètode històrico-crític que s’ha emprat normalment per estudiar aquestes anàlisis. Com que es tracta d'un estudi inèdit i que abraça el fenomen no tan sols en la comparació teòrica amb els últims vint anys, sinó que també analitza la seva evolució durant el segle XX, ha estat necessari revisar els moments nodals més importants, sobretot des de la Primera Guerra Mundial i el canvi del centre de gravetat econòmic d’Europa als Estats Units, en una mena de counterstory.
Vieira, Keila. "Trans*formations of the Womanly Body : hybrid feminine representation in manga-inspired quadrinhos." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3052/document.
Full textThe visual reproduction of the "woman" in quadrinhos marks a creative and innovative period of the visual literature in Brazil concerning its hybridization with manga. This thesis concerns the fact that this "woman" can be seen as a simple aesthetic criterion for an erotic male gaze. However, we argue that this characteristic becomes a counterweight for women´s personal freedom, independence and autonomy in Brazil. We analyse it through a carnivalization which mark the immigration of Japanese to Brazil and of Brazilian Japanese to Japan with the female visual representation in quadrinhos, manga and manga-inspired quadrinhos, the fandom and feminine contradictions
Books on the topic "Popular culture industry"
Culture industry today. Newcastle upon Tyne, UK: Cambridge Scholars, 2010.
Find full textCook, Deborah. The culture industry revisited: Theodor W. Adorno on mass culture. Lanham, Md: Rowman & Littlefield Publishers, 1996.
Find full textThe culture industry revisited: Theodor W. Adorno on mass culture. Lanham, MD: Rowman & Littlefield, 1996.
Find full textGeoff, Cox, Krysa Joasia, and Lewin Anya, eds. Economising culture: On 'the (digital) culture industry'. New York: Autonomedia, 2004.
Find full textNegus, Keith. Producing pop: Culture and conflict in the popular music industry. London: E. Arnold, 1992.
Find full textAdorno, Theodor W. The culture industry: Selected essays on mass culture. London: Routledge, 1991.
Find full textAdorno, Theodor W. The culture industry: Selected essays on mass culture. London: Routledge, 2001.
Find full textOzturk, Gulay. Handbook of research on the impact of culture and society on the entertainment industry. Hershey, PA: Information Science Reference, 2014.
Find full textCloonan, Martin. Popular music and the state in the UK: Culture, trade or industry? Aldershot, Hampshire, England: Ashgate, 2007.
Find full textNollywood: Popular culture and narratives of youth struggles in Nigeria. Durham, North Carolina: Carolina Academic Press, 2016.
Find full textBook chapters on the topic "Popular culture industry"
Robinson, Simon J., and Alexandra J. Kenyon. "Young People, Social Scene and Popular Culture." In Ethics in the Alcohol Industry, 103–18. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250581_6.
Full textCollins, Jim. "“If You Can Read, You Can Write, or Can You, Really?”." In New Directions in Book History, 367–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_16.
Full textNehring, Daniel, Emmanuel Alvarado, Eric C. Hendriks, and Dylan Kerrigan. "Cultural Struggles, Intimate Life and Transnational Narratives." In Transnational Popular Psychology and the Global Self-Help Industry, 101–22. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9780230370869_6.
Full text"WOODY ALLEN’S CULTURE INDUSTRY." In Adorno on Popular Culture, 159–77. Routledge, 2003. http://dx.doi.org/10.4324/9780203166062-12.
Full text"The culture industry and popular culture." In Gaga Aesthetics. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350102729.0013.
Full text"Residential Amenity, Respectable Morality and the Rise of the Entertainment Industry: the Case of Blackpool, 1860-1914." In Popular Culture, 127–39. Routledge, 2013. http://dx.doi.org/10.4324/9781315002408-14.
Full text"Culture Industry to Popular Culture in Mythologies." In Utopia Limited, 57–71. Duke University Press, 2004. http://dx.doi.org/10.1215/9780822385455-003.
Full text"Culture Industry to Popular Culture in Mythologies." In Utopia Limited, 57–71. Duke University Press, 2004. http://dx.doi.org/10.2307/j.ctv11g97v3.7.
Full text"2. Culture Industry to Popular Culture in Mythologies." In Utopia Limited, 57–71. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822385455-005.
Full textBrinker, Felix. "Seriality, Culture Industry, and Digital-Era Popular Culture." In Superhero Blockbusters, 23–58. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474485180.003.0002.
Full textConference papers on the topic "Popular culture industry"
Peishan, Sun, and Wang Yufei. "Luxury Brands Culture and Marketing: How Does Chanel Stay popular." In 2021 3rd International Conference on Economic Management and Cultural Industry (ICEMCI 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211209.234.
Full textCullinan, Brian, and Kim Wangler. "The Past, Present, and Future Influence of Popular Culture on the Music Industry." In MEIEA Summit 2022. Music and Entertainment Industry Educators Association, 2022. http://dx.doi.org/10.25101/22.13.
Full textPatricia, Florens Debora. "The power of new media Bestnine Instagram in creating a popular culture for creative industry workers: The study of the popular Instagram Bestnine application among the Illustrators." In International Conference of Communication Science Research (ICCSR 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccsr-18.2018.19.
Full textTimoshenko, I. V., and N. V. Geraskina. "Varieties of redis breeding Biryuchekutskaya Vegetable Breeding Experimental Station." In Растениеводство и луговодство. Тимирязевская сельскохозяйственная академия, 2020. http://dx.doi.org/10.26897/978-5-9675-1762-4-2020-63.
Full textCarvalho, Vítor Marques, and Elizabeth Sucupira Furtado. "GLiMPSE - A Framework for Evaluating UX in Games." In I Workshop sobre Interação e Pesquisa de Usuários no Desenvolvimento de Jogos. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/wiplay.2019.7834.
Full textAbanum, Andrew Monday, Ibidabo David Alebere, and Chinemerem Patricks-E. "Determinants of IOGP Life-Saving Rules Compliance Among Nigerian Petroleum Industry Workers." In SPE Nigeria Annual International Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/208227-ms.
Full textBargsten, Jeanne, Clemens Treier, Özlem Yilmaz, Amandine Pades, Andrea Kim, and Jung-Kyu Lee. "ISO 19443: Fundamental Requirements of the New Quality Management Standard for the International Nuclear Supply Chain." In 2022 29th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/icone29-91803.
Full textMarfella, Giorgio. "Seeds of Concrete Progress: Grain Elevators and Technology Transfer between America and Australia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4000pi5hk.
Full textWang, Jianran, Xiaofang Liu, Haifeng Zhang, Qi Luo, Shihong Jiang, and Haifeng Hong. "Study of Carbody Structure Design Under Different Standards." In ASME 2021 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/imece2021-67822.
Full textZhou, Ping, Jiali You, and Wenjing Wu. "Research on Health Communication Strategies of Short Video on Popular Medical Science." In 2021 3rd International Conference on Economic Management and Cultural Industry (ICEMCI 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211209.172.
Full text