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Books on the topic 'Popular culture – Greece'

Author: Grafiati
Published: 10 March 2023

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1

Culture and customs of Greece. Westport, Conn: Greenwood Press, 2009.

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2

Switzerland) Culturescapes Greece (Festival) (2017 Basel. Culturescapes Greece: Archaeology of the future = Griechenland : Archäologie der Zukunft. Edited by Botanova Kateryna editor, Chrysopoulos Chrēstos 1968 editor, Cooiman Jurriaan 1966 editor, and Culturescapes. [Basel]: Christoph Merian Verlag, 2017.

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3

Slaves tell tales: And other episodes in the politics of popular culture in ancient Greece. Princeton, N.J: Princeton University Press, 2012.

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4

Sexuality in Greek and Roman culture. 2nd ed. Hoboken: Wiley-Blackwell, 2013.

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5

La culture populaire en Grèce pendant les anneés 1940-1945. Paris: L'Harmattan, 1989.

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6

1955-, Gosden Chris, and Hather Jon G. 1963-, eds. The prehistory of food: Appetites for change. London: Routledge, 1999.

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7

Francon, Marc. Le Guide vert Michelin: L'invention du tourisme culturel populaire. Paris: Economica, 2001.

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8

Sociolinguistics of style and social class in contemporary Athens. Amsterdam: John Benjamins Publishing Company, 2014.

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9

Barbosa, Tereza Virgínia Ribeiro. Feita no Brasil: A sabedoria vulgar da tragédia ática para o povo tupiniquim catrumano. Belo Horizonte: Relicário, 2018.

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10

Kurke, Leslie. Aesopic conversations: Popular tradition, cultural dialogue, and the invention of Greek prose. Princeton: Princeton University Press, 2011.

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11

Aesopic conversations: Popular tradition, cultural dialogue, and the invention of Greek prose. Princeton: Princeton University Press, 2010.

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12

Rocton, Maud, Giōta Kōnstantatou, and Eirēnē Mountrakē. Stigmiotypa hellēnikou politismou yearbook 09-10. [Athēna: Ekdoseis Philotheamōn, 2010.

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13

Reading popular romance in early modern England. New York: Columbia University Press, 2002.

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14

Saunier, Guy, Eleutheria Giakoumakē, and Emmanuelle Moser-Karagiannis. Kaniskion philias: Timētikos tomos gia ton Guy-Michel Saunier. Athēna: [s.n.], 2002.

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15

Heudin, Jean-Claude. Robots & avatars: Le rêve de Pygmalion. Paris: O. Jacob, 2009.

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16

Papaiōannou, M. M. Dēmotiko tragoudi kai laikos politismos. Athēna: M.M. Papaiōannou, 1991.

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17

Emma, Stafford, and Herrin Judith, eds. Personification in the Greek world: From antiquity to Byzantium. Aldershot, Hants, England: Ashgate, 2004.

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18

Littler, Jo. Radical consumption: Shopping for change in contemporary culture. Berkshire: Open University, 2009.

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19

Iriarte, Ana. Las redes del enigma: Voces femeninas en el pensamiento griego. Madrid: Taurus Humanidades, 1990.

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20

Holst-Warhaft, Gail. Road to Rembetika: Music of a Greek sub-culture : songs of love, sorrow and hashish. 4th ed. Limni, Greece: Denise Harvey, 1994.

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21

Holst-Warhaft, Gail. Road to Rembetika: Music of a Greek sub-culture : songs of love, sorrow and hashish. 4th ed. Limni, Greece: Denise Harvey, 1989.

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22

Holst-Warhaft, Gail. Road to rembetika: Music of a Greek sub-culture : songs of love, sorrow, and hashish. Athens: D. Harvey, 1994.

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23

Evans, David H. Cool hunting green: Recycled, repurposed, and renewable objects that inspire a greener world. Bowden, SA: East Street Publications, 2007.

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24

Vlastarēs, Giannēs. Lexiko chōris gravata. Athēna: Ekdoseis Harmos, 2017.

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25

1965-, Hess Stefan, Lochman Tomas 1959-, Adrario-Jösel Claudia, and Skulpturhalle Basel (Switzerland), eds. Basilea: Ein Beispiel städtischer Repräsentation in weiblicher Gestalt. Basel: Schwabe, 2001.

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26

A Radical Green Political Theory. London: Routledge, 1999.

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27

Bodies, commodities, and biotechnologies: Death, mourning, and scientific desire in the realm of human organ transfer. New York: Columbia University Press, 2009.

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28

Strange harvest: Organ transplants, denatured bodies, and the transformed self. Berkeley: University of California Press, 2006.

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29

Riordan, Rick. Percy Jackson and the Lightning Thief. London: Penguin, 2008.

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30

Ancient Greece in Film and Popular Culture. Bristol Phoenix Press, 2008.

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31

Nisbet, Gideon. Ancient Greece In Film And Popular Culture (Greece and Rome Live). Bristol Phoenix Press, 2007.

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32

Leontis, Artemis. Culture and Customs of Greece. ABC-CLIO, LLC, 2009.

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33

Nisbet, Gideon. Ancient Greece In Film And Popular Culture (Live Series) (Greece and Rome Live Series). Bristol Phoenix Press, 2007.

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34

Hionidou, Violetta. Abortion and Contraception in Modern Greece, 1830-1967: Medicine, Sexuality and Popular Culture. Springer International Publishing AG, 2020.

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35

Hionidou, Violetta. Abortion and Contraception in Modern Greece, 1830-1967: Medicine, Sexuality and Popular Culture. Springer International Publishing AG, 2021.

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36

Forsdyke, Sara. Slaves Tell Tales: And Other Episodes in the Politics of Popular Culture in Ancient Greece. Princeton University Press, 2012.

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37

Forsdyke, Sara. Slaves Tell Tales: And Other Episodes in the Politics of Popular Culture in Ancient Greece. Princeton University Press, 2012.

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38

Sex on Show: Seeing the Erotic in Greece and Rome. University of California Press, 2013.

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39

Greece on Air: Engagements with Ancient Greece on BBC Radio, 1920s-1960s. Oxford University Press, 2014.

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40

Karakatsanis, Leonidas, and Nikolaos Papadogiannis. Politics of Culture in Turkey, Greece and Cyprus: Performing the Left since the Sixties. Taylor & Francis Group, 2017.

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41

Karakatsanis, Leonidas, and Nikolaos Papadogiannis. Politics of Culture in Turkey, Greece and Cyprus: Performing the Left since the Sixties. Taylor & Francis Group, 2017.

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42

Power, Timothy. Musical Persuasion in Early Greece. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195386844.003.0008.

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This chapter on archaic and classical Greek music finds the political dimensions of musical expression to be paramount. Music, according to Power, presents a synesthetic form of communication—verse, instruments, often dance and, in Athenian drama, prose dialogue—of unrivalled modal complexity that reinforced the popular impact of this art form. Solon and other politicians used music, while Pindar and other poets introduced political motifs into performances of their works. In Power’s view, the generally accepted notion that early Greece was a “song culture”—differing in this respect from ancient Mesopotamia with its scribal culture, or from imperial Rome with its predilection for monuments and public spaces—should not lead to overemphasizing private life and personal communication as opposed to the political forms of expression developed by Solon, Pindar, and others.
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43

Keegan, Peter. Graffiti in Antiquity. Taylor & Francis Group, 2014.

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44

Keegan, Peter. Graffiti in Antiquity. Taylor & Francis Group, 2014.

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45

Keegan, Peter. Graffiti in Antiquity. Taylor & Francis Group, 2014.

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46

Graffiti in Antiquity. Taylor & Francis Group, 2017.

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47

Graffiti In Antiquity. Acumen Publishing Ltd, 2014.

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48

Keegan, Peter. Graffiti in Antiquity. Taylor & Francis Group, 2014.

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49

Cohen, Edward. The Athenian Nation. Princeton University Press, 2002.

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50

The Athenian Nation. Princeton University Press, 2000.

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