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Relevant bibliographies by topics / Popular culture – Greece

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Academic literature on the topic 'Popular culture – Greece'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Popular culture – Greece"

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Barrera, Cordelia E. "Ancient Greece in Film and Popular Culture." Journal of Popular Culture 43, no. 3 (June 2010): 645–47. http://dx.doi.org/10.1111/j.1540-5931.2010.00762_1.x.

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Banta, Jason Lawrence. "Ancient Greece in Film and Popular Culture by Gideon Nisbet." Intertexts 10, no. 2 (2006): 191–93. http://dx.doi.org/10.1353/itx.2006.0008.

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Kovacs, George. "Ancient Greece in Film and Popular Culture by Gideon Nisbet." Phoenix 63, no. 1-2 (2009): 225–27. http://dx.doi.org/10.1353/phx.2009.0044.

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Papantoniou, Giorgos. "Giorgos Vavouranakis, Konstantinos Kopanias and Chrysanthos Kanellopoulos (eds). Popular Religion and Ritual in Prehistoric and Ancient Greece and the Eastern Mediterranean. pp. xviii + 170, with col. and b/w ills. 2018. Oxford: Archaeopress." Journal of Greek Archaeology 5 (January 1, 2020): 620–25. http://dx.doi.org/10.32028/jga.v5i.469.

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Popular religion falls under the wider field of popular culture, and has only recently been recognised as an independent subject for historical investigation. This volume concerns popular religion and ritual in prehistoric and ancient Greece and the eastern Mediterranean, and is the result of a conference held in December 2012 at the National Kapodistrian University of Athens.

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Kakampoura, Rea, George Katsadoros, Αphrodite Nounanaki, and Dimitris Kolokythas. "Educational Activities Concerning Folk/Popular Culture in Greek Primary School Websites." European Scientific Journal, ESJ 13, no. 10 (April 30, 2017): 246. http://dx.doi.org/10.19044/esj.2017.v13n10p246.

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Folk/Popular culture comprises a many-sided and complex term, existing in both its traditional (Folk) and contemporary dimension (Popular). Many of its aspects can be traced in Primary Education school books, but in many cultural school displays as well. Student participation in cultural oriented activities encourages enculturation, the awareness of belonging in one or many cultural groups, and, successively, an understanding of one’s cultural identity. This article presents the results of research conducted all over Greece concerning educational programs and activities about folk/popular culture as shown in the websites of Greek public and private Primary Schools and Kindergartens, utilizing online data collection.

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Simonton, Matt. "Demagogues and Demagoguery in Hellenistic Greece." Polis: The Journal for Ancient Greek and Roman Political Thought 39, no. 1 (January 6, 2022): 35–76. http://dx.doi.org/10.1163/20512996-12340355.

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Abstract This paper introduces scholars of Greek political thought to the continued existence of the phenomenon of demagoguery, or ‘(mis-)leadership of the people’, in the Hellenistic period. After summarizing Classical elite discourse about demagoguery, I explore three areas in which political leaders continued to run afoul of elite norms in Hellenistic democratic poleis: 1) political persecution of the wealthier members of a political community; 2) ‘pandering to’ the people in a way considered infra dignitatem; and 3) stoking bellicosity among the common people. I show that considerable continuities link the Classical and Hellenistic periods and that demagoguery should be approached as a potential window onto ‘popular culture’ in Greek antiquity.

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Dawe, Kevin. "Minotaurs or musonauts? ‘World Music’ and Cretan Music." Popular Music 18, no. 2 (May 1999): 209–25. http://dx.doi.org/10.1017/s0261143000009053.

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In a recent issue of Popular Music devoted to the music of the Middle East, Martin Stokes and Ruth Davis note that ‘the movement of Middle Eastern sounds into Western cultural spaces … has largely been ignored’ (1996, p. 255) and that ‘Middle Eastern popular musics will probably continue to mark an unassimilable and unwelcome “otherness” for most Europeans and Americans’ (ibid, p. 257). In this paper, written partly in response to these remarks, I examine the movement of contemporary Middle Eastern sounds into Greek cultural space and Greek musical culture, a musical culture that has an affinity with ‘Eastern’ musics but also a strong sense of its own identity. Middle Eastern music can indeed take on the form of an ‘unwelcome “otherness”’ in Greece and I shall provide examples of this from my own fieldwork on the Greek island of Crete. Greece and the Greek islands are outposts, on the European periphery, on the frontier between ‘the East’ and ‘the West’, where a history of confrontations, invasions and forced exchanges in political, economic and demographic terms with the Middle East has ensued for millenia. Greece and Turkey still remain in dispute over territory from the Thracian borderlands to the smaller islands of the Eastern Aegean Sea.

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Despotopoulou, Anna, and Efterpi Mitsi. "Real and imagined Greek women in Victorian perceptions of ‘1821’." Journal of Greek Media & Culture 7, no. 2 (October 1, 2021): 171–86. http://dx.doi.org/10.1386/jgmc_00035_1.

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The article explores the reception of ‘1821’ in Victorian popular culture, focusing on the representation of Greek women in stories published in contemporary periodicals. The two dominant tropes of Greek womanhood that emerge in popular fiction and poetry published from the 1830s to the 1890s ‐ the captive harem slave and the intrepid warrior ‐ arouse sympathy for the enslaved women but also evoke liberal ideas on women’s national and social roles. These texts foreground the position of Greek women within a nineteenth-century social context and imbue in them virtues and conflicts such as radicalism, the enfranchisement of women and middle-class domesticity that concerned Britain as much as Greece. Greek women, as represented in these stories, construct a Victorian narrative of ‘1821’ and of the Greek nation that oscillates between familiarity and strangeness, freedom and enslavement, real and imaginary. These largely neglected texts challenge traditional definitions of philhellenism, which depended on the legacy of ancient Greece as justification for the cause of the country’s liberation, and instead construct new myths about Greece, participating in the discursive production of its national fantasy. They also provide the opportunity of reconsidering the cultural position of Modern Greece in the Victorian period beyond the division between Hellenism and Orientalism.

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Georges, Eugenia. "Abortion and Contraception in Modern Greece, 1830–1967: Medicine, Sexuality and Popular Culture by Violetta Hionidou." Journal of Modern Greek Studies 39, no. 2 (2021): 469–73. http://dx.doi.org/10.1353/mgs.2021.0033.

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Solomon, Jon. "Gideon Nisbet, Ancient Greece in Film and Popular Culture, ser. Greece and Rome Live (Exeter: University of Exeter Press, 2006), XVI + 170 pp." International Journal of the Classical Tradition 15, no. 3 (September 2008): 510–14. http://dx.doi.org/10.1007/s12138-009-0064-z.

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Dissertations / Theses on the topic "Popular culture – Greece"

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Frangou, Georgia Phoebe. "Soap opera reception in Greece : resistance, negotiation and viewing positions." Thesis, Goldsmiths College (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252340.

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Stone, Peter J. "Ritual Dining, Drinking, and Dedication at Stymphalos: A Case Study in the Influence of “Popular” Culture on Religion." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1172850651.

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Thesis (M.A.)--University of Cincinnati, 2007.
Title from electronic thesis title page (viewed Apr. 18, 2007). Includes abstract. Keywords: Greek sanctuaries; Ritual dining; Communal dining; Religion and society; Hellenistic ceramics; Stymphalos. Includes bibliographical references.

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Thomas, Quincy D. "Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521852471021414.

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Wise, Krista Michelle. ""I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395416795.

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But, Ekaterina. "Eutrapelia: Humorous texts in Hellenistic poetry." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1619032780255174.

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Jonsäll, Hans. "Välsignad förbannelse : En retorisk analys av bibliskt material i Black Metallyrik." Thesis, Uppsala universitet, Gamla testamentets exegetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-266925.

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This bachelor thesis offers a rhetorical analysis of the album Maranatha by Swedish Black Metal artist Funeral Mist. Its main focus is on the intertextuality between the song "Blessed Curse" and the biblical book Deuteronomy, especially Deut 28 from which it has sampled a large portion of text. In the analysis I uncover the similarities and differences between the two texts in order to explain how the biblical fragments constitute new meanings when rearranged and taken out of their original context. The analysis concludes with relating the material to its new context i.e. the album Maranatha and the Black Metal scene by explaining other intertexts and references to the Bible and discussing which genre is best suited to describe the album as a whole. The results of the study show that the biblical quotations in the lyrics convey radically different messages and meanings compared to their original content in Deut 28. This in turn acknowledge how dependent linguistic symbols are on their context. I finish off my thesis with a few reflections on the moral and ethical implications of this use of biblical material concerning the anti-christian agenda supported by members of the Black Metal scene and specifically how Daniel Rostén of Funeral Mist view his own work and agenda.

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Galanis, Evangelos. "The modern Greek popular theatre as a means of Paideia of the Greek people, from the establishment of the Greek State until today." Thesis, 2014. http://hdl.handle.net/10210/11013.

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D.Litt et Phil. (Greek)
This is a study of how, when and why the popular theatre influenced the character, behavior and the formation of the Greek people’s culture from the establishment of the Greek state up until today. The thesis attempts to fill a gap in current literature as to date there has been no study dealing with the influence exerted by the popular theatre as a whole in shaping the culture of the Greek people. The first chapter captures the historical and social context of the time period within which the thesis unfolds. The second chapter refers to existing theories and studies related to the thesis’ topic. Their importance is twofold as a number of them assist in providing answers to issues which are relevant to the popular theatre and its different forms and other studies and theories will be used as a basis upon which to complete the study. The third chapter presents the historical progress of the popular theatre from the establishment of the Greek state up until today. The major milestones are defined and the conditions and events that influenced the popular theatre are identified. The chapter also outlines the history of urban theatre within the Greek state. Finally, the chapter identifies the relationships between the urban and the popular theatre, namely their manner of communication and mutual influence as well as the means of information exchange, and attempts to answer the question of whether and when the popular theatre influenced the evolution of the urban theatre and vice versa. The fourth chapter identifies the interactions between popular theater and the Greek society. The chapter relates the evolution of popular theater with the simultaneous evolution of Greek society and explores the relationships between the two. It examines individual parameters defining the relationship between the formal education within the country and popular theater. The chapter also identifies the role that the popular theater had in the dispute over the language issue, which was one of the most serious issues that concerned the intellects of the nation before and after liberation. The fifth chapter presents the most important primary forms of popular theater such as “the day of the midwife”, “the court”, “the skylodeftera” and others, following as far as possible the calendar year.

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HADJIKYRIACOU, Achilleas. "Men in crisis : representations of masculinity and gender relations in Greek cinema, 1950-1967." Doctoral thesis, 2010. http://hdl.handle.net/1814/14482.

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In 2012 the author was awarded The James Kaye Memorial Prize for the Best Thesis in History and Visuality.
Defence date: 28 June 2010
Examining Board: Prof. Giulia Calvi (EUI, supervisor); Prof. Anthony Molho (EUI); Prof. Penelope Corfield (Royal Holloway, University of London and University of Leicester); Dr. Yannis Tzioumakis (University of Liverpool)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
The deconstruction of masculinity crisis in Greece during the 1950s and 1960s has a central part in the research objectives of the current project. More precisely, the main research questions of my study are as follows: - How are hegemonic and subordinated types of masculinity represented in Greek popular films? - How are gender relations represented in Greek popular films? - What is the impact of cultural transfers on the cinematic representations of masculinity and gender relations? - How do films represent the negotiation of tradition with modernity with regard to changes in masculinity and gender relations? - How do the representations of masculinity and gender relations relate to those of class and locality? - How do cinematic representations of masculinity and gender relations connect to their historical context?

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Murray, Jeffrey. "Few against many : the reception of the battle of Thermopylae in popular culture, South Africa and children's literature." Thesis, 2009. http://hdl.handle.net/10413/838.

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The Battle of Thermopylae in 480 B.C. is an event of Greek history that has inspired numerous subsequent receptions. Many of these later ‘receptions’ of the battle have been studied in varying degrees of detail by scholars over the years, however certain periods, or modes of reception have been ignored or neglected in this scholarship. In this dissertation I examine some of these neglected areas of research. These areas include: the uses and abuses of the Battle of Thermopylae in contemporary popular culture. In this section I focus primarily on Frank Miller’s graphic novel 300 (1998/9), as well as Zack Snyder’s 2006 film of the same name. Secondly I focus on a ‘national’ response to the ‘Thermopylae theme’, in which I consider its use in South Africa. I narrow my focus to examine its use as a motif in the poetry of the Anglo-Zulu War of 1879. Finally I explore how the Battle of Thermopylae was employed by writers of children’s literature in the Victorian period, where I delimit my discussion to Caroline Dale Snedeker’s The Coward of Thermopylae (1911), as well as Andrew Lang’s short story: ‘The Spartan Three Hundred’ in The True Story Book (1893). These categories cover films, graphic novels, poetry as well as fiction and non-fiction for children. Yet despite being disparate categories, each of these periods, places or genres maintains the ‘kernel’ of the story of Thermopylae: a few, brave Greeks who fought for freedom against the countless Persians invading their land. At the same time different elements of the story are exploited to highlight various issues important in the different contexts and periods. It is my hope that this thesis will not only play a role in researching these lesser known appropriations and adaptations of the Battle of Thermopylae, but that it will also ‘break boundaries’ in the field of reception studies within the discipline of Classics.
Theses (M.A)-University of KwaZulu Natal, Durban, 2009.

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Books on the topic "Popular culture – Greece"

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Culture and customs of Greece. Westport, Conn: Greenwood Press, 2009.

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Switzerland) Culturescapes Greece (Festival) (2017 Basel. Culturescapes Greece: Archaeology of the future = Griechenland : Archäologie der Zukunft. Edited by Botanova Kateryna editor, Chrysopoulos Chrēstos 1968 editor, Cooiman Jurriaan 1966 editor, and Culturescapes. [Basel]: Christoph Merian Verlag, 2017.

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Slaves tell tales: And other episodes in the politics of popular culture in ancient Greece. Princeton, N.J: Princeton University Press, 2012.

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Sexuality in Greek and Roman culture. 2nd ed. Hoboken: Wiley-Blackwell, 2013.

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La culture populaire en Grèce pendant les anneés 1940-1945. Paris: L'Harmattan, 1989.

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1955-, Gosden Chris, and Hather Jon G. 1963-, eds. The prehistory of food: Appetites for change. London: Routledge, 1999.

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Francon, Marc. Le Guide vert Michelin: L'invention du tourisme culturel populaire. Paris: Economica, 2001.

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Sociolinguistics of style and social class in contemporary Athens. Amsterdam: John Benjamins Publishing Company, 2014.

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Barbosa, Tereza Virgínia Ribeiro. Feita no Brasil: A sabedoria vulgar da tragédia ática para o povo tupiniquim catrumano. Belo Horizonte: Relicário, 2018.

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Kurke, Leslie. Aesopic conversations: Popular tradition, cultural dialogue, and the invention of Greek prose. Princeton: Princeton University Press, 2011.

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Book chapters on the topic "Popular culture – Greece"

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Tsalpara, Charis, Irodion Soulopoulos, Ioannis Sklias, and Nikos Grammalidis. "Covid-19 Pandemic’s Influence on Popular/Folk Culture and Tourism in Greece: Shaping the Future and Beyond." In Strategic Innovative Marketing and Tourism in the COVID-19 Era, 121–29. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66154-0_14.

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Parham, John. "Embracing Contradiction: Green Popular Culture." In Green Media and Popular Culture, 1–35. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_1.

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Parham, John. "Popular Music: Reconnecting with the Environment." In Green Media and Popular Culture, 151–76. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_6.

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Parham, John. "Afterword." In Green Media and Popular Culture, 259–66. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_10.

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Parham, John. "Global and Eco-Cosmopolitan Film: ‘Muddled Middles’." In Green Media and Popular Culture, 38–66. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_2.

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Parham, John. "Green Television: Telling Tales." In Green Media and Popular Culture, 67–95. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_3.

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Parham, John. "Green Journalism and Green Cultures." In Green Media and Popular Culture, 96–122. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_4.

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Parham, John. "Green Comedy: The Importance of Being Elastic." In Green Media and Popular Culture, 124–50. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_5.

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Parham, John. "‘Eco-Cinema’: Art Film and Documentary." In Green Media and Popular Culture, 177–204. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_7.

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Parham, John. "Green Computer Games: To Play is to Inhabit." In Green Media and Popular Culture, 205–29. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_8.

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Conference papers on the topic "Popular culture – Greece"

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Mollica, Sonia. "Tradition and semantics: the case of Aeolian architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14070.

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Vernacular architecture is identified as a structure based on specific local needs, on the presence of building materials present in the place and on the extemporaneousness of the architecture, built according to structural dogmas based on the local construction tradition. This is confirmed by the etymology of the word ‘vernacular’, from the Latin “vernaculus”, meaning "indigenous, domestic", or from “verna”, that is "native slave". In the present, vernacular architecture takes on new meanings, often used as an identifier for popular architecture - as also stated by Allen Noble in "Traditional Buildings: A global Survey of Structural Forms and Cultural Functions" of 2007 - or rather structures belonging to common people but «That can be built by skilled professionals, using local and traditional designs and materials», which is also supported by the Oxford English Dictionary. It is in this context that the vernacular Aeolian architecture fits, which significantly and identically characterize the entire territory of the Aeolian Islands, awarded the title of World Heritage Site by UNESCO. Aeolian architecture is inextricably linked to the history of the invasions of different peoples that have taken place in this area, such as the Greek-Roman, Islamic and finally Campania influences, due to their modifications both from an urbanistic and compositional point of view. But today how is it possible to encourage the dissemination and knowledge of these architectures which are so identifying for the Sicilian territory? Cataloging and semantics are configured as fundamental actions for the analysis and use of the architectural heritage, broken down into its deepest formal and compositional characteristics, identifiable in Aeolian architecture through the identification of semantics with a peculiar nomenclature. This article therefore investigates the aspects of semantics applied to traditional language and the compositional characteristics of Aeolian architecture, treated as an indissoluble link of knowledge and analysis of the building, through possible uses of digital applications.

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Vitanova, Emiliya. "THE OLYMPIC FLAME THROUGH BULGARIA – 1936." In INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. Scientific Publishing House NSA Press, 2022. http://dx.doi.org/10.37393/icass2022/142.

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ABSTRACT The topic of this report is related to introducing information about the Olympic flame’s passing through Bulgaria in 1936. Our country takes a significant place in the development of the international Olympic movement. Since it participated in the first modern Olympic Games, our country has persisted in establishing the Olympic values in society through the gymnastics movement, the Bulgarian Olympic Committee activities, and other prominent sports people’s activities. An important feature related to Bulgarian sport’s involvement in the Olympic idea and the Olympic movement was our active participation in organizing the first carrying of the Olympic flame. This study aims to reveal new information on the topic. The research encompasses several major areas for collecting information – foreign literary sources research (13 sources); a survey of all publications by Bulgarian researchers-historians in the field of sport and the Olympic movement in Bulgaria (11 sources); a review of all preserved Bulgarian periodicals since 1936 (74 articles found), review of the „Olympia Zeitung“since 1936 (8 articles found) and review of Greek newspapers since 1936 (4 articles found). Methodologically, all the information found in scientific or popular publications was systematized by using content analysis, comparative analysis, and critical analysis. The keywords used to search for information on the topic were: Olympic Flame, Olympic Flame Torch, Olympic Games 1936, and Olympic symbols. For the aim of the research we used data retrieved from Journal of Olympic History, Journal of the History of Sport, International Olympic Academy, Olympic Review, www.academia.edu, as well as books and publications pre-served in the historical archive of National Sports Academy “Vassil Levski”, the Central National Archive, the Regional archives, and the regional history museums in the towns where the Olympic flame went through. In the unfavorable material and economic conditions in the 1930s our country created an excellent organization and turned this event into one of the most important social-cultural phenomena, which influenced the new perception about the role and significance of the Olympic Games and amateur sport.

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