Dissertations / Theses on the topic 'Popular culture Economic aspects'
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Tam, Pui-yim Jenifer. "Japanese popular culture in Hong Kong : case studies of youth consumption of cute products and fashion magazines /." Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25017585.
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Prado, Luis Antonio. "Patriarchy and machismo: Political, economic and social effects on women." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2623.
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This thesis focuses on patriarchy and machismo and the long lasting political, economic, and social effects that their practice has had on women in the United States and Latin America. It examines the role of the Catholic Church, political influences, social, cultural, economic and legal issues, historic issues (such as the Industrial Revolution), the importance of the family's preference for sons rather than daughters, and the differences in the raising of male and female children for their adult roles.
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Ferguson, Shelagh Wyn, and n/a. "The role of post consumption narrative : an exploration of identity and 'cool'." University of Otago. Department of Marketing, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070418.111413.
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Consumers tell stories every day: stories about the products they buy, the experiences they consume, even their friends� and families� consumption experiences - in fact, stories about most aspects of their lives. People live �storied� lives. Consumption experiences are understood and related to others through stories (2003). These stories are loaded with personal, social and cultural meaning that varies significantly dependent upon the intended audience and effect (Bruner 1987)
Stories are everywhere and understanding these narratives in relation to consumer experience is a challenge that consumer research must embrace (Stern 1998b). The study of such narratives must address issues such as the content of the story, how it is told, who is actually doing the telling and for what purpose. All these stories exist in context. These contexts are not a means in themselves; rather, they are a means to understand a particular aspect of a consumer phenomenon. In this case, the research presented in this thesis seeks to understand the purpose and function of consumers� narratives about commercial adventure experiences. Hence the context of this research is commercial adventure experiences consumed in Queenstown, New Zealand, billed in promotional tourist literature as �the adventure capital of the world� (Smitz et al. 2004). This specific focus on commercial adventure therefore defines the sample group as consumers of commercial adventure experiences in Queenstown. Hence, the scope of this research is limited to understanding the phenomenon under investigation (consumer narratives) in relation to members of Generation Y, as they are the primary consumers of commercial adventure experiences in New Zealand.
This research adopts an interpretive, inductive approach utilising qualitative tools to frame and develop an evolving research question. The primary data collection has an initial framing of the research question phase and then three main phases utilising a variety of qualitative tools including observation, in-depth interviewing and videography. The research addressed many issues, including the preference of consumers to narrate these adventure consumption experiences to their most valued community, their home community, and how they intended to tell their stories to their home community when removed from that community. Additionally, consumers� perceptions of �cool� were investigated, together with the reactions they anticipated receiving from their audiences. This research investigated �cool� as a more meaningful term than status, used by the members of Generation Y to describe the most desired outcome for the narration of their consumption experiences.
Several key themes emerged from this research. They were the use of these consumer experience narratives in the identity-construction process, both collectively and individually, and how this related to the classic hero myth identity construction (Campbell 1972) and how �cool� was acquired by these consumers through their narrations. Implications of the findings are presented for consumer research with specific reference to a model of community formation based on consumption practices and Generation Y as a community sharing a consciousness of kind.
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Hong, Ioi Man. "New iconic symbol in/of Macao : the new globalized consumer spaces." Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1874195.
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Bramadat, Paul A. "Popular hermeneutics : a comparison of Roman Catholic and secular responses to sexual imagery in popular culture." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56958.
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This thesis explores Roman Catholic and secular responses to sexual imagery in popular culture. The Catholic and socio-philosophical responses may be subdivided according to specific ideal types to elucidate the major ideological and ethical movements operative within these two hermeneutical traditions. I use the media luminary Madonna as a case study to illustrate the inadequacy of much that Catholic and secular cultural critics have written about religiously ambiguous and sexually provocative popular culture phenomena. Typically, secular critics neglect the religious implications of such phenomena, while Catholic critics overlook their ideological implications. I shall demonstrate both that hermeneutical exclusivity weakens the two major approaches and that only methodologies which take seriously both Catholic and secular insights are appropriate for analyzing this aspect of popular culture.
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Molapo, Rachidi Richard. "Sports, festivals and popular politics : aspects of the social and popular culture in Langa township, 1945-70." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/15984.
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Bibliography: pages 233-237.The rapid industrialization which transformed South African Society after the discovery of minerals, had a profound impact on the lives of most South Africans. The process of urbanization escalated during and after the Second World War because of better wages and job opportunities in the urban areas. South African urbanization was characterized by the brutal manner in which the state dealt with the Black people. The White middle and working classes' fear of being engulfed by this Black tide led to the multi-pronged strategies which were devised to contain and co-opt the Africans, hence the creation of townships like Langa. This study looks at how the journey from the rural areas to the cities became part of the 'making of Black working class'. Material conditions in the cities were characterized by social squalor and overcrowding. Ghetto-like conditions created ethnic identities and working class culture, consciousness and community struggles came to reflect capitalist domination in the twentieth century township of Langa. Many residents in the township indulged in leisure pursuits such as dance and music which had their origins in the rural areas and this indicated an important cultural resource which they adhered to so as to cope with the alienating and corrosive compound and hostel life. Some of the residents found pleasure in leisure pursuits whose roots and ethos could be traced to the Victorian period such as cricket, soccer and rugby. All these leisure pursuits however, came largely to be influenced by the realities of township life and the general national and economic exploitation. The working class in Langa was not a homogeneous block as there were intense struggles between the migrants and immigrants over township space and resources. Therefore festivals and sporting activities played an important part in the cultural history of Langa township's effort to create "communities". The last part of the study looked at how the conditions in the city led to the realization by the dominated classes that the solution towards the alleviation of the conditions that they were confronted with was through the formation of structures which aimed at overthrowing institutions of oppression, such as the pass laws.
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Miers, Margaret Elizabeth. "The Derby and the Grand National as aspects of British popular culture." Thesis, Open University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239850.
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Waddell, Brodie Banner. "Poverty, property and profit in English popular culture, 1660-1720." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3214/.
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This thesis explores popular attitudes towards economic relations in England in the late seventeenth and early eighteenth centuries. It focuses on the economic implications of three of the most important and pervasive themes in the popular culture of this period: religious teachings about God‟s will; analogies based on the „well-ordered household‟; and assertions of communal solidarity. This study thus includes analysis of a range of moralised ideals and beliefs, including Christian stewardship, divine providence, patriarchal power, paternal duty, local community, and collective identity. Although some of these concepts have been discussed in the existing historiography, their impact on the economic culture of the period has largely been neglected or misunderstood. The sources used in this study are primarily printed media created for a very broad audience: broadside ballads, short tracts, chapbooks, pamphlets, sermons, catechisms, etc. These are placed in context by drawing on a variety of less „public‟ sources such as diaries, state papers, magisterial records, and the archives of craft guilds. Together, this diverse collection provides evidence of both moral prescription and social practice. The study demonstrates the vibrancy and diversity of later Stuart „moral economies‟. As a result, it also reveals the inadequacy of many previous historiographical approaches to early modern economic life. Many of these have ignored popular culture in favour of quantifiable metrics or elite ideas, while others have depicted „the moral economy‟ as an ever-receding anachronism. In contrast, this study argues that such beliefs and assumptions continued to serve as the frame through which people viewed food marketing, labour relations, land use, private charity, public poor relief, and many other „worldly‟ concerns. An analysis of later Stuart popular culture can thus contribute significantly to our understanding of economic relations during this period.
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Ahmed, Nesar. "Socio-economic aspects of freshwater prawn culture development in Bangladesh." Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/1497.
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This thesis is concerned with social and economic aspects of freshwater prawn (Macrobrachium rosenbergii) culture development in converted paddy field gher systems in SW Bangladesh, based on economic features of prawn production and social impacts within and around prawn farming communities. Based on a sample of 400 farmers from the four different zones in Bagerhat district in SW Bangladesh, 345 (86.25%) cultured prawn with fish and rice in their gher. The culture period is typically nine months, wild fry are stocked when available in May-June and harvested from November to January. A variety of feeds are used but the preferred material is the freshwater snail, Pila globosa. Productivity is variable, averaging 432 kg ha-!. The freshwater prawn is a highly valued product for international markets and is therefore almost all exported. All farmers in all zones and different gher size categories made a profit, with seed and feed dominating variable costs. Considerable variation in production costs and profitability was observed. The culture of prawn in gher systems is technically possible in a variety of conditions though expanding small scale of farming mainly depends on reducing production costs. Future targets could be to integrate with other agricultural activities especially dike cropping and rice production in the monsoon. The livelihoods of a large number of people are associated with prawn farming. Four different fry, snail and prawn markets were surveyed, including a sample of 60 fry catchers, 40 fry traders, 75 snail collectors, 40 snail traders and 40 prawn traders. A sample of 200 women, associated with gher farms was also surveyed. In spite of socio-economic constraints, most of the households of farmers (81 %) have improved their status through prawn farming where prawn have brought out clearly positive changes of economic activities and generated new employment. All appeared to have gained from their activities, women have enhanced their position in families and societies. However, concerns arise about the long-term sustainability of prawn farming due to high production costs, low supply of wild fry and snail meat, poor natural resources, poor institutional support and inadequate extension services, all of which have affected sustainable livelihoods of farmers and associated groups. It may necessary to establish local ingredients feed industries, prawn hatcheries and to provide low-interest credit with institutional and policy support for sustainable gher farming.
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Gautier, Alba. "Producing a popular music : the emergence and development of rap as an industry." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79768.
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In this thesis, I trace the evolution of the rap market from its emergence in 1979 in New York City to its development into a national industry in 1990. I analyze the motivations of the producers of rap and the mechanisms that led to their current organization. Independent labels were the primary producers of rap records until they made distribution deals with major record companies in the second half of the eighties. I argue that the division of labor between production and distribution, which became the most common context for the production of the music, is both the result of an organizational strategy initiated by the majors and of the negative perception their executives had of rap artists.
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宮翠棉 and Chui-min Koon. "The politics of popular culture: a study of aHong Kong comic strip, McMug." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B43894884.
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Jeppie, Shamil. "Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959." Thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/24109.
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Abrams, L. C. "Aspects of popular culture, leisure and recreation in Imperial Germany : With particular reference to Bochum and Duesseldorf." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384584.
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Stockman, Oliver James. "Work, play and performance : masculinity and popular culture in central Scotland, c.1930-c.1950." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3295/.
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This thesis seeks to begin to fill the gaps in the historiography surrounding the constructions of masculinity performed by young Scottish men in the mid-twentieth century. Much of the current research on British masculinity focuses on the English experience. Where historians have studied Scottish masculinity it has often been in the context of ‘deviant’ forms such as gang membership and domestic violence. In contrast to this, this thesis investigates the masculinities lived by the mass of young working-class men in Scotland. Throughout the thesis masculinity is conceptualized as performative and situational social construct that can be considered both as an identity and as a behaviour. The investigation of masculinity is conducted through examination of oral histories, newspapers and the documents of both employers and voluntary organizations. The use of this range of sources facilitates an assessment of the dominant discourses concerning masculinity, as well as the experiences of the men who constructed their gender, and social identities in the environment these discourses shaped. It is argued that economic context was a fundamental factor in determining the types of masculinity that were acceptable at work and within the greater community. Working-class youths were also able to renegotiate and reshape the discourses of masculinity presented by both commercial and ‘reforming’ sources in order to perform masculine identities that were congruent to their own community norms. This allowed them to practice an agency in their social identities constrained by socioeconomic environment that, while not radical, constituted an active construction of masculinity.
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Hopkins, Susan. "Pop heroines and female icons : youthful femininity and popular culture." Thesis, Queensland University of Technology, 1999.
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The thesis suggests much feminist theorising on girls' and young women's relationship to popular culture is limited by a 'moral-political' approach which searches for moral and
political problems and solutions in the consumption of popular images of femininity. The thesis offers a critique of such 'moral-political' interpretations of the relationship between youthful femininity and popular culture. Following thinkers such as Friedrich Nietzsche and
Jean Baudrillard, the thesis opposes the political preoccupation with 'reality' and 'truth'. The study follows Nietzsche's and Baudrillard's notion of the 'Eternal-Feminine' which accepts the necessity of illusion, deception and appearances. Through a close textual
analysis of magazines, films, television and music video, this study offers an aesthetic appreciation of popular culture representations of femininity. The thesis comprises six essays, the first of which explains my Nietzschean inspired aesthetic approach in more detail. The second essay looks at images and discourses of supermodels and model femininity in women's magazines. The third looks at image-based forms of 'girl power' from Madonna to
the Spice Girls. The fourth essay examines the 'Cool Chics' of the pay TV channel TVJ,from Wonder Woman to Xena: Warrior Princess. The fifth essay, 'Gangster Girls: From
Goodfellas to Pulp Fiction' considers the 1990s model of the femme fatale, the bad girl who thrives on moral chaos. The final essay 'Celebrity Skin: From Courtney Love to Kylie
Minogue' suggests some of the most powerful feminine role models of our time have built their careers not on notions of authenticity and truth but rather on the successful management of illusion and fantasy. The essay argues that our social world has outgrown the traditional
moral-political approach which aims to lead girls and young women from 'deceptive''immoral' appearances to moral, 'authentic' 'reality'. The pleasures of popular culture, Isuggest, cannot always be linked to deep meanings but may be drawn from superficial appearances and beautiful surfaces.
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Ng, Bo-sze, and 吳寶詩. "Slimming culture in Hong Kong: a sociologicalstudy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31478694.
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Cheong, Kin Ieng. "Car culture in Macau." Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1874183.
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Wong, Chi-chung Elvin, and 黃志淙. "The working of pop music culture in the age of digital reproduction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44140101.
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Haynes-Clark, Jennifer Lynn. "American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/20.
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Belly dance classes have become increasingly popular in recent decades in the United States. Many of the predominantly white, middle-class American women who belly dance proclaim that it is a source of feminist identity and empowerment that brings deeper meaning to their lives. American practitioners of this art form commonly explain that it originated from ritual-based dances of ancient Middle Eastern cultures and regard their participation as a link in a continuous lineage of female dancers. In contrast to the stigmatization and marginalization of public dance performers in the Middle East today, the favorable meaning that American dancers attribute to belly dance may indicate an imagined history of this dance. Based on ethnographic fieldwork conducted on the West Coast of the United States and Morocco in 2008-2009, I explore American belly dance utilizing theoretical contributions from feminism, Foucauldian discourse analysis, and postmodernism. I argue that an anthropological investigation of American belly dance reveals that its imagery and concepts draw from a larger discourse of Orientalism, connected to a colonial legacy that defines West against East, a process of othering that continues to inform global politics and perpetuates cultural imperialism. But the creative identity construction that American women explore through belly dance is a multi-layered and complex process. I disrupt the binary assumptions of Orientalist thinking, highlighting the heterogeneity and dynamic quality of this dance community and exploring emergent types of American belly dance. Rather than pretending to be the exotic Other, American belly dancers are inventing a new exotic Self. This cultural anthropological study contributes to a greater understanding of identity and society by demonstrating ways that American belly dancers act as agents, creatively and strategically utilizing discursive motifs to accomplish social and personal goals.
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Turner-Reed, Laura. "'Gimme That Ole Time Religion': Traditionalism, Progressivism and Popular Media." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3202/.
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This thesis examines the role of Christianity in contemporary American culture using 1990s popular media as cultural artifacts. Building on theories of ideological analysis and hegemony, this project uncovers a balance between progressive and traditionalist ideologies in American culture with progressive ideologies most often superficially acknowledged and incorporated into dominant traditionalist Christian ideologies through hegemonic negotiation. An analysis of the popular Hollywood films The Last Temptation of Christ, Leap of Faith, Michael, City of Angels, Dogma and Keeping the Faith, illustrates this process by addressing Christian dominance in multicultural America, a backlash against feminism constructed through patriarchal and “family values” ideologies, and an integration of popular culture and traditionalist Christianity.
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Scheckter, Jonathan. "A holistic approach to consumption analysis in the popular music market." Thesis, Rhodes University, 2006. http://eprints.ru.ac.za/216/.
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Collins, John 1957. "Seeking l’esprit gaulois : Renoir’s Bal du Moulin de la Galette and aspects of French social history and popular culture." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104371.
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This thesis examines the years bracketing the summer of 1876, when Renoir was a resident on the Butte Montmartre and executed the Bal du Moulin de la Galette . The social and historical resonances of Renoir's work during this period are investigated, including his engagement with themes prevalent in French popular lithography and vaudeville theatre. While Bal du Moulin de la Galette is an ubiquitous image of the Impressionist movement, it is little studied as a site of potential symbolic meaning, especially following the period of the Franco-Prussian war and the Commune between 1870-71. Through archival research and a reevaluation of secondary sources a clear relationship is established between Renoir, Republican politics and French literature, particularly the Parnassian movement in poetry.Cette thèse examine les années avant et après de l’été de 1876, quand Renoir habitait sur la Butte Montmartre et a exécuté le Bal du Moulin de la Galette. Ces années dans la carrière de Renoir sont choisi à examiner plus profondément des résonances historiques et sociales de cette oeuvre, y compris l’engagement de Renoir avec les thèmes de la lithographie populaire et les vaudevilles. Tandis que le Bal du Moulin de la Galette est très bien connu dans la contexte de l’impressionnisme, le tableau lui-même est peu étudié comme document de son époque dans la période suivante la Guerre et la Commune entre 1870-71. Au moyen de l’étude des sources archivales et secondaires, un rapport est établi entre Renoir, la politique Républicaine et la littérature fran;aise, particulièrement avec le mouvement parnassien en poésie.
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Broxson, Gene Marshall. "A comprehensive examination of the precode horror comic books of the 1950's." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2429.
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Hoy, Mikita. "An appraisal of aspects of popular culture in relation to the application of some theories of Bakhtin, Barthes and Lacan." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358511.
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Chang, T. C. (Tou-Chuang). "Local uniqueness in the global village : heritage tourism in Singapore." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42000.
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It is commonly assumed that the development of tourist attractions, the formulation of tourism policies and the marketing of destination areas are dictated by the needs and interests of foreign visitors. What is ignored is the role that local factors and agencies bring to bear upon the process. This thesis is devoted to exploring the ways that local and non-local factors are responsible for shaping the form and function of tourism development. Drawing upon the case of Singapore, the thesis examines the country's heritage tourism phenomena as the outcome of 'local' and 'global' forces. This argument is elaborated along four lines of enquiry. They include a study of government policies on tourism, a look at entrepreneurs involved in heritage projects, an exploration of marketing and promotional strategies, and the examination of a particular urban landscape the Little India Historic District. To conceptualize the global-local nexus, the thesis adopts two bodies of theory. They are the 'locality concept' advanced by industrial geographers in the 1980s and writings on 'globalism-localism' by cultural/economic geographers in the 1990s. Both theoretical discussions reinforce the argument that place uniqueness is not necessarily sacrificed as a result of globalization. They also provide a way of viewing tourism geographies as the product of global and local forces.
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Ellis, Ciaran R. "Valuing wild pollinators for sustainable crop production." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/22327.
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This thesis looks at the role of wild pollinators in providing services to crops. Two data chapters (2 and 3) are accompanied by a modelling chapter (4) which build on the findings of the field studies. The thesis ends with an overview of the trends in pollinator populations and how these relate to the needs of farmers in the UK (chap-ter 5). It is often assumed that commercial pollinators are appropriate substitutes of wild pollinators on farms; however this view neglects the differing roles that particular pollinator taxa might play in providing pollination services. For example, crops with a long growing system may require multiple pollinators to ensure pollination throughout the season. Strawberries in Scotland have an extremely long growing season, flowering from April to August. Chapter 2 presents a study showing season-al complementarity between different pollinating taxa across strawberry farms in Scotland. Pollinators of strawberries also differed in their responses to weather pa-rameters indicating that preserving multiple pollinator taxa could ensure yields un-der different weather scenarios. The requirements of a long-growing season and ad-verse weather may be specific to strawberry production in Scotland, but the valua-tion of multiple taxa can be generalised to systems with differing needs, and also to different ecosystem services. Wild bees are not only valuable for providing complementary services to commercial pollinators, but are also valuable in the longer term as it is unknown whether com-mercial pollinators will be available in the future. There are threats to the supply of honeybees which have already triggered price rises; such supply shocks could force farmers to leave production or to seek other ways of providing pollination, including supporting wild pollinators. However farm management pressures, in particular pes-ticide use, could threaten the ability of wild pollinators to continue to support crop production. The interplay of pesticides and pollination is discussed in chapter 3 and 4. Chapter 3 presents an experiment undertaken on soft-fruit farms which had and had not used the neonicotinoid, thiacloprid, and shows that nests exposed to thia-cloprid had higher worker mortality, and lower male production than those at con-trol farms. This has implications both for pollination services now, as worker mor-tality will reduce the number of bees visiting farms, and also for the maintenance of future pollination services through decreased reproductive capacity of exposed nests. Chapter 4 uses a theoretical model to link pesticide use and habitat use to pollina-tion services, and shows that the use of commercial pollinators could mask the de-cline in wild populations, making local extinctions more likely. Chapter 5 sets out the status and extent of pollinators in the UK, along with popu-lation trends, trends in habitat and trends in pesticide use to provide an overview of how well pollination services are likely to meet the ongoing needs of crop farmers.
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Lau, Cheung-cheung, and 劉章璋. "A study of Manga and adolescent popular fiction in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221142.
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Montgomery, Michael Vincent. "Bakhtin's chronotope and the rhetoric of Hollywood film." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185758.
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This dissertation considers Hollywood film locales rhetorically, as the site of many different kinds of community activities and perspectives. In particular, my focus will be on locales and mise-en-scene elements that replicate certain "chronotopic" patterns of time and space organized by our culture in its literature. These special patterns, along with their signifying functions, were first outlined by Mikhail Bakhtin during the period 1937-1938. As a first step, I begin with a broad survey, outlining the salient features of Bakhtin's individual chronotopes ancient and modern, and considering fundamental connections between these chronotopes and classical Hollywood genres of the 1940s. I devote my second chapter to the exploration of other important theoretical bases of Bakhtin's work; in particular, to the belief in the rejuvenating power of folk language and the carnivalesque. My argument is that the "idyllic chronotope" is given the same position of centrality in Bakhtin's discussions of space and time as carnivalesque speech genres are in his discussions of language. The appearance of an "idyllic interlude" in a work of literature or in a film can suddenly throw the rest of the represented world into moralizing "perspective" just as a carnivalesque insult or quip can "degrade" a high-sounding speech. My third theoretical problem will be the reception and processing of the film text. How does the audience of a film apply their socially-formed schema and knowledge of the characters' "situations" to a film text in order to construct meaning? Here I demonstrate how the "high-lighting" of a film text with recognizable chronotopes can help an audience to form judgments about characters and to construct analogies between character situations and situations arising in their own communities. In my fourth and final chapter, I branch out from Bakhtin's models to consider new chronotopes as they may develop during a particular historical decade. Specifically, I examine the representation of the "shopping mall" as it appears throughout a dozen or so 1980s films in order to show how the spatiotemporal worlds suggested by these films can be "opened out" into a study of teen culture and social mores across the decade as a whole.
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Imrie, Brian C., and n/a. "Culture�s influence upon service quality evaluation : a Taiwan perspective." University of Otago. Department of Marketing, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090506.154534.
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In order to successfully implement service internationalisation, a detailed knowledge of the target foreign culture is required (e.g., beliefs, values, lifestyles, symbols, psycholinguistics, and attitudes). This information may be used to manage the alignment of service offerings with local tastes, and create perceptual stimuli to foster trust and encourage consumption (Fugate 1996). Credible tools are therefore required to provide the market intelligence required to understand the cultural context and inform adaptation to local preferences. Service quality modelling and measurement perform such a role in reporting customer perceptions of the effectiveness of service marketing effort. However consideration of culture�s influence upon service quality evaluation has hitherto received only periphery attention within the literature. While numerous researchers have examined the role that values play as an antecedent of the service quality construct (e.g., Donthu and Yoo 1998; Furrer et al. 2000; Mattila 1999; Winsted 1997) there are no published studies adopting a more comprehensive view of culture�s role.
The widespread adoption of values as a proxy for understanding culture�s influence upon the service quality construct appears flawed as there is no theoretical justification to isolate values from the rest of the cultural field (Bourdieu 1990; Radcliffe-Brown 1949). Values alone, such as Hofstede (1984a) and Schwartz and Bilsky�s (1987) schemas, cannot fully explain how individual consumers reconcile their individual preferences with broader cultural influences (e.g., institutions, beliefs, regulations, and artefacts). In this study Bourdieu�s (1986) structuralist perspective of culture is utilised as a framework to explore how culture influences service quality. In this perspective the social world is viewed as being comprised of rules and systems that guide/inform an individual�s behaviour. Values are only one element of this social system.
In this study a case approach is adopted to map the role of culture in constructing service quality preferences. While the breadth of the research agenda means there is a large population of possible cases, Taiwan is selected as the case boundary principally due its logistical accessibility. Case selection in this study can therefore be classified as a convenience sample. However, to facilitate intensive study (Stake 2005) complexity is added to the case design through purposeful sampling (Patton 1990). In addition to seeking the perspectives of local Taiwanese outside perspectives are sought from expatriate New Zealanders and Taiwanese who have lived in New Zealand. Through purposive triangulation (Patton 1990) of both the sample underpinning the case and an interpretive multi-discipline analysis the researcher constructs a model of culture�s influence upon service quality evaluation within this case boundary. No evidence is found within either the primary data or critical literature review that Taiwanese culture has any impact upon the evaluation of service quality at the primary dimensional level (i.e., �Process/Outcome Quality�, and the �Personal Interaction Quality�). Indeed apriori modelling of the construct has similarly modelled how consumers separately evaluate interpersonal aspects from other key evaluative criteria (e.g., Dabholkar et al. 1996; Gronroos 1984). This level of the dimensional hierarchy is therefore tentatively determined to be etic (Pike 1967), subject to further cross-cultural studies. A moderate level of cultural influence was however noted amongst the second-order dimensions. Finally, the third and subsequent level indicators were widely found to display extensive cultural influence and require significant adaptation efforts for local cultural preferences.
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Eriksson, Madeleine. "(Re)producing a periphery : popular representations of the Swedish North." Doctoral thesis, Umeå universitet, Kulturgeografiska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-36502.
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The discourse on Norrland (literally ‘North land’ in English) as essentially ‘different’ has been(re)produced in literature, politics and science for as long as the idea of ‘Norrland’ has existed. Thus,when investigating the discourse that constructs the identity of Norrland in opposition to a Swedishnational identity, it is important to connect these representations to their contemporary (andchanging) political-economic contexts. The aim of this thesis is to analyze contemporaryrepresentations in news, film, advertising and interviews to show how representations constructstereotypes informed by neoliberal ideals and internationally familiar stereotypes of a traditionalintransigent population positioned in Norrland and a modern and progressive population in theurban South. The findings in this thesis can be summarized as follows. First, Norrland has beenconsistently reproduced, resisted and reworked through various discursive networks and practicesover centuries, as simultaneously authentic and obsolete. Drawing on these discourses makes therepresentations of Norrland in the news become part of a wider discursive network that representsNorrland as an ‘internal other’ within Sweden. Secondly, discourses on Swedish modernity and onneoliberal growth and competition reproduce Norrland and its people as inferior to the rest ofSweden. These representations are reworked and resisted and result in ‘real’ material effects in, forinstance, the news media, place marketing and film. Thirdly, in order to resist these representationsand become part of the ‘modern’, progressive world, places and people need to adjust to neoliberalideals of competitiveness and growth. And, finally, people’s identities are affected by theseneoliberal ideals as they have to relate and react to the representations of different places andpeople and the discourse on the urban as progress. This results in different strategies in theconstruction of narrative identities. I conclude by arguing that these representations serve not onlyas contrasts but also as strategies in the quest to scapegoat certain groups for problems that initiallyoriginated in unequal opportunities and structures of power related to, for instance, ethnicity, class,gender and disabilities – something that is exacerbated by neoliberalist policies and ideologies. Themore pressure is put on individuals and places to produce constant growth, the more certain peopleand places are viewed as ‘unproductive’ and problematic. The problems of depopulation anddiminishing job opportunities in the inland areas of Norrland are thus blamed on the population through the representations of Norrland as an internal ‘other.’Away from the periphery – migration, livelihood strategies and place discourse in the periphery of Norrland
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Darku, Esther Naa Dodua. "Commerce powered by 'National culture'? : an assessment of "Wear Local" campaigns as tools for reinvigorating the textile and clothing industries in Ghana and South Africa." Thesis, University of Fort Hare, 2017. http://hdl.handle.net/10353/2172.
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This study examines the use of ‘cultural’ imagery and messaging as a tool to revitalise crucial national industries. Specifically, it examines the use of Wear Local campaigns in Ghana and South Africa as strategies to rejuvenate their textile industries and to make them viable in an increasingly competitive global market. Conceptualising Wear Local campaigns as possessing both cultural and economic imperatives, this study highlights how both factors contribute to making products of Buy Local campaigns marketable by showing their importance as both cultural and economic products. Using a descriptive-evaluative design, the study adopted a triangulated research approach comprising a survey, key informant interviews and document analysis. Survey questionnaires were administered to a total sample of 308 respondents in Ghana and South Africa. The qualitative phase of the study involved 10 key informant interviews (comprising textile labour unions, clothing designers, and government officials in both countries) and document/documentary research. The quantitative data were analysed using descriptive and inferential statistics, while the qualitative data were analysed using interpretive approaches, such as content analysis. The results indicate significant uses of national cultural elements in the campaign messaging in both Ghana and South Africa, as well as notable differences in the ways in which these campaigns resonated with consumers in the two countries. For instance, cultural differences accounted for high popularity of the campaign in Ghana and low popularity in South Africa. Following from these findings, the study concludes that the discourse on Buy Local and Wear Local, and the use of national culture in commerce, must go beyond the question of efficacy to examine the conditions under which these campaigns can become an effective economic/market tool. The study makes an important contribution to the existing knowledge on national culture, national economy and globalisation.
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Neves, José António de Matos Esteves das 1959. "A cultura popular como factor de desenvolvimento local-um olhar a partir da música." Master's thesis, Instituições portuguesas -- UTAD-Universidade de Trás-os-Montes e Alto Douro, 2000. http://dited.bn.pt:80/29298.
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Scharff, Virginia Joy. "Reinventing the wheel: American women and the automobile in the early car culture." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184279.
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This dissertation examines the interplay between gender ideology, women's actions, and automotive technology in the United States from the beginning of the automotive era through the 1920's. Looking at cultural ideology as a strong yet fragmented and malleable historical force, I have analyzed the effect of popular conceptions of masculinity and femininity on the design, marketing, and use of automobiles. At the same time, I have attempted to show how motorcars, often employed as vehicles of social ideals, promoted some reinterpretation of men's and women's proper roles and places. The auto indeed served as a focus for discourse about the contingent relation between social and political emancipation. While some observers expected the automobile to liberate women from domesticity and subordination, others insisted on the congruence between automobility and domestic life. Though some women would use cars as tools of social or political nonconformity, the auto ultimately transformed and extended women's spatial and temporal province, while preserving the home as the ideal hub of women's activities. Still, the car culture revision of gender ideology had profound consequences for the way the private family car would emerge as a primary transportation mode, facilitating new manners and morals, new commercial and political possibilities, and a revolution in urban development.
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Hesse-Swain, Catherine. "Speaking in Thai, dreaming in Isan: Popular Thai television and emerging identities of Lao Isan youth living in northeast Thailand." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/399.
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This is an ethnographic study of how Lao Isan youth living in the northeastern provincial capital Khon Kaen and nearby town Mahasarakham experience Thainess or khwampenthai in its most popular form – television. People who inhabit the northeast of Thailand interchangeably label themselves and are labelled by others as Isan, Thai Isan, Lao Isan, Thai or Lao, depending on the ethnic, political, social or familial nuances of any given situation. I use the term Lao Isan to refer specifically to Isan people of Lao origin or ethnicity. Lao Isan are subject to complex and often competing notions of Isanness, Laoness and Thainess by insiders and outsiders. Using data derived from a 2002 ethnographic study of the responses of Lao Isan youth (aged 17 to 25) to their favourite Thai television programs, this thesis explores contemporary and co-existing interpretations of Isan identity or khwampenisan among Lao Isan youth in relation to historical context and processes of identity formation. The people of northeast Thailand, or Khon Isan, are confronted daily with ambiguities gravitating around the perceived multiplicity of their identity, particularly Thai identity and Lao (Isan) identity. Political, social and cultural constructs of identity are continually contested. Collective themes and understandings of Lao Isan identity are represented and constituted by outsiders and insiders whose views melt into and across cultural borders. Some of these constructions highlight the exclusivity of Isan identity – a tight geographical space that is no longer Lao but Thai Isan within the larger Thai nation state. Others ignore geographical boundaries and explore Lao Isan identity within a more open cultural space that encompasses both northeast Thailand and Laos. Informing these constructions are overlapping and often conflicting views on Thai-Lao historiography, Lao Isan indigenous studies, and the influence of popular culture.
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Motyka, Susan. "Mediated communications and social order : an examination of John Thompson's Ideology and modern culture." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23231.
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The thesis examines John Thompson's Ideology and Modern Culture as an important contribution to the ongoing dialogue over models of the relationship between mediated communications and social order. The thesis argues that Thompson's contribution to communication theory lies in his development of one of the first successful attempts to integrate the strong orientation to meaning provided by interpretative theories into a comprehensive framework linking the situated interpretations of mediated communications to the idiosyncrasies of social ordering. Building on an evaluation of Ideology and Modern Culture's conceptual design, including its re-working of antecedents within communication, social and political theories, the thesis situates Thompson's project within the context of a post-interpretative turn concerned with the relevance and consequences of interpretation. In commenting on some initial limitations and weaknesses in this developing perspective, the thesis critically examines the dangers of over-emphasizing the significance of the interpretation of mediated meanings for the development of forms of action and for the construction of consequences.
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Barbara, Kathleen M. "The post-modern body in cinema." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t044.pdf.
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Lam, Kwok-hung Ken, and 林國雄. "Sustainable development and property rights: a case study of pond fish culture in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238750.
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Ceulemans, Cédric. "Three essays in the economics of music: reputation and success of musicians." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209455.
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The music industry is a market of superstars, that is a market where a relatively small number of people earn enormous amounts of money and dominate the activity in which they engage (Rosen,1981). Theories on the superstars phenomenon suggest that luck (Adler, 1985) or talent (Rosen, 1981) are the driving forces behind success. Thus, the “superstars models” left performers with no “active” role: successful artists are either endowed with an innate talent far above the average or are extremely lucky. However, all musicians (talented or not; lucky or not) take continuously decisions that affect their career. Chapter 1 and 2 of this dissertation analyze in details some of these decisions and their influence on success.Chapter 1, Rock Bands: Matching, Recording & Work Organization,4 investigates the impact of partnerships, matching, and work organization on the success of rock musicians using a unique database of 1,494 albums released between 1970 and 2004. We show that rock bands differ in their work organization because the agreements between the members of band are different. These agreements can be seen as implicit contracts. Drawing on this observation, we develop a model where agents (musicians) with different levels of creativity match (to form a band) and produce a joint output (a song). We show that the way agents match (positively or negatively) is correlated with success and depends on the (in)completeness of contracts. The theoretical results are supported by the data.
Chapter 2, Musical Characteristics and Success in Commercial Music, analyzes the relationship between musical characteristics, that can objectively be measured, and different types of success (commercial success, critical success, and success assessed by music lovers). We show that the strength and the direction (positive or negative) of the relationship between success and musical characteristics vary with the measure of success.
The third chapter goes in a slightly different direction than the two others as it deals with long term reputation of composers rather than commercial success of pop-rock musicians. Chapter 3, The Formation of the Canons of the Baroque Music, analyzes the reputation of baroque composers over time. The dataset makes it possible to describe the evolution of composers’ reputation and of the baroque canon. The entries in seven important musical dictionaries written between 1790 and 2000 are used to measure reputations. We provide evidence that a consensus exists between musicologists, who often rely on their predecessors’ work.
References:
Adler, M. (1985). Stardom and talent. American Economic Review, 75, 208-211.
Rosen, S. (1981). The economics of superstars, American Economic Review, 71, 845–858.
Doctorat en Sciences économiques et de gestion
info:eu-repo/semantics/nonPublished
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Aoyagi, Hiroshi. "Islands of eight million smiles, pop-idol performances and the field of symbolic production." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ46312.pdf.
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Mtaka, Nhlanhla Dalibhurhwana. "An exploratory study of the role of synergy between the state and civil society in popular participation with reference to the province of Kwazulu-Natal." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1135.
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A healthy democracy is generally seen as one in which citizens participate regularly in formal political activities. Citizens’ participation in governance has come to be accepted as an expression of their rights and the manifestation of citizen agency. Access to information remains a crucial component of the right to participate. Transparency, as a normative and constitutional value, represents a means, not an end. The means is the mechanism of access to information. Within the South African context, there is evidence of an increase in participation of a variety of interest groups by means of different processes, as well as through the establishment of numerous consultative bodies and mechanisms for popular participation at all levels of the political structure (Houston, 2001:1). However, accountability to citizens can best be gauged by assessing citizens’ opportunities to influence legislation between elections. Ultimately, the effectiveness and sustainability of mechanisms aim at improving citizens’ participation in policy formulation in order to become effective when they are “institutionalized” and when the state’s own “internal” mechanisms are rendered more transparent and open to civic engagement. Furthermore, the success depends on some form of effective interaction between the state and civic society. In the case of South Africa, whilst the political context and culture for participation exist in the form of the constitutional provisions and several pieces of legislation, a discrepancy exist whereby many South Africans are excluded or devalued by the vast differences in wealth. Citizen’s votes may count equally, but they are still not able to participate on an equal basis between elections. Participatory mechanisms established to ensure citizen’s participation, access to information and monitoring inside and outside the legislature, remain ineffective. These unequal opportunities mean that the poorer and less organised segments of society are prejudiced in terms of influencing legislation and policy. Their lack of full and meaningful participation means legislative outcomes are less representative of, and responsive to, the interests of the poorer segments of society (Habib, Shultz – Herzenberg, 2005: 144). The focus of this study is limited to the province of KwaZulu-Natal. The aim is to, firstly, assess the extent to which citizens can control those who make collective decisions about public affairs. Secondly, it assess the extent to which citizens participate in the existing participatory mechanisms, and thirdly, the study explores the possibilities of the synergy between the state and civil society in promoting effective participation by its citizens. The study, therefore : 1. Assess the theoretical and policy framework for citizen’s participation in South Africa; and 2. Evaluate the level of participation and effectiveness of participatory mechanisms inside and outside the KwaZulu - Natal Legislature. The study introduces the theoretical and conceptual framework of citizen participation through a literature review; followed by an empirical study of citizen participation in the legislative process in the kwaZulu Natal legislature. The study makes the following findings: 1. The literature review concurs that South Africa has one of the most progressive and liberal constitutions in the world. This is coupled with a sound policy framework demonstrating genuine political will for citizens’ participation in policy formulation. 2. Within the political context and culture for citizen participation, the main question of how much control citizens have over the actions of their government remains. Another issue is whether existing mechanisms in the legislature are effective in engendering citizen’s participation and quality input in public policy – making processes. 3. The study showed that ultimately the effectiveness and sustainability of citizen participation mechanisms is improved when they are “institutionalised” and when the state’s own internal mechanisms of accountability are rendered more transparent and open to civic engagement. The study also highlighted the need for synergy between the state and civil society. This includes, among other things, participatory budgeting, public expenditure tracking, monitoring of public service delivery, investigative journalism and citizens’ advisory boards. The study, therefore, makes two recommendations: 1. A comparative Citizens Education and Outreach Programme be developed and spearheaded by both the legislature and civil society in kwaZulu-Natal; and 2. A further study needs to be undertaken to investigate the possible structural nature of the synergy (relationship) between the state and civil society in the province.
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Burke, Eliza 1973. "Celebrity anorexia : a semiotics of anorexia nervosa." Monash University, School of Literary, Visual and Performance Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/7602.
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Lane, Brigitte Marie. "Franco-American folk traditions and popular culture in a former milltown aspects of ethnic urban folklore and the dynamics of folklore change in Lowell, Massachusetts /." New York : Garland Pub, 1990. http://catalog.hathitrust.org/api/volumes/oclc/21874384.html.
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Jozajtis, Krzysztof. "Religion and film in American culture : the birth of a nation." Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/1501.
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This research addresses an emerging scholarship examining relations between media, religion, and culture in contemporary society. Whilst it acknowledges the value of this growing body of work, the study is based on a recognition that an overwhelming concern with the contemporary scene has resulted in a neglect of the history responsible for the conditions of the present. Given the prominence of America as both a source and an object of this scholarship, moreover, the particular national context in which the institutions and practices of the US media have developed has been taken for granted somewhat. Oriented towards these perceived lacunae, this thesis examines the interaction between religion and film as an influence upon the development of American culture in the twentieth-century. The dissertation is divided into two main parts. The first of these is devoted to an extended discussion of the scholarly background to the research, and argues that the historical dimension of the interrelationship between religion and film in America is worthy of more attention than it has hitherto received. In particular, it stresses the fundamental importance of religion within the discourse of national identity in the United States, and posits the notion of a non-denominational American civil religion as a useful theoretical tool with which to examine Hollywood as a distinctively 'American' form of cinema. Part Two develops this position through a case study of The Birth of a Nation, directed by D.W. Griffith, and one of the most famous films of all time. Discussing the picture as a response to a crisis in American Protestantism, the study argues that the race controversy prompted by its Southern viewpoint was, to some extent, a function of Griffith's ambitions to revive the traditional religious bases of U.S. national identity via the medium of film. Furthermore, it suggests that the impact of Birth helped enact a broader transformation of American culture, wherein the cinema became instrumental in sustaining the belief that the United States was a nation uniquely favoured by Providence.
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Johnson, Alfred B. "Fascination machine : a study of pop music, mass mediation, and cultural iconography." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.
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The mediation of popular musicians in the twentieth century results in the construction of cultural formations-mass mediated pop musician icons-that are, to various degrees, weighted down by the ideologies and concerns of those who receive them as mediated texts. In passing judgment on these cultural icons, the public engages in a massive act of reading, and in the process the icons become sites of personal and cultural signification. This study examines the nature of signification in and through mass mediated popular music icons by exploring the processes by which popular music icons are produced, circulated, and read as texts; and it examines, when appropriate, the significant content of these icons.
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Cilliers, Anneke. "The treatment of brewery effluent using an integrated high rate algal ponding system." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1005177.
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The application of high rate algal ponds (HRAP) in the treatment of brewery effluent that met the South African Department of Water Affairs and Forestry's (DWAF) general limits for discharge into a natural water resource of 1998 were tested during a lO-month baseline phase, followed by an 11-month optimization phase. The objective of the baseline phase was to monitor the seasonal performance of HRAPs. The hydraulic retention time (HRT) fluctuated between 11.16 d and 12.00 d in HRAPs. The chemical oxygen demand (COD) increased from 130.12 ± 6.94 mg/L (post-AD), to 171.21 ± 7.99 mg/L (post-HRAP) . The presence of algal cells and evaporation contributed towards an increase in post-HRAP COD. The ammonia (NH₄-N) concentration decreased from 46.59 ± 2.47 mg/L (post-AD), to 1.08 ± 0.12 mg/L (post-HRAP). The nitrite (NO₂- N) concentration remained below 1.00 mg/L in post-pilot plant AD, post-PFP and post-HRAP effluent. The phosphate (PO₄-P) concentration decreased from 29.81 ± 1.39 mg/L (post-AD) to 17.30 ± 1.16 mg/L PO₄-P. The objective of the optimization phase was to manipulate the HRT to achieve the maximum treatment rate that met the DWAF general limits for discharge into a natural water resource of 1998. Nitrogen (as NH₄-N, NO₃-N, NO₂-N) removal efficiency was used as an indicator of nutrient removal success. HRT was influenced by season. The optimal HRT for autumn was 4.30 d at a temperature of 20.53ºC in HRAP A2 (heated) and 18.96ºC in HRAP B2 (ambient). The optimal HRT for summer was 2.74 d at 29.90ºC in HRAP A2 (heated) and 26.36ºC in HRAP B2 (ambient). The COD decreased from 152.33 ± 4.85 mg/L (post-AD) to 95 .00 ± 3.75 mg/L (post-HRAP A2), and to 100.82 ± 5.93 mg/L (post-HRAP B2). The incoming NH₄-N concentration decreased from 42.53 ± 1.38 mg/ L (post-AD), to 1.70 ± 0.81 mg/ L (post-HRAP) . The nitrate (NO₃-N) concentration post-HRAP was 12 - 14 mg/L. The main methods for NH₄-N removal were probably NH₄-N volatilization through algal uptake. HRAPs were able to lower nitrogen and phosphorous concentrations to within the DWAF limits under normal operating conditions. It is recommended that HRAP treated brewery wastewater be used for irrigation after salt removal, or alternatively, for groundwater recharge . Regulatory exemptions would be required for higher than permitted COD and EC concentrations to enable these actions.
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Carter, Jonathan Edward David. "Estimating the economic rate of return to research in the South African deciduous fruit industry." Thesis, Stellenbosch : Stellenbosch University, 1999. http://hdl.handle.net/10019.1/70205.
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Thesis (MScAgric)--Stellenbosch University, 1999.ENGLISH ABSTRACT: Historically, commercial agricultural research in South Africa has been state supported, but due to recent political changes in South Africa this is changing. The political transition has been accompanied by changing economic policies, causing a tightening of public funds allocated to agricultural research. In 1992 the Agricultural Research Council was formed, primarily to enable greater industry involvement in research as a result of the expected long term budget cuts in publicly funded research. As a result there has been an increased recognition of the need to evaluate research in terms of the economic returns to investment so that decision makers have hard evidence on which to prioritize their investments. This study employs the well known production function approach to evaluate the economic benefits of publicly funded research in the South African deciduous fruit industry. In reporting the results of the research the study proceeds from an overview of the deciduous fruit industry, as well as an analysis of the structure of deciduous fruit research in South Africa. This is followed by a description of the economics of research expenditure, a description of ex post methods of evaluating the economic benefits of research, and the manner in which the data for the analysis was collected. The analysis suggests there is a statistically significant relationship between research and development and industry output as well as industry prices and output. However the results should be interpreted with care, and more effort should be made to ensure that required data are gathered. Nevertheless, the results show that increased research expenditure m the industry is justified.
AFRIKAANSE OPSOMMING: Histories gesien is kommersiele landbou-navorsing in Suid Afrika deur die owerheid ondersteun, maar as gevolg van die onlangse politieke veranderinge in Suid Afrika is hierdie toedrag van sake besig om te verander. Die politieke oorgang in die land het gepaard gegaan met 'n verandering in ekonomiese beleid, wat 'n inkorting van owerheidsbefondsing aan die Landbounavorsingsraad meegebring het. Hierdie Raad is in 1992 gestig, met die primere doe! om grater privaatsektor betrokkenheid in navorsing vanuit die betrokke sektor te verseker, as gevolg van die verwagte onttrekking van owerheidsteun. As gevolg hiervan, is daar nou 'n toenemende erkenning aan die behoefte om navorsingsprojekte te evalueer in terme van die ekonomiese opbrengs op sulke investering, sodat besluitnemers geldige bewyse het waarvolgens bestedingsprioriteite gemaak kan word. Hierdie studie gebruik die bekende produksie-funksie benadering om die ekonomiese voordele van navorsing in die Suid-Afrikaanse sagtevrugte bedryf te evalueer. Die studie begin met 'n oorsig oor die sagtevrugtebedryf, insluitend 'n analise van die navorsingstruktuur wat tans heers. Bogenoemde word gevolg deur 'n beskrywing van die bestaande ex post metodes om ekonomiese voordele van navorsing te evalueer, sowel as die wyse waarop die data vir die analiese ingesamel is. Die resultate wys dat daar 'n beduidende statiese verhouding is tussen besteding op navorsing en pryse en die opbrengs behaal deur produsente in die bedryf Hierdie resultate moet egter met sorg gelnterpreteer word, en meer moeite moet gedoen word om te verseker dat die nodige data ingesamel word. Nietemin toon die resultate dat verhoogde navorsingsbesteding in die bedryf geregverdig is
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Lazzaro, Elisabetta. "Essays in cultural economics." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211077.
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Ball, Rebecca Elizabeth. "Portland's Independent Music Scene: The Formation of Community Identities and Alternative Urban Cultural Landscapes." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/126.
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Portland has a rich, active, and fluid music culture which is constantly being (re)created and (re)defined by a loose network of local musicians who write, record, produce, promote, distribute, and perform their music locally (and sometimes regionally, nationally, and internationally) and local residents, or audiences, who engage in local musical practices. Independent ("indie") local music making in Portland, which is embedded in DIY (do it yourself) values, creates alternative cultural places and landscapes in the city and is one medium through which some people represent themselves in the community. These residents not only perform, consume, promote, and distribute local music, they also (re)create places to host musical expressions. They have built alternative and democratic cultural landscapes, or culturescapes, in the city. Involved Portlanders strive to make live music performances accessible and affordable to all people, demonstrating through musical practices that the city is a shared space and represents a diversity of people, thoughts, values, and cultural preferences. Using theoretical tools from critical research about the economic, spatial, and social role of cultures in cities, particularly music, and ethnographic research of the Portland music scene, including participant observations and in-depth interviews with Portland musicians and other involved residents, this research takes a critical approach to examining ways in which manifestations of independent music are democratic cultural experiences that influence the city's cultural identity and are a medium through which a loosely defined group of Portlanders represent their cultural values and right to the city. In particular, it focuses on how local musical practices, especially live performances, (re)create alternative spaces within the city for musical expressions and influence the city's cultural landscapes, as well as differences between DIY independent music in Portland and its commodified forms and musicians and products produced by global music industry.
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陳振國 and Chun-Kwok Chan. "The silver-screened images of city: film as an alternative tool for planning and development in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31260706.
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sellinger, becky s. "Play Doh's Cave and The Pursuit of the American Cream." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3886.
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Take a minute. Imagine Wiley Coyote and Road Runner are in a domestic partnership. What would that look like? Close your eyes and Pause for 30 seconds. Don’t you see? Coyote never catches up. They keep running faster and faster. Everything in the house gets swept into the whirlwind they’ve created in their paths - the books, the shelves, the bed, and the desk lamp. Their circling movement creates a vacuum, which ultimately causes the entire structure to implode upon itself.
This text is an examination of my work and its relationship to the economic and the domestic. The metaphor of the tragicomic perpetually failing in the spotlight is a dominant motif standing against a backdrop of an overflowing bloat of unidentifiable mass desperately trying to repel gravity. In the first section of this text I offer a brief overview of my two-year trajectory, and an analytical perspective of my culminating thesis exhibition. In the second section, I share with you a trough of incomplete jokes, and standalone punch lines. This Rolodex I keep of “word sketches” catalogues my search for the shape of a laugh.