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Books on the topic 'Popular and genre literature'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

100 most popular genre fiction authors: Biographical sketches and bibliographies. Westport, Conn: Libraries Unlimited, 2005.

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2

The gothic in contemporary literature and popular culture: Pop goth. New York: Routledge, 2012.

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3

Besson, Anne. D'Asimov à Tolkien: Cycles et séries dans la littérature de genre. Paris: CNRS, 2004.

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4

Besson, Anne. D'Asimov à Tolkien: Cycles et séries dans la littérature de genre. Paris: CNRS éditions, 2004.

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5

David, Morris. Techno-occultism: A popular genre of twentieth century literature and its origins in nineteenth century occultism. Birmingham: University of Birmingham, 1987.

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6

Klein, Kathleen Gregory. The woman detective: Gender & genre. 2nd ed. Urbana: University of Illinois Press, 1995.

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7

Klein, Kathleen Gregory. The woman detective: Gender & genre. Urbana: University of Illinois Press, 1988.

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8

The hard-boiled female detective novel: A study of a popular literary genre. Lewiston, New York: Edwin Mellen Press, 2014.

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9

The American imperial gothic: Popular culture, empire, violence. Farnham, Surrey: Ashgate, 2014.

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10

Popular revenants: The German gothic and its international reception, 1800-2000. Rochester, N.Y: Camden House, 2012.

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11

What do I read next?, 2014: A reader's guide to current genre fiction. Farmington Hills, Mich: Gale/Cengage Learning, 2015.

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12

McDonald Werronen, Sheryl. Popular Romance in Iceland. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089647955.

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A late medieval Icelandic romance about the ‘maiden-king’ of France, Nítída saga generated interest in its day and grew in popularity in post-Reformation Iceland, yet until now it has not received the comprehensive scholarly analysis that it much deserves. Analysing this saga from a variety of perspectives, this book sheds light on the manner in which Nítída saga explores and negotiates the romance genre from an Icelandic perspective, showcasing this exciting saga’s strong female characters, worldviews, and long manuscript tradition. Beginning with Nítída saga’s manuscript context, including its reception and transformation in early modern Iceland, this study also discusses how Nítída saga was influenced by, and also later influenced, other Icelandic romances. Considering the text as literature, discussion of its unusual depiction of world geography, as well as the various characters and their relationships, provides insights into medieval Icelanders’ ideas about themselves and the world they lived in, including questions about Icelandic identity, gender, female solidarity, and the literary genre of romance itself. The book also includes a newly revised reading edition and translation of Nítída saga.

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13

Inc, Gale Research, ed. What do I read next?, 2012: A reader's guide to current genre fiction. Farmington Hills, MI: Gale, 2013.

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14

Hall, Glinda F. The creators of women's popular romance fiction: The authors who gave to women a genre of their own. Lewiston, N.Y: Edwin Mellen Press, 2009.

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15

The creators of women's popular romance fiction: The authors who gave to women a genre of their own. Lewiston, N.Y: Edwin Mellen Press, 2009.

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16

Tixier, Herald Diana, ed. Genreflecting: A guide to reading interests in genre fiction. 3rd ed. Englewood, Colo: Libraries Unlimited, 1991.

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17

Genreflecting: A guide to reading interests in genre fiction. 2nd ed. Littleton, Colo: Libraries Unlimited, 1986.

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18

Cult fiction: Popular readings and pulp theory. New York: St. Martin's Press, 1996.

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19

Bloom, Clive. Cult fiction: Popular readings and pulp theory. Houndmills, Basingstoke: Macmillan Press, 1996.

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20

Detectives, dystopias, and poplit: Studies in modern German genre fiction. Rochester, New York: Camden House, 2014.

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21

Classics and trash: Traditions and taboos in high literature and popular modern genres. New York: Harvester Wheatsheaf, 1990.

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22

Classics and trash: Traditions and taboos in high literature and popular modern genres. Toronto: University of Toronto Press, 1990.

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23

America's sketchbook: The cultural life of a nineteenth-century literary genre. Athens: Ohio University Press, 1998.

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24

(Firm), Thomson Gale, ed. What do I read next?, 2007: A reader's guide to current genre fiction. Detroit: Thomson Gale, 2007.

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25

Miller, Heidi Ruby, and Michael A. Arnzen. Many genres, one craft: Lessons in writing popular fiction. Terra Alta, WV: Headline Books, 2011.

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26

The Cambridge companion to popular fiction. Cambridge: Cambridge University Press, 2012.

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27

Betty, Rosenberg, ed. Genreflecting: A guide to reading interests in genre fiction. 4th ed. Englewood, Colo: Libraries Unlimited, 1995.

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28

Popular fiction and brain science in the late nineteenth century. Cambridge: Cambridge University Press, 2012.

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29

Genreflecting: A guide to reading interests in genre fiction. 5th ed. Englewood, CO: Libraries Unlimited, 2000.

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30

Ezra Pound, popular genres, and the discourse of culture. University Park, Pa: Pennsylvania State University Press, 1995.

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31

The postmodern sacred: Popular culture spirituality in the science fiction, fantasy and urban fantasy genres. Jefferson, NC: McFarland & Company, 2012.

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32

Gallix, François. Genres et catégories du roman britannique contemporain. Paris: A. Colin, 1998.

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33

Elemente populärer Genres in den Dramen von Peter Nichols. Frankfurt am Main: P. Lang, 1990.

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34

Calogiuri, Annarita. I "libretti popolari" a stampa: Storia, diffusione e caratteristiche di un "genere". Galatina (Le) [i.e. Lecce, Italy]: Congedo, 2012.

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35

Topladım dağılan kalbimin herrr köşesini. Cağaloğlu, İstanbul: Everest, 2003.

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36

Holt, Fabian. Genre in popular music. Chicago: University of Chicago Press, 2007.

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37

Holt, Fabian. Genre in popular music. Chicago, IL: University of Chicago Press, 2008.

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38

Popular Fiction and Spatiality: Reading Genre Settings. Palgrave Macmillan, 2016.

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39

Fletcher, Lisa. Popular Fiction and Spatiality: Reading Genre Settings. Palgrave Macmillan, 2018.

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40

Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Ohio State University Press, 2021.

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41

Stein, Daniel. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Ohio State University Press, 2021.

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42

Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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43

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2014.

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44

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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45

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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46

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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47

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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48

Derek, Longhurst, ed. Gender, genre and narrative pleasure. London: Unwin Hyman, 1989.

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49

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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50

Longhurst, Derek. Gender, Genre and Narrative Pleasure. Taylor & Francis Group, 2012.

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