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Books on the topic 'POP model'

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Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

1955-, Seliger Jonathan, and Frances Young Tang Teaching Museum and Art Gallery., eds. Jonathan Seliger: Floor model. Saratoga Springs, N.Y: Tang Teaching Museum and Art Gallery, Skidmore College, 2001.

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2

Bracewell, Michael. Re-make, re-model: Art, pop, fashion and the making of Roxy Music, 1953-1972. London: Faber and faber, 2007.

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3

Lemon, Michael R. Comparison of Los Alamos National Laboratory (LANL) Parallel Ocean Program (POP) model velocity fields with Pacific surface drifter measurements. Monterey, Calif: Naval Postgraduate School, 1997.

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4

Pelton, Jimmy W. A comparison of output from the Los Alamos National Laboratory (LANL) Parallel Ocean Program (POP) model with surface velocity data from drifting Buoys in the North Atlantic Ocean. Monterey, Calif: Naval Postgraduate School, 2000.

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5

Putting the pieces together: The Graffiti model for indie filmmaking : a behind-the-scenes look at the making of Quality of life. New York: Soft Skull, 2006.

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6

1955-, Harrison Louis, ed. Real role models: Successful African Americans beyond pop culture. Austin: University of Texas Press, 2010.

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7

American Bar Association. Section of State and Local Government Law., ed. The 2007 model code for public infrastructure procurement (MC PIP). [Chicago]: American Bar Association, Section of Public Contract Law [and] Section of State and Local Government Law, 2008.

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8

American Bar Association. Section of Public Contract Law. The 2007 model code for public infrastructure procurement (MC PIP). [Chicago]: American Bar Association, Section of Public Contract Law [and] Section of State and Local Government Law, 2008.

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9

Cypris, Christian. Positive Mathematische Programmierung (PMP) im Agrarsektormodell RAUMIS. Bonn: Forschungsgesellschaft für Agrarpolitik und Agrarsoziologie, 2000.

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10

Magliozzi, B. Acoustic test and analysis of a counterrotating prop-fan model. Cleveland, Ohio: National Aeronautics and Space Administration, Lewis Research Center, 1989.

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11

Ismono. Pengembangan model paket penbelajaran kimia berorientasi PKP pada siswa SMU Negeri 3 Jakarta: Laporan penelitian. [Surabaya]: Departemen Pendidikan dan Kebudayaan, Institut Keguruan dan Ilmu Pendidikan Surabaya, Lembaga Penelitian, 1997.

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12

Kufarev, P. P. Trudy P.P. Kufareva: K 100-letii︠u︡ so dni︠a︡ rozhdenii︠a︡. Tomsk: Izd-vo nauchno-tekhn. lit-ry, 2009.

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13

Valderrama, Mariano J. Predicción dinámica mediante análisis de datos funcionles: Introducción a los modelos PCP. Madrid: La Muralla, 2000.

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14

Orbeta, Aniceto C. Policy implications of alternative demographic scenarios: Results from simulations using the population and development planning (PDP) model. [Manila]: Population/Development Planning and Research Project, National Economic and Development Authority, 1989.

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15

Stobiecki, Rafał. Historia pod nadzorem: Spory o nowy model historii w Polsce : II połowa lat czterdziestych--początek lat pięćdziesiątych. Łódź: Wydawn. Uniwersytetu Łódzkiego, 1993.

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16

Orbeta, Aniceto C. Policy implications of alternative demographic scenarios: Results from simulations using the population and development planning (PDP) model. [Manila]: Population/Development Planning and Research Project, National Economic and Development Authority, 1989.

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17

Thornton, Christopher James. Artificial intelligence: Strategies, applications, and models through search. 2nd ed. Chicago: Glenlake Pub. Co., 1998.

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18

Ben, Du Boulay, ed. Artificial intelligence: Strategies, applications, and models through SEARCH. 2nd ed. New York: Amacom, 1998.

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19

Rocşoreanu, C. The FitzHugh-Nagumo model: Bifurcation and dynamics. Dordrecht: Kluwer Academic Publishers, 2000.

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20

Ismono. Pengembangan model PBM IPA berorientasi PKP pada siswa SMUN di Surabaya untuk meningkatkan daya nalar siswa: Laporan penelitian. [Surabaya]: Departemen Pendidikan dan Kebudayaan, [In]stitut Keguruan dan Ilmu Pendidikan Surabaya, Lembaga Penelitian, 1997.

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21

Sudana, Dadang. Penerapan model peningkatan mutu kompetensi capaian hasil UN di wilayah Provinsi Jawa Barat: Laporan program pengabdian penerapan model pengebagan mutu pendidikan (pengabdian PM-PMP) tahun anggaran 2012 : laporan agregat. Bandung]: Universitas Pendidikan Indonesia, 2012.

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22

Antonopoulos, Nick. Handbook of research on P2P and grid systems for service-oriented computing: Models, methodologies and applications. Hershey, PA: Information Science Reference, 2009.

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23

Antonopoulos, Nick. Handbook of research on P2P and grid systems for service-oriented computing: Models, methodologies, and applications. Hershey, PA: Information Science Reference, 2010.

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24

Annaberdyev, Ė. Geometricheskie modeli dli͡a︡ algoritmov SAPR opticheskikh sistem SĖS: Ė. Annaberdyev, I.V. Baum ; pod redakt͡s︡ieĭ S.O Mamednii͡a︡zova. Ashkhabad: Ylym, 1988.

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25

Möhrke, Carsten. Zend Framework: Das Entwickler-Handbuch ; [PHP-Anwendungen mit dem Zend Framework entwickeln ; Installation, Grundlagen, Praxiseinsatz ; Model View Controller (MVC) in Theorie und Praxis ; Rechtmanagement, Caching, Sicherheitslösungen, Webservices u.v.m.]. Bonn: Galileo Press, 2008.

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26

Cecchetti, Stephen G. Asset pricing with distorted beliefs: Are equity returns too good to be true? / Stephen G. Cecchetti, Pok-sang Lam, Nelson C. Mark. Cambridge, Mass: National Bureau of Economic Research, 1998.

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27

Lio, Verlant Gilles. Pop model. Editions 84, 2005.

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28

Pop model. Flammarion, 2004.

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29

Doney, Meryl. The First Christmas: A Pop-Up and Play Pack/Pop-Up Nativity Model. Chariot Victor Pub, 1994.

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30

Spiers, Emily. The Pop-Feminist Subject. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0002.

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Chapter 1 explores how pop-feminist accounts of subjectivity draw heavily upon poststructuralist understandings of identity as pluralistic and unstable. Many pop-feminists, however, retain the assumption that, underlying the playful performance of shifting identities, there remains a sovereign subject capable of mediating reflexively and autonomously over such performances. Spiers shows how this ‘sovereign’, yet ‘performative’ pop-feminist subject is profoundly linked to the ideal flexible, entrepreneurial self of neoliberalism. She then develops a counter model of subjectivity and agency based on an ethics of intersubjective relationality, reflecting on the role narrative plays within the theories of subjectification that seek to carve out a space for agency away from the binary of social determinism and prediscursive subjective sovereignty, a binary much pop-feminist non-fiction and life narrative ultimately reverts to. This underpins Spiers’s claim that the literary fiction discussed generates a more probing exploration of selfhood and agency than the pop-feminist non-fiction and life narrative.

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31

Bracewell, Michael. Re-Make/Re-model: Art, Pop, Fashion and the Making of Roxy Music, 1953-1972. Faber & Faber, Limited, 2020.

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32

Spiers, Emily. Conclusion Pop-Feminism and the Future. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0007.

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The volume’s primary question is whether the notions of subjectivity and agency proposed by the fiction, non-fiction, and life narratives differ, and how those differences impact upon the degree of political critique. Spiers concludes that multiple pop-feminist forms fixate on the private and the corporeal, endlessly emphasizing individual choice; both everything and nothing can be understood as feminist. Such texts also showcase the sanitized transgressive gesture as an intrinsic element of neoliberal rhetoric, even post-financial crisis. The author demonstrates how examples of literary pop writing by women explore a possible coherent sense of identity beyond the surfaces of the pop-cultural archive. She concludes that subjective incoherence in the novels co-exists in productive tension with a desire for coherence and unity that in no way resembles the model of pre-discursive sovereign subjectivity uncovered in the pop-feminist non-fiction and life narrative, as it fundamentally relates to an ethics of intersubjective relations.

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33

Comparison of Los Alamos National Laboratory (LANL) Parallel Ocean Program (POP) Model Fields with Pacific Surface Drifter Measurements. Storming Media, 1997.

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34

Morgan, Benjamin, and Quality of Life Crew. Putting the Pieces Together: The Graffiti Model for Indie Filmmaking. Soft Skull Press, 2006.

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35

Power, Anne. The PEP model. London Priority Estates Project, 1987.

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36

A Comparison Of Output From The Los Alamos National Laboratory (LANL) parallel Ocean Program (POP) Model With Surface Velocity Data From Drifting Buoys in the North Atlantic Ocean. Storming Media, 2000.

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37

Beutler, Ralf, and Frank-Harald Greß, eds. Jazz/Rock/Pop - Das Dresdner Modell. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2021. http://dx.doi.org/10.5771/9783828874589.

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The jazz/rock/pop programme at the Dresden College of Music developed into a multifaceted educational complex during the GDR era, despite reservations by cultural politicians, and gained international recognition after the fall of the Berlin Wall. Contemporary witnesses, current teachers and graduates report in 25 essays on their work, experiences, individual views and the interaction between artistic practice and pedagogical activity. This richly illustrated volume provides unique insights into the structure and goals of this field of study in all its breadth, from the children's class and the cooperation with the Saxon State Grammar School for Music to the Bachelor's, Master's and graduate programmes.

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38

Hawcock, David. Dinosaurs: With 6 Amazing Dinosaur Models (Pop Out). Egmont, 2004.

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39

Real Role Models: Successful African Americans Beyond Pop Culture. University of Texas Press, 2010.

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40

Friel, Helen. Paper World: Stylish Paper Models to Pop Out and Create. O'Mara Books, Limited, Michael, 2018.

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41

Thornton, Christopher, Benedict Du Boulay, and Ben Du Boulay. Artificial Intelligence: Strategies, Applications, and Models Through Search. 2nd ed. AMACOM/American Management Association, 1999.

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42

Maltby, Barbara. Letom: Motel Spelled Backwards True Tales of a Mom and Pop. 1st Books Library, 2003.

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43

Vernallis, Carol. Avant-Gardists and the Lure of Pop Music. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0014.

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This chapter provides methods and models for thinking about avant-garde and experimental films and videos that incorporate popular music. It sketches the history of intersections between avant-gardists and popular music. It also provides close readings of works by Kenneth Anger, Bruce Connor, Joseph Cornell, Derek Jarman, Tony Oursler, Pipilotti Rist, Andy Warhol and others. It claims that institutional, formal and cultural constraints not only limit the frequency with which avant-gardists participate with pop musicians and pop music, they also colour the audiovisual relations within the works themselves. Avant-garde films and videos with pop soundtracks emphasise particular kinds of audiovisual relation—relations that differ from sound-image connections in narrative films, YouTube clips, commercials and music videos. It is demonstrated that this experimental subgenre embodies a unique sort of sound-image relation and suggests, finally, that these videos can expand our knowledge of audiovisual relations more broadly.

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44

Elizalde Domínguez, Continente. Modelo Arquitectónico Concurrente. 2019th ed. Universidad Autónoma del Estado de Hidalgo, 2019. http://dx.doi.org/10.29057/books.16.

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45

V, Kaza K. R., and Lewis Research Center, eds. Experimental classical flutter results of a composite advanced turboprop model. Cleveland, Ohio: National Aeronautics and Space Administration, Lewis Research Center, 1986.

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46

Fatos, Xhafa, ed. Parallel programming, models, and applications in grid and p2p systems. Amsterdam: IOS Press, 2009.

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47

Fatos, Xhafa, ed. Parallel programming, models, and applications in grid and p2p systems. Amsterdam: IOS Press, 2009.

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48

Model Ts, Pep Chapels, and a Wolf at the Door: Kansas Teenagers, 1900-1941. University of Kansas, Division of Continuing, 1995.

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49

Anderson, Crystal S. Soul in Seoul. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830098.001.0001.

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Soul in Seoul: African American Popular Music and K-pop examines how K-pop cites musical and performative elements of Black popular music culture as well as the ways that fans outside of Korea understand these citations. K-pop represents a hybridized mode of Korean popular music that emerged in the 1990s with global aspirations. Its hybridity combines musical elements from Korean and foreign cultures, particularly rhythm and blues-based genres (R&B) of African American popular music. Korean pop, R&B and hip-hop solo artists and groups engage in citational practices by simultaneously emulating R&B’s instrumentation and vocals and enhancing R&B by employing Korean musical strategies to such an extent that K-pop becomes part of a global R&B tradition. Korean pop groups use dynamic images and quality musical production to engage in cultural work that culminates the kind of global form of crossover pioneered by Black American music producers. Korean R&B artists, with a focus on vocals, take the R&B tradition beyond the Black-white binary, and Korean hip-hop practitioners use sampling and live instrumentation to promote R&B’s innovative music aesthetics. K-pop artists also cite elements of African American performance in Korean music videos that disrupt limiting representations. K-pop’s citational practices reveal diverse musical aesthetics driven by the interplay of African American popular music and Korean music strategies. As a transcultural fandom, global fans function as part of K-pop’s music press and deem these citational practices authentic. Citational practices also challenge homogenizing modes of globalization by revealing the multiple cultural forces that inform K-pop.

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50

Modelo de Conectividad para Redes Humanas. Popayán, Colombia: Universidad del Cauca, 2004.

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