Log in

Relevant bibliographies by topics / Pompeian Studios / Journal articles

Journal articles on the topic 'Pompeian Studios'

To see the other types of publications on this topic, follow the link: Pompeian Studios.

Author: Grafiati

Published: 27 July 2024

Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Pompeian Studios.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Lipka, Michael. "Notes on Pompeian Domestic Cults." Numen 53, no. 3 (2006): 327–58. http://dx.doi.org/10.1163/156852706778544942.

Full text

Abstract:

AbstractThe performance and setting of Pompeian domestic cults is investigated on the basis of the evidence from three Pompeian houses (Casa del Cenaculo, Casa degli Amorini Dorati, Casa di Marcus Lucretius). Wissowa's view that representations of gods in mural paintings received divine worship in the domestic sphere, as well as the conclusions drawn from it by modern scholars, are refuted. An attempt is made to outline the functioning of Pompeian domestic cults, including the worship of the emperor, solely on the basis of divine figurines, which are abundantly attested in Pompeian household shrines, but have never before received systematic attention.

APA, Harvard, Vancouver, ISO, and other styles

2

Stefanile, Michele. "Gentes italiche a Lucentum tra il I secolo A.C. e il I secolo D.C.: alcune considerazioni." Lucentum, no. 33 (December 15, 2014): 267. http://dx.doi.org/10.14198/lvcentvm2014.33.17.

Full text

Abstract:

La presenza di gentes di provenienza italica nella popolazione dell’antica Lucentum costituisce un argomento di discussione fondamentale all’interno dello studio della romanizzazione del territorio. L’analisi delle testimonianze epigrafiche e il confronto con la Penisola Italiana permette di identificare queste famiglie, riconoscendo possibili aree di provenienza nella Campania e nell’area appenninica: si riconosce così che, al di là del Fulvius Asclas Pompeianus tradizionalmente considerato di Pompei (e sulla cui origine si può forse ancora discutere), altri individui menzionati nell’epigrafia alicantina mostrano stretti legami con le loro terre di provenienza..

APA, Harvard, Vancouver, ISO, and other styles

3

Leander Touati, Anne-Marie, Thomas Staub, and Renée Forsell. "From 2D and 3D documentation to 4D interpretation. Building archaeological conclusions and workflow strategies gained by remote study of Insula V 1, Pompeii." Opuscula. Annual of the Swedish Institutes at Athens and Rome 14 (November 1, 2021): 181–226. http://dx.doi.org/10.30549/opathrom-14-11.

Full text

Abstract:

The text describes new methods elaborated for and used in the building archaeological assessment of a city block, studied first on site, then remotely by members of the Swedish Pompeii Project. Use of a digital platform, with collected wall observations and analysis, systematic photographic documentation of all standing structures, and 3D models, allowed discussion to proceed after the fieldwork came to an end. The models provided new possibilities and new angles of approach, e.g. examining walls at any given point, studying boundary walls as wall-strings in their full extent, allowing all kinds of sectioning at will, introducing bird’s-eye views as a new perspective in study, and measuring wherever needed. The joint results obtained are summed up in a four-phase development of the use of space: the earliest structures; the late Samnite building boom (2nd century BC); the colony (second half of 1st century BC); the imperial era (until AD 79). This narrative includes conclusions concerning building process and development of masonry techniques and on changes in way of life. Many results affect Pompeian archaeology in general. Results of particular importance concern the character of the early plot division and the understanding of the building process creating the double-atrium house of Caecilius Iucundus, including an anchorage in time for this creation in the Claudian period. The relatively small impact in terms of damage that may be ascribed the literary recorded earthquake of AD 62/63 is also worth noting. The text ends with a suggestion of a new workflow for insula studies.

APA, Harvard, Vancouver, ISO, and other styles

4

Solin, Heikki. "Pompeios defer Zum Studium des Lateins der pompejanischen Inschriften." Acta Antiqua Academiae Scientiarum Hungaricae 59, no. 1-4 (September 25, 2020): 635–50. http://dx.doi.org/10.1556/068.2019.59.1-4.55.

Full text

Abstract:

Summary:The great challenges in the study of Pompeian wall–inscriptions are dealt with. To exemplify the difficulties one encounters studying these documents for linguistic purposes, new readings of some inscriptions are presented and the improved text is commented upon.

APA, Harvard, Vancouver, ISO, and other styles

5

Balch, David L. "The Suffering of Isis/Io and Paul's Portrait of Christ Crucified (Gal. 3:1): Frescoes in Pompeian and Roman Houses and in the Temple of Isis in Pompeii." Journal of Religion 83, no. 1 (January 2003): 24–55. http://dx.doi.org/10.1086/491222.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Cherstich, Luca, and Anna Santucci. "A new discovery at Cyrene: Tomb S64 and its ‘Pompeian Second Style’ wall paintings. Preliminary notes." Libyan Studies 41 (2010): 33–45. http://dx.doi.org/10.1017/s026371890000025x.

Full text

Abstract:

AbstractS64 is an extraordinary tomb. Its well-preserved isodomic façade leads to an antechamber decorated with wall paintings recalling what is usually labelled as ‘Pompeian Second Style’, a unique example in Cyrenaica thus far. This article gives a brief insight on this tomb, its wall paintings and a short discussion of their importance in the wider context of local and foreign monumental funerary customs. This tomb suggests a ritual complexity with few comparisons in Cyrene, but it is also important for the history of the Hellenistic and Roman painted architectural styles.

APA, Harvard, Vancouver, ISO, and other styles

7

Cifani, Gabriele. "Un nuovo monumento funerario dal suburbio occidentale di Leptis Magna." Libyan Studies 37 (2006): 21–29. http://dx.doi.org/10.1017/s0263718900003988.

Full text

Abstract:

AbstractA funerary monument dating from the second half of the second century ad was discovered in 1997 in the western suburbs of Leptis Magna. The Latin inscription engraved on the monument states that it was dedicated to two brothers, Pompeius Nabor and Pompeius Ba[rea], by their father. The monument is an interesting example of small-scale funerary buildings which imitated the large mausolea of the Tripolitanian interior and which are associated with the middle class citizenry of Leptis.

APA, Harvard, Vancouver, ISO, and other styles

8

Wyke, Maria. "Mobilizing Pompeii for Italian Silent Cinema." Classical Receptions Journal 11, no. 4 (September 17, 2019): 453–75. http://dx.doi.org/10.1093/crj/clz015.

Full text

Abstract:

Abstract A documentary film about the eruption of Vesuvius in 1906 juxtaposes scenes of the damage and deaths it caused in neighbouring communities with shots of Pompeii — the ancient city of the long-since dead. The documentary suggests that Pompeii is a picturesque site where the privileged tourist experiences aesthetic detachment from the excavators’ labour or the locals’ suffering. Despite this critique, four Italian fiction films about the last days of Pompeii were made between 1908 and 1926. This article explores those films and argues that they mobilize Pompeii both for modern Italians and for cinema. They situate viewers immersively within the reconstructed city and substitute for a detached tourist gaze an impassioned, participatory one.

APA, Harvard, Vancouver, ISO, and other styles

9

Rubert de Ventós, Maria. "Tornant al cinc d'oros." Palimpsesto, no. 23 (July 2021): 8–9. http://dx.doi.org/10.5821/palimpsesto.23.10719.

Full text

Abstract:

OAB’s intervention in the old bank headquarters located at the intersection of Avda Diagonal with Jardinets de Gràcia composes two different buildings with different composition and materials, separated by a new passage, which is not frequent in city centers and especially in a place with so much pressure. Probably the most unique part of the project is this new passage that focuses from the Jardinets de Gràcia to the Church of Our Lady of Pompeii. Cutting off the volume and introducing a public passage, in addition to creating new visuals, offers other advantages. It is a project where emptiness also counts. A solution that benefits buildings and at the same time the city. La intervención de OAB en la antigua sede de un banco situado en el cruce de Avda Diagonal con Jardinets de Gràcia compone dos edificios de factura, composición y materiales distintos, separados por un nuevo pasaje, lo que no es frecuente en los centros de las ciudades y menos en un lugar con tantísima presión. Probablemente lo mas singular del proyecto sea este nuevo pasaje que enfoca desde los Jardinets de Gràcia a la Iglesia de Nuestra Señora de Pompeya. Cortar el volumen e introducir un pasaje publico además de crear nuevas visuales ofrece otras ventajas. Se trata de un proyecto donde el vacio tambien cuenta. Una solución que beneficia a los edificios y a la vez a la ciudad.

APA, Harvard, Vancouver, ISO, and other styles

10

Whitelaw, Todd. "When in Pompeii…" Cambridge Archaeological Journal 6, no. 2 (October 1996): 317–20. http://dx.doi.org/10.1017/s0959774300001785.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

POTTS, CHARLOTTE R. "The Art of Piety and Profit at Pompeii: A New Interpretation of the Painted Shop Façade at ix.7.1–2." Greece and Rome 56, no. 1 (March 9, 2009): 55–70. http://dx.doi.org/10.1017/s0017383508000697.

Full text

Abstract:

There are seventy-four catalogued examples of figured art painted on Pompeian façades, almost all of a religious or talismanic nature. This street art appeared near compital altars and entrances to shops and houses, and contributed to a vibrant street aesthetic. Exterior figured paintings have not received a great deal of scholarly attention, however, with studies tending to focus on iconography rather than considering how street art may have functioned in its original setting. The potential value of painted façades as evidence for religious, commercial, and civic values, for which there are scant literary sources, has consequently been overlooked.

APA, Harvard, Vancouver, ISO, and other styles

12

Longenecker, Bruce W. "Pompeian Artifacts and Jesus-Devotion: The Contours of the Issue in the Early Twenty-First Century." Vigiliae Christianae 73, no. 3 (May 23, 2019): 271–96. http://dx.doi.org/10.1163/15700720-12341399.

Full text

Abstract:

Abstract Certain Pompeian artifacts have drawn debate as to whether they might be the product of Jesus-devotion within the walls of that small town. This article overviews the context for considering that issue in accordance with the best forms of current historiographical analysis and in light of the full spread of the evidence. To do otherwise is to mire the debate in a problematic web of outdated assumptions. When those assumptions are purged from the interpretive process and the full spread of evidence is taken into account, new interpretive possibilities open up, with important historical implications for our understanding of early forms of Jesus-devotion.

APA, Harvard, Vancouver, ISO, and other styles

13

DI PASQUALE, GIOVANNI. "STUDIO SU UN GRUPPO DI COMPASSI ROMANI PROVENIENTI DA POMPEI*." Nuncius 9, no. 2 (1994): 635–44. http://dx.doi.org/10.1163/182539184x00982.

Full text

Abstract:

Abstract<title> SUMMARY </title>The Pompei excavations have given us a good number of bronze compasses from the Roman period. Today these are conserved in the National Archaeological Museum of Naples. The paucity of findings of this instrument, apart from these found in the area around Vesuvius, should not mislead us; in the Roman world the compass was well known and diffused in various types according to the needs of different applications. They were used by mathematicians, architects, surveyors, ceramicists and sculptors. The particular archaeological context from which these derive, they illustrate a clear connection between precision instruments and the historical circumstances of Pompei in the first century A.D.: the eruption of 79 A.D. caught the city be surprise just as it was being rebuilt after the severe earthquake damage of 62 A.D.

APA, Harvard, Vancouver, ISO, and other styles

14

Jum, Jumarni, Hisma Abduh, and Ahmad Ali Hakam Dani. "RANCANG BANGUN SISTEM PENGELOLAAN ASET DESA BERBASIS ANDROID DI DESA POMPENGAN." Komputa : Jurnal Ilmiah Komputer dan Informatika 11, no. 2 (August 22, 2022): 51–58. http://dx.doi.org/10.34010/komputa.v11i2.7347.

Full text

Abstract:

Penelitian ini bertujuan untuk untuk membuat sebuah Rancang Bangun Sistem Pengelolaan Aset Desa Berbasis Android di Desa Pompengan. Metode pengembangan sistem yang digunakan dalam penelitian ialah metode waterfall dengan teknik pengujian sistem yaitu blackbox. Aplikasi sistem pengelolaan aset ini dalam perancangannya menggunakan metode pengembangan UML (Unified Modeling Language) yang terdiri dari use case diagram, activity diagram, sequence diagram dan class diagram. Perancangan database logic menggunakan MySQL dan interface sistem. Adapun software yang di gunakan dalam perancangan dan pengimplementasi sistem menggunakan XAMPP sebagai web server, PhpMySQL sebagai database, visual studio sebagai editor desain web dan android studio sebagai editor desain android. Rancang Bangun Sistem Pengelolaan Aset Desa Berbasis Android di Desa Pompengan meliputi halaman aset, halaman data penduduk, halaman riwayat dan halaman kritik. Aplikasi telah diujicobakan sehingga diperoleh aplikasi yang berjalan dengan baik.

APA, Harvard, Vancouver, ISO, and other styles

15

Goldhill, Simon. "A Writer's Things: Edward Bulwer Lytton and the Archaeological Gaze; or, What's in a Skull?" Representations 119, no. 1 (2012): 92–118. http://dx.doi.org/10.1525/rep.2012.119.1.92.

Full text

Abstract:

There are on display at Knebworth House two skulls excavated from Pompeii that are labeled with names of characters from Edward Bulwer Lytton's novel The Last Days of Pompeii. This article shows how the exhibition of these objects goes to the heart of changing Victorian discourses about the display of objects, especially skulls, the self-representation of authors, and the history of archaeology. It locates Bulwer's display between Scott at the beginning of the century and Freud at the end to show how notions of science, nationalism, and history provide the frames necessary to understanding this changing style of exhibition in the writer's workplace.

APA, Harvard, Vancouver, ISO, and other styles

16

Duran, A., J. Castaing, and P. Walter. "X-ray diffraction studies of Pompeian wall paintings using synchrotron radiation and dedicated laboratory made systems." Applied Physics A 99, no. 2 (March 28, 2010): 333–40. http://dx.doi.org/10.1007/s00339-010-5625-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Gulino, Rosanne M. "Oscan per., perek., and punttram (?Hunttram): The Pompeian Roadmakers' Tablet Once Again." American Journal of Philology 107, no. 3 (1986): 394. http://dx.doi.org/10.2307/294694.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Brilliant, Richard, and L. Richardson. "Pompeii: An Architectural History." American Journal of Philology 110, no. 4 (1989): 672. http://dx.doi.org/10.2307/295292.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Picone, R., and L. Cappelli. "THE SUBURBAN BATHS IN POMPEII: INNOVATIVE STRATEGIES OF CONSERVATION AND DIGITAL HUMANITIES FOR AN IMPROVED USE AND PERCEPTION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 489–96. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-489-2020.

Full text

Abstract:

Abstract. The paper aims to examine the results of an experimental research on the enlarged fruition and “communication” of Pompeii archeological heritage. The main focus of the research were the Suburban Thermal baths in Pompeii, the ancient Roman city buried during the Vesiuvus volcano eruption in 79 a.C. The Suburban Thermal baths are located within the Insula Occidentalis, a wide area at West of the old city of Pompeii. They have been a special entrance to the archeological site since the rediscovery of the ancient city. The Thermal baths area was neglected for a long time, but then it was included in the conservation project for Porta Marina and the superintendence offices, led by Amedeo Maiuri. However, these measures didn’t lead to in-depth, systematic studies, that were to be conducted only during the early ‘2000. Nowadays, new technologies can be helpful to convey the actual value of the big archeological heritage. In fact, they represent a real asset to show any transformation or restoration work, that made the thermal baths a peculiar, stratified artefact. The historical and artistic information have been reinterpreted in a more technological, contemporary language; therefore, the visitor has the opportunity to experience a more conscious and multilayer reading of the Pompeii thermal complex. In addition, in this paper will be examined new opportunities of collection, analysis and information sharing of the case study. A special focus will vert on how the conscious use of new technologies and storytelling may be the key to understand the material and immaterial traces of the Suburban Thermal baths.

APA, Harvard, Vancouver, ISO, and other styles

20

Pérez-Diez, Silvia, Cheyenne Bernier, Javier G. Iñañez, and Maite Maguregui. "A Non-Invasive In Situ Spectroscopic Analysis of Cinnabar Minerals to Assist Provenance Studies of Archaeological Pigments." Crystals 13, no. 2 (January 23, 2023): 207. http://dx.doi.org/10.3390/cryst13020207.

Full text

Abstract:

This study presents a non-invasive in situ methodology based on the use of portable elemental (energy dispersive X-ray fluorescence spectroscopy, EDXRF) and molecular (Raman spectroscopy) spectroscopic-based instrumentation as a tool to obtain preliminary information to assist subsequent provenance studies of archaeological cinnabar pigments in the laboratory. In this work, six cinnabar mineral ores, extracted from the Almadén mining district and an original raw pigment coming from the Archaeological Park of Pompeii have been analyzed. As the detection capacities and spectral resolution of the portable instruments are usually poorer than the equivalent benchtop equipment, a comparative study of the in-situ and laboratory results was conducted. Afterward, chemometric data treatment was performed considering both the molecular and elemental information. According to the elemental results, it was not possible to find a strong concordance between the cinnabar ores and the pigment from Pompeii, suggesting the need for additional methodologies in the laboratory (isotope ratio analysis) to complete a proper provenance study. However, this approach was useful to classify the ores according to their mineralogical differences. Therefore, this methodology could be proposed as a useful tool to conduct a representative sampling of the cinnabar mineral ores to be considered in a provenance study of archaeological cinnabar pigments.

APA, Harvard, Vancouver, ISO, and other styles

21

Bioy, Alexis, Anne-Sophie Le Port, Emeline Sabourin, Marie Verheye, Patrice Piccino, Baptiste Faure, Stéphane Hourdez, Jean Mary, and Didier Jollivet. "Balanced Polymorphism at the Pgm-1 Locus of the Pompeii Worm Alvinella pompejana and Its Variant Adaptability Is Only Governed by Two QE Mutations at Linked Sites." Genes 13, no. 2 (January 24, 2022): 206. http://dx.doi.org/10.3390/genes13020206.

Full text

Abstract:

The polychaete Alvinella pompejana lives exclusively on the walls of deep-sea hydrothermal chimneys along the East Pacific Rise (EPR), and displays specific adaptations to withstand the high temperatures and hypoxia associated with this highly variable habitat. Previous studies have revealed the existence of a balanced polymorphism on the enzyme phosphoglucomutase associated with thermal variations, where allozymes 90 and 100 exhibit different optimal activities and thermostabilities. Exploration of the mutational landscape of phosphoglucomutase 1 revealed the maintenance of four highly divergent allelic lineages encoding the three most frequent electromorphs over the geographic range of A. pompejana. This polymorphism is only governed by two linked amino acid replacements, located in exon 3 (E155Q and E190Q). A two-niche model of selection, including ‘cold’ and ‘hot’ conditions, represents the most likely scenario for the long-term persistence of these isoforms. Using directed mutagenesis and the expression of the three recombinant variants allowed us to test the additive effect of these two mutations on the biochemical properties of this enzyme. Our results are coherent with those previously obtained from native proteins, and reveal a thermodynamic trade-off between protein thermostability and catalysis, which is likely to have maintained these functional phenotypes prior to the geographic separation of populations across the Equator about 1.2 million years ago.

APA, Harvard, Vancouver, ISO, and other styles

22

Pilz, Oliver. "Überlegungen zu einigen griechischen Wetterritualen." Archiv für Religionsgeschichte 21-22, no. 1 (December 2, 2020): 5–28. http://dx.doi.org/10.1515/arege-2020-0002.

Full text

Abstract:

AbstractHistorische und ethnographische Parallelen belegen, dass bei rituellen Handlungen, die einen Umschwung der herrschenden Witterungsverhältnisse bewirken sollen, häufig das Schema der Umkehrung zur Anwendung kommt, um die gewünschte Veränderung symbolisch zu befördern. Vor diesem Hintergrund werden Prozessionen und Bittgänge untersucht, die im antiken Griechenland im Bestreben abgehalten wurden, das Wettergeschehen zu beeinflussen. Mit dem Zug der angesehensten Bürger von Demetrias zum Heiligtum des Zeus Akraios auf dem Gipfel des Pelion steht dabei ein ritueller Komplex im Mittelpunkt, dessen Interpretation umstritten ist. Die Analyse macht deutlich, dass bei diesem Ritual nicht nur eine Inversion der für das Tieropfer üblichen Abfolge von pompe, Tötung des Tieres und Opfermahlzeit zu verzeichnen ist, sondern auch eine Umkehrung der herrschenden sozialen Verhältnisse vorliegt. Auf dieser Grundlage kann die Deutung des Prozessionszuges als Wetterritual bekräftigt werden. Abschließend wird am Beispiel des athenischen Prozessionsrituals der Pompeia der vielfach übersehene Zusammenhang zwischen der Reinheit der Gemeinschaft und der Fruchtbarkeit der Felder herausgearbeitet.

APA, Harvard, Vancouver, ISO, and other styles

23

Adamik, Béla. "On the Loss of Final -m: Phonological or Morphosyntactic Change?*." Acta Antiqua Academiae Scientiarum Hungaricae 59, no. 1-4 (September 25, 2020): 97–108. http://dx.doi.org/10.1556/068.2019.59.1-4.11.

Full text

Abstract:

SummaryThis paper intends to show that when grouping the various kinds of omissions of final -m in Väänänen‘s study on the Vulgar Latin of Pompeian inscriptions, the subcategories in his category b) (‘m omis sans raison apparente’ i.e. where -m is omitted due to a phonetic process) as “Accusatifs en -a(m)” like Succesus amat ancilla(m) and ad porta(m) Romana(m) or “Accusatifs en -e(m)” such as qu(a)e amas Felicione(m) and ante aede(m) must be rearranged in the following two subcategories: 1) cases after prepositions like ad porta(m) Romana(m) and ante aede(m) etc. where besides the phonetic interpretation a parallel morphosyntactic explanation of case confusion cannot be ruled out; and 2) cases with the objective use connected to verbs like Succesus amat ancilla(m) and qu(a)e amas Felicione(m) where, due to the preference of the phonetic interpretation, the morphosyntactic explanation seems to be less probable or even unlikely.

APA, Harvard, Vancouver, ISO, and other styles

24

George, Michele. "Domestic Architecture and Household Relations: Pompeii and Roman Ephesos." Journal for the Study of the New Testament 27, no. 1 (September 2004): 7–25. http://dx.doi.org/10.1177/0142064x0402700102.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Osanna, Massimo, and Enrico Rinaldi. "Planned conservation in Pompeii: complexity and methodological choices." Journal of Cultural Heritage Management and Sustainable Development 8, no. 2 (May 21, 2018): 111–29. http://dx.doi.org/10.1108/jchmsd-05-2017-0025.

Full text

Abstract:

Purpose The planned maintenance service, conducted within the scope of the Great Pompeii Project, presents a high degree of complexity. The purpose of this paper is to describe the methodological choices and operational practices which are being put into place, in order to allow a gradual transition from works of an extraordinary nature to a continuous and planned conservation initiative. Design/methodology/approach In line with changing perspectives on approaching maintenance, which have gained traction in Italy through research conducted over the last decade, the maintenance service of Pompeii has been proposed as a permanent “project site”, with the aim of presiding over the entire maintenance process (inspections, planning, checks in the execution phase, documentation and the organisation of feedback information). Findings Although the conservational benefits of the planned maintenance have become apparent with a long-term vision, the service has improved the accessibility and respectability of the ancient city in just a short time, enhancing the enjoyment of it, safety and the conservation of visitor routes. The domus and visitable building complexes are constantly monitored, and in many of them have already borne witness to short- and medium-term maintenance programs. Originality/value The service of maintenance which has been set up at Pompeii today constitutes an innovative experimental model, potentially replicable in other sites of archaeological heritage with wide room for improvement.

APA, Harvard, Vancouver, ISO, and other styles

26

Alapont, Llorenç, Gianni Gallello, Marcos Martinón-Torres, Massimo Osanna, Valeria Amoretti, Simon Chenery, Mirco Ramacciotti, et al. "The casts of Pompeii: Post-depositional methodological insights." PLOS ONE 18, no. 8 (August 23, 2023): e0289378. http://dx.doi.org/10.1371/journal.pone.0289378.

Full text

Abstract:

The casts of Pompeii bear witness to the people who died during the Vesuvius 79 AD eruption. However, studies on the cause of death of these victims have not been conclusive. A previous important step is the understanding of the post-depositional processes and the impact of the plaster in bones, two issues that have not been previously evaluated. Here we report on the anthropological and the first chemical data obtained from the study of six casts from Porta Nola area and one from Terme Suburbane. A non-invasive chemical analysis by portable X-ray fluorescence was employed for the first time on these casts of Pompeii to determine the elemental composition of the bones and the plaster. Elemental profiles were determined providing important data that cross-referenced with anthropological and stratigraphic results, are clearly helpful in the reconstruction of the perimortem and post-mortem events concerning the history of these individuals. The comparative analyses carried out on the bone casts and other collections from burned bones of the necropolis of Porta Nola in Pompeii and Rome Sepolcreto Ostiense, and buried bones from Valencia (Spain), reveal the extent of high temperature alteration and post-depositional plaster contamination. These factors make bioarchaeological analyses difficult but still allow us to support asphyxia as the likely cause of death.

APA, Harvard, Vancouver, ISO, and other styles

27

Emberger, Peter. "Divided Nation – Children during the Civil War between Caesar and the Pompeian Party (49–44 BC)." Childhood in the Past 1, no. 1 (January 2009): 49–61. http://dx.doi.org/10.1179/cip.2009.1.1.49.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Reeder, Tyson. "Sustaining Empire: Venezuela’s Trade with the United States during the Age of Revolutions, 1797–1828 by Edward P. Pompeian." William and Mary Quarterly 80, no. 1 (January 2023): 187–91. http://dx.doi.org/10.1353/wmq.2023.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

HORI, Yoshiki. "STUDIES ON THE PLANNING OF POMPEIAN HOUSES : Some relations between the social structure and the planning in Ancient Roman houses." Journal of Architecture and Planning (Transactions of AIJ) 60, no. 470 (1995): 243–50. http://dx.doi.org/10.3130/aija.60.243.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Cottrell, Matthew T., and S. Craig Cary. "Diversity of Dissimilatory Bisulfite Reductase Genes of Bacteria Associated with the Deep-Sea Hydrothermal Vent Polychaete Annelid Alvinella pompejana." Applied and Environmental Microbiology 65, no. 3 (March 1, 1999): 1127–32. http://dx.doi.org/10.1128/aem.65.3.1127-1132.1999.

Full text

Abstract:

ABSTRACT A unique community of bacteria colonizes the dorsal integument of the polychaete annelid Alvinella pompejana, which inhabits the high-temperature environments of active deep-sea hydrothermal vents along the East Pacific Rise. The composition of this bacterial community was characterized in previous studies by using a 16S rRNA gene clone library and in situ hybridization with oligonucleotide probes. In the present study, a pair of PCR primers (P94-F and P93-R) were used to amplify a segment of the dissimilatory bisulfite reductase gene from DNA isolated from the community of bacteria associated withA. pompejana. The goal was to assess the presence and diversity of bacteria with the capacity to use sulfate as a terminal electron acceptor. A clone library of bisulfite reductase gene PCR products was constructed and characterized by restriction fragment and sequence analysis. Eleven clone families were identified. Two of the 11 clone families, SR1 and SR6, contained 82% of the clones. DNA sequence analysis of a clone from each family indicated that they are dissimilatory bisulfite reductase genes most similar to the dissimilatory bisulfite reductase genes of Desulfovibrio vulgaris, Desulfovibrio gigas, Desulfobacterium autotrophicum, and Desulfobacter latus. Similarities to the dissimilatory bisulfite reductases ofThermodesulfovibrio yellowstonii, the sulfide oxidizerChromatium vinosum, the sulfur reducerPyrobaculum islandicum, and the archaeal sulfate reducerArchaeoglobus fulgidus were lower. Phylogenetic analysis separated the clone families into groups that probably represent two genera of previously uncharacterized sulfate-reducing bacteria. The presence of dissimilatory bisulfite reductase genes is consistent with recent temperature and chemical measurements that documented a lack of dissolved oxygen in dwelling tubes of the worm. The diversity of dissimilatory bisulfite reductase genes in the bacterial community on the back of the worm suggests a prominent role for anaerobic sulfate-reducing bacteria in the ecology of A. pompejana.

APA, Harvard, Vancouver, ISO, and other styles

31

Veal, Robyn. "Pompeii and its Hinterland Connection: The Fuel Consumption of the House of the Vestals (c. Third Century BC to AD 79)." European Journal of Archaeology 17, no. 1 (2014): 27–44. http://dx.doi.org/10.1179/1461957113y.0000000043.

Full text

Abstract:

Bio-archaeological studies can contribute significantly to understanding the economic interactions between cities and their hinterland. In Pompeii, where research has often been intramurally focussed, analysis of biological remains is often confined to bones and macro-botanicals consumed as foodstuffs. Charcoal, if collected, often remains unexamined, and yet this material is key to understanding the fuel economy of a city. This study has two goals: first, to describe an efficient method for charcoal sampling and analysis in a dense urban environment using only dry-sieved charcoals above 5 mm; and, second, in doing so, to demonstrate the dependent relationship between Pompeii and its hinterland for the provision of fuel in a case study from the House of the Vestals. A pilot study of 25 contexts from six ‘rooms’ and 750 charcoal fragments was followed by an extended study of 62 contexts over 14 rooms (a total of 1579 charcoal fragments). The extended results identified only two further (minor) taxa (represented by only three fragments). The most important wood identified was beech (Fagus sylvatica), which constituted 50–75 per cent of the fuel supply, depending on the time period. Beech grows preferentially above about 900 m in central and southern Italy. Pompeii lies at 30 m altitude with the nearest mountain areas at least 15 km away. The study suggests that a methodology that relies on collection of charcoal from routine dry sieving (5 mm grid), in soils where this is possible, can provide robust results in a cost effective manner in an urban setting.

APA, Harvard, Vancouver, ISO, and other styles

32

Berry, Joanne. "The conditions of domestic life in Pompeii in AD 79: a case-study of Houses 11 and 12, Insula 9, Region I." Papers of the British School at Rome 65 (November 1997): 103–25. http://dx.doi.org/10.1017/s0068246200010606.

Full text

Abstract:

LE CONDIZIONI DELLA VITA DOMESTICA A POMPEI NELL'ANNO 79 d.C.: UN CASO DI STUDIO DELLE CASE 11 E 12, INSULA 9, REGIONE IQuesto articolo discute delle condizioni di vita a Pompei negli ultimi anni prima della sua distruzione dall'eruzione del Vesuvio. Si tratta di un argomento di difficile interpretazione, per il quale molte diverse teorie esistono, molte delle quali sono basate su evidenza aneddotica e/o comparativa. In contrasto, l'ipotesi presentata in questo articolo si basa sullo studio di due case collegate nella Regione I e prende in considerazione tutta l'evidenza disponibile: vecchie fotografie di scavo, resti di manufatti del 79 d.C., le strutture attualmente ancora in piedi e i risultati degli scavi del 1995 e 1996. L'evidenza disponibile è, di fatto, contraddittoria: all'interno delle stesse case vi sono segni di commercio a grande scala e di restauro, ma anche di abbandono e distruzione. Viene suggerito che queste contraddizioni possono essere spiegate con un terremoto negli ultimi mesi, o perfino settimane, prima della distruzione finale di Pompei. Gli abitanti della città dovevano aver avuto difficoltà ad affrontare la distruzione ed il caos causate da questo terremoto. Risposte individuali ad i danni causati dal terremoto sarebbero state dipendenti da numerosi fattori, quali le possibilità economiche a sostenere le riparazioni, di conseguenza l'evidenza delle due case esaminate riflette solo una delle possibili risposte. Si conclude che un numero maggiore di studi di case individuali in tutti i loro aspetti è necessario prima che si possa pienamente capire l'impatto collettivo e le conseguenze dell'attività sismica per la vita della città negli anni precedenti al 79 d.C.

APA, Harvard, Vancouver, ISO, and other styles

33

Voltan, Eleonora. "LAS IMAGES OF FEMALE PYGMIES IN POMPEIAN NILOTIC PAINTINGS: A PRELIMINARY OVERVIEW ABOUT THEIR ROLES AND REPRESENTATIONS." Asparkía. Investigació feminista, no. 42 (June 30, 2023): 73–101. http://dx.doi.org/10.6035/asparkia.6880.

Full text

Abstract:

At the dawn of the 3rd century BCE, the flourishing yet ambivalent relationship between Egypt and Rome, starts to become clearer. The agreement of the 273 BCE triggered the beginning of an overhaul of the political, cultural, economical and religious settings in Italy, particularly visible in the artistic production originated from the clash and the interweaving between the Roman and the Egyptian worlds. Following a general overview regarding the historical and cultural background of relationships between Egypt and Rome, this paper explores the figurative development of the picta nilotica in the Roman repertoire. The focus is on the figures of female pygmies and the spread of this subject in relation to both chronology and contexts in Pompeii. Finally, the aim is to provide a preliminary analysis of these female figures, attempting to explore how they are depicted and their roles in the social environment in which they are portrayed.

APA, Harvard, Vancouver, ISO, and other styles

34

Adorjáni, Zsolt. "Pompeius und Caesar im Lichte der lukanischen Allusionstechnik." Acta Antiqua Academiae Scientiarum Hungaricae 47, no. 2 (June 2007): 185–202. http://dx.doi.org/10.1556/aant.47.2007.2.3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Soricelli, G. "‘Tripolitanian Sigillata’: North African or Campanian?" Libyan Studies 18 (1987): 73–87. http://dx.doi.org/10.1017/s0263718900006841.

Full text

Abstract:

AbstractIn this article Campania is proposed as the provenance for a class of terra sigillata, somewhat frequent at Berenice and on other North-African sites, which was recently termed by Kenrick ‘Tripolitanian Sigillata’.Particularly frequent on Campanian sites, above all at Pompeii and Naples, it was present in this region from the end of the first century BC, occurring with high percentage values in assemblages of fine pottery from excavations. This new evidence for its distribution would appear to exclude a North African provenance. A Campanian origin, in the area of the Bay of Naples, is, moreover, supported both by the results of thin section analyses of the clay and by the discovery of possible kiln wasters at Naples.

APA, Harvard, Vancouver, ISO, and other styles

36

Ascough, Richard S. "Reading Romans in Pompeii: Paul's Letter at Ground Level - By Peter Oakes." Religious Studies Review 37, no. 1 (March 2011): 62. http://dx.doi.org/10.1111/j.1748-0922.2010.01489_35.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Bergmann, Bettina. "Houses of cards." Journal of Roman Archaeology 14 (2001): 56–57. http://dx.doi.org/10.1017/s1047759400019826.

Full text

Abstract:

We have reached an important moment in the study of the Roman house. The past 20 years have been extremely active, with scholars approaching domestic space down different disciplinary and methodological avenues. Since the important essay on Campanian houses by A. Wallace-Hadrill in 1988, new excavations and scores of books and articles have changed the picture of Pompeii and, with it, that of the Roman house. Theoretical archaeologists have taken the lead, approaching Pompeii as an "archaeological laboratory" in which, armed with the interpretative tools of spatial and statistical analysis, they attempt to recover ancient behavioral patterns. The interdisciplinary picture that emerges is complex and inevitably contradictory. There is so much new information and such a tangle of perspectives that it is time to consider what we have learned and what kinds of interpretative tools we might best employ. Without doubt this is an exciting time in Roman studies. But two overviews of recent scholarship to appear this year, the present one by R. Tybout and another by P. Allison (AJA 105.2 [2001]), express considerable frustration and resort to ad hominem recriminations that signal a heated backlash, at least among some.

APA, Harvard, Vancouver, ISO, and other styles

38

Ling, Roger. "Environmental and other Pompeian studies - ROBERT I. CURTIS (ed.), STUDIA POMPEIANA ET CLASSICA IN HONOR OF WILHELMINA F. JASHEMSKI I: POMPEIANA (Aristide D. Caratzas, New York 1988). Pp. xxi + 330, numerous ills. ISBN (vol.1) 0-89241-423-5; (set) 0-89241-425-1. $85.00 (set $155). - MARISA MASTROROBERTO (ed.), ARCHEOLOGIA E BOTANICA. ATTI DEL CONVEGNO DI STUDI SUL CONTRIBUTO DELLA BOTANICA ALLA CONOSCENZA E ALLA CONSERVAZIONE DELLE AREE ARCHEOLOGICHE VESUVIANE, POMPEI 7-9 APRILE 1989 (Ministero per i Beni Culturali ed Ambientali, Soprintendenza Archeologica di Pompei, Monografie 2, L'Erma di Bretschneider, Roma 1990). Pp. 117, numerous ills. (including colour). ISBN 88-7062-682-2." Journal of Roman Archaeology 5 (1992): 338–40. http://dx.doi.org/10.1017/s1047759400012204.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Ryan, Scott C. "The Powers and “Popular Religion” in Pompeii and Paul’s Letter to the Romans." Horizons in Biblical Theology 45, no. 1 (April 20, 2023): 3–36. http://dx.doi.org/10.1163/18712207-12341460.

Full text

Abstract:

Abstract Readers of Romans debate how to understand Paul’s language related to sin and death. Are sin and death ontological powers that operate in the human realm? Does Paul use figurative language to describe abstract concepts? Rarely do scholars consider material evidence and popular ideas as sources for addressing such questions. This essay considers archaeological findings from Pompeii as an additional voice in the conversation for understanding life in a first-century Roman context and Paul’s framing of sin and death in Romans. The essay first considers philosophical critiques of popular practices and then turns to material remains to demonstrate that many thought suprahuman forces to be at work in the world. With the Vesuvian evidence in view, understanding sin and death among powers that can influence human life emerges as a plausible interpretation. Paul’s personal language thus resonates with popular beliefs in the Greco-Roman context and reframes them in significant ways.

APA, Harvard, Vancouver, ISO, and other styles

40

Balch, David L. "Rich Pompeiian Houses, Shops for Rent, and the Huge Apartment Building in Herculaneum as Typical Spaces for Pauline House Churches." Journal for the Study of the New Testament 27, no. 1 (September 2004): 27–46. http://dx.doi.org/10.1177/0142064x0402700103.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Franklin, James L. "Pantomimists at Pompeii: Actius Anicetus and His Troupe." American Journal of Philology 108, no. 1 (1987): 95. http://dx.doi.org/10.2307/294916.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Cook, John Granger. "Crucifixion as Spectacle in Roman Campania." Novum Testamentum 54, no. 1 (2012): 68–100. http://dx.doi.org/10.1163/156853611x589651.

Full text

Abstract:

Abstract Four artifacts from ancient Campania illuminate Roman crucifixion: a notice in Pompeii announcing the execution of some individuals by crucifixion in Cumae during a gladiatorial spectacle; the lex Puteolana which regulated both the crucifixion at private expense of slaves and public crucifixions in that town; the lex Cumana which probably regulated crucifixion there; and a graffito in a taberna of Puteoli that appears to be the oldest surviving Roman portrayal of crucifixion in existence. This evidence provides those in the guild of New Testament studies with additional tools for understanding the scandalous nature of Paul’s gospel of the crucified Christ.

APA, Harvard, Vancouver, ISO, and other styles

43

Autiero, Francesca, Giuseppina De Martino, Marco Di Ludovico, Annamaria Mauro, and Andrea Prota. "Multidrum Stone Columns at the Pompeii Archaeological Site: Analysis of Geometrical Properties and State of Preservation." Heritage 3, no. 4 (September 25, 2020): 1069–82. http://dx.doi.org/10.3390/heritage3040059.

Full text

Abstract:

The seismic vulnerability of ancient free-standing multidrum stone columns is an important issue for the preservation of Greek and Roman archaeological sites. Such elements show a complex and highly non-linear dynamic behavior, requiring specific and sophisticated structural analysis. Different numerical studies on the dynamic behavior of ancient multidrum stone columns found that their seismic response is sensitive to their geometrical parameters, as well as to the material elastic properties, the kinetic coefficient of friction and the amplitude and frequency of the seismic action. Therefore, in the present research, a detailed survey of free-standing multidrum stone columns representative of a wide range of elements at the Pompeii Archaeological site was developed to provide a primary evaluation of the seismic vulnerability of such elements based on their geometrical properties. The study focuses on 103 multidrum grey-tuff columns, from four areas at the site: tetrastyle atrium of Casa del Fauno at Regio VI and Quadriportico dei Teatri, Foro Triangolare and Palestra Sannitica at Regio VIII. Grey tuff was a typically locally sourced natural stone, used as a building material in ancient Pompeii. The research areas included both private (Casa del Fauno) and public buildings (Quadriportico dei Teatri, Foro Triangolare and Palestra Sannitica). The mean overall geometrical properties affecting the seismic behavior of the columns in each research area and the discussion of the collected results are herein presented.

APA, Harvard, Vancouver, ISO, and other styles

44

BOCCASSINI, D. "Review. Verso una biografia di Guillaume Colletet. Natoli, Valeria Pompejano." French Studies 46, no. 3 (July 1, 1992): 323. http://dx.doi.org/10.1093/fs/46.3.323-a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

van der Veen, Marijke. "From countryside to urban centre: new botanical evidence for the development of Pompeii - MARINA CIARALDI, PEOPLE AND PLANTS IN ANCIENT POMPEII: A NEW APPROACH TO URBANISM FROM THE MICROSCOPE ROOM. THE USE OF PLANT RESOURCES AT POMPEII AND IN THE POMPEIAN AREA FROM THE 6TH CENTURY BC TO AD 79 (Accordia Specialist Studies on Italy vol. 12, Accordia Research Institute, University of London 2007). Pp. 183, figs. 75, tables 17. ISBN 978 1 873415 30 6." Journal of Roman Archaeology 22 (2009): 591–92. http://dx.doi.org/10.1017/s1047759400021115.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Paul, Joanna. "Drones over Pompeii: cinematic perspectives on antiquity in the digital era." Classical Receptions Journal 11, no. 3 (June 25, 2019): 274–95. http://dx.doi.org/10.1093/crj/clz006.

Full text

Abstract:

Abstract Cityscapes have always been an important part of films set in antiquity, but little attention has yet been paid to the way in which digital cinema uses the ancient city to offer different kinds of access to the past. This article explores how twenty-first century cinema sees the city and apprehends history in new ways in films including Pompeii (2014), Agora (2009), and Gladiator (2000). It focuses on how digital cinema affords the opportunity to ‘see’ the past from above, a quintessentially modern perspective which prompts a range of important questions about the viewer’s relationship to history. The aerial view of the cinematic city encourages reflection on our familiarity with an ancient city, by utilizing the imagery and techniques of digital mapping and virtual reality reconstructions; and it explores our ability to gain mastery over the past, privileging godlike omniscience over the immersiveness that usually characterizes contemporary film. Finally, adopting the perspective of the drone, it suggests a more disturbing, dehumanized version of the past – and future. The discourse around these cinematic cities prompts important and timely consideration of whether digital technology necessarily improves our access to the past, or rather compromises it.

APA, Harvard, Vancouver, ISO, and other styles

47

Valladares, Hérica. "Translating Aphrodite: The Sandal-Binder in Two Roman Contexts." Classical Antiquity 43, no. 1 (April 1, 2024): 167–215. http://dx.doi.org/10.1525/ca.2024.43.1.167.

Full text

Abstract:

The Sandal-Binder Aphrodite, a witty variation on Praxiteles’ Aphrodite of Knidos, is one of the most frequently reproduced sculptural types in Greco-Roman art. Created in a variety of materials throughout the Mediterranean, extant versions of this iconography show the goddess in the act of tying (or possibly untying) her sandal. Although a large number of these works of art date between the first and fourth century CE, most studies on the Sandal-Binder have approached it primarily as an expression of Hellenistic Greek artistic trends. The present study shifts our attention away from the cultural milieu of the Sandal-Binder’s creation to that of its reception. Two well-preserved examples—one from a house in Pompeii and the other from London—attest to the process of translating or adapting this sensual image of Aphrodite to a Roman ideological framework. In both cases, it is through the language of body adornment that this transformation is achieved: while the example from Pompeii (a marble statuette adorned with gold paint) shows the goddess wearing contemporary jewelry and clothing, the diminutive silver figurine from London is part of a fashionable hairpin that points to the dissemination of imperial hairstyles in Rome’s remotest province. By calling attention to their design and function, this essay highlights the complex polysemy of Roman Sandal-Binders and the powerful messages they communicated to a diverse audience of viewers both at the heart of the empire and in the provinces.

APA, Harvard, Vancouver, ISO, and other styles

48

Olalquiaga Bescós, Pablo. "El patio como lugar. Herencia y contemporaneidad de la Casa Huarte." ZARCH, no. 1 (December 31, 2013): 332–43. http://dx.doi.org/10.26754/ojs_zarch/zarch.201319395.

Full text

Abstract:

José Antonio Corrales y Ramón Vázquez Molezún proyectaron en 1966 la vivienda para la familia de Jesús Huarte, uno de los principales empresarios y coleccionistas de arte de España. El proyecto de la Casa Huarte nace del lugar donde se inserta mediante un método no convencional: se plantea desde la negación de su contexto físico. Es un proyecto defensivo, se amuralla a la calle, ruidosa y hostil, y se abre a unos patios interiores creando un mundo interior idílico aislado visual y acústicamente del tráfico de la calle. La intervención cuestionaba los planteamientos de la casa-patio compacta del Movimiento Moderno, cuyo paradigma fueron los distintos proyectos de casa-patio de Mies y su prototipo construido: la Casa Sert en Cambridge, a la vez que se alimentaba de la herencia clásica. Corrales y Molezún adaptaron a la modernidad tradicionales intervenciones en el paisaje resueltas mediante el uso de patios, desde la secuencia de patios heterogéneos de la arquitectura pompeyana y otomana a la relación del espacio interior con el inmediatamente exterior de la arquitectura tradicional japonesa. El resultado fue una novedosa casa-patio decididamente moderna que aportó un nuevo concepto de intervención en el paisaje.

APA, Harvard, Vancouver, ISO, and other styles

49

Nagyillés, János. "Cornelia Naxos szigetén." Antik Tanulmányok 54, no. 2 (December 1, 2010): 215–37. http://dx.doi.org/10.1556/anttan.54.2010.2.2.

Full text

Abstract:

Lucanus Cornelia-alakja a nyelvi és motivikus utalások szerint Vergilius és Ovidius mitikus nőalakjainak rokona, de motivikus szinten sokat köszönhet Propertiusnak és Seneca tragédiáinak is. Lucanus Cornelia-narratívájában meglehetős bizonyossággal tételezhető tudatos nyelvi és motivikus utalás egyrészt Catullus Ariadnéjára, másrészt Ovidius több, hosszabb-rövidebb Ariadne-narratívájára. A tanulmány áttekinti az Ariadne-történetre való lehetséges utalásokat Lucanus eposzában. Rómában, ahol az Ariadne-történet legtöbbet emlegetett része a naxosi epizód volt, a krétai királylány alakjához kapcsolódott a katastérismos képzete: az ’Ariadne Naxoson’-történet Corneliával való összekapcsolása ezért mitológiai metaforája lehet a megistenülés képzetének. Cornelia tehát erényes asszonyként éppúgy kiérdemeli a megistenülést a férjével kapcsolatban, mint Pompeius a maga férfiúi állapotában.

APA, Harvard, Vancouver, ISO, and other styles

50

Galli Pellegrini, Rosa. "L’Ospitalità e le rappresentazioni dell’Altro nell’Europa moderna e contemporanea, a cura di Valeria Pompejano." Studi Francesi, no. 145 (XLIX | I) (July 1, 2005): 202. http://dx.doi.org/10.4000/studifrancesi.36736.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!