Books on the topic 'Polyphoic music'

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1

Bossuyt, Ignace. Flemish polyphony. Leuven: Davidsfonds, 1994.

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2

Račiūnaitė-Vyčinienė, Daiva. Sutartinės: Lithuanian polyphonic songs. Vilnius: VAGA Publishers, 2002.

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3

Amann, Jean-Pierre. Leipzig en polyphonie. Genève: Ed. Papillon, 2006.

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4

Losseff, Nicky. The best concords: Polyphonic music in thirteenth-century Britain. New York: Garland Pub., 1994.

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5

Wathey, Andrew. Manuscripts of polyphonic music: The British Isles, 1100-1400. München: G. Henle, 1993.

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6

Yang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.

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7

Yang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.

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8

Yang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.

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9

Forrest, Kelly Thomas, ed. Plainsong in the age of polyphony. Cambridge: Cambridge University Press, 1992.

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10

Kirkman, Andrew. The cultural life of the early polyphonic Mass: Medieval context to modern revival. Cambridge: Cambridge University Press, 2010.

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11

The polyphony of Saint Martial and Santiago de Compostela. Berkeley: University of California Press, 1992.

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12

Karp, Theodore. The polyphony of Saint Martial and Santiago de Compostela. Oxford: Clarendon Press, 1992.

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13

Hudson, Barton. Masses based on secular polyphonic songs.: Critical commentary. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1996.

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14

Hudson, Barton. Masses based on secular polyphonic songs.: Critical commentary. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1995.

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15

Everist, Mark. Polyphonic music in thirteenth-century France: Aspects of sources and distribution. New York: Garland Pub., 1989.

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16

Arom, Simha. African polyphony and polyrhythm: Musical structure and methodology. Cambridge: Cambridge University Press, 1991.

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17

Arom, Simha. African polyphony and polyrhythm: Musical structure and methodology. Cambridge: Cambridge University Press, 2004.

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18

R, Curcumia, and Jordania Joseph 1954-, eds. Echoes from Georgia: Seventeen arguments on Georgian polyphony. Hauppauge, N.Y: Nova Science Publishers, 2009.

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19

Jeppesen, Knud. Counterpoint: The polyphonic vocal style of the sixteenth century. New York: Dover Publications, 1992.

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20

Elders, Willem. Masses based on sacred polyphonic songs: Critical commentary. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1999.

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21

Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. Stuttgart: F. Steiner, 1992.

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22

Ob istokakh gruzinskogo mnogogolosii͡a. Tbilisi: Izd-vo Khelovneba, 1987.

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23

Walker, Diane Parr. German sacred polyphonic vocal musicbetween Schütz and Bach: Sources and critical editions. Warren, Mich: Harmonie Park Press, 1992.

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24

Polyphonie des Lebens: Zu Dietrich Bonhoeffers "Theologie der Musik". Berlin: Alektor-Verlag, 1994.

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25

Berger, Karol. Musica ficta: Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge: Cambridge University Press, 2004.

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26

Musica ficta: Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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27

The cultural life of the early polyphonic Mass: Medieval context to modern revival. Cambridge: Cambridge University Press, 2010.

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28

1953-, Walker Paul, ed. German sacred polyphonic vocal music between Schütz and Bach: Sources and critical editions. Warren, Mich: Harmonie Park Press, 1992.

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29

Werf, Hendrik Van der. The oldest extant part music and the origin of western polyphony. Rochester, N.Y: H. van der Werf, 1993.

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30

Werf, Hendrik van der. The oldest extant part music and the origin of western polyphony. Rochester, N.Y: H. van der Werf, 1993.

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31

Werf, Hendrik van der. The oldest extant part music and the origin of western polyphony. New York, N.Y: H. van der Werf, 1993.

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32

Werf, Hendrik van der. The oldest extant part music and the origin of western polyphony. New York, N.Y: H. van der Werf, 1993.

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33

Yunnan min zu fu diao yin yue yan jiu: Polyphonic music of Yunnan's minority. Kunming Shi: Yunnan da xue chu ban she, 2010.

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34

Jumping to conclusions : the falling-third cadences in chant, polyphony, and recitative. Aldershot, Hants, England: Ashgate, 2006.

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35

Sanders, Ernest H. French and English polyphony of the 13th and 14th centuries: Style and notation. Aldershot, Hampshire, Great Britain: Ashgate, 1998.

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36

Tonus peregrinus: The history of a psalm-tone and its use in polyphonic music. Farnham, Surrey, England: Ashgate, 2011.

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37

Lundberg, Mattias. Tonus peregrinus: The history of a psalm-tone and its use in polyphonic music. Farnham, Surrey, England: Ashgate, 2011.

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38

Plumley, Yolanda. The grammar of 14th century melody: Tonal organization and compositional process in the chansons of Guillaume de Machaut and the ars subtilior. New York: Garland Pub., 1996.

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39

Alden, Jane. Songs, scribes, and society: The history and reception of the Loire Valley Chansonniers. New York: Oxford University Press, 2010.

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40

Arom, Simha. African Polyphony. University of Cambridge ESOL Examinations, 2000.

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41

Claus-Steffen, Mahnkopf, Cox Frank 1961-, and Schurig Wolfram, eds. Polyphony & complexity. Hofheim: Wolke, 2002.

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42

Pesic, Peter. Polyphonic Minds: Music of the Hemispheres. MIT Press, 2017.

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43

Pesic, Peter. Polyphonic Minds: Music of the Hemispheres. MIT Press, 2017.

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44

Polyphonic Minds: Music of the Hemispheres. The MIT Press, 2017.

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45

Pesic, Peter. Polyphonic Minds: Music of the Hemispheres. MIT Press, 2017.

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46

Pesic, Peter. Polyphonic Minds: Music of the Hemispheres. MIT Press, 2022.

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47

Renaissance Polyphony. University of Cambridge ESOL Examinations, 2020.

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48

Fitch, Fabrice. Renaissance Polyphony. University of Cambridge ESOL Examinations, 2020.

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49

Fitch, Fabrice. Renaissance Polyphony. University of Cambridge ESOL Examinations, 2020.

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50

Kravchuk, Michael. 500 Polyphonic Sight-Reading Exercises. MichaelKravchuk.com, 2020.

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