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Books on the topic 'Polychronic'

Author: Grafiati
Published: 11 January 2025

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1

Verlag, Hirmer, ed. Polychromie & Wissen. München: Hirmer, 2019.

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2

Polychronius. Polychronios Apameias (Meros 2). Athēnai: Apostolikē Diakonia tēs Ekklēsias tēs Hellados, 2008.

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3

Polychronius. Polychronios Apameias (Meros 1). Athēnai: Apostolikē Diakonia tēs Ekklēsias tēs Hellados, 2007.

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4

Perrault, Gilles. Dorure et polychromie sur bois. Dijon: Editions Faton, 1992.

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5

Benalloul, Paul. Dispositifs électroluminescents en couches minces et polychromie. Grenoble: A.N.R.T, Université Pierre Mendes France (Grenoble II), 1986.

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6

Brinkmann, Vinzenz. Die Polychromie der archaischen und frühklassischen Skulptur. München: Biering & Brinkmann, 2003.

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7

Michael, Kühlenthal, and Miura Sadatoshi, eds. Historische Polychromie: Skulpturenfassung in Deutschland und Japan. München: Hirmer, 2004.

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8

Liantinēs, Dēmētrios. Polychronio: Hē epidrasē tēs stōikēs philosophias stēn politikē paidagōgikē tēs Rōmēs. Athēna: Pelasgos, 1989.

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9

Marle, Félix Del. F. Del Marle: La polychromie dans l'espace, 1945-1952. Le Cateau-Cambrésis: Musée Matisse, 1996.

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10

Charron, Pascale, Marion Boudon-Machuel, and Maurice Brock, eds. Aux limites de la couleur: monochromie et polychromie dans les arts (1300-1650). Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.er-eb.5.106721.

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11

1942-, Rüegg Arthur, ed. Polychromie architecturale: Farbenklaviaturen von 1931 und 1959 = color keyboards from 1931 and 1959. 2nd ed. Boston: Birkhäuser-Publishers for Architecture, 2006.

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12

Pachē, Olga. Ho Polychronios V. Kōnstantas kai hē politikē zōē tēs Kerkyras ton 19o aiōna. Kerkyra: Ekdoseis A'postrophos, 2009.

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13

Anna, Gramiccia, D'Inzillo Carranza Giuliana, Lanari Laura, and De Luca editori d'arte, eds. I colori del bianco: Policromia nella scultura antica. Roma: De Luca editori d'arte, 2004.

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14

Freysoldt, Bernadett. Kunsttechnologische Untersuchung der Polychromie der Bildwerke des Naumburger Westlettners: Erhebung, Sicherung und Interpretation der Befunde. Regensburg: Verlag Friedrich Pustet, 2015.

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15

Drousiōtēs, Savvas Phil. Logos kai drasē: Mia zoē prosphoras sta koina : "hekaton homilies" apo tē polychronē drasē tou. Leukōsia: [s.n.], 2005.

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16

Lingens, Peter. Gipsgiesser und Polychromeure in Kevelaer: Zur Geschichte von Devotionalien, Gipsfiguren und Polychromie am Niederrhein und darüber hinaus. Kevelaer: Verein für Heimatschutz und Museumsförderung, 2004.

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17

1942-, Rüegg Arthur, ed. Polychromie architecturale: Le Corbusiers Farbenklaviaturen von 1931 und 1959 = Le Corbusier's color keyboards from 1931 and 1959. Basel: Birkhäuser, 1997.

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18

K, Zōgraphakēs Geōrgios, and Reuven Mordejai, Shlomo, b. 1908., eds. In memoriam, Solomōn Roumpen Mordechai, 1908-1985: Hē zōē, hē hē drasē tou, he poikilē, plousia kai polychronē prosphora tou. Thessalonikē: Ekdosē Israēlitikēs Koinotētas Thessalonikēs, 1988.

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19

Rencontres internationales sur la polychromie des portails gothiques (Amiens) (12-14 octobre 2000). La couleur et la pierre: Polychromie des portails gothiques : actes du colloque, Amiens, Centre gothique de Picardie, 12-14 octobre 2000. Paris: Picard Editeur, 2002.

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20

1402, Trevisa John d., Waldron Ronald, and British Library, eds. John Trevisa's translation of the Polychronicon of Ranulph Higden, Book VI: An edition based on British Library MS Cotton Tiberius D. VII. Heidelberg: Winter, 2004.

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21

1950-, Wallert Arie, Hermens Erma 1958-, and Peek Marja 1961-, eds. Historical painting techniques, materials, and studio practice: Preprints of a symposium, University of Leiden, the Netherlands, 26-29 June, 1995. [Marina Del Rey, Calif.]: Getty Conservation Institute, 1995.

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22

1942-, Rüegg Arthur, ed. Polychromie architecturale: Le Corbusiers Farbenklaviaturen von 1931 und 1959 = Le Corbusier's color keyboards from 1931 and 1959 = Les claviers de couleurs de Le Corbusier de 1931 et de 1959. Basel: Birkhauser, 1997.

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23

Engel, Patricia, and René Eckhart. Wahrnehmung und Restaurierung ; zerstörungsfreie Methoden ; Polychromie ; Ethylenoxid gegen Schimmel? ; rekonstruierende Retuschen ; Wallfahrt und Restaurierung: Perception and conservation ; Non-invasive methods ; Polychromy ; Ethylene oxide against mould? ; Reconstructive retouching ; Pilgrimage and conservation. München: Verlag Dr. Christian Müller-Straten, 2014.

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24

American Polychronic. Mackaware, 2022.

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25

Developing A Polychronic Care Network An Engineered Communitywide Approach To Disease Management. Productivity Press, 2012.

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26

College, Flora Stone Mather. Polychronicon 1937. Creative Media Partners, LLC, 2021.

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27

College, Flora Stone Mather. Polychronicon 1939. Creative Media Partners, LLC, 2021.

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28

Marasà, Dino. Polychromia International. 9788885862005, 2018.

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29

Haddad, Farid Sami, Dr Charles Nucho and Winifred Nucho, Professor Byron P. Smith, Professor Salim Firzli, Ibrahim S. Haddad, and Dr Philip Ashkar. Spicilegia II Polychroatic Gleanings. Sami I Haddad Memorial Library, 2005.

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30

Dreer, Cornelia. Weltkarten Für Ranulph Higdens Polychronicon. de Gruyter GmbH, Walter, 2024.

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31

Polychromie Dans la Sculpture Grecque. Creative Media Partners, LLC, 2022.

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32

Collignon, Maxime. Polychromie Dans la Sculpture Grecque. Creative Media Partners, LLC, 2018.

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33

Dreer, Cornelia. Weltkarten Für Ranulph Higdens Polychronicon. de Gruyter GmbH, Walter, 2024.

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34

Dreer, Cornelia. Weltkarten Für Ranulph Higdens Polychronicon. de Gruyter GmbH, Walter, 2024.

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35

Polychromie Dans la Sculpture Grecque. Creative Media Partners, LLC, 2022.

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36

Beal, J. John Trevisa and the English Polychronicon. Brepols Publishers, 2013.

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37

Collignon, Maxime. La Polychromie Dans La Sculpture Grecque. Franklin Classics Trade Press, 2018.

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38

Collignon, Maxime. La Polychromie Dans La Sculpture Grecque. Franklin Classics Trade Press, 2018.

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39

Polychronicon of Merlin, Joseph and Arthur. Independently Published, 2022.

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40

John Trevisa and the English Polychronicon. Tempe: Arizona Center for Medieval and Renaissance Studies, 2012.

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41

Polychromie hellenistischer Skulptur: Ausführung, Instandhaltung und Botschaften. Petersberg: Michael Imhof Verlag, 2015.

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42

Die Polychromie der archaischen und fr uhklassischen Skulptur. M unchen: Biering& Brinkmann Verlag Projekt Dyabola, 2003.

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43

Kuipers. Conserveren in de wegwerpmaatschappij : pleidooi voor een polychrone cultuur. Universiteit Maastricht, 2001. http://dx.doi.org/10.26481/spe.20010330mk.

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44

Les couleurs des albâtres anglais. Polychromie, production et perception médiévales. Ausonius Éditions, 2021. http://dx.doi.org/10.46608/primaluna11.9782356134042.

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45

Cazacu, Petru. Orthodoxy and Psychoanalysis: Dirge or Polychronion to the Centuries-Old Tradition? Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.

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46

Orthodoxy and Psychoanalysis: Dirge or Polychronion to the Centuries-Old Tradition? Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.

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47

Kugler, Franz. Ueber Die Polychromie der Griechischen Architektur and Sculptur und Ihre Grenzen. Creative Media Partners, LLC, 2018.

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48

Aux Limites de la Couleur: Monochromie et Polychromie Dans les Arts. Brepols Publishers, 2012.

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49

Steiner, Emily. John Trevisa's Information Age. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896902.001.0001.

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Abstract:
What would medieval English literature look like if we viewed it through the lens of the compendium? In that case, Chaucer’s contemporary, John Trevisa, might come into focus as the major author of the fourteenth century. Trevisa (d. 1402) made a career of translating big informational Latin texts into English prose, supported by the patronage of the baron Thomas de Berkeley (1352–1417). These included Ranulph Higden’s Polychronicon, an enormous universal history with continuations to the present; Bartholomaeus Anglicus’s well-known natural encyclopedia De proprietatibus rerum; and Giles of Rome’s beloved advice-for-princes manual, De regimine principum. These were shrewd choices, accessible and on trend: De proprietatibus rerum and De regimine principum had already been translated into French and copied in deluxe manuscripts for the French and English nobility, and the Polychronicon had been circulating England for several decades. This book argues that John Trevisa’s translations of compendious texts disclose an alternative literary history by way of medieval information culture. Modern readers typically encounter medieval English literature through Trevisa’s contemporaries, Chaucer, Gower, and Langland, a triumvirate representing a range of literary styles and languages formative to English letters. How might the nature of this encounter change if Trevisa was in the mix? Can big informational genres give us a purchase on medieval English poetry and prose? And how might Trevisa’s oeuvre enable us to envision a new literary history rooted in the compilation and translation of compendious information alongside texts traditionally labeled as literary?
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50

Die Farbigkeit der Antiken Skulptur: Die Griechischen und Lateinischen Schriftquellen Zur Polychromie. Reichert Dr., Ludwig, 2020.

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