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Books on the topic 'Politisk teater'

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Author: Grafiati

Published: 27 July 2024

Last updated: 29 July 2024

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1

Tim, Prentki, and Preston Sheila 1968-, eds. The applied theatre reader. New York: Routledge, 2008.

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2

Dahana, Radhar Panca. Ideologi politik dan teater modern Indonesia. Magelang, Indonesia: Yayasan Indonesiatera, 2001.

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3

Holm, Ingvar. Politik som teater: Från Bastiljen till Helgeandsholmen. Stockholm: Carlsson, 1991.

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4

Drachmann, Hans. Kongen & kejseren: En fortælling om det politiske teater. København: Møntergården, 1999.

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5

Engelstad, Arne. Poetikk og politikk: Augusto Boal og De undertryktes teater. Åbo: Åbo Akademis förlag, 2004.

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6

Weiss, Peter. Peter Weiss: Målningar, teckningar, collage, film, teater, litteratur, politik. Stockholm: Moderna museet, 1991.

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7

Weiss, Peter. Peter Weiss: Målninger, teckningar, collage, filmer, teater, litteratur, politik. Stockholm: Moderna Museet, 1991.

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8

Nalan, Arthur S. Suyatna Anirun: Salah satu maestro teater Indonesia. Bandung, Jawa Barat, Indonesia: Kelir, 2007.

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9

T, Benny Yohanes. Memahami politik estetika dalam teater pada masa orde baru: Penafsiran teks drama berdasarkan pendekatan praksis : laporan penelitian. [Bandung]: Departemen Pendidikan dan Kebudayaan, Sekolah Tinggi Seni Indonesia Bandung, 2000.

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10

Lart͡seva, N. V. Teatr rasstreli͡annyĭ. Petrozavodsk: Petropress, 1998.

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11

Smigielska, Joanna. Teatr wladzy lokalnej. Warszawa: Wydawnictwo "Trio", 2004.

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12

Bartosh, A. A. Serai︠a︡ zona: Teatr gibridnoĭ voĭny. Moskva: Gori︠a︡chai︠a︡ linii︠a︡ - Telekom, 2021.

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13

Sagarra, Josep Maria de. Crítiques de teatre "La Publicitat," 1922-1927. Barcelona: Publicacions de l'Institut del Teatre de la Diputació de Barcelona, 1987.

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14

Davies, Lynn. Democracy through teacher education. Birmingham: Centre for International Education and Research, 2002.

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15

Sammon, Patricia. Hallie Farmer: Teacher and leader. Huntsville, AL (4318 Shelby Ave., SE, Huntsville 35801): Writers Consortium Books, 1989.

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16

I︠A︡strebova, Natalii︠a︡ Aleksandrovna. Teatr 30-kh.: Zerkalo i zazerkalʹe : iskusstvo, publika, pressa, vlastʹ. Moskva: Gosudarstvennyĭ in-t iskusstvoznanii︠a︡, 2000.

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17

Ermolin, Evgeniĭ. Materializat͡s︡ii͡a︡ prizraka: Totalitarnyĭ teatr sovetskikh massovykh akt͡s︡iĭ 1920-1930-kh godov. I͡A︡roslavlʹ: I͡A︡roslavskiĭ gos. pedagog. universitet imeni K.D. Ushinskogo, 1996.

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18

Little, Jean. Fourth grade weirdo. New York: Holiday House, 1999.

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19

Esculies, Joan. Via fora, lladres!: El separatisme català i el teatre patriòtic. Barcelona: Ediciones de 1984, 2014.

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20

Smilansky, Sara. ha-Maʻarekhet ha-mishpaḥtit ṿeha-maʻarekhet ha-bet-sifrit: Model shel ḳesher benehen. Tel Aviv: ʻAm ʻoved, 1987.

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21

Tanner, Robin. What I believe: Lectures and other writings : Robin Tanner, etcher and teacher 1904-1988. Bath: Crafts Study Centre, Holburne Museum & Crafts Study Centre, 1992.

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22

Raszewski, Zbigniew. Raptularz 1967/1968. Warszawa: Oficyna Wydawnicza Interim, 1993.

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23

Del Vivo, Caterina, ed. In esilio e sulla scena. Florence: Firenze University Press, 2014. http://dx.doi.org/10.36253/978-88-6655-589-6.

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Giovane attrice già famosa, destinata a divenire la prima grande diva del teatro italiano in Europa come nelle Americhe, Adelaide Ristori. Donna appassionata, brillante e inquieta quanto amante della poesia e dell’arte, Lauretta Cipriani Parra, attiva fin dalla giovinezza nell’opposizione politica, compagna e poi moglie del tanto più giovane ‘triunviro’ del Governo provvisorio toscano, Giuseppe Montanelli. Adelaide, impegnata in incessanti tournée e corteggiata dalla società internazionale, è alla ricerca di una diversa idea dell’interprete drammatica, che considera il vero fulcro di ogni realizzazione scenica, e domanderà alle capacità letterarie di Montanelli, in esilio a Parigi dopo la Restaurazione granducale toscana, un testo chiave per i futuri successi. E se Lauretta sembra accettare ruoli subalterni e inusuali per amore del marito, persegue invece precise architetture per farlo emergere nei fasti del Secondo Impero e spianare la via politica per un prossimo, trionfante, ritorno nella Penisola.

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24

Brecht, Bertolt. Brecht on theatre: The development of an aesthetic. New York: Hill and Wang, 1992.

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25

Dorantes, Gerardo L. Participación politica en la agenda universitaria de de poder: La opinión académica y estudiantil en la Universidad Autónoma del Estado de México en la construcción de la agenda institucional. Toluca, Estado de México: UAEM, Universidad Autónoma del Estado de Mexico, 2015.

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26

Jane, Plastow, and Boon Richard, eds. Theatre matters: Performance and culture on the world stage. Cambridge, UK: Cambridge University Press, 1998.

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27

Martínez, José Francisco Vázquez. La fuerza del amor. Colima [México]: Gobierno del Estado de Colima, Secretaría de Cultura, 2006.

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28

Leão, Raimundo Matos de. Transas na cena em transe: Teatro e contracultura na Bahia. Salvador: EDUFBA, 2009.

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29

Costa, Iná Camargo. A luta dos grupos teatrais de São Paulo por políticas públicas para a cultura: Os cinco primeiros anos da lei de fomento ao teatro. [São Paulo, Brazil?]: Cooperativa Paulista de Teatro, 2008.

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30

Dorberto, Carvalho, ed. A luta dos grupos teatrais de São Paulo por políticas públicas para a cultura: Os cinco primeiros anos da lei de fomento ao teatro. [São Paulo, Brazil?]: Cooperativa Paulista de Teatro, 2008.

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31

Guerrini, Fabrizio. Mala Pavia: Nomi, fatti e cifre di due scandali pavesi : Fraschini e San Matteo. Pavia: G. Iuculano, 1992.

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32

Costa, Paolo. La Fenice ritrovata: Musica e lavori pubblici. Milano: Libri Scheiwiller, 2003.

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33

Bolado, Carlos, Mónica Lozano, and Hugo Rodríguez. Colosio el asesinato. San Miguel Chapultepec, Mexico D.F: Gussi, 2012.

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34

1950-, Schutzman Mady, and Cohen-Cruz Jan 1950-, eds. Playing Boal: Theatre, therapy, activism. London: Routledge, 1994.

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35

Mwiria, Kilemi. The role of good governance in resolving internal and external university conflicts: The experience of anglo-phone Africa. [Nairobi: s.n., 1992.

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36

Anthropology, Theatre, and Development: The Transformative Potential of Performance. Palgrave Macmillan, 2015.

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37

Flynn, Alex, and Jonas Tinius. Anthropology, Theatre, and Development: The Transformative Potential of Performance. Palgrave Macmillan, 2015.

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38

Prentki, Tim, and Nicola Abraham. Applied Theatre Reader. Taylor & Francis Group, 2020.

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39

Prentki, Tim, and Sheila Preston. Applied Theatre Reader. Taylor & Francis Group, 2013.

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40

Prentki, Tim, and Nicola Abraham. Applied Theatre Reader. Taylor & Francis Group, 2020.

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41

Prentki, Tim, and Nicola Abraham. Applied Theatre Reader. Taylor & Francis Group, 2020.

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42

Prentki, Tim, and Nicola Abraham. Applied Theatre Reader. Taylor & Francis Group, 2020.

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43

Prentki, Tim, and Nicola Abraham. Applied Theatre Reader. Taylor & Francis Group, 2020.

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44

Applied Theatre Reader. Routledge, 2008.

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45

Applied Theatre Reader. Routledge, 2013.

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46

Kaj Munk og Tyskland: Teater og politik. Aalborg: Aalborg Universitetsforlag, 2008.

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47

Greving, Johannes. Pocket Teacher Abi, Politik / Sozialkunde. Cornelsen Lernhilfen, 2000.

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48

Dilger, Andreas. Pocket Teacher, Sekundarstufe I, Politik / Sozialkunde. Cornelsen Lernhilfen, 2000.

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49

Teatr Wadzy Lokalnej. Trio, 2004.

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50

Gubenko, Nikolaĭ. Teatr absurda: Vo chto prevratili Rossi︠i︡u. 2013.

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