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Journal articles on the topic 'Polishness'

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Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Wilmer, S. E. "Performing «Polishness»." Pamiętnik Teatralny 70, no. 2 (June 23, 2021): 165–69. http://dx.doi.org/10.36744/pt.823.

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This article is a review of Dariusz Kosiński’s Performing Poland: Rethinking Histories and Theatres (Aberystwyth 2019). The author points out that the book is an attempt at introducing several centuries of Polish theatre and performance to an international reader. It is divided into five sections which overlap chronologically, altogether creating a comprehensive presentation of Polish theatre. These sections are: theatre of festivities, theatre of fundamental questions, national theatre, political theatre, and theatre of the cultural metropolis. The author, however, draws attention to a problematic issue in Kosiński’s approach. Throughout the book he emphasizes the role of theatre and performance in asserting Polish national identity while ignoring the complex, multi-faceted character of any national identity.

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Żebrowska, Anna. "Polskość w Komarowszczyźnie i jej okolicach: historia i współczesność." Acta Baltico-Slavica 37 (June 30, 2015): 407–18. http://dx.doi.org/10.11649/abs.2013.027.

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Polishness in Komarowszczyzna and its surroundings: history and the present dayThe direct reason for writing this article was a reflection that came to my mind during the fieldwork in July/August 2012, which took place in the north-west part of Belarus, in Miadziolski region of Mińsk district. The issue of Polishness in the researched area has been presented from two perspectives: historical and modern. The former predicts appealing to the memory of pre-war generation, while the latter would entail appealing to the current situation of Polishness in Komarowszczyzna and neighbouring villages, which is shaped by the middle generation (born after WWII) and the young people (born in 1970–1990). A comparative analysis of statements of representatives of these three generations has shown that the attitude towards Polishness has changed significantly. From the perspective of the pre-war and partly of the post-war generation, Polishness (i.e. the sense of Polishness) is on the decline. Nevertheless, it is impossible to state that young people renounce their roots or oppose Polishness. They only draw attention to the need of different actions, searching for new possibilities of ‘protecting’ Polishness. Польскость в Комаровщине и её окрестностях: история и современностьНепосредственным поводом для написания данной статьи стал материал, собранный во время полевых исследований в июле/августе 2012 года на Мядельщине – в деревне Комарово и нескольких других близлежащих деревнях (Януковичи, Борисы, Ворошилки и Куркули). Основной целью статьи является представление отношения жителей вышеперечисленных деревень к польскости. Проблематика польскости рассматривается в двух аспектах: историческом и современном. Исторический подход предполагает обращение к памяти довоенного поколения, современный – к настоящей ситуации по отношению к польскости, которую предопределяет среднее поколение (рождённое после второй мировой войны) и молодые люди (рождённые в 70–90 гг.). Сравнительный анализ высказываний представителей трёх поколений указывает на изменениe подхода к вопросу польскости. С точки зрения старшего и частично среднего поколений, налицо исчезновение польскости. Однако нельзя сказать, что молодые люди отказываются от своих польских корней; они лишь обращают внимание на потребность в новых возможностях и решениях, позволяющих сохранить польскость.

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3

Kabatc, Eugeniusz. "Polishness in the Prewar Eastern Territories." Dialogue and Universalism 15, no. 11 (2005): 33–36. http://dx.doi.org/10.5840/du20051511/124.

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4

Zsilinszky, László. "Polishness of the Wijsman topology revisited." Proceedings of the American Mathematical Society 126, no. 12 (1998): 3763–65. http://dx.doi.org/10.1090/s0002-9939-98-04526-2.

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5

Merchant, John A. "Anthony Bukoski – An Outpost of Polishness." Rocznik Komparatystyczny 9 (2019): 103–18. http://dx.doi.org/10.18276/rk.2018.9-06.

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6

Merchant, John A. "Anthony Bukoski – An Outpost of Polishness." Rocznik Komparatystyczny 9 (2019): 103–18. http://dx.doi.org/10.18276/rk.2019.9-06.

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7

Temple, Bogusia. "Constructing polishness, researching polish women's lives." Women's Studies International Forum 17, no. 1 (January 1994): 47–55. http://dx.doi.org/10.1016/0277-5395(94)90006-x.

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8

Jasiński, Janusz. "Return of Wojciech Kętrzynski to polishness." Masuro-⁠Warmian Bulletin 302, no. 4 (January 4, 2019): 677–702. http://dx.doi.org/10.51974/kmw-134861.

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Ojciec Wojciecha Kętrzyńskiego (1838–1918), Polak pochodzenia kaszubskiego, pełniący w Lecu (Giżycku) obowiązki żandarma, nigdy nie wyparł się swojej polskości. Natomiast matka Wojciecha była rodowitą Niemką i naturalną koleją rzeczy ona miała większy wpływ na wychowanie dziecka. Jednak Wojciech mówił dwoma językami: niemieckim i gwarą mazurską. Literatura naukowa przez długie dziesięciolecia powtarzała, że pod wpływem domu oraz w czasie lat szkolnych spędzonych w Lecu, później w Poczdamie i Rastemborku (Kętrzynie) uległ on całkowitej germanizacji. Dopiero mając 18 lat (1856), dowiedziawszy się z listu siostry, że ojciec był Polakiem, on też podjął decyzję (Entschluss), o przynależności do narodu polskiego. Tymczasem według moich badań proces dochodzenia do świadomości narodowej trwał dość długo. Po pierwsze nigdy nie zapomniał on o polskim rodowodzie ojca, nawet w Poczdamie. Natomiast w Rastemborku zaczytywał się w polskiej literaturze historycznej i to pod jej wpływem postanowił otwarcie przyznać się w 1856 roku do polskości. Zresztą tomik jego młodzieńczej poezji Aus dem Liederbuch eines Germanisierten („Ze śpiewnika pewnego zniemczonego”) potwier�dza, że był niemczony. Powolny proces dochodzenia do polskości potwierdzają jego bliscy znajomi, np. lwowski historyk Władysław Semkowicz.

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9

Rydzewska, Joanna. "Masculinity, Nostalgia and Polishness in Somers Town." Journal of British Cinema and Television 10, no. 4 (October 2013): 890–908. http://dx.doi.org/10.3366/jbctv.2013.0186.

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The Office for National Statistics estimates that between December 2003 and June 2009 the Polish-born population of the United Kingdom increased from 75,000 to 503,000. These statistics provide a contextual background for Shane Meadows’ Somers Town (2008) , a film which portrays a British teenager, Tomo (Thomas Turgoose) who befriends a young Polish photographer, Marek (Piotr Jagiełło), and his father, who is a guest-worker at the King's Cross reconstruction site. This article explores the ways in which Somers Town responds to increased transnationalism and mobility (be it migration or tourism) both in its thematics and through its context of production, and explores the effects of globalisation on British working-class masculinity. In particular, this article looks at how the film offers Polish migrant working-class masculinity as a nostalgic pre-modern foil, which embodies many characteristics of the old British working class. While Meadows' films consistently suggest that British working-class fathers have been harmed irretrievably by the Thatcherite years and post-industrial decline, the working-class community of migrant workers (defined primarily by its strong work ethic) seems to offer a (mythologised) model of good fatherhood and stable masculine identity. In so doing, the film explores what Anthony Giddens calls the move from modern to late modern society, and confirms the preoccupation of Meadows' oeuvre with nostalgia.

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Krakowiak, Józef L., and Maciej Bańkowski. "Polish and Universal—An Elementary Polishness Ontology." Dialogue and Universalism 19, no. 3 (2009): 5–12. http://dx.doi.org/10.5840/du2009193/544.

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11

Żerańska-Kominek, Sławomira. "Deconstructing the Myth of Polishness in Music." Musicology Today 15, no. 1 (December 1, 2018): 1–4. http://dx.doi.org/10.2478/muso-2018-0002.

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12

Gross, Irena Grudzińska. "How Polish is Polishness: About Mickiewicz's Grażyna." East European Politics and Societies: and Cultures 14, no. 1 (December 1999): 1–11. http://dx.doi.org/10.1177/0888325400014001001.

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13

Kapica, Wojciech. "Domniemane i rzeczywiste kontakty prominentów nazistowskich z polskością przed 1933 rokiem." Studia nad Autorytaryzmem i Totalitaryzmem 38, no. 2 (March 28, 2017): 35–79. http://dx.doi.org/10.19195/2300-7249.38.2.3.

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ALLEGED AND ACTUAL CONTACTS OF PROMINENT NAZIS WITH POLISHNESS BEFORE 1933The article is an attempt to examine the contacts of prominent Nazis with Polishness before 1933. The author looks at these contacts with regard to the place of birth, living in a given place until 1918, living in a given place in the inter-war period 1918–1933, participation in the First World War in Poland, participation in Polish-German fighting in 1918–1921, having a Polish-sounding name and impact of all these factors on the period of the Second World War German occupation of Poland.

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14

Kamuntavičienė, Vaida. "Polishness and Lithuanianness in Kaunas Benedictine Convent 1905–1924." SOTER: Journal of Religious Science 54 (2015): 23–35. http://dx.doi.org/10.7220/2335-8785.54(82).2.

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15

Dąbrowska, Dorota. "O odradzaniu się potrzeby zakorzenienia – „Między nami dobrze jest” Doroty Masłowskiej." Załącznik Kulturoznawczy, no. 2 (2015): 88–100. http://dx.doi.org/10.21697/zk.2015.2.04.

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The article tries to grasp the specifics of Masłowska’s works by using the categories of lightness and heaviness. The main subject of analysis is the play Między nami dobrze jest (All is Right between Us), which treats about Polish national identity via the concept of grotesque. Although the author of the play follows the tradition to critically recognize Polishness (tradition mainly represented by Czesław Miłosz and Witold Gombrowicz), ultimately, she appreciates what have previously seemed to be underestimated. This is mainly due to the tension generated both by the structure of the play and the one caused in the process of its interpretation. The pathos and heaviness usually present in the reflections on topics related to national identity tend to be overcome here by the lightness introduced to the text via irony and grotesque. Moreover, the use of such means does not devalue the problems discussed; on the contrary, they become a key to the new and fresh attempt to redefine Polishnees. The article also treats about the relation between the original text of the play and its stage interpretation by Grzegorz Jarzyna − the specificity of presenting the same concepts across different fields of artistic culture.

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Pasterska, Jolanta. "Marian Pankowski and Polishness. The Literary Provocations of an Émigré." Russian Literature 70, no. 4 (November 2011): 525–37. http://dx.doi.org/10.1016/j.ruslit.2012.01.010.

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17

Pindór, Mirosława. "Wybory repertuarowe Sceny Polskiej Tĕšínského divadla w Czeskim Cieszynie na rzecz zachowania tożsamości narodowej i regionalnej polskiej mniejszości narodowej na Zaolziu." Studia Etnologiczne i Antropologiczne 19 (July 18, 2019): 91–104. http://dx.doi.org/10.31261/seia.2019.19.07.

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The article quotes, as a context for the problematics defined in the title, demographic data indicating systematic decrease of Polish population in Zaolzie. The publication referred to, Wizja 2035. Strategia rozwoju polskości na Zaolziu [Vision 2035: Strategies for the Development of Polishness in Zaolzie] (2015), suggests that national and regional awareness are two fundamental values of collective identity which consolidate the community in question. According to the mentioned study, amongst the major positive factors that have to be accounted for while considering the future of the Polish national identity, Scena Polska Tĕšínského divadla w Czeskim Cieszynie is prominent. The repertoire choices presented in the article were made as early as in 1951 by the said professional theatre company run by Polish autochthons in Těšín Silesia, and those choice ought to be perceived as both the carriers of Polishness and an important indicator of regional identity. They prove unambiguously that the only Polish-language professional theatre operating outside Poland may be considered a benchmark of rejuvenating and embedding the national and regional awareness of the Polish minority in Zaolzie.

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18

Kominek, Mieczysław. "Karol Szymanowski’s Vision of New Polish Music." Polski Rocznik Muzykologiczny 19, no. 1 (December 1, 2021): 104–17. http://dx.doi.org/10.2478/prm-2021-0004.

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Abstract In 19th-century Poland — under Russian, Prussian and Austrian rule at the time – the main goal of music was to promote revival and to stimulate patriotic feelings. Patriotic Polishness drawing on the country’s glorious past was to be the essence of music; modernity of the composer’s language was of secondary importance. Karol Szymanowski unceremoniously criticised this patriotic music as turned towards the provincial Polish tradition. According to Szymanowski, the criterion of Polish and at the same time “civilised musical art” was met only by Chopin. With the regaining of independence Polish art should free itself from patriotic didacticism and pay attention to aesthetic qualities, which was to eliminate the discrepancy between Polishness and Europeanness, between what was national and what was international, universal and European. The figure of Karol Szymanowski links our musical present, symbolised by the Warsaw Autumn International Festival of Contemporary Music, with the first years of independent Poland, for Warsaw Autumn realized Karol Szymanowski’s vision of modern Polish music. In this vision Polish music was a rightful element of European culture.

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19

Karamańska, Marta, and Ewa Młynarczyk. "Językowy obraz troski o II Rzeczpospolitą utrwalony w nazwach stowarzyszeń." ANNALES UNIVERSITATIS PAEDAGOGICAE CRACOVIENSIS. STUDIA LINGUISTICA, no. 13 (November 18, 2018): 13–24. http://dx.doi.org/10.24917/20831765.13.2.

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The article discusses names of associations, hitherto unresearched, from the interwar pe- riod in Poland in terms of the linguistic worldview they are a testimony to. Analysing lexical components of the names reflects great care taken of restored statehood in several domains: the Republic’s integration and firm establishment of Polishness throughout, economic and cultural development, civic education and strengthening the state’s defence.

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20

Niewiarowska, Joanna. "O “małym Polaczku” Stefana Żeromskiego i „prawdziwej Polsce” Karola Irzykowskiego – prywatny wymiar polskości w obliczu Wielkiej Wojny." Załącznik Kulturoznawczy, no. 2 (2015): 188–211. http://dx.doi.org/10.21697/zk.2015.2.11.

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The article summarizes and compares the two biographical texts by writers who are difficult to compare in terms of aesthetics and political-ideological dimension − fragments of journals by Karol Irzykowski devoted to illness, death and remembrance of his daughter Basia and biographical memory of the dead of tuberculosis son Adam by Stefan Żeromski. The comparative perspective of both narratives of loss is present in their reflection on Polishness, increased in the circumstances of World War I. The analysis and interpretation shows that bearing witness to such a difficult personal existential experience paradoxically involves the necessity of re-positioning in and to Polishness. The memory of Adam Żeromski is subordinated to the social perspective, frame of collective memory, which makes it understandable why in Żeromski’s story he is the ‛little Poleʼ, and Basia is the subject to psychological and individual memory, collected memory, so she can be called the great Poland. In this sense, both texts are the media of culture of remembrance, which inherently clarifies and determines the experience of the Great War that seems to confirm the researchers’ diagnosis of a breakthrough significance of the period 1914–1918, also in the perspective of Polish identity.

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Kobielska. "The Touchstone of Polishness? Suffering Exhibited in “New Museums” in Poland." Polish Review 64, no. 2 (2019): 121. http://dx.doi.org/10.5406/polishreview.64.2.0121.

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Osewska, Elżbieta. "Polish Literature for Children as Support of Children’s Creativity and Polishness." Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II 8, no. 1 (June 15, 2018): 77. http://dx.doi.org/10.15633/pch.2426.

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23

Siatkowski, Janusz. "JESZCZE RAZ O POLONIZMACH W SŁODKICH SULEJKACH SIEGFRIEDA LENZA." Poradnik Językowy, no. 5/2021(784) (May 20, 2021): 63–71. http://dx.doi.org/10.33896/porj.2021.5.5.

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The polonisms present in the text of Słodkie Sulejki, a book by Siegfried Lenz, clearly indicate the former Polishness of Masuria, the considerable infl uence of the Polish language on the colloquial variant of German recurring in this region. S. Lenz did not speak Polish and therefore the polonisms in his artistic idiolect are a certain language reminiscence from his childhood, when he spoke the Masurian dialect with his grandmother

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Janowski, Monica. "Food in Traumatic Times: Women, Foodways and ‘Polishness’ During a Wartime ‘Odyssey’." Food and Foodways 20, no. 3-4 (July 2012): 326–49. http://dx.doi.org/10.1080/07409710.2012.715969.

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25

Moczkodan, Rafał. "The Problem of “Polishness” in the London Student Periodicals („Życie Akademickie" – „Kontynenty”)." Tematy i Konteksty specjalny 1(2020) (2020): 248–74. http://dx.doi.org/10.15584/tik.spec.eng.2020.14.

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Theis article presents the views and opinions expressed in two London periodicals published in the 1950s and 1960s by Polish students living in exile, namely „Życie Akademickie” and „Kontynenty”, focusing on the problem of preservation of “Polishness” among Polish emigrants of the younger generation. In the first part of the text, the views presented, include those of the members of the older generation of emigrants and refugees (e.g. Czesław Miłosz or Witold Gombrowicz), giving advice to the young, as well as of the young themselves (e.g. Wiktor Poznański or Wojciech Gniatczyński). The second part of the article refers to the notion of patriotism and the problem of national vices, which were also subject to a discussion which went on in the émigré press. The aim of the article is to illustrate the discrepancies between the attitudes of two – or even three – generations of Polish emigrants, concerning the issue of Polish national identity.

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Szkaradnik, Katarzyna. "Służba ideologii i ideologia służby w pamiętnikach działaczy polskiego ruchu narodowego na Śląsku Cieszyńskim sprzed końca I wojny światowej." Górnośląskie Studia Socjologiczne. Seria Nowa 12 (December 31, 2021): 126–42. http://dx.doi.org/10.31261/gss_sn.2021.12.07.

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In her article, Katarzyna Szkaradnik analyses the memoirs of the pioneers of the Polish national movement in the area of Cieszyn Silesia, and also the memoirs of subsequent social, cultural, and educational activists written before the end of World War I. Szkaradnik examines these texts by focusing on the representations of the idea which the authors were spokesmen for, i.e., Polishness as a cultural legacy as well as Poland as a promised land where the people of Cieszyn Silesiawill gain due rights. The metaphors “awakening” and “rebirth” naturalized the bond between these people and Polishness, which was supposed to last thanks to, among other things, Polish religious publications, despite Silesia’s separation from so-called Motherland. In this respect, the memoirs have persuasive-didactic functions in that they help to build and strengthen the national identity. Szkaradnik examines the rhetorical strategies used by the activists (and scholars) of the said movement as well as the system of values which they propagate. The fact of the national activists’ being servants of an ideology is accompanied by their ideology of service, akin to the positivist idea of educational and economic work. Importantly, most of the authors descended from local people of humble origin and they gave up on the chance of social advancement in order to help their countrymates to attain social, political, and intellectual emancipation.

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Bielewicz, Katarzyna. "Narracja autobiograficzna a relacje geoprzestrzenne w prozie Magdaleny Tulli." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 200–209. http://dx.doi.org/10.24917/20811853.17.17.

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Autobiographical narration and spacial relations in prose of Magdalena TulliAbstractThe article sets out to understand the autobiographical diptych of Magdalena Tulli’s Włoskieszpilki and Szum through the prism of geopoetics. It presents the opposition of Italiannessrepresented by Milano against Polishness identified with descriptions of post-war Warsaw.Seemingly distinct areas are connected by the possibility to present them in the context ofautobiographical place. Also analyzed were family relations with particular attention paid tothe specificity of functioning of a family with Polish-Italian-Jewish roots.Keywords: Magdalena Tulli, geopoetic, autobiographical narration

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Piotrowska, Anna G. "Kategoria narodowości w recepcji twórczości Fryderyka Chopina." Sprawy Narodowościowe, no. 38 (February 18, 2022): 91–100. http://dx.doi.org/10.11649/sn.2011.007.

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The Category of Nationality in the Reception of Frederic Chopin’s MusicThe article outlines general tendencies and prevailing notions adopted in the interpretation of music by Frederic Chopin (1810–1849) in the context of its acclaimed Polishness. Initiated already in the early nineteenth century – during the composer’s life – the attitude towards his music as national heritage continues until today, creating a wide panorama of different interpretations and reinterpretations. The article presents the category of nationality in the reception of Frederic Chopin’s music by both Polish and foreign researchers.

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Więch, Arkadiusz S. "Polishness as a Superior Value in the Social Activism of Erazm Józef Jerzmanowski." Perspektywy Kultury 25, no. 2 (July 1, 2019): 47–66. http://dx.doi.org/10.35765/pk.2019.2502.05.

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The “Polish Nobel,” “Polish baron,” and “the one that illuminated America,” are just some of the nicknames given to Erazm Jerzmanowski (1844-1909), participant of the January Uprising, a Polish migrant, inventor, businessman and philanthropist. Jerzmanowski obtained a high position in the world of American business of the 1880s and 1890s. He was the only Pole on the list of the top American millionaires of the time. He realized positivist ideals of grassroots work and devoted himself to a wide array of social and philanthropic activities addressed both to the American Polonia and the Poles under occupation. His crowning achievement was the establishment of the awards which were compared to the Alfred Nobel Foundation (the laureates included Henryk Sienkiewicz and Ignacy Jan Paderewski). The overriding value in his activities was his work for the economic, cultural and scientific improvement of the Polish society which was intended to lead to the restoration of Poland’s independence.

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30

Krakowiak, Józef L. "Polishness and the Warsaw Uprising in Dialogue and Universalism and the Dialogue Library." Dialogue and Universalism 15, no. 11 (2005): 49–56. http://dx.doi.org/10.5840/du20051511/127.

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31

Kłopocki, Michał. "Polonia w Stambule: imigranci w globalnym świecie, tożsamość i obywatelstwo w drodze transnarodowych przestrzeni społecznych." Refleksje. Pismo naukowe studentów i doktorantów WNPiD UAM, no. 1 (October 31, 2018): 235–48. http://dx.doi.org/10.14746/r.2010.1.15.

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In the article, the author analyses the community of Polish immigrants in Istanbul: as descendents of the refuges who settled near Istanbul in Adampol in 19th century, as well as modern immigrants living in the city. Having briefly described the former, the author focuses on the latter group, finally comparing the two communities, which allows torethink some immigration processes in modern Europe. Next, the integration processes and institutions which enable these processes are described. Finally, the author shows how artistic spaces, playing crucial role in sustaining Polishness, are created.

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Łyko, Paulina. "Ślęża Mountain as a metaphor for the Western Territories in 1945." Góry, Literatura, Kultura 14 (August 18, 2021): 283–98. http://dx.doi.org/10.19195/2084-4107.14.20.

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The basis of this work is a fragment of Zygmunt Dżuganowski’s diary ‘Wrocławska szansa’, regarding the post-war journey to Sobótka. In the article ‘Ślęża Mountain as a metaphor for the Western Territories in 1945’, the way of how memory works was analyzed by examining stages of the road surrounded by cultural, given meanings. The symbolic peregrination towards Ślęza and the Slavic beginnings of Polishness has a strictly legitimizing purpose.The exploration of space and the ancient traces of ancestors found in it are a poetic way of presenting evidence of the validity of settlement.

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Kuczek, Magdalena. "Czas wyboru. O „Morfinie” Szczepana Twardocha." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 13, 2017): 165–73. http://dx.doi.org/10.24917/3932.

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Days of Choice. About Morfina (Morphine) by Szczepan Twardoch The purpose of this article is to show the way of presenting the national identity issues, which are present in the Morphine by Szczepan Twardoch. The unclear situation of main character is a starting point of my reflections. He is situated between Polishness and Germanness, femininity and masculinity, being active and being passive. In my analysis I concentrate on patterns into which the main character cannot (or perhaps does not want to) be written, and which have theirs roots in Polish national myths and stereotypes.Key words: Morphine; identity; collective memory; narrative identity; romanticism;

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Michalewski, Tomasz. "Tożsamość narodowa a problem „polskości” i „śląskości” w twórczości Jana Goczoła." Intercultural Relations 7, no. 1 (September 16, 2020): 9–25. http://dx.doi.org/10.12797/rm.01.2020.07.01.

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National Identity and the Problem of "Polish" and "Silesia" in the Work of Jan Goczoł The article presents the issues of Polishness and Silesianness in the national consciousness of Jan Goczoł, who is known as a poet with a great deal of authorship, prose writer, columnist, and also an Opolian Silesia cultural activist. The article describes the life path of the poet, his family background, and the crystallisation of national consciousness in his writing. The poetry of the defender of the native tradition is emotionally marked with Silesian motifs and refers to the culture of many generations of Silesians.

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Tazbir, Janusz. "Kultura w ciągłym zagrożeniu." Kultura i Społeczeństwo 52, no. 1 (January 22, 2008): 47–62. http://dx.doi.org/10.35757/kis.2008.52.1.3.

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In her diaries Maria Dąbrowska expresses concerns about the future of European and Polish culture after 1945. According to the author, Polish culture is threatened with russiﬁcation which being conducted with “devilish force and cunning”. Dąbrowska exaggerated the susceptibility of Poles to such danger. She believed that the Catholic Church could not provide an effective barrier against it, nor could the publications appearing abroad – of which Dąbrowska was critical. Which is why an intellectual can only serve his nation effectively if he remains in Poland. Thus, a large part of the diaries was devoted to the defence of Polishness.

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Gudonis, Marius. "Constructing Jewish identity in post‐communist Poland part 2: Symbolic Jewishness or cosmopolitan Polishness?" East European Jewish Affairs 31, no. 2 (December 2001): 42–54. http://dx.doi.org/10.1080/13501670108577949.

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Dopierała, Dagmara. "Preludes for Organ op. 38 by Władysław Żeleński as the Manifestation of Polishness in Music." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Muzyczna 9 (2014): 79–87. http://dx.doi.org/10.16926/em.2014.09.06.

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Wierzejska, Jagoda. "Toward the Idea of Polishness: Implications of 1918 for the Former Eastern Galicia, 1918–1939." Przegląd Humanistyczny 62, no. 4 (463) (May 24, 2019): 71–94. http://dx.doi.org/10.5604/01.3001.0013.2774.

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The paper analyzes the Polish literary discourse on the former Habsburg province of Galicia, developing after the restoration of Poland’s independence (1918) and the Polish victory in the Polish-Ukrainian War of Eastern Galicia (1918–1919). Before WWI, especially before the epoch of Galician autonomy (1867–1914), the prevailing discourse on the province was imbued by the idea of multi- and transnationalism grounded upon the Habsburg political culture. After the war, when Galicia became a part of the reborn Poland, the discourse pertaining to the region underwent a fundamental change. In the interwar Polish literature, the idea of multi- and transnational Galicia was a subject of specific transfers: sometimes in a continuative, usually, however, in a deconstructive version. Namely, it was disassembled and its components, referring to a revised political context, were ideologically used to strengthen the representation of reality from the exclusive, Polish point of view. The paper focuses on literary representations of the Polish-Ukrainian War of Eastern Galicia. It discusses the stages of the aforementioned disassemblement, from the idea of Polish-Ruthenian “brotherhood” to the vision of Polish-Polish brotherhood, i.e. the homogenous Polish nation, from which the Others (Ukrainians, Jews and Austrians), depicted as enemies, were excluded with no exception. Such a vision prevailed in the Polish literature up until 1939; it has also had its continuations nowadays.

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Dajnowski, Maciej. "Lebensraum i przestrzeń abjectu. O Białym kamieniu Anny Boleckiej." Białostockie Studia Literaturoznawcze, no. 18 (2021): 49–65. http://dx.doi.org/10.15290/bsl.2021.18.03.

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The article analyzes the category of literary space which is understood here rather as a metaphor of experiencing identity, memory and postmemory than as a spatial term sensu stricto. The author reflects on the novel by Anna Bolecka, Biały kamień [White stone], and more specifically on the hidden tropes of the blurred and denied past memories of Jewish genealogical component of today’s Polishness. The reading of the novel’s poetics demonstrates the importance of female characters that, apart from their function in the plot construction, figuratively signify the lost Jewish mother of today’s, mostly Catholic, Poland. In addition, following the thinking of Julia Kristeva, of special significance are the images of abject art.

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MONOLATII, IVAN. "YAKIV ORENSTEIN: AN EXPATRIATED UKRAINOPHIL FROM GALICIA." Journal of Vasyl Stefanyk Precarpathian National University 6, no. 2 (June 20, 2019): 28–36. http://dx.doi.org/10.15330/jpnu.6.2.28-36.

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Ukrainian-Jewish relations in Galicia between the two World Wars were the reflection of the difference in the status of the two nations. The sides failed to come to mutual understanding, the basis for which was provided by the policy of the West Ukrainian People’s Republic / the Western Oblast of the Ukrainian People’s Republic. Taking into account the involvement of the third party, the Polish state, the situation can be described as an interethnic scalene triangle. One of the active figures in this complicated interaction was Yakiv Orenstein (1875–1942), Jewish publisher from Kolomyia, symbolic ‘Ukrainian’, follower of the faith of Moses. His life and work in Galicia in the interwar years is a personalized example of publicly declared pro-Polishness and actual Ukrainophilia.

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Legeza, Segey. "Польша в русскоязычной фантастике: „чужой” cреди „своих”." Literatura i Kultura Popularna 23 (May 31, 2018): 25–38. http://dx.doi.org/10.19195/0867-7441.23.2.

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Poland in Russian-language fantastic fiction: The “other” among usThe article is devoted to the reception of the “Polish” in the Russian-language fiction. It indicates the sources of “background knowledge” of Poland from the authors and readers. The article deals with of images of Poland from the Soviet era to the present. Here are presented the schemes of work with the Polish material in the Soviet and post-Soviet fiction. Among them are: 1 the use of the Slavic and Polish material to provide the reader with a distance; 2 the use of “Polishness” as a mirror for self-examination of Russian culture; 3 the game with the Polish in the context of revenge models in the alternative stories Poland as an “internal” and “external” enemy.

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Nowak, Tomasz. "The Myth of Polishness in Polish Dances. How Ideologies Interpret Phenomena Related to Music and Movement." Musicology Today 15, no. 1 (December 1, 2018): 62–76. http://dx.doi.org/10.2478/muso-2018-0007.

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Abstract The article discusses the myth of Polishness in the context of dances which gained the social status of ‘national’ ones, i.e. those incorporated into the canon of national culture. I shall start by establishing the terminology and chronology related to the phenomenon of ‘national dance’, and sum up Mieczysław Tomaszewski’s comments on the ways of expressing nationality in music, including dance, and the various aspects of this phenomenon. Methodologically speaking, the present paper is based on the concept of myth as presented by Joseph Campbell, Leszek Kołakowski and Maria Janion, as well as on the findings of Jan Berting, Christiane Villain-Gandossi, Maria Janion and Jan Stęszewski concerning the phenomenon of stereotypes, which are crucial to defining a myth. The main body of my text has been dedicated to the conditions in which the myth of Polish dance was born, its form and relation to the ideology of Sarmatism then current among the Polish nobility, and to its subsequent transformations. Further transformations took place mainly under the influence of a specifically conceived Romanticism, in which the nation’s struggle for liberation took pride of place, accompanied by the cult of the family as a bastion of national culture, in which women played a prominent role as model wives and mothers, as well as by an interest in folk culture, which attracted the upper social strata to folk dances and led to the emergence of the claim (unsupported by existing sources) that the nobility’s dances had folk origins (this myth was particularly popular among the adherents of chłopomania, i.e. the intelligentsia’s fascination with, and interest in, the peasantry). In the final section I point to the durability of the myths concerning Polish national dances, which – thanks to educational efforts and to broadly conceived artistic work – are universally present in the social consciousness also today.

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Klajn, Maryla. "Political meanings of national belonging: tracing the evolution of Polishness in the Third Republic of Poland." International Journal of Migration and Border Studies 1, no. 1 (2020): 1. http://dx.doi.org/10.1504/ijmbs.2020.10031927.

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Dreef, Agnieszka, and Sjaak Kroon. "From policy to practice: the illusion of Polishness in Polish immigrant community language and culture education." Journal of Multicultural Discourses 15, no. 4 (July 27, 2020): 370–90. http://dx.doi.org/10.1080/17447143.2020.1797054.

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Niels Jul Nielsen. "Polishness as entrance ticket and barrier to an altered labour market in the Danish construction industry." Work Organisation, Labour & Globalisation 9, no. 1 (2015): 63. http://dx.doi.org/10.13169/workorgalaboglob.9.1.0063.

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46

Klajn, Maryla. "Political meanings of national belonging: tracing the evolution of 'Polishness' in the Third Republic of Poland." International Journal of Migration and Border Studies 6, no. 4 (2020): 259. http://dx.doi.org/10.1504/ijmbs.2020.113951.

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Woźniewska-Działak, Magdalena. "Nineteenth Century Writers on Poland’s History in the Context of National Identity: Mickiewicz – Kraszewski – Norwid." Ruch Literacki 57, no. 4 (September 1, 2016): 426–37. http://dx.doi.org/10.1515/ruch-2017-0072.

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Summary This study is part of a larger project focused on the 19th-century understanding of national identity, Polishness, the idea of a community and the idea of a state. The article examines some historiographic texts of Adam Mickiewicz’s First Series of Lectures on Slavic Literature (December 1840–June 1841), Józef Ignacy Kraszewski’s Lectures on Civilisation in Poland (1861) and Cyprian Norwid’s ‘Boga-Rodzica’ [Bogurodzica] – a literary-historical interpretation (1873). Although these writers held widely opposed views, their portrayals of Poland’s history seem to have a lot in common. The texts analyzed here are remarkably consistent in their representations of Poland, the nation and the state, on its long historic road before the fatal partitions; they also show the importance of the Age of the Piasts and the Age of the Jagiellons for the 19th-century reflection on Polish identity.

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Cole, Michael. "Political Street Stickers in Resistance to Biopower in Poland: The Case of Krakow During the 2020 Polish Presidential Election Campaign." Journal of Illiberalism Studies 1, no. 1 (2021): 59–78. http://dx.doi.org/10.53483/vchv2526.

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Though largely ignored by scholars of political participation, stickers are an increasingly common means of expressing socio-cultural identities and a staple of contemporary protest movements. In Poland, the “LGBT-Free Zone” stickers sold with the newspaper Gazeta Polska in 2019 provided a clear demonstration of ruling party Law and Justice’s (PiS) hegemonic and exclusionary bio-conservative discourse. A year later, during the 2020 presidential elections, as issues related to LGBT+ rights became a key battleground revealing socio-political divisions in the country, a series of pro-LGBT+ stickers appeared in Krakow. This paper first evaluates the combination of linguistic and visual elements that makes political stickers a unique genre of expression. Multimodal discourse analysis of the pro-LGBT+ stickers posted in Krakow subsequently reveals an alternative conceptualization of “Polishness” that includes the LGBT+ community rather than excluding it on biopolitical grounds.

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Paryż, Marek. "The Polish Pocahontas Story: The Life of „the First Pole among the American Indians” According to Bolesław Zieliński." Tekstualia 2, no. 57 (August 16, 2019): 7–17. http://dx.doi.org/10.5604/01.3001.0013.3538.

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The Polish Pocahontas Story: The Life of „the First Pole among the American Indians” According to Bolesław Zieliński In the inter-war years, so-called „Indian novels” enjoyed immense popularity with the younger Polish reading audience. The article analyzes a representative novel in this genre, Orli Szpon (Eagle Talon) by Bolesław Zieliński, as an example of a literary construction of Polishness based on a specifi c idea of racial difference. Its plot revolves around a love relationship between a Polish man and an Indian woman, therefore it brings to mind the story of Pocahontas as an important analogue. Reading Orli Szpon in the light of the colonialist implications of the story of Pocahontas shows the extent to which Zieliński’s novel relies on the schematic and biased imaginings about American Indians that dated back the colonial era and dominated American depictions of the Natives in the course of the nineteenth century.

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Tomczak, Sandra. "Sprawa Asterblumowej. Lustro polsko-żydowskich podziałów i rozczarowań końca lat trzydziestych XX wieku." Studia Judaica, no. 1 (45) (2020): 139–67. http://dx.doi.org/10.4467/24500100stj.20.005.12919.

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Asterblumowa’s case: some reflections on Polish-Jewish divisions and disappointments of the late 1930s Cywja Asterblumowa was a first-year law student at the University of Warsaw when during one of many antisemitic riots in 1936 she was beaten and accused of insulting the Polish nation. In the trial, the judge and the prosecutor, taking into consideration her religious faith, refused her the right to feel Polish. The author of the article presents not only Asterblumowa’s case—from her enrolling in the university to being imprisoned—but above all, concentrates on the reactions of the public opinion in which the discussion centered on the Polishness and Jewishness as well as the truth and the usurpation. In Asterblumowa’s case and the discussion surrounding it, all the divisions, prejudices, stereotypes, fierceness, disappointment and resignation, which the late 1930s brought upon the Polish-Jewish relations, are clearly visible.

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