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Journal articles on the topic 'Polish literature – 20th century'
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1
Ulicka, Danuta. "Między światami. Rzeczywistość w literaturze – literatura w rzeczywistości – rzeczywistość literatury." Przestrzenie Teorii, no. 28 (May 8, 2018): 21–75. http://dx.doi.org/10.14746/pt.2017.28.1.
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The author attempts to reconstruct a short history of modern Polish literary studies not from the perspective of schools or methodological orientations that are usually applied, but from the perspective of what is known in sociology as cultural themes. This point of view offers the opportunity to (re)construct the process of continuity /discontinuity in the whole field of research focused on the problem of reference, which has been recognized as the most important one in Polish studies (as well as in Polish literature, and art) since its beginning in the first decade of the 20th century. In the broader scope the article attempts to rearticulate the definition of the discipline conventionally called “the theory of literature”, and to propose a new way of writing its history.
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Starikova, Nadezhda. "Questions of Description and Interpretation of Slavic Literatures of the 20th century (some aspects of the development of a monographic series)." Stephanos Peer reviewed multilanguage scientific journal 57, no. 1 (January 31, 2023): 128–36. http://dx.doi.org/10.24249/2309-9917-2023-57-1-128-136.
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The article gives information about the monographic series “Literature of the 20th century”, which is produced by the Department of Contemporary Literatures of Central and Southeastern Europe at the Institute of Slavic Studies of the Russian Academy of Sciences. On the material of the author’s monographs by Victor A. Khorev “Polish Literature of the 20th century” (2009) and Galina Ya. Ilyina “Croatian Literature of the 20th century” (2015), as well as the collective work “Slovenian Literature of the 20th century” (ed. by Nadezhda N. Starikova, 2014), is presented a genre of “small” literary history, describing the most important stages in the Slavic peoples’ literary development during the last century. Each of the book in this series has created a canon of names and texts, reflecting the experience of specific Slavic literature of the 20th century, which allows Russian (and more broadly Russian-speaking) readers to be guided in its achievement.
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Łaszkiewicz, Weronika. "Warriors of Our Imagination: Native Americans in 20th-Century Polish Literature." Ad Americam 17, no. 17 (2016): 173–87. http://dx.doi.org/10.12797/adamericam.17.2016.17.13.
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Stanisławska, Dorota. "The history of Polish viola literature – the 19th and 20th centuries." Notes Muzyczny 2, no. 16 (December 30, 2021): 101–16. http://dx.doi.org/10.5604/01.3001.0015.5493.
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After the Romanticism era, when virtuoso music was dominated by the violin, cello and piano, there was a noticeable tendency among composers to search for new and fresh sound inspired by instruments previously functioning mainly in an orchestra. One of the instruments which acquired a new glory back then was the viola. Even though Western European literature earned a permanent place in the repertoire of violists worldwide, Polish pieces representing this genre are lesser-known and performed not as often, except for a few compositions. The library of Polish 20th century viola works is quite rich, but many compositions did not stand the test of time and we would look for them in vain within the performance canon; others were not published in print or recorded, and their manuscripts are owned by private collections. Some autographs of compositions have gone missing and only their titles have been preserved to this day. The present article is an attempt to systematise the state of knowledge about Polish viola compositions written before the end of the 20th century.
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Rzepecki, Karol. "Recepcja twórczości Józefa Wieniawskiego w świetle XIX-wiecznego piśmiennictwa – przegląd źródeł." Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 105–39. http://dx.doi.org/10.4467/23537094kmmuj.20.019.13205.
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Reception of Joseph Wieniawski’s work in the light of nineteenthcentury literature – a review of sources The work of Polish composers active at the turn of the 20th century has largely been forgotten, awaiting to be researched nowadays. Józef Wieniawski and his output, which used to attract the attention of Polish and foreign critics, is the case in point. This article seeks to provide a synthetic study of this issue on the basis of 19th century literature.
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Krauze-Karpińska, Joanna. "EMIGRANT RESEARCHERS OF OLD LITERATURE." Polish Studies of Kyiv, no. 35 (2019): 27–31. http://dx.doi.org/10.17721/psk.2019.35.27-31.
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In the geopolitical area of Eastern and Central Europe 20th century was a period of unwilling and un- planned migration of huge numbers of individuals, groups of people, societies or even whole nations, and the displace- ment of borders and states. Two destructive wars, two totalitarian systems fighting against each other forced millions of human beings to change the place of living. Especially the experience of the World War II settled the fate of many people in the region and caused several waves of political emigration. The author uses the term ‘old literature’ in broad sense, including also 19th century literary output, as for the big number of young researchers this period of history seems to be a very old one. Among the Polish refugees fleeing the country in various times and circumstances there were also politicians, soldiers, artist, writers, people of culture and scholars. The article presents and reminds of some Polish researchers of literature who had to change their country of living by political reasons, but did not abandon their research. The first group of emigrants formed those who left Poland short before or during the world war II. Some of them worked as professors at west European universities, an decided not to returned into the country occupied by Germans or emigrated with Polish Government, others get in Western Europe leaving Soviet Union with the Polish army formed by general Anders. They continued scholar work abroad and took part in formation of several new generations of researchers in Slavonic litera- ture. Another wave of emigration took place after the war, in late 40. and included mainly Polish citizens of Jewish origin who in spite of surviving the holocaust and returning home decided to leave Poland for fear of communism. A numerous emigration of Polish Jews was also provoked by communist government of Poland in march 1968. The author presents briefly the silhouettes of such scholars as Stanisław Kot, Wacław Lednicki, Józef Trypućko, Wiktor Weintraub, Jadwiga Maurer, Rachmiel Brandwajn and Jan Kott. The situation of 20th century Polish emigrants seems very similar to that of 19th and also represents the common experience of many Eastern and Central European countries and societies. Losing the homeland scholars of these countries also lost the close contact with their cultural roots, but on the other hand they gained a wider glance, distanced outlook of national literature and art and common platform of dialog and confrontation. Many times the foreign Universities, where they found the possibility to provide their research and meet the representative émigrés of other nations, became for them such places as Collège de France for Adam Mickiewicz and constitute the space where they all could meet together without mutual distrust and give lectures about Slavonic literature and culture for German, British of American students, inspiring them to pursue studies in Slavonic philology.
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Shaidurov, Vladimir. "The Siberian Polonia in the second half of the 19th - early 20th century in the Polish historiography." Przegląd Wschodnioeuropejski 8, no. 1 (June 1, 2018): 11–20. http://dx.doi.org/10.31648/pw.3600.
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The period between the 19th – early 20th century witnessed waves of actively forming Polish communities in Russia’s rural areas. A major factor that contributed to the process was the repressive policy by the Russian Empire towards those involved in the Polish national liberation and revolutionary movement. Large communities were founded in Siberia, the Volga region, Caucasus, and European North of Russia (Arkhangelsk). One of the largest communities emerged in Siberia. By the early 20th century, the Polonia in the region consisted of tens of thousands of people. The Polish population was engaged in Siberia’s economic life and was an important stakeholder in business. Among the most well-known Polish-Siberian entrepreneurs was Alfons Poklewski-Koziell who was called the “Vodka King of Siberia” by his contemporaries. Poles, who returned from Siberian exile and penal labor, left recollections of their staying in Siberia or notes on the region starting already from the middle of the 19th century. It was this literature that was the main source of information about the life of the Siberian full for a long time. Exile undoubtedly became a significant factor that was responsible for Russia’s negative image in the historical memory of Poles. This was reflected in publications based on the martyrological approach in the Polish historiography. Glorification of the struggle of Poles to restore their statehood was a central standpoint adopted not only in memoirs, but also in scientific studies that appeared the second half of the 19th – early 20th century. The martyrological approach dominated the Polish historiography until 1970s. It was not until the late 20th century that serious scientific research started utilizing the civilizational approach, which broke the mold of the Polish historical science. This is currently a leading approach. This enables us to objectively reconstruct the history of the Siberian Polonia in the imperial period of the Russian history. The article is intended to analyze publications by Polish authors on the history of the Polish community in Siberia the 19th – early 20th century. It focuses on memoirs and research works, which had an impact on the reconstruction of the Siberian Polonia’s history. The paper is written using the retrospective, genetic, and comparative methods.re.
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Pauliukevičiūtė, Dalia. "Pursuing the Past: Hunting in Józef Weyssenhoff’s The Sable and the Girl." Literatūra 64, no. 1 (December 30, 2022): 45–57. http://dx.doi.org/10.15388/litera.2022.64.1.3.
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The article investigates Józef Weyssenhoff’s novel The Sable and the Girl (Polish: Soból i panna) published in 1911. The name of its author is rarely mentioned when discussing the Polish literature of the late 19th and early 20th century. Most literary critics agree, however, that the signature feature in Weyssenhoff’s works is his poetic descriptions of nature and hunting, especially in aforementioned work. The article analyses the interplay of Lithuanian and Polish cultures in this text as well as its Lithuanian literary geography. The question is raised as to what cultural and literary meanings might have been concentrated in the novel at the turn of the 20th century, and what Polish-Lithuanian cultural connections were revealed due to it. The article introduction offers a brief overview of the changes in depicting hunting in Western literature and cultural tradition, and considers to what extent those insights are still valid when analysing the works of various authors attributed to and impacted by the legacy of the Grand Duchy of Lithuania. The article further traces the competing plots of love and hunting in Weyssenhoff’s novel, and the writer’s ambition to employ the symbol of the lost world – hunting. A combination of extratextual references, internal textual relations, and detectable intertexts has been employed to interpret the novel; therefore, when delving into the development of the narrative, none of the theories (e.g., intertextuality) is clearly dominant. When discussing The Sable and the Girl in the Lithuanian cultural field, the historical contexts of the early 20th century Russian Empire, the intertexts of Polish literary tradition as well as the concept of hunting and a colonial look at the sociocultural environment where the narrative is developed remain of similar significance.
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Jakóbiec-Semkowowa, Milica. "Grzegorz Łatuszyński and Serbian literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 87 (2021): 133–42. http://dx.doi.org/10.2298/pkjif2187133j.
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Grzegorz ?atuszy?ski (1933-2020) was undoubtedly one of the finest Polish translators of 20th century Serbian poetry. Apart from 16 volumes devoted to poems by selected authors, he also published two-volume anthology presenting poems by 155 Serbian poets. Even an on surface analysis of the translations proves ?atuszy?ski?s ability to combine his poetic sensi?tivity with philological precision. Grzegorz ?atuszy?ski also translated two important novels (by Milos Crnjanski and Borislav Pekic) as well as a book of letters by Filip David and Mirko Kovac. Each volume of ?atuszy?ski?s translations is accompanied by a biographical profile of the poets and some characteristics of their work. Another aspect of ?atuszy?ski professional profile is essay writing and journalism. Besides, he translated Polish poetry into Serbian. All ?atuszy?ski?s professional activities has led to a closer cooperation between Polish and Serbian literary circles.
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Marinelli, Luigi. "Polish Dantism: between the Epic and Ethics." Roczniki Humanistyczne 66, no. 1 SELECTED PAPERS IN ENGLISH (October 23, 2019): 33–71. http://dx.doi.org/10.18290/rh.2018.66.1-3e.
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The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 60 (2012), issue 1.
This essay proposes a synthesis of the major themes and issues of Polish Dantism, with a particular reference to the 20th century and beyond. The author retraces the traditional motifs which connect 20th-century authors to the Romantic tradition, and discusses some examples (Gombrowicz, Vincenz, Miłosz) in a broader comparative context (referring specifically to Eliot, Mandelstam, Brodsky). The author argues that the Modernist ethical idea of “necessary Dante” tends to be gradually replaced by a Postmodernist notion of “aesthetic Dante,” with a flowering of new translations—not only of the Divina Commedia. These works restore a balance between Polish literary Dantism and Dante studies. In this sense, the Polish situation displays a lot of similarity to the European and international context, abundant with trends and concerns which go far beyond those of a national language and literature.
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Gębołyś, Zdzisław. "Cieszyńskie bibliografie terytorialne od końca wieku XIX do początku wieku XXI." Z Badań nad Książką i Księgozbiorami Historycznymi 11 (December 29, 2017): 333–57. http://dx.doi.org/10.33077/uw.25448730.zbkh.2017.42.
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The paper will present the most important accomplishments on the field of documentation and registering of literature from Cieszyn Silesia, firstly bibliographical lists, which were prepared in 19th century to 20th century. Next I would like to describe collective (teamwork) bibliographies, Polish, Czech and German, which register literature from Cieszyn Silesia. Registration of publishing production from Cieszyn Silesia will be showed within the context of complicated and various political, economical an cultural conditions. Critical review of literature revevals the need of registering prints from Cieszyn Silesia. Polish and Czech activities in this field are will be discussed, as well as planned ones concerning a complete database of Cieszyn Silesia publishing production.
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Grigorova, Margreta. "Discourse of heresy in Polish post-WWII literature Herling’s and Herbert’s heretics." Acta Universitatis Lodziensis. Folia Litteraria Polonica 55, no. 4 (December 31, 2019): 451–67. http://dx.doi.org/10.18778/1505-9057.55.21.
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The present text explores the theme of heresies and their persecution in the works of a group of writers, survivors of World War II and of the two dictatorships of the century – Gustaw Herling-Grudziński, Zbigniew Herbert, Czesław Miłosz, Andrzej Szczypiorski, Jerzy Andrzejewski. An artistic-documentary reconstruction of medieval processes and executions of heretics, as well as striving for protection and rehabilitation are observed in a series of their works. Deep allusions to the dictatorships of the 20th century are made. Particular attention is being paid to Herbert’s essays, connected with heresies and to a heretic image of Christ in the short story Drugie przyjście by Herling-Grudzinski.
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Kamusella, Tomasz. "Xenophobia and anti-Semitism in the Concept of Polish Literature." Śląskie Studia Polonistyczne 17, no. 1 (April 19, 2021): 1–18. http://dx.doi.org/10.31261/ssp.2021.17.06.
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In today’s Central Europe ethnolinguistic nationalism is the region’s standard normative ideology of statehood creation, legitimation and maintenance. This ideology proposes that in spatial terms, the area of the use of national language X should overlap with the territory of nation-state X, in which all members of nation X should reside. In terms of cultural policy, this means that only works written by “indubitable” members of nation X in language X can be seen as belonging to culture X. This self-limiting pattern of ethnolinguistic “purity” (homogeneity) excluded from 20th century Polish literature much of traditional Polish-Lithuanian culture and numerous authors writing in other post-Polish-Lithuanian languages than Polish. Democratization that followed the fall of communism in 1989 partly transcended this ethnolinguistic exclusion, but the old national policy has been back since 2015.
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Głuszkowski, Piotr. "Recepcja twórczości literackiej Maksyma Gorkiego w Polsce." Studia Rossica Gedanensia, no. 6 (December 28, 2019): 83–96. http://dx.doi.org/10.26881/srg.2019.6.06.
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The paper explores the reception of Maxim Gorky’s literary works in Poland in 1900– 2018. At the beginning of the 20th century Gorky was among the most-translated Russian authors. Translations of his works were published in the former Polish territories under all partitions (Russian, Prussian and Austrian). In the years 1918–1939/1945, despite anti-Soviet attitudes of a significant part of Polish society, Gorky was still very popular. In the times of the Polish People’s Republic (1945–1989), the writer was characterized by the historians of Russian literature as a classic Soviet writer and the founder of the Socialist Realism. Polish scholars usually repeated views of their Soviet colleagues. Recently Gorky’s works attract attention rather of Polish writers and publicists (Józef Hen, Adam Michnik, Sylwia Frołow, Krzysztof Varga) than of historians of literature.
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Zhang, Tingting. "Chiński przekład "Pana Tadeusza". Historia, fenomen, problemy i inspiracje." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 55, no. 2 (November 4, 2022): 235–50. http://dx.doi.org/10.36770/bp.703.
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The aim of this paper is to describe the reception of the literature of Polish Romanticism in China, as well as its long and winding road to the Middle Kingdom. The article addresses the ideological beginnings of the existence of Adam Mickiewicz’s works in the consciousness of Chinese people. The author analyses two translations of Pan Tadeusz into Chinese, made during the first half of the 20th century. Information about Polish Romanticism and the works of its most eminent representatives reached China at a very crucial historical moment for the Middle Kingdom, almost immediately arousing the interest of the elites. However, the same historical causes that triggered the fascination with the works of the Polish Romanticists also led to a distortion and ideologization of its reception, which persisted until 1955, when the first translation of Pan Tadeusz appeared in Chinese. However, that translation was made from English and written in prose. This changed at the end of the 20th century, when a second translation of the poem, written in verse, appeared. Despite the passage of time and the efforts of translators, the reception of the literature of Polish Romanticism and the knowledge of Adam Mickiewicz's biography is still incomplete. On the other hand, this can be an impulse for further research in translation and literary studies.
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Palmarini, Luca. "Su alcuni metodi applicati a grammatiche di italiano per polacchi tra il XIX e il XX secolo." Romanica Cracoviensia 20, no. 4 (2020): 247–59. http://dx.doi.org/10.4467/20843917rc.20.024.13310.
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On some methods applied to Italian grammars for Poles between the 19th and 20th centuries The article aims to compare and analyse Italian grammars and manuals for Polish users published between the second half of the 19th century and the beginning of the 20th century. The purpose is to observe the general trends on the methods proposed, the changes taking place and the possible influences on teaching of Western languages as foreign languages in a historical moment when after the Third Partition Poland had ceased to exist as a sovereign state.
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Walkiewicz, Barbara. "Entre texte et image : réflexions sur la traduction des titres de tableaux de Paul Gauguin." Studia Romanica Posnaniensia 48, no. 4 (December 22, 2021): 91–106. http://dx.doi.org/10.14746/strop.2021.484.007.
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The aim of this article is to analyse the translation strategies used to translate Paul Gauguin’s painting titles from Tahitian and French to Polish. We will analyse the titles that the artist painted directly on the canvases by making them invariant just like the image itself. The translations analysed come from works on Gauguin’s art and Impressionism, published in Polish since the 1960s of the 20th century.
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Chomiszczak, Tomasz. "Pisarz „stąd”, „stamtąd” i „spomiędzy”. Mariana Pankowskiego z kulturą narodową przypadki." Prace Literackie 58 (April 28, 2020): 155–64. http://dx.doi.org/10.19195/0079-4767.58.14.
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The article concerns Marian Pankowski, a special case in the history of 20th-century Polish literature. His uniqueness was due to the fact that the writer published books both in Poland and during his emigration, which he chose, but which he did not belong to. This was the reason why he stopped collaborating with the Polish centres in Paris and London. Pankowski settled down in Brussels and became an “artist apart,” suspended between the exile and the homeland. This allowed him to maintain a healthy distance to important national themes, to challenge Polish stereotypes and use provocative language.
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Mirecka, Agata. "Polski krytyk teatralny Andrzej Wirth – mistrz przemieszczania się i jego rola w kształtowaniu nowego oblicza teatru w Niemczech." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 22 (December 31, 2022): 173–84. http://dx.doi.org/10.24917/20811853.22.10.
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Andrzej Wirth, a 20th century Polish essayist, philosopher and theatre critic, is one of the often forgotten theatre and drama scholars in Poland, perhaps due to his long life in exile. A recognized expert in theatre studies and philosophy, he has lectured at many universities around the world, especially in the United States and Europe. He gained particular recognition as the founder and director of the Institute for Applied Theatre Studies at the University of Giessen in Germany. The aim of this article is to introduce Wirth’s personality, outline his life between cultures and highlight his importance for the development of theatre studies in Germany, as well as his great contribution to the promotion of Polish literature in Germany in the mid-20th century. Andrzej Wirth’s life was beyond borders and divisions, although with a particular attachment to the culture of his homeland and Germany; he was rooted in childhood memories and a desire for theatre as a liberated art in an age of evolving media technologies.
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Закутня, А. Ю. "Printed advertising of the end of the 19th — the first half of the 20th centuries in the context of a search of a source basis for a detailed description of the Ukrainian urban koine of this period." Studia Philologica, no. 10 (2018): 39–52. http://dx.doi.org/10.28925/2311-2425.2018.10.6.
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The city as a peculiar form of social organization is interesting for the representatives of many trends of scientific research: economists, sociologists, culturologists, historians, linguists. The subject of our interest is the functioning of the Ukrainian language in the cities of Bukovyna and Galicia at the end of the 19th century — the first half of the 20th century, in the urban environment of the Ukrainian diaspora settlement. Historical and socio-political conditions of the formation of the Ukrainian city koinй as one of the preconditions for the development of Ukrainian literature (particularly in the territory of Western Ukraine) — are still one of largely unexplored problems of Ukrainian linguistics — in both theoretical and practical aspects, which predetermines the relevance of the topic of our study. The aim of this article is the analysis of Ukrainian advertising texts at the end of the 19th century — the first half of the 20th century and identification of such lexical and syntagmatic units that can be classified as elements of the city koine. To perform linguistic analysis we have involved over 80 language units (words, nominative word combinations, word variants) used for the nomination of over 30 items of commodity circulation belonging to the following lexical-semantic groups: names of clothing, footwear and other details of the wardrobe; names of household items of urban dwellers (personal use items). For every word of the aforementioned lexical-semantic groups we have provided illustrating contexts, commentaries concerning the meaning, use, origin, their record in different kinds of dictionaries, sometimes giving information from Polish lexicography, Polish and German electronic corpora. We have analyzed the names of urban life items, documented in the Ukrainian advertisement at the end of the 19thcentury — the first half of the 20th century, that certify that the majority of such names are borrowings adapted on the Ukrainian language background: from German, Polish, French, Italian, Spanish, etc. Mainly Polish and German played an intermediary role in the assimilation of these words. We believe that lexical units and nominative word combinations recorded in the advertising texts of the 19th century — the first half of the 20thcentury, may serve as a basis for the register of lexicographic works of a specialized type, for instance, the Dictionary of Ukrainian Advertisement; the Dictionary of Western Ukrainian Variants of Literary Language of the 19th century — the first half of the 20th century, etc.
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Ананьева [Anan'eva], Наталия [Naliia]. "Полонистика в Московском Государственном Университете имени м. В. Ломоносова." Acta Baltico-Slavica 36 (July 26, 2015): 225–33. http://dx.doi.org/10.11649/abs.2012.014.
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Polish studies at Lomonosov State University in MoscowPolish Studies at Moscow University are one of specialisations of the department of Slavic Studies at the Faculty of Linguistics. The beginnings of Slavic Studies as a university discipline dates back in 1835. In the 20th century such outstanding scholars as Afanasij Sieliszczew and Samuił Bernsztejn worked as lecturers here. The Polish language and literature together with Czech, Serbo-Croatian and Bulgarian department has existed permanently until today. The Chair of Polish Studies is currently held by the author of the article. Enrolment for Polish Studies takes place once three years. Groups consist of ca. 10–15 people. There is a division into two specialisations – linguistics and literature since the second year of studies. The article presents the subject matter of research and scientific work of didactic workers and their main publications. Student training in Poland and lectures of Polish specialists help mastering fluency in the Polish language.
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Jakubiak, Krzysztof. "Historiographic, historiosophical and pedagogical discourse of national character of Poles from the turn of the 19th and 20th century." Podstawy Edukacji 13 (2020): 207–15. http://dx.doi.org/10.16926/pe.2020.13.14.
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The issues of mentality and characteristics of the national character were raised in the literature, mainly in the historical and political journalism of modern times. A significant feature of Polish historiography and historiosophy of the 19th and early 20th centuries was the discussion on the Polish national character. The diagnoses of their national character, most often unfavorable for Poles, formulated at that time, were intended to inspire the desired and expected educational mission in this field. The path to eradicating national defects was to lead from self-knowledge to individual and social improvement
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HANUSYN, Olena. "READING INTERESTS OF UKRAINIAN YOUTH IN HALYCHYNA IN THE LATE 19th – THE BEGINNING OF THE 20th CENTURY." Contemporary era 10 (2022): 3–11. http://dx.doi.org/10.33402/nd.2022-10-3-11.
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The study, based on memoirs, analyzes readers' interests, the role of reading, and the culture of reading of Ukrainian youth in the early 20th century. In the memoirs, there are not mentioned all the literature one read during one's studies, but mostly only some individual works. The most readable works and genres have been outlined, including works on Ukrainian literature and history, adventure novels, socialist literature, humorous magazines, and brochures on puberty. Emphasis is placed on the fact that «extracurricular» reading or informal reading had, first of all, a self-educational goal, in those areas that were of interest to young people or those that were not taught in schools, i.e. satisfied intellectual needs. Foreign literature was read mainly in Polish translations. An essential group of authors read by high school students were Polish classics A. Mickiewicz, J. Slovatsky, J. Kraszewski, and G. Mickiewicz, who were also included in the school curriculum. The most often mentioned in memoirs Ukrainian writers were T. Shevchenko, P. Kulish, M. Kostomarov, H. Kvitka-Osnovianko, I. Franko. Ukrainian youth received books from scientific, public, and private libraries, in pupils' and students' societies, borrowed, and bought very infrequently. The school tried to control students' extracurricular reading by using punishment. If you read a certain genre of literature (mostly radical socialist), you could be expelled from a real school, gymnasium, or university. «Undesirable» literature included satirical works, romance novels, detective stories, and forensics. Keywords readers' interests, literature, high school and university students, Halychyna.
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Toghrul Allahmanli. "HISTORICAL AND DYNAMIC REVIEW OF POLISH AND AZERBAIJANI RELATIONS (FROM CULTURAL RELATIONS TO ECONOMIC RELATIONS)." International Journal of Innovative Technologies in Economy, no. 7(27) (December 30, 2019): 16–22. http://dx.doi.org/10.31435/rsglobal_ijite/30122019/6849.
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Cultural ties are primarily based on economic relations between Poland and Azerbaijan. These links, which date back to the fifteenth century, have always been in the ascending direction. The visits of Azerbaijani intellectuals to Poland in the 19th century, as well as the interest of Polish Orientalists to Azerbaijani literature and culture are indicative of this. The great epic “Koroglu”, created by the Azerbaijani people, was first published by Polish Orientalists and published as a book. In addition, at the beginning of the 20th century, the most magnificent architectural monuments in Baku were created by Polish architects. After Russia's occupation of Azerbaijan, a significant number of prominent intellectuals fled to Poland. The policy pursued by Azerbaijan in the cultural, economic and political spheres since the 1990s is a new milestone in the history of both Poland and Azerbaijan. All of this makes it clear that historical links are on the rise.
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Woś, Paweł. "Maria Wysłouchowa – redaktorka, publicystka, działaczka społeczna i polityczna." Czasopismo Naukowe Instytutu Studiów Kobiecych, no. 1(10) (2021): 53–70. http://dx.doi.org/10.15290/cnisk.2021.01.10.03.
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Maria Wysłouchowa was the most distinguished Polish political activist of people’s, cultural and female movement in 19th and 20th century. She is the author of many historical works, a translator and popularizer slavic literature. Most part of her life she spent on editing socio-literary magazines which comprised a tie between Lviv intelligentsia and unaware peasants. Wysłouchowa’s endeavours set a way to democratization public life in Galicia.
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Trepte, Hans-Christian. "Between Homeland and Emigration. Tuwim’s Struggle for Identity." Acta Universitatis Lodziensis. Folia Litteraria Polonica 36, no. 6 (May 30, 2017): 35–47. http://dx.doi.org/10.18778/1505-9057.36.04.
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Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II, Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer. Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II, Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer.
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Cieński, Marcin. "HOW TO STUDY EMOTIONS IN THE (POLISH) ENLIGHTENMENT?" Wiek Oświecenia, no. 38 (September 25, 2022): 162–71. http://dx.doi.org/10.31338/0137-6942.wo.38.10.
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The affective turn is one of the well-visible so-called twists in contemporary cultural research, which also has clear repercussions for literary research. The literature discussing the phenomenon itself, especially using the methodological solutions introduced by this phrase, is extensive. These methodological solutions are particularly willingly applied to new and newest phenomena, emerging and taking place since the middle of the 20th century. However, contemporary affective research largely grows out of an interest in the emotions of old times, to refer to the works of Barbara Rosenwein. Thus, it seems fully justified to look at the broadly understood emotional phenomena in the 18th century using methods falling within the framework of the affective turn. Of course, the affective turn will not contribute to discovering the existence of new emotions in the Enlightenment Age, because research into the emotionality of this period has a long tradition, especially in the study of sentimentalism. This term prompts reflection on the network of concepts and terms in the field of emotions concerning various cultures and literature of the 18th century. The essential part of this paper is an attempt to answer the questions about what testimonies of Polish 18th-century emotionality are at our disposal today and with what methods they can be interpreted. In other words, it will be an attempt to consider what we can see – thanks to the sensitivity to emotions, also related to the methods of affective turn – in the emotional (mainly textual, but also, for example, iconic) Polish space of the second half of the 18th and the beginning of the 19th century.
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Gawroński, Wojciech, and Joanna Sobiecka. "The Development of Medical Care in Polish Paralympic Sport." Rehabilitacja Medyczna 22, no. 4 (March 6, 2019): 39–48. http://dx.doi.org/10.5604/01.3001.0013.0827.
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Precursory preparticipation examination among athletes took place during the interwar period of the 20th century at university centres, which laid the foundation for present sports and medical counselling. The first study was founded in Lvov in 1924. Initially, care was provided for non-disabled athletes, despite the fact that international sport organizations for the disabled athletes were established in those years. The interest in medical care of athletes with disabilities increased at the end of the previous century, along with the development of Paralympic sport. At the beginning of the 21st century, entire chapters devoted to this subject appeared in sports medicine textbooks. In 2018, in the book titled “Adaptive Sports Medicine”, it was finally confirmed that so-called ‘pre-participation evaluation’ is important in assessing the health status of all athletes with disabilities. However, in Poland, up until the end of the 20th century, people with various disabilities practicing sports were practically not interested in sports medicine. Analysis of available documentation and domestic literature suggests that the development of medical care in Polish Paralympic sport took place in four periods, ranging from rehabilitation to the implementation of mandatory preparticipation examination in the field of sports medicine. Moreover, the Paralympic Games in Atlanta (1996) proved to be an important event in this aspect. For the first time, the Polish representation was accompanied by a specialist in sports medicine and a massage therapist. Apart from this, a breakthrough in the development of medical care was the establishment of the Polish Paralympic Committee in 1998, which undertook many initiatives in this area. However, it was only in 2012, following the Regulation of the Minister of Health from 2011, that obligatory preparticipation examination in the field of sports medicine were enforced for all Polish athletes and representatives of the Paralympic team. But unfortunately, to this day, medical care is stock and limited to the years of paralympic games.
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Piskurewicz, Jan. "Roman Pollak (1886–1972) i jego rola w rozwoju stosunków naukowych i kulturalnych polsko-włoskich." Kwartalnik Historii Nauki i Techniki 67, no. 3 (October 3, 2022): 43–90. http://dx.doi.org/10.4467/0023589xkhnt.22.023.16326.
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Roman Pollak (1886–1972) and His Role in the Development of Polish-Italian Scientific and Cultural Relations This article characterizes the biography and endeavors of Roman Pollak (1886–1972) – an outstanding Polish literary scholar who also contributed greatly to the development of Polish-Italian scientific and cultural relations in the 20th century. His interest in Italian culture manifested itself at an early age, and he later expressed it in his scientific work. During the interwar period, he was a professor of Polish Language and Literature at the University of Rome and a delegate of the Ministry of Religious Affairs and Public Education to Italy. During his service, he contributed to the revival of the existing polonophile circles and institutions in Italy, as well as the creation of many new ones, which also operated after World War II. The year 2022 marks the 50th death anniversary of Pollak.
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Pugačiauskas, Virgilijus, and Olga Mastianica-Stankevič. "The Historical Memory of the 1812 War in Lithuania in the 19th and Early 20th Centuries: A Complex Process." Lithuanian Historical Studies 25, no. 1 (November 30, 2021): 59–97. http://dx.doi.org/10.30965/25386565-02501003.
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In historiography, significant attention to the memory culture of the Napoleonic Wars in Europe focuses on issues relating to the memory culture of the Franco-Russian War of 1812; however, the case of Lithuania is not commonly analysed separately, thus this article discusses how assessments of the 1812 war were maintained in the historical memory in Lithuania. The Russian government offered the population in the lands of the former GDL its official version of the historical memory of the 1812 war (of a heroic battle against an invader), which contradicted the version this population considered as ‘its own’, experienced as their support for Napoleon and the new political and social prospects they believed he would bring. The Russian government’s censorship of written literature suppressed the spread of the people’s ‘own’ local historical memory, yet it did not prove to be so effective due to the population’s very limited opportunities to use the printed word. Communicative memory dominated in the land in the first half of the 19th century, becoming the main source testifying to and passing on to subsequent generations the actual multifaceted experiences of the 1812 war, including the chance of liberation from the yoke of the Russian Empire. In the second half of the 19th century, representatives of local Russian imperial government structures and the local Russian intelligentsia, responding to the 1812 war as a Polish struggle for freedom and a symbol of political independence, explained in academic, educational and popular literature that the hopes of the Poles related to Napoleon were actually unfounded: the French emperor had no intentions of restoring the former Polish-Lithuanian Commonwealth within its historical boundaries, but simply wanted to fill his army units with Polish forces. It was highlighted that this expression of Polish support for Napoleon stopped the Russian imperial government’s potential plans to restore the Poles’ former statehood. This so-called regional narrative which appeared in history textbooks and was used by exacting emotional and visual impact in order to influence the political and cultural provisions of the younger generation had a dual purpose. First, to justify the discriminatory policies against individuals of ‘Polish origins’. Second, to ‘block’ the path for using the 1812 war as a historical argument testifying not just to the common historical past and struggle of Poles and Lithuanians but also their possible political future, which was openly expressed in the Polish national discourse of the early 20th century. Over the course of a hundred years, despite the government’s actions, Poles managed to uphold ‘their own’ historical memory about the 1812 war; its meanings were spread in various forms of media such as fictional literature, museum exhibitions and history textbooks, and were used to shape the political and cultural position of the younger generation. In the Lithuanian national discourse on the other hand, the 1812 war, along with the 1830–1831 and 1863–1864 uprisings, was viewed as a matter concerning the Poles and the Polonised nobility, and it was thus a foreign place of historical memory. The 1812 war and assessments of its potential importance to Lithuanians in the Lithuanian national discourse of the early 20th century were one-off cases and fragmented, while their spread among broader layers of society was limited.
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Łapiński, Paweł. "Local Genre – Universal Reception? Polish Literary Reportage from the First Two Decades of the 20th Century Read by a French-Speaking Audience." Przekładaniec, Special issue 1/2022 (December 30, 2022): 179–96. http://dx.doi.org/10.4467/16891864epc.22.008.16522.
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The article examines the reception of Polish contemporary authors associated with the genre of “literary reportage” among the readers of their French translations. The analysis starts with the assumption taken from the thoughts of Tzvetan Todorov, who claimed that genre – shaping both the author’s writing model and the reader’s horizon of expectations – can be an important mechanism of mediation driving the literary communication. The analysis includes translations of books by Wojciech Tochman, Jacek Hugo- Bader, Mariusz Wilk and Mariusz Szczygieł. In the first part, the publishing peritext is examined, through which French publishers create the perception of Polish authors and the literary genre they can be associated with. The second part of the analysis is devoted to the reception of translations of the above-mentioned authors – both among professional critics and amateur reviewers or readers – with particular emphasis put on the genre classification made by the audience. The summary attempts to determine whether French-speaking readers perceive Polish authors in accordance with the specific rules of “literary reportage” and what role the publishing peritext may play in this process. The issue of marketing potential of the literary genre as an important tool in creating the publisher’s offer is also discussed.
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Legeżyńska, Anna. "Translatologia z perspektywy końca (wieku)." Przestrzenie Teorii, no. 1 (February 15, 2007): 119–36. http://dx.doi.org/10.14746/pt.2002.1.8.
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When summing up the history of translatology in the second half of the 20th century, the author points to undoubtful achievements of this discipline as well as disputable questions and tasks for the future. She proves that the postmodern conceptions of the exhaustion of literature (Lyotard) are not reflected in studies of translation. Just the opposite, this field has been developing dynamically, although its autonomy is still questioned. The chance of translatology is its interdisciplinary character, relation with methodology of linguistic studies, using the theory of interpretation and the theory of intertextuality. Some of the questions which are disputed are: equivalentisation, non-translatability, opposition of archaisation and modernisation. In the sphere of postulates is the synthesis of Polish knowledge on translation, Formation of proper criticism of translation and codification of terminology. All these motifs of considerations are supported by references to the most important conceptions and trends of the 20th century translatology.
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Kotin, Igor Yu. "On the History of Polish Indology and Russian-Polish Indological Contacts in the Second Part of the 20th — and Start of the 21st Century." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 4 (2022): 607–17. http://dx.doi.org/10.21638/spbu13.2022.402.
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This article covers history of Polish Indology in the second half of the 20th century and early 21st century. The end of World War II, and the independence obtained by India in 1947 are the factors that greatly influenced development of Indology in Poland and Polish-Russian Indological contacts. New centers of Indology in Wroclaw and Poznan developed. New themes of research appeared. Contacts with Russian colleagues intensified. The author reviews the history of Indology in Wrocław, Warsaw, Krakov and Poznan. In May 1945, Poland obtained new territories and Wrocław became a leading educational and science hub with many professors from Vilnius and Lvov joining Breslau’s former university staff. For example, S. Stasiak and Ludwik Skurzak joined the Indology unit at the University of Wrocław. Unfortunately, the Department of Indian Studies at the Jagiellonian University was closed from 1948 to 1973; it was re-opened in 1973. Despite institutional challenges, Indology in both countries continued to develop, and relations. Tatiana Rutkowskla (Nee Girillovich) from Leningrad University after post-graduate studies in Leningrad moved to Warsaw and started teaching Hindi. Now four Polish Universities continue long tradition of Indological studies and Russian-Polish Indological contacts there in 1950s.
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Boiarska-Khomenko, Anna. "Adult Learning Development in Poland in the 20th Century." Comparative Professional Pedagogy 7, no. 4 (December 1, 2017): 76–81. http://dx.doi.org/10.1515/rpp-2017-0053.
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Abstract The article presents a retrospective analysis of adult learning development in Poland in the 20th century. Based on the study and analysis of historical and pedagogical literature, normative documents of the official bodies of Polish government, the periodical press of the 20th century, several stages of adult learning development, in the particular historical period, have been determined: 1905–1913 years were defined by the legalization of educational institutions for adults, the search for new forms and methods of education, the involvement of a wide range of people; 1914–1945 was the stage of world wars that had led to the destruction of the adult learning system, which led to the decline of educational institutions; 1950–1960 years were characterized by the restoration of adult learning institutions, the adaptation to the new political system, a new approach to formulating the goals and objectives of adult learning; in the 70s and 80s of the 20th century, there was the cardinal rethinking of the goals and objectives of adult learning, educational institutions practiced new forms and methods of teaching, the idea of lifelong education was widespread in the society; the period of the end of the 20th century had initiated the integration of adult learning in Poland into the Common Educational Space, which contributed to the intensification of the theoretical substantiation and practical implementation of the international concepts of adult learning. Among the criteria for determining the stages, there were socio-political, socio-economic, organizational and pedagogical factors that led to the change of subjects, goals, objectives, content, principles, forms, methods of organizing adult learning in Poland in the 20th century. The historical and pedagogical features of each stage are shown, the influence of historical events on the formation and development of adult education in Poland is taken into account and analyzed. In accordance with each stage, the leading forms and methods of adult learning are have been determined. The peculiarities of the activity of adult learning institutions at all stages have been demonstrated. The disadvantages of the adult learning system, as well as the difficulties of its development, have been identified.
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Fedorovič, Irena. "Well Known and Unknown Henryk Sienkiewicz’s Relations with Lithuania." Slavistica Vilnensis 66, no. 1 (November 17, 2021): 117–28. http://dx.doi.org/10.15388/slavviln.2021.66(1).64.
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Henryk Sienkiewicz (1864–1916), one of the most notable novelist of Positivism epoch, the first Polish laureate of the Nobel Prize (1905), is associated with Lithuania. One of the proof to certificate this connection is his nickname „Litwos”. Another evidence is the fact of his marriage with „Lithuanian girl” Maria Szetkiewicz from Hanuszyszki (Trakai district). Not only literature researches, but also readers can remember the image of “Lauda”, so reliably represented by Sienkiewicz in his novels “Potop” (the Flood) or “Dzwonnik” (the Bellringer).
Julian Krzyzanowski in the ‘50s of 20th century, in his work Henryk Sienkiewicz. Kalendarz życia i twórczości (Henryk Sienkiewicz. The callendar of his life and his output”) wrote about Sienkiewicz, and his relations with Lithuania. Only later, in ’90 of 20th c., were published other works about this author, for example, Związki Sienkiewicza z Wilnem i Wileńszczyzną (1994) (Sienkiewicz connections with Vilnius, and Vilnius region) by Maria Bokszczanin, and Sienkiewicz (1999) by Tadeusz Żabski. Famous Polish writer and also Nobel Prize winner Czeslaw Miłosz mentioned Sienkiewicz in his poetic papers and esseys. Unfortunatelly this theme was not discussed propely, and only after 100 years of novelist death, in 21st century, some facts were discovered. The latest studies by Tadeusz Bujnicki and Andrzej Rataj give a chance to rediscover and expose some new details, and once again show Sienkiewicz relations with Lithuania.
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Lee, Sang-Dong. "Hungary’s Cultural Sector According to the Political Changes: Focusing on the Trends and Aspects of Hungarian Literature." Korea Association of World History and Culture 63 (June 30, 2022): 81–103. http://dx.doi.org/10.32961/jwhc.2022.06.63.81.
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This article aims to find the basis for claiming cultural homogeneity with Western Europe from a historical point of view. Additionally, by studying Hungarian literature, the article reveals characteristics of European culture during the transition to a post-socialist system such as political democratization, privatization and the establishment of the ownership system. The formation of civil society is also discussed. Social thoughts vividly shown in literature is a significant feature of Hungarian literature in the 20th century. For example, realism in the 19th century only exposed inequality and corruption in society but had no idea about initiating a revolution. However, in the 20th century, the direction of this revolution became apparent, and literature based on the socialism-based revolution emerged. Simultaneously, refusal and resistance to tradition were features of literature in the 20th century, and literature applying scientific analysis also appeared. However these tendencies captured the ideological viewpoint, and in terms of the form and style, it was more confusing and divisive than earlier days.
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Wierzejska, Jagoda. "Zapach wojny i gór. Huculi i Huculszczyzna w międzywojennej literaturze polskiej o tematyce współczesnej (część II)." Góry, Literatura, Kultura 15 (December 29, 2021): 277–96. http://dx.doi.org/10.19195/2084-4107.15.16.
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The article is the second part of a comprehensive study on representations of Hutsuls and the Hutsul region in the interwar Polish literature, which showed them during the First World War and the wars for the borders of the Second Polish Republic, as well as in the 1920s and 1930s. The article discuses, first and foremost, literary visions of Hutsuls and their native land in the third and fourth decade of the 20th century. The interwar Polish literature, which showed the Hutsul region “of today”, paid special attention to peacetime partnership of Poles and Hutsuls, which was to follow their wartime joint actions against Russians in the Eastern Carpathians in 1914–1915. It implied that this partnership was a result of a perfect match between the Polish national component and the Hutsul ethnic element. The article argues that Polish literature showed the compatibility of Poles and Hutsuls in the macro and micro dimensions. On the macro level, it was to be manifested, on the one hand, in the effective help of the Polish state institutions for Hutsuls, on the other hand, in the gratitude of Hutsuls for Poles. On the micro level, the Polish-Hutsul compatibility was to be manifested in friendly or intimate relations of representatives of both groups; relations which were invariably successful in spite of the fact that the Polish side dominated them and felt entitled to lead a civilization mission among Hutsuls. Such literary visions presented the Hutsul region as an integral part of the Second Polish Republic and its indigenous inhabitants as loyal citizens of the entire country. They also made it clear that Hutsuls affirmed Polishness and that Poles were welcomed and needed in the Hutsuls’s land.
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Kaliszuk, Przemysław. "“Risky Forays into Border Lands”: „Bez autorytetu” by Stefan Chwin and Stanisław Rosiek, and the Depleting Modernity." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 8 (December 30, 2019): 51–66. http://dx.doi.org/10.18778/2299-7458.08.11.
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The article concerns a critical book by Stefan Chwin and Stanisław Rosiek, titled Bez autorytetu, which is treated as an example of the process of a certain turn in the Polish modern literature of the end of the 20th century. The author discusses the basic assumptions of critical concepts and indicates the questionable places of the problem structure emerging from those assumptions. In so doing, he treats Bez autorytetu as a form of a modern essay which developed in the conditions of mature modernism, which was reflected in the various attempts at transcending modernistic conditions, both formal and conceptual.
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Grzęda, Ewa. "Romantyczne wędrówki Polaków po Szwajcarii Saskiej." Góry, Literatura, Kultura 12 (August 1, 2019): 149–75. http://dx.doi.org/10.19195/2084-4107.12.10.
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Romantic wanderings of Poles across Saxon SwitzerlandThe history of Polish tourism in the Elbe Sandstone Mountains as well as the literary and artistic reception of the landscape and culture of Saxon Switzerland have never been discussed in detail. The present article is a research reconnaissance. The beginnings and development of tourism in the region came in the late 18th and early 19th century. The 1800s were marked by the emergence of the first German-language descriptions of Saxon Switzerland, which served as guidebooks at the time. From the very beginning Poles, too, participated in the tourist movement in the area. The author of the article seeks to follow the increasing interest in Saxon Switzerland and the appearance of the first descriptions of the region in Polish literature and culture. She provides a detailed analysis of Polish-language accounts of micro-trips to the Elbe Sandstone Mountains by Andrzej Edward Koźmian, Stanisław Deszert, Antoni Edward Odyniec, Klementyna Hoffman née Tańska and a poem by Maciej Bogusz Stęczyński. As the analysis demonstrates, in the first half of the 19th century Poles liked to visit these relatively low mountains in Central Europe and tourism in the region is clearly part of the history of Polish mountain tourism. Thanks to unique aesthetic and natural values of the mountains, full of varied rocky formations, reception of their landscape had an impact of the development of the aesthetic sensibility of Polish Romantics. Direct contact with nature and the landscape of Saxon Switzerland also served an important role in the shaping of spatial imagination of Polish tourists, encouraging them to explore other mountains in Europe and the world, including the Alps. On the other hand thanks to the development of tourist infrastructure in Saxon Switzerland, facilitating trips in the region and making the most attractive spots available to inexperienced tourists, micro-trips to the Elbe Sandstone Mountains marked an important stage in the development of mountain tourism on a popular-recreational level. Polish-language accounts of trips to Saxon Switzerland from the first half of the 20th century are a noteworthy manifestation of the beginnings of Polish travel literature.
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Runiewicz–Jasińska, Renata, and Kinga Dudzińska. "The Development of Lithuanian Statehood in Years 1918–1940." Polish Political Science Yearbook 36, no. 1 (March 31, 2007): 233–54. http://dx.doi.org/10.15804/ppsy2007016.
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The Lithuanian historiography is not a novelty in Polish academic literature. The attempts undertaken many times by historians to examine the Lithuanian past are fully justied by the common history of the Polish and Lithuanian lands. It is worth stressing that there are still many controversial questions in this area, which have not been answered in both Lithuanian and Polish academic circles. Taking into account the basic facts from Lithuanian history in the 20th century, when Lithuanians undertook the first actions towards developing a state which would be offcially recognized by the international community, it should not be surprising that it is a subject frequently discussed by the newest studies, which continually refer to the equally rich literature of the earlier period. The researchers ascribe considerable signi!cance to the circumstances, in which the independent Lithuanian state came into being and to its functioning in the interwar period, in years 1918–1940 . What also had a strong influence on this process were the following events in the history of the state, when Lithuania was in the end incorporated into the Soviet Union.
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Marszał, Tadeusz, and Agnieszka Ogrodowczyk. "Research Directions and Achievements of Polish Geography of Construction." Studies of the Industrial Geography Commission of the Polish Geographical Society 32, no. 4 (November 27, 2018): 135–48. http://dx.doi.org/10.24917/20801653.324.8.
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Although the second half of the 20th century is the period of development of economic geography in Poland, in the first post-war decades geography of construction did not function as a separate geographical subdivision. More significant development of spatial research in this field was brought about a quarter of a century ago. In the article devoted to the problems of geography of construction in Poland, the subject scope, main directions of research and the achievements of this sub-discipline are discussed. Geography of construction is a branch of economic geography, which examines spatial aspects of construction and assembly ‘production’, with special attention to spatial organisation of investment processes, as well as conditions and effects of location and spatial structure of construction investments. The literature review allows for isolating the main directions, among which the following can be listed: conditions for the development of construction of different functions, also in the context of the accompanying phenomena (e.g. in the social sphere), location factors and effects of construction investments, as well as research devoted to the spatial structure of construction projects and their links with geographical environment. Research topics of geography of construction are part of the spatial processes within the interests of other geographic sub-disciplines, as well as of related social, economic and even technical disciplines. The achievements of Polish geography of construction of the last quarter of a century are important from the point of view of a better recognition of the conditions and course of the socio-economic transformation in Poland in different contexts and different spatial scales.
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Rezoničnik, Lidija, Joanna Borowy, and Monika Gawlak. "Słoweńskie tłumaczenia literatury polskiej w latach 2019 i 2020." Przekłady Literatur Słowiańskich 12 (December 27, 2022): 1–20. http://dx.doi.org/10.31261/pls.2022.12.01.17.
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The article provides an overview of Slovenian translations of Polish literature in the 2019’s and 2020’s and reviewers’ responses to these works. A total of 23 translations of books were published in 2019, including five literary works (three collections of poetry and two novels). Among the 13 published translations of the following year there were eight literary works (one drama, a collection of short stories, three novels and three collections of poetry). The publishing of e-books also increased significantly in 2020. The published translations give Slovenian readers access to familiar, mostly world-renowned authors such as O. Tokarczuk, Z. Herbert, W. Szymborska, C. Miłosz, I. Karpowicz, while works by I. Ostachowicz, B. Nowicka, A. Kulisiewicz, J. Małecki, R. Franczak, and K. Dąbrowska were translated into Slovenian for the first time. With the exception of J. Kochanowski’s drama, all of the literary works translated were from the second half of the 20th century or the 21st century.
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Duškin, Maksim, and Joanna Satoła-Staśkowiak. "The Bulgarian-Polish-Russian parallel corpus." Cognitive Studies | Études cognitives, no. 11 (November 24, 2015): 241–54. http://dx.doi.org/10.11649/cs.2011.015.
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The Bulgarian-Polish-Russian parallel corpusThe Semantics Laboratory Team of Institute of Slavic Studies of Polish Academy of Sciences is planning to begin work on the creation of a Bulgarian-Polish-Russian parallel corpus. The three selected languages are representatives of the main groups of Slavic languages: Bulgarian represents the southern group of Slavic languages, Polish – the western group of Slavic languages, Russian – the eastern group of Slavic languages. Our project will be the first parallel corpus of these three languages. The planned corpus will be based on material, dating from one period (the 20th century) and will have a synchronous nature. The project will not constitute the sum of the separate corpora of selected languages.One of the problems with creating multilingual parallel corpora are different proportions of translated texts between the selected languages, for example, Polish literature is often translated into Bulgarian, but not vice versa.Bulgarian, Russian and Polish differ typologically – Bulgarian is an analytic language, Polish and Russian are synthetic. The parallel corpus should have compatible annotation, while taking into account the characteristic features of the selected languages.We hope that the Bulgarian-Polish-Russian parallel corpus will serve as a source of linguistic material of contrastive language studies and may prove to be a big help for linguists, translators, terminologists and students of linguistics. The results of our work will be available on the Internet.
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Gaszyńska-Magiera, Małgorzata. "Literatura y política. Notas sobre la recepción de las traducciones de la poesía hispano-americana en Polonia en la segunda mitad del siglo XX." Estudios Hispánicos 24 (March 31, 2017): 49–62. http://dx.doi.org/10.19195/2084-2546.24.4.
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Literature and politics. Notes on the reception of translations of Hispano-American poetry in Poland in the second half of the 20th centuryThe main objective of the article is to describe the main trends in the reception of the Hispano-American poetry in Poland in the second half of the 20th century. The analysis carried out on the basis of the bibliographical data demonstrated that political factors were more important than artistic ones when the decisions concerning the choice of works to be published were made. Therefore, the most well-known Hispano-American poet in Poland was Pablo Neruda, presented to the Polish reading public as a communist activist who used his poems as a weapon in the struggle for a better future. For the same reason the Cuban post-revolutionary poetry became popular in Poland. In general, Hispano-American poetry did not arouse much interest of critics nor readers.
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Stanaszek, Maciej. "Życie dzielone Karla Dedeciusa (1921–2016)." Studia Interkulturowe Europy Środkowo-Wschodniej 10 (November 15, 2017): 0. http://dx.doi.org/10.5604/01.3001.0010.5765.
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The article presents the figure of Karl Dedecius (1921–2016) by exploring his activity as a translator and ambassador of Polish – but also Russian – literature and culture in German-speaking countries (mainly Germany). Having spent his youth in pre-war multicultural Łódź and – after the outbreak of WW II – having been a prisoner of war in Soviet camps, in December 1949 Dedecius moved to the GDR, from where he fled three years later with his family to West Germany. For 25 years he had divided – his life between literary translation, notably poetry, work as an insurance agent and family matters, and after retiring he managed to set up the Deutsches Polen-Institut, a non-governmental institution devoted to the popularisation of Polish literature in Germany, which he led in the years 1980–1998. As one of his close collaborators states, Dedecius’s editorial legacy comprises about 200 books which he either translated, wrote or edited, with poetry translations and literary essays being the core of his literary activity. He rendered some 3,000 poems of roughly 300 Polish poets into German and composed ca. 10 books that present and analyse – chiefly the 20th-century – Polish literature; some of them also contain essays on translation, fragments of which are cited and commented in the present article. Another important source and basis of considerations is Dedecius’s autobiography Ein Europäer aus Lodz [A European from Łódź], which explains the background of the author’s life at its different stages.
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Kulwicka-Kamińska, Joanna. "Piśmiennictwo religijne Tatarów Wielkiego Księstwa Litewskiego jako oryginalne źródło do badań polszczyzny północnokresowej." Poznańskie Studia Polonistyczne. Seria Językoznawcza 24, no. 2 (January 29, 2018): 85–110. http://dx.doi.org/10.14746/pspsj.2017.24.2.6.
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The religious writings of the Tatars constitute a valuable source for philological research due to the presence of heretofore unexplored grammatical and lexical layers of the north borderland Polish language of the 16th-20th centuries and due to the interference-related and transfer-related processes in the context of Slavic languages and Slavic-Oriental contacts. Therefore the basis for linguistic analyses is constituted by one of the most valuable monuments of this body of writing – the first translation of the Quran into a Slavic language in the world (probably representing the north borderland Polish language), which assumed the form of a tefsir. The source of linguistic analyses is constituted by the Olita tefsir, which dates back to 1723 (supplemented and corrected in the 19th century). On the basis of the material that was excerpted from this work the author presents both borderland features described in the subject literature and tries to point the new or only sparsely confirmed facts in the history of the Polish language, including the formation of the north borderland Polish language on the Belarusian substrate. Research involves all levels of language – the phonetic-phonological, morphological, syntactic and the lexical-semantic levels.
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Tatur, Urszula. "Typy kobiet w literaturze polskiej a ich stereotypy zawarte w warstwie językowej (na podstawie wybranych dzieł)." Białostockie Archiwum Językowe, no. 8 (2008): 205–22. http://dx.doi.org/10.15290/baj.2008.08.15.
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The article is an attempt to carry out a linguistic analysis of the image of woman included in selected works of the Polish literature from the 19th century and the beginning of the 20th century. It presents representative models of women typical of that time: a type of a romantic lover, a positivistic liberated woman, and Young Poland’s femme fatale, as exemplified in Poganka by Narcyza Żmichowska, Szalona by Józef Ignacy Kraszewski and Pożegnanie jesieni by Stanisław Ignacy Witkiewicz, in order to discover features essential to create social patterns of gender perception. The article has been divided into three parts. Each part is a separate analysis of linguistic devices that serve to create the image of the fair sex in a given epoch as well as indicate the realization of a stereotypical model of femininity. This model determines basic roles of woman in the world – as wife, mother and lover.
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Łapiński, Paweł. "Lokalny gatunek – uniwersalny odbiór? Polski reportaż literacki dwóch pierwszych dekad XXI wieku w oczach francuskojęzycznego odbiorcy." Przekładaniec, no. 40 (2020): 157–74. http://dx.doi.org/10.4467/16891864pc.20.008.13171.
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Local Genre – Universal Reception? Polish Literary Reportage from the Two First Decades of the 20th Century Read by the French-Speaking Audience The article examines the reception of Polish contemporary authors associated with the genre of “literary reportage” among the readers of their French translations. The analysis starts with the assumption taken from the thoughts of Tzvetan Todorov, who claimed that genre – shaping both the author’s writing model and the reader’s horizon of expectations – can be an important mechanism of mediation driving the literary communication. The analysis includes translations of books by Wojciech Tochman, Jacek Hugo- Bader, Mariusz Wilk and Mariusz Szczygieł. In the first part, the publishing peritext is examined, through which French publishers create the perception of Polish authors and the literary genre they can be associated with. The second part of the analysis is devoted to the reception of translations of the above-mentioned authors – both among professional critics and amateur reviewers or readers – with particular emphasis put on the genre classification made by the audience. The summary attempts to determine whether French-speaking readers perceive Polish authors in accordance with the specific rules of “literary reportage” and what role the publishing peritext may play in this process. The issue of marketing potential of the literary genre as an important tool in creating the publisher’s offer is also discussed.
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Oliander, Luiza K. "CZESŁAW MIŁOSZ’S “PIESEK PRZYDROŻNY” AND “ABECADŁO” AS THE PICTURE OF THE 20th CENTURY." Alfred Nobel University Journal of Philology 2, no. 24 (December 20, 2022): 82–92. http://dx.doi.org/10.32342/2523-4463-2022-2-24-7.
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The article aims to study the poetics evolution of a great Polish poet and prose writer, Nobel prize winner Czesław Miłosz towards a fundamentally new comprehensive literary form: from “Piesek Przydrożny” (“Roadside Dog” 1997) to “Abecadło” (“Milosz`s ABC`s” 1997) and “Inne Abecadło” (“A Further Alphabet” 1998). The purpose stimulates the usage of the analytical, hermeneutics and receptive methodology, as well as textual analysis. It is stressed that the years of this work publication indicate the writerєі success in his determined search for a form that would be capable, containing immense life material, countless events, lives and artistic-philosophical reflections, to create the picture of the 20th century. The paper highlights why “Piesek Przydrożny” does not meet any requirements for containing the unlimited number of life facts within a text. We’ve noted the organizing function of Piesek in the system of a fictional unity. Moving freely, Piesek made it possible for Miłosz to create a certain series of philosophical pieces (“Ubóstwo wyobraźni”, “Wzniosłość”, “Pieśń dziadowsku”, “Со upadek”, “Powieść”, “Gombrowicz”, “Polski literat”) and several tragic essays – “Ojcowskie kłopoty”, “Zmartwienia historyka” and others. It is proven that while the form of this book contains a variety of material, it still cannot give Miłosz the absolute freedom he was striving for. The writer was determined to find the form which would, according to him, “allow for much freedom”, “not pursue beauty but just register facts”. Considering Е. Brazgovskaya’s findings, the productivity of the alphabet (аbecadło) is proved. The paper expresses the idea that one can treat the alphabet (аbecadło) as a kind of a memoir genre. The innovative structure of “Abecadło”, consisting of essays-novels, is analyzed. The article traces the associative connections which cement 200 essays into a single entity, creating the image of the epoch.
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Mielhorski, Robert. "The Topos of Childhood in Modern Poetry (1939–1989)." Tematy i Konteksty specjalny 1(2020) (2020): 364–94. http://dx.doi.org/10.15584/tik.spec.eng.2020.19.
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The paper problematises the literary image of childhood in poetry in relation to external historical and socio-political events. The material analysed covers Polish poetry from 1939 – 1989 (a clearly distinguished segment of the historical-literary process). The choice and ordering of the case studies results from the application of two research paradigms: (i) the paradigm concerned with autobiographical motifs, which refers to such topics of 20th century writings as exile (poetry of return by Łobodowski, Wierzyński etc.) immigration (nostalgic [pansentimentalism] and emotionally neutral motifs), Holocaust (motifs of fear, division between now and then, the role of imagination) and (ii) a generation-related paradigm, which allows us to follow the topos of childhood viewed from the perspective of history according to the order of generations entering Polish literature (from the 1920 Generation to the New Wave Groups) up to the succession of consecutive literary trends in the second half of the 20th century (e.g. soc-realism and soc-plans). Poetic texts concerning childhood in the light of history are viewed as records of “rites of passage” operating from the child’s phase of the pre-personalisation area – the child’s sense of being one with the world, experiencing the harmony of being – to the period of personalisation – when history leaves its mark on this period; characterised by the sense of one’s distinctiveness from reality, individual alienation, the need for rationalisation of one’s own existence and the existence of the surrounding reality. The role of history is to lead the child from the pre-personalistic period to the experience of personalisation.