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Journal articles on the topic 'Policial novel'

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Author: Grafiati
Published: 25 July 2024

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1

Agazzi, Giselle Larizzatti. "Um romance policial latinoamericano e os fantasmas do passado." Diálogos Latinoamericanos 12, no. 18 (January 1, 2011): 13. http://dx.doi.org/10.7146/dl.v12i18.113436.

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In this paper, we aim to analyze Memórias de Aldenham House, written by Antonio Callado. In this novel, the author develops historical questions involving the imperialist policies practiced in England. By considering the typical narrative techniques used in detective story telling, Callado builds a sort of gender parody and illustrates the true crime behind the official report, thus leading the reader to have a critical perspective on reality. Antonio Callado emphasizes the representation of the symbolical violence resulting from truculent practices held by Latin American dictators after the World War II. The novel is, then, perceived as a post-traumatic memory writing of Latin American history.
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2

De Paula Souza, João Vitor. "A origem do mal: a tríade detetive-criminoso-vítima em O sorriso da hiena, de Gustavo Ávila// The origin of evil: the detective-criminal-victim triad in O sorriso da hiena, by Gustavo Ávila." O Eixo e a Roda: Revista de Literatura Brasileira 32, no. 1 (October 20, 2023): 186. http://dx.doi.org/10.17851/2358-9787.32.1.186-216.

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Resumo: O presente artigo tem por objetivo analisar as desestabilizações do gênero policial clássico em O sorriso da hiena, obra policial brasileira contemporânea, publicada por Gustavo Ávila em 2017, de modo a evidenciar caracterizações das personagens que compõem a configuração esperada da tríade policial clássica: detetive-criminoso-vítima. Dessa maneira, a fundamentação teórica parte de textos que discutem o gênero policial, desde sua gênese até atualizações desse tipo de narrativa, especialmente no que diz respeito à tríade mencionada, como França & Sasse (2016), Leidens (2019), Marques (2016), Massi (2011), Oliveira (2016), e Todorov (2006). Assim, a partir da análise interpretativa dos trechos do romance, foram tecidos apontamentos que evidenciam como as personagens da narrativa são descritas e como se relacionam no transcorrer da obra, levando à sua reconfiguração. Os resultados indicam, portanto, que os componentes da tríade policial clássica não são categorias rígidas ou estanques, mas antes, elementos bastante flexíveis e adaptáveis a diferentes épocas, culturas e obras. Desse modo, ilustra-se uma desestabilização, ainda que parcial, do gênero policial clássico, tendo em vista que a obra de Ávila apresenta caracterizações e relações entre as personagens que podem ser descritas como inovadoras e, nesse sentido, possibilitam reflexões não esperadas ou não observadas em obras clássicas, o que testemunha a inventividade do gênero policial, sempre propício a algum tipo de evolução, tanto no nível formal como no temático.Palavras-chave: literatura brasileira contemporânea; literatura policial; Gustavo Ávila; tríade policial clássica; desestabilização do gênero policial.Abstract: The present article aims to analyze the destabilization of the classic detective genre in O sorriso da hiena, a contemporary Brazilian detective novel published by Gustavo Ávila in 2017, to highlight delineations of the characters that make up the expected configuration of the classic crime fiction triad: detective-criminal-victim. Thus, the theoretical framework consists of texts that discuss the detective genre, from its genesis to updates of this type of narrative, especially regarding the mentioned triad, such as França & Sasse (2016), Leidens (2019), Marques (2016), Massi (2011), Oliveira (2016), and Todorov (2006). Therefore, from the interpretative analysis of the excerpts from the novel, there are comments made to highlight how the characters of the narrative are described, and how they relate to each other throughout the novel, leading to their reconfiguration. The analyses indicate, therefore, that the elements that compose the classic crime fiction triad are not rigid or fixed categories, but rather elements that are very flexible and adaptable to different times, cultures, and narratives. Hence, a destabilization, even if partial, of the classic whodunit genre, is illustrated, considering that Ávila’s work presents delineations and relationships among characters that can be described as innovative. In this sense, the research enables unexpected reflections that were not observed in classic works, which testifies to the inventiveness of the genre, always prone to some kind of evolution, both at the formal and thematic levels.Keywords: Brazilian contemporary literature; crime fiction; Gustavo Ávila; classic crime fiction triad; destabilization of crime fiction.
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3

Franken K, Clemens A. "Vicente Leñero y el fracaso de su inspector." Literatura y Lingüística, no. 21 (June 25, 2015): 13. http://dx.doi.org/10.29344/0717621x.21.130.

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ResumenLuego de exponer brevemente la obra literaria del escritor Vicente Leñero y su lugar dentro de literatura mexicana, se analiza, en su novela posmoderna Los albañiles, la conductade los personajes sospechosos, la figura y el método de investigación del detective y desus colaboradores que fracasan en su búsqueda de la verdad, la crítica social y cultural de la sociedad mexicana de los años sesenta y aspectos formales como, por ejemplo, ellenguaje, el narrador y la forma de asimilación.Palabras clave: Vicente Leñero, Los albañiles, novela policial mexicana posmoderna, asimilación (de Sherlock Holmes y Maigret)AbstractAfter presenting the literary work of Vicente Leñero and his place in the mexican literature, this article analyzes, whitin his postmodern novel Los albañiles, the behavior ofthe suspicious characters, the figure and the investigation method of the detective andhis collaborators who fail to look for the truth, the social and cultural criticism of the mexican society in the seventies, along with formal aspects, namely the language, thenarrator and the assimilation method.Keywords: Vicente Leñero, Los Albañiles, postmodern mexican detective novel, assimilation(Sherlock Holmes and Maigret)
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4

Gómez-de-Tejada, Jesús. "Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo." Studia Romanica Posnaniensia 47, no. 1 (March 15, 2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.

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Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar Cardedo’s style there are the marginal atmospheres, the stylization of popular speech, the intertextuality, the humor, the parody, and the social criticism. This article focuses on the parodic, intertextual and satiric aspects of his work, particularly discernible in the novel Proyecto en negro (2013), in which the author emphasizes – in opposition to the official discourse – the perpetuation of corrupt, chauvinist, racist, and homophobic behaviors in contemporary Cuba, while relaxing the genre formula limits in order to follow a much more irreverent path within the new Latin American detective fiction.
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5

Figueiredo, Vera Lúcia Follain de. "A grande arte: palavra e imagem." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 42–49. http://dx.doi.org/10.17851/2317-2096.8..42-49.

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Resumo: No romance A grande arte, de Rubem Fonseca, a tensão entre as exigências do mercado editorial e a autonomia da arte resolve-se pela adoção de uma estética ambígua. No filme A grande arte, de Walter Salles Junior, a tentativa de preservar esta ambigüidade, realizada de maneira superficial, desequilibra a obra.Palavras-chave: romance policial; cinema brasileiro; mercado.Absctract: In the novel A grande arte, by Rubem Fonseca, the tension between the demands of the editorial market and the autonomy of art is resolved by the adoption of ambiguous aesthetics. In Walter Salles Junior’s motion picture, A grande arte, the rather superficial attempt to maintain that ambiguity jeopardizes the balance of the work. Keywords: detective novel; Brazilian motion picture; market.
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6

Rivadeneira, Blas Gabriel. "Un policial contra el crimen de lo trascendente: Mario Levrero y un programa para la subversión del género." Catedral Tomada. Revista de crítica literaria latinoamericana 10, no. 18 (August 9, 2022): 152–87. http://dx.doi.org/10.5195/ct/2022.544.

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We propose a critical reading of the novels Nick Carter se divierte mientras el lector es asesinado y yo agonizo (1975), La banda del ciempiés (2010) and Dejen todo en mis manos (1996), which make up the crime trilogy, by Mario Levrero. The Uruguayan builds his figure as a "rare" author from the use of marginalized materials and disciplines, among them, the crime fiction that goes through his writing project. However, in a strategy of dissimulation, he points out it as a type of closed and commercial literature that closes the transformation of the reader. We argue that, through parody, display of artifice, or hyperbolic variants of paranoid fiction, Levrero sets out to subvert these boundaries. The writer appropriates the crime novel to develop another search which, while dismantling the protocols of the genre, enables its possibilities of modifying the subject. Against the crime of the transcendent by modern society that deprives the subject of luminous experiences, his poetics pursues contact with the Spirit or the Unconscious, interchangeable in his worldview. He thus manifests his program that conceives writing as a therapeutic device.
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7

Delgado Del Aguila, Jesús Miguel. "Taxonomía e incorporación de la violencia en la novela policial peruana contemporánea." Cuadernos de Literatura, no. 32 (December 2, 2020): 112–37. http://dx.doi.org/10.15648/cl..32.2020.2866.

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Este artículo periodiza y desarrolla los paradigmas concomitantes de la novela policial, para extrapolarlos en un contexto peruano incipiente con textos que cumplen con los requisitos indispensables denominarse de ese modo. La violencia resulta un elemento inexorable para la eficacia receptiva y su tratamiento creativo, además del conocimiento de tópicos afines, como Derecho, Política, Sociología, Fuerzas Policiales, etc. Para ello, se corroborará con la definición de este género (como lo fundamenta principalmente Tzvetan Todorov) y la taxonomía hegemónica de sus subgéneros: novela de enigma, novela problema, novela negra, whodunit, novela policiaca histórica, novela policiaca de período histórico y novela criminal.
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8

Leštanin, Branko, and Željko Nikač. "Analysis of characteristic novelties in the Police Law: Critical review." Bezbednost, Beograd 60, no. 2 (2018): 50–66. http://dx.doi.org/10.5937/bezbednost1802050l.

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9

Henríquez, Sebastián. "Rastros de la novela de suspenso/espionaje anglosajona en Operación Masacre (1957) de Rodolfo Walsh." Boletín de Literatura Comparada 1, no. 47 (August 17, 2022): 49–79. http://dx.doi.org/10.48162/rev.54.011.

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La crítica literaria suele ubicar los cuentos policiales de Rodolfo Walsh dentro de la categoría de policial “de enigma”, mientras que propone ver en Operación Masacre (1957) un pasaje hacia la “novela negra”. En este trabajo analizaremos la correspondencia de Rodolfo Walsh con el investigador norteamericano Donald A. Yates, mantenida entre 1954 y 1957, para dar cuenta de la particular recepción que hizo el escritor argentino de las tendencias del género policial de procedencia anglosajona. De dicho análisis se desprende que no es la novela negra, sino las entonces emergentes novelas policiales de suspenso, de espionaje y psicológicas las que constituyeron modelos activos de referencia para Walsh durante los años cincuenta. En el caso particular de Operación Masacre, es en la lectura y traducción de novelas policiales de suspenso/espionaje anglosajonas –también populares en el cine– donde podemos encontrar los principales modelos presentes en su técnica narrativa.
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10

SITBON, CLARA. "A pulizziesca : genèse du roman policier corse." Australian Journal of French Studies 59, no. 1 (January 1, 2022): 8–19. http://dx.doi.org/10.3828/ajfs.2022.02.

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The rise of regional detective novels in Europe has generated an expanding interest, as is evident in the proliferation of scholarship on works in this genre. One type of crime narrative, however, escapes this rule: Corsican crime fiction. Because it is part of unique editorial, literary, cultural, political, and linguistic dynamics, Corsican crime fiction raises important questions about the future of regional literature within a national, international, and transnational literary canon. This article proposes a genesis of the Corsican detective novel; through a recontextualization of the genre in both the literary context of the island and the generic context of the detective novel, it will demonstrate how the serialization effect typical of crime fiction, coupled with the intrinsic plurality of the notion of authenticity, allows Corsican crime fiction to redefine the codes of the traditional detective novel and bring a new facet to the broader notion of Mediterranean Noir in its insular form known as the pulizziesca.
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11

Piano, Charles A., and Ilán Stavans. "Antihéroes: México y su novela policial." World Literature Today 68, no. 4 (1994): 796. http://dx.doi.org/10.2307/40150660.

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12

Setton, Román. ""Nelly", la tercera narración policial de Eduardo L. Holmberg." Rilce. Revista de Filología Hispánica 30, no. 2 (October 16, 2014): 580–94. http://dx.doi.org/10.15581/008.30.235.

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Holmberg es –junto con Waleis– el autor argentino más importante de narraciones policiales del siglo XIX. De sus cinco ficciones policiales, las dos primeras, La bolsa de huesos (1896) y La casa endiablada (1896), han recibido atención de la crítica con frecuencia; solo dos textos recientes abordan las dos últimas (“Don José de la Pamplina”, 1905; “Más allá de la autopsia”, 1906). En este trabajo indagamos acerca de Nelly (1896), su tercera novela corta policial, nunca abordada en relación con el género. Intentamos demostrar que sus tres primeros policiales conforman una trilogía y permiten advertir en conjunto las oscilaciones de Holmberg en su primera aproximación al policial. En Nelly –sostenemos– aparecen elementos propios de la Kriminalnovelle y un distanciamiento perceptible respecto de la ley de Estado y el consonante modelo de la cultura científica. Las tres novelas cortas pueden ser caracterizadas como narraciones policiales fantásticas y promueven un modelo de cultura y de nación que incorpora al extranjero y contrasta con el del naturalismo argentino contemporáneo.
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Mitchell, Grady, Nurul Chojimah, and Ika Nurhayani. "Directions for Indonesian Language Policy in Education: Towards A Translingual Perspective." NOBEL: Journal of Literature and Language Teaching 13, no. 2 (September 30, 2022): 271–92. http://dx.doi.org/10.15642/nobel.2022.13.2.271-292.

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This study overviews literature regarding the development of Indonesian, language endangerment, language attitudes, and ideologies, as well as emerging teaching methodologies to provide the context of the current challenges facing Indonesia’s sociolinguistic situation. The establishment of Bahasa Indonesia as the national language helped unite the country but, at the same time, created new challenges for addressing linguistic diversity. The dissemination of English education has complicated the situation further and has been associated with exacerbating inequalities. These inequalities have not only had consequences for linguistic diversity but also for access to employment and education. Language policies continue to treat language as static rather than dynamic processes which involve one’s communicative repertoire. We argue that while some language scholars studying Indonesia have begun to acknowledge the advantages of translingual/multilingual education, there still remains under-addressed obstacles to its successful implementation and the risk of co-option for ulterior purposes. We conclude that advocacy for language policy in Indonesia should be a part of a broader effort to address the needs of marginalized communities and harness students’ diverse and dynamic linguistic repertoires to improve the quality of learning and inclusivity in the classroom
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Becerra Islas, José David. "¿Novela policiaca latina?" Theoría. Revista del Colegio de Filosofía, no. 22 (December 5, 2011): 157–62. http://dx.doi.org/10.22201/ffyl.16656415p.2010.22.369.

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15

Abradelo, María Isabel, and Pablo F. Gutiérrez C. "Detectives y métodos de la novela policial." Chesterton Review en Español 8, no. 1 (2018): 209. http://dx.doi.org/10.5840/chesterton-espanol2018/20198137.

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González Sánchez, Esteban. "Donde no estén ustedes. Prisma de la narrativa de Horacio Castellanos Moya." LETRAS 1, no. 63 (September 22, 2018): 29. http://dx.doi.org/10.15359/rl.1-63.2.

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El artículo describe Donde no estén ustedes, en el contexto de la narrativa de Horacio Castellanos Moya. En esta obra confluyen dos procesos narrativos: el de la historia de la familia Aragón-Baldonini y el de la serie policiaca. Se proponen lecturas interpretativas para mostrar las relaciones entre el motivo del descenso y la visita al infierno con la estructura de la novela policial.
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Buitrago Niño, Laura. "narrativa policial colombiana y su nuevo detective Entrevista con Julián Nalber, autor de la novela Dectective Santré, el caso Chang." PAPELES 9, no. 18 (April 12, 2017): 100–104. http://dx.doi.org/10.54104/papeles.v9n18.499.

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Las letras colombianas cuentan ahora con un nuevo personaje de ficción: un detective, un hombre capaz de inmiscuirse en los diferentes casos judiciales y policiales más truculentos de Bogotá y del país. A continuación, una charla con su autor que devela detalles de su estilo, su personaje y el contexto de la llamada narrativa policial o negra en el país.
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18

Maltz, Hernán. "El papel de la academia. Sobre Filosofía y Letras (1998) de Pablo De Santis." Cuadernos de Literatura 24 (December 20, 2020): 24. http://dx.doi.org/10.11144/javeriana.cl24.pafl.

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En el marco de un corpus de escritores de relatos policiales académicos argentinos (que incluye a autores como Ricardo Piglia y Guillermo Martínez), en este escrito planteamos un acercamiento a dicho subgénero a partir de la novela Filosofía y Letras (1998) de Pablo De Santis. De este modo, mostramos y analizamos tres aspectos sustantivos de esta obra: la representación de los académicos como sujetos locos y miserables, la construcción de una trama policial que carece de una figura detectivesca fuerte y la representación del edificio de la Facultad de Filosofía y Letras (edificio que termina por ser el gran protagonista de la novela).
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19

Castañeda Iturbide, Jaime. "Sobre la novela policiaca." Estudios: filosofía, historia, letras, no. 12 (1988): 116. http://dx.doi.org/10.5347/01856383.0012.000170448.

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20

Pantić, Marijana. "Considerations regarding a new settlement typology in Serbia." Arhitektura i urbanizam, no. 53 (2021): 7–21. http://dx.doi.org/10.5937/a-u0-31678.

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A division between urban and rural settlements/areas has been traditionally applied in statistical reporting worldwide. The reports applying these terms have been used to create and implement development policies and measures. However, international policies such as those featured by the European Union (EU), as well as national policies, also recognize, define and render transitional types of settlements. The Program of Implementation of the Spatial Plan of the Republic of Serbia (2010) called for a new definition of the term "settlement" determined by new criteria for a settlement typology by the end of 2015. Except for theoretical contributions, this task has not been completed yet. At the same time, a trichotomous settlement typology has been recommended to Serbia by the EU as a result of the accession process. Therefore, this paper aims to analyze and discuss a new settlement categorization, taking into account considerations on the number of categories, number of variables, choice of variables and territorial level for data collection. These aspects are empirically tested on a data set collected through the Survey on Income and Living Conditions (SILC) in Serbia. The data are analyzed using two approaches: descriptive and cluster analysis. A parallel with other countries and theoretical recommendations is drawn in the discussion, based on which some recommendations are presented.
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21

Li, Guangquan, Robert Haining, Sylvia Richardson, and Nicky Best. "Evaluating the No Cold Calling Zones in Peterborough, England: Application of a Novel Statistical Method for Evaluating Neighbourhood Policing Policies." Environment and Planning A: Economy and Space 45, no. 8 (January 2013): 2012–26. http://dx.doi.org/10.1068/a45374.

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22

Cordero Carpio, Guillermo. "El relato policial y sus huellas en Ecuador." Pucara, no. 22 (March 8, 2019): 87–99. http://dx.doi.org/10.18537/puc.22.07.

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Este trabajo se propone realizar un acercamiento a la literatura policial en Ecuador, mostrando cómo dos de sus autores hacen uso de los elementos del género con fines específicos. De este modo, primero observaremos cómo Pablo Palacio, en su cuento “Un hombre muerto a puntapiés”, parodia los elementos del modelo policial clásico para desacreditar los principios del realismo social; luego veremos cómo Santiago Páez, en su novela Condena Madre, hace uso de los elementos de la novela negra para hacer una aproximación crítica a la realidad.
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23

Pezzè, Andrea. "La literatura policial de Sergio Ramírez." Pasavento. Revista de Estudios Hispánicos 4, no. 1 (March 1, 2016): 109–24. http://dx.doi.org/10.37536/preh.2016.4.1.926.

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En este artículo reflexionamos sobre las modalidades escriturales del policial en la obra del nicaragüense Sergio Ramírez. En particular, nos proponemos cotejar dos tipologías del género, presentes en la obra de Ramírez y muy prolíficas en el panorama literario contemporáneo: la no-ficción y el neopolicial. La primera novela policial del nicaragüense, Castigo divino (1988), y algunos de sus últimos cuentos, son de la primera tipología, mientras que en 2008 publica una obra de la segunda. Apoyándonos en las teorizaciones sobre el género policial, y tras averiguar las diferencias fundamentales entre ellas, nuestro propósito es inferir cuales dinámicas del conocimiento enseñan las dos tipologías narrativas.
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Franken K., Clemens. "Mario Vargas Llosa y sus detectives frustrados." Literatura y Lingüística, no. 19 (August 14, 2018): 65. http://dx.doi.org/10.29344/0717621x.19.1574.

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Luego de exponer los antecedentes bio-bibliográficos más relevantes, lavisión de la sociedad y el concepto de la literatura y del lector del escritorperuano Mario Vargas Llosa se analiza en forma detallada su novela conformato policial ¿Quién mató a Palomino Molero? (1986), señalando rasgoscaracterísticos de los detectives, su forma de pensar, su perfil psicológico ysu modo de investigar, los motivos sociales y culturales del crimen y la críticaa la sociedad peruana. Especial énfasis se pone en destacar la hibridez inter eintragenérica presente en esta obra literaria, es decir, la mezcla de diferentesgéneros literarios y subgéneros policiales.
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Sanz Jiménez, Miguel. "“Me no repent yet”: Estrategias para la traducción del inglés jamaicano en Breve historia de siete asesinatos de Marlon James." ODISEA. Revista de estudios ingleses, no. 18 (April 26, 2018): 65. http://dx.doi.org/10.25115/odisea.v0i18.1883.

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Resumen:Breve historia de siete asesinatos, de Marlon James, es una novela polifónica que refleja la variedad lingüística de sus protagonistas y narradores. En particular, las desviaciones de la norma estándar que supone el inglés jamaicano se marcan mediante la técnica denominada eye dialect. En este trabajo se estudian los rasgos de esta variedad que figuran en la novela, las distintas estrategias para traducir el dialecto en textos literarios y las prácticas editoriales respecto a este problema para después analizar el caso concreto de la versión española de la novela de James. Abstract:A Brief History of Seven Killings, by Marlon James, is a polyphonic novel that depicts the linguistic varieties spoken by its main characters and narrators. Particularly, it uses eye dialect to portray the deviations from the standard norm that Jamaican English represents. This paper studies the features of this variety that come up in the novel, as well as different strategies for translating dialect in literary texts, and publishing companies’ policies regarding this issue. Ultimately, the Spanish version of James’s novel will be analyzed according to these strategies
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Dennis, Ryan. "‘Out of Proportion to the Small Loss’: Productivist Agriculture in the Farming Novels of John McGahern and Halldór Laxness." Irish University Review 49, no. 1 (May 2019): 74–89. http://dx.doi.org/10.3366/iur.2019.0381.

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Ireland and Iceland, both (semi-)peripheral islands in relation to Europe's core hegemonic capitalism, once shared similar farming systems based on small holdings and rotational grazing. Today, however, agriculture looks increasingly different in each nation, for at critical junctures their agriculture policy decisions took radically divergent paths. This paper will examine Irish writer John McGahern's That They May Face the Rising Sun and the Icelandic novel Independent People by Hálldor Laxness as farming novels that ultimately stand as responses to these agricultural policies during the periods they were made. It will contend that, given each author's experience in farming, the novels must be read as acts of political intent meant to provide warnings against productivist policies and the loss of social and rural capital they generate. In connecting these works to the specific agricultural policies enacted and practiced at the time of their writing, a form of resistance will be brought to light that has been overlooked thus far in their registration as world literature.
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Pérez, María. "El fantasma imperfecto de Juan Martini: aportes para una lectura en clave policial." Contexto. Revista anual de estudios literarios 27, no. 29 (2023): 33–48. http://dx.doi.org/10.53766/contex/2023.27.29.03.

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La novela de Juan Martini El fantasma imperfecto (1986) ha sido muy poco estudiada como novela policial. Este artículo pretende aportar algunos aspectos a esta línea de análisis. Para ello, en principio, explicaremos desde qué perspectiva teórica analizamos esta novela como policial. Al tratarse de una novela policial de la década de 1980, se reescriben y “transgreden” muchos de los elementos propios del género, debido a que se problematizan las relaciones entre el rol del Estado y la verdad. Para demostrar esto, nos enfocaremos en dos elementos del policial por excelencia: el motivo del cuarto cerrado y la figura del investigador. Ambos atraviesan al protagonista, Juan Minelli, quien verá afectado su rol de investigador a causa del espacio en el que se desarrolla la trama.
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Viscardi, Nilia. "De muertas y policías: la duplicidad de la novela negra en la obra de Roberto Bolaño." Sociologias 15, no. 34 (December 2013): 110–38. http://dx.doi.org/10.1590/s1517-45222013000300006.

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Se presenta una sociología de las representaciones de la violencia a partir del estudio de la novela policial. Tomando como base los comentarios frankfurtianos sobre el auge de la novela policial en la modernidad, se comparan dos escritores europeos (Andrea Camilleri y Henning Mankell) con un latinoamericano (Roberto Bolaño). 2666, la novela de Bolaño, se construye desde un tipo particular de violencia social relacionada con la impunidad y la impotencia del estado, o en definitiva, con la imposibilidad del proyecto moderno. Esta realidad da lugar a un tipo de representación que se aparta de los cánones de la novela policial, como se apreciará en la caracterización del detective. Investigando los violentos desafíos al frágil orden social, este nuevo tipo de novela policial latinoamericana pone en cuestión los mecanismos de representación de la muerte, esto es, la representación de lo irrepresentable.
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Tosik, Magdalena. "La novela policiaca y la crisis." Cahiers d'études romanes, no. 44 (July 20, 2022): 39–54. http://dx.doi.org/10.4000/etudesromanes.14014.

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Urralburu García, Marcelo. "Modulaciones del género policial en La muerte baja en ascensor de María Angélica Bosco." Anales de Literatura Hispanoamericana 52 (December 20, 2023): 265–74. http://dx.doi.org/10.5209/alhi.93681.

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Este trabajo de investigación propone una revisión de algunos de los aspectos sobre los que han incidido los estudios de literatura policial a la hora de analizar La muerte baja en ascensor, la novela que dio inicio, en 1955, a la dilatada trayectoria literaria de María Angélica Bosco. Los estudios consagrados a esta novela han coincidido en subrayar el carácter tradicional u ortodoxo de su propuesta cuando es interpretada desde el marco general de la novela policial de los años cincuenta e, incluso, este pretexto ha servido para supeditarla a las obras posteriores de la autora, cuyas formas se aproximan a la novela negra norteamericana. Con el ánimo de relativizar dicha exégesis de la novela, los tres epígrafes de este estudio pretenden delinear lo singular de sus modulaciones de las formas del género policial a partir del lugar de los personajes femeninos en la trama, de la aplicabilidad de los conceptos de enigma y de secreto a su estructura narrativa, y discutir, al fin, que la novela reproduzca la superposición de tramas característica del género policial según lo dilucidó Tzvetan Todorov. Este examen permitirá, asimismo, poner la figura del primer detective bosquiano y sus métodos gnoseológicos en relación con las ideas sobre el género policial de Jorge Luis Borges, quien incluyera la novela en la colección “El Séptimo Círculo”, que entonces codirigía con Adolfo Bioy Casares.
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Badenberg, Nana, Alexander Honold, and Susanne Horstmann. ""Quién mato a Palomino Molero?" Vargas Llosa y la novela policial." Revista de Crítica Literaria Latinoamericana 15, no. 30 (1989): 277. http://dx.doi.org/10.2307/4530470.

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Díaz Eterovic, Ramón. "Presencia de la narrativa policial en la literatura chilena." Literatura y Lingüística, no. 21 (June 26, 2015): 55. http://dx.doi.org/10.29344/0717621x.21.133.

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Desde hace unas tres décadas a esta parte, la presencia del género policial o de la novela negra es una realidad incuestionable en la narrativa chilena, reflejadaa través de las obras de los autores que la desarrollan y del interés que éstas despiertan entre académicos, investigadores y lectores. Este fenómeno responde en buena medida a la revalorización del género como una forma literaria quetratada con creatividad alcanza rangos de alta elaboración literaria, superando los lastres del género y expresándose mediante textos que examinan con profundidadel pulso de la sociedad.La revalorización del género también responde a la respuesta que algunos autores dan a la situación de violencia, visible o subterránea, que ha existido y existe en nuestro país y para cuyo reflejo la forma de la novela policial entrega elementos como un eje narrativo centrado en la criminalidad, las atmósferas opresivas de las grande urbes y la figura del investigador –detective, policía, abogado o simple aficionado– como un justiciero capaz de defender valores éticos avasallados y hacerse cargo de preguntas que no todos están dispuestos a responder.
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Liu, Gang, Wenxian Pei, Yumin Tian, Chen Liu, and Shancang Li. "A novel conflict detection method for ABAC security policies." Journal of Industrial Information Integration 22 (June 2021): 100200. http://dx.doi.org/10.1016/j.jii.2021.100200.

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Mahler, Jeffrey, Matthew Matl, Vishal Satish, Michael Danielczuk, Bill DeRose, Stephen McKinley, and Ken Goldberg. "Learning ambidextrous robot grasping policies." Science Robotics 4, no. 26 (January 16, 2019): eaau4984. http://dx.doi.org/10.1126/scirobotics.aau4984.

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Universal picking (UP), or reliable robot grasping of a diverse range of novel objects from heaps, is a grand challenge for e-commerce order fulfillment, manufacturing, inspection, and home service robots. Optimizing the rate, reliability, and range of UP is difficult due to inherent uncertainty in sensing, control, and contact physics. This paper explores “ambidextrous” robot grasping, where two or more heterogeneous grippers are used. We present Dexterity Network (Dex-Net) 4.0, a substantial extension to previous versions of Dex-Net that learns policies for a given set of grippers by training on synthetic datasets using domain randomization with analytic models of physics and geometry. We train policies for a parallel-jaw and a vacuum-based suction cup gripper on 5 million synthetic depth images, grasps, and rewards generated from heaps of three-dimensional objects. On a physical robot with two grippers, the Dex-Net 4.0 policy consistently clears bins of up to 25 novel objects with reliability greater than 95% at a rate of more than 300 mean picks per hour.
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Ashimkhan, Taldaubek. "MODERN KAZAKH NOVEL: PAINTING AND AESTHETICS OF ARTISTIC DECISION OF THE XX CENTURY." KAZAKHSTAN ORIENTAL STUDIES 9, no. 1 (June 12, 2024): 104–17. http://dx.doi.org/10.63051/kos.2024.1.104.

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The article examines representations of significant historical events related to the history of Kazakhstan at the beginning of the 20th century in fiction and the aesthetics of artistic decision. The main purpose of the research work is to study historical novels published after the independence of Kazakhstan, which contain events such as persecution, famine and colonial plunder caused by the brutal policies of the Soviet government in the early 20th century. At the same time, the problem of historical knowledge and artistic decision in novels based on historical events of this period is considered. The practical significance of the research topic is that the policy of mass conquest and cleansing of the Russian colonial Kazakh steppe, as well as the permanent expulsion of the people living there from their land, began in the first half of the 19th century. In the 20s of the twentieth century, such absurd policies of the Soviet government as the October Revolution, “Little October” in Kazakhstan, artificial famine called confiscation and mass collective farming, reprisals against the Reds, became the basis of the historical novel. At the same time, it is very important to study novels that describe these significant historical events of the Kazakh people in artistic language. The objective of the research work is to study historical novels that expose the atrocities of the Soviet regime against the Kazakh people. In fulfillment of this duty, among the novels that raised this topic, S. Elubay’s trilogy“Akboz uy”, Beksultan Nurzhekeuly’s novel “ay, dunie-ay” and A. Tarazi’s novel “zhaza” are analyzed. The research method is to name many novels that expose the crimes of the Soviet regime, analyze and summarize their artistic achievements. The article also used research methods such as analysis, comparison and discussion. The novelty of the research result lies in the fact that Russian colonialism is one of the darkest periods in the life of the Kazakh people, years full of terrible suffering that have become indelible history. Historical novels that reveal the reality of this pitiful condition of the people, the crime of this man-made massacre, are deeply analyzed in a comprehensive scientific style with a special theme. And the article also analyzes the relationship and skills of the writer in the one-sided acceptance of historical knowledge and artistic decisions.
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Maltz, Hernán. "Muchos detectives. Sobre "El enigma de París" (2007) de Pablo De Santis." Anales de Literatura Hispanoamericana 49 (December 18, 2020): 401–14. http://dx.doi.org/10.5209/alhi.73138.

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Proponemos una lectura sobre los modos en que el género policial se presenta y representa en la novela El enigma de París (2007) de Pablo De Santis. Para esto, discutimos y ampliamos afirmaciones de otros trabajos críticos. En primer término, sostenemos que la novela consiste en un homenaje al amplio género policial (y no solo a la vertiente anglosajona). Luego nos detenemos en la combinación de esta literatura con el modelo de la novela de formación. También hacemos lo propio con la representación de cambios sociales en la novela y su subordinación al aspecto literario. Finalmente, concluimos con una idea respecto a tres modos diferentes de construcción de lo policial en esta novela, basadas en una suerte de poética del exceso, otra de la sutileza y una última vinculada a una perspectiva de totalización del género
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Wagner, Cassie. "Graphic Novel Collections in Academic ARL Libraries." College & Research Libraries 71, no. 1 (January 1, 2010): 42–48. http://dx.doi.org/10.5860/0710042.

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This study examines the extent to which ARL academic libraries collect graphic novels. Using a core list of 176 titles developed from winners of major comics industry awards and a library-focused “best of” list, the holdings of 111 ARL academic libraries were searched using the libraries’ online catalogs. Results suggest that most of the libraries studied do not aggressively collect graphic novels. Also examined were associations between date of publication, prior serialization, overall collection size, monograph budget, and ARL ranking and graphic novel holdings. To better serve scholarly research in this area of increasing interest, libraries will need to reexamine their collecting policies.
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Delgado Del Aguila, Jesús Miguel. "Violencia social: temática regularizada y necesaria para la recepción de la novela policial peruana (1990-2013)." Kipus: Revista Andina de Letras y Estudios Culturales, no. 53 (January 3, 2023): 89–111. http://dx.doi.org/10.32719/13900102.2023.53.5.

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Este artículo sistematiza las temáticas abordadas desde la novela policial peruana en el período de los años 1990 hasta el 2013, siendo la violencia social la que más destaca. Para fundamentar esa recurrencia, el autor se basa en fuentes afines que distinguen el corpus según su clasificación. Sociológicamente, se hallan los postulados teóricos como el de posmodernidad de Fredric Jameson y Mario Vargas Llosa, junto con el de criminalidad de Luis Rodríguez Manzanera. En el Perú no se evidencia una taxonomía hegemónica que se tome como referente de la misma. Una de las causas es la escasa documentación acerca de temas policiales, judiciales, históricos y culturales que maneja el propio autor sobre sus obras. Esto se demuestra en el transcurso de este trabajo a través de la recepción crítica, que comprende tres tópicos insoslayables: la demanda del lector con respecto a este género literario, las limitaciones que conllevan el rechazo inconsciente a todo producto valorativo y la implicancia del mercado de la cultura de masas.
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Carolin, Andy. "Apartheid's Immorality Act and the fiction of heteronormative whiteness." Tydskrif vir Letterkunde 54, no. 1 (March 24, 2017): 111–28. http://dx.doi.org/10.17159/tvl.v.54i1.7.

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This article traces both the centrality and fragility of the figure of the heterosexual white male to the moral and ideological core of the apartheid regime. Through a comparative reading of Zakes Mda's The Madonna of Excelsior (2002) and Gerald Kraak's Ice in the Lungs (2006), the article examines how apartheid's Immorality Act functioned as the legislative mechanism to produce and police heteronormative whiteness. The randomness and unpredictability of sexual desire in both historical novels expose the tenuousness of this idealised heteronormative whiteness that lay at the centre of the apartheid project. Situated within the moral panic and political turmoil of the 1970s, the novels identify sex as a powerful lens through which to read the history of apartheid. While Mda's satirical novel focuses on transgressive interracial sexual desire, Kraak's realist text explores same-sex desire and intimacy. My reading of the two novels engages with the political history of apartheid's sexual policing and insists on the inextricable entanglement of its heteronormative and racial supremacist provisions. The traditional ideological centrality of the vulnerable white woman is displaced in the novels by white men whose transgressive sexual desires for black women (in Mda's novel) and other white men (in Kraak's) refuse the certainty and naturalness of heteronormative whiteness.
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López Martínez, Encina Isabel. "Policías y guardias: visión literaria en la nueva novela policíaca española." Monteagudo, no. 25 (October 7, 2020): 239–49. http://dx.doi.org/10.6018/monteagudo.448741.

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La nueva novela policíaca en España es actualmente uno de los géneros más consumidos y reconocidos por los lectores. Esto se debe a una serie de novedades que escritores como Alicia Giménez Bartett o Lorenzo Silva, entre otros, presentan en sus producciones. Entre ellas destaca la incorporación del detective a un cuerpo de seguridad oficial del estado. Estos autores reflejarán la realidad de la Policía Nacional y de la Guardia Civil, respectivamente, ofreciendo una perspectiva literaria desconocida y desatendida hasta la fecha y que será, en estos momentos, fundamental para entender la construcción del detective y los temas principales del argumento. The new police novel in Spain is currently one of the most consumed and recognized genres by readers. This is due to some novelties that writers such as Alicia Giménez Bartett or Lorenzo Silva, among others, present in their productions. These include the incorporation of the detective into and official state securied organism. These autors show the reality of the National Police and the Civil Guard, respectively, offering an unknown andunattended literary perspective to date and that is, at this time, essential to understand the construction of the detective personality and the main themes or de argument.
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Sheidlower, Isaac, Reuben Aronson, and Elaine Short. "Modifying RL Policies with Imagined Actions: How Predictable Policies Can Enable Users to Perform Novel Tasks." Proceedings of the AAAI Symposium Series 2, no. 1 (January 22, 2024): 192–97. http://dx.doi.org/10.1609/aaaiss.v2i1.27670.

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It is crucial that users are empowered to use the functionalities of a robot to creatively solve problems on the fly. A user who has access to a Reinforcement Learning (RL) based robot may want to use the robot's autonomy and their knowledge of its behavior to complete new tasks. One way is for the user to take control of some of the robot's action space through teleoperation while the RL policy simultaneously controls the rest. However, an out-of-the-box RL policy may not readily facilitate this. For example, a user's control may bring the robot into a failure state from the policy's perspective, causing it to act in a way the user is not familiar with, hindering the success of the user's desired task. In this work, we formalize this problem and present Imaginary Out-of-Distribution Actions, IODA, an initial algorithm for addressing that problem and empowering user's to leverage their expectation of a robot's behavior to accomplish new tasks.
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Bastidas Zambrano, Carlos. "Género policial, ilusión cómica y teatralidad narrativa en Triste, solitario y final de Osvaldo Soriano." Literatura: teoría, historia, crítica 17, no. 1 (May 3, 2015): 245–62. http://dx.doi.org/10.15446/lthc.v17n1.48695.

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<p>Este artículo trata sobre la literatura policial argentina de la década de los setenta. Se centra específicamente en el estudio de las particularidades narrativas y el análisis del género policial en la novela <em>Triste, solitario y final</em>, de Osvaldo Soriano. El artículo trabaja la novela de Soriano desde la problemática de la apropiación y reescritura de las fórmulas y convenciones del <em>hard-boiled</em> y estudia la forma como en esta obra el género policial se convierte en un escenario de ficción, teatralidad y autorreferencialidad literaria.</p>
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SH, Behera. "A Review on Novel Corona Virus SARS-CoV-2 and its Ocular Manifestations." Open Access Journal of Ophthalmology 5, no. 2 (August 11, 2020): 1–5. http://dx.doi.org/10.23880/oajo-16000195.

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A novel coronavirus (nCoV) pandemic named as coronavirus disease 2019 (COVID-19), caused by the severe acute respiratory syndrome coronavirus-2 (SARS-CoV-2) emerged from Wuhan, Hubei, China in December 2019, spread in almost all continents, countries, territories across the world and became a threat to human population. Some reports of ocular infections along with respiratory infection in the patients of COVID-19 were also reported during this pandemic. The ocular manifestation of this virus has not completely been established yet; hence more research is needed to confirm the association of SARS-CoV-2 with ocular infections. However few reports have already been published about the association of corona virus infections in various animals. Clinical symptoms such as conjunctivitis, retinitis, and anterior uveitis are documented in feline and murine models, which on diagnosis were proved due to the corona virus infections. In this review article, some evidences of the association of SARS-CoV-2 with ophthalmic infections in the current pandemic and some published reports of corona virus infections in some animals has been briefly highlighted. Simultaneously we have tried to explain briefly about some research ideas that may establish the ocular association of this virus. We have also tried to suggest some new visitor’s policies in ophthalmic settings and some preventive measures those can be obeyed by an Ophthalmologist and other associated staffs during consultation to prevent themselves and to break spread of infections. We hope that, this article will inspire some researchers and Ophthalmologists to establish the exact pathophysiology behind the SARS-CoV-2 infections in ocular system.
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Gutiérrez Blanca, Mario. "El policial del desencanto: una lectura generacional de Máscaras, de Leonardo Padura." Philobiblion: revista de literaturas hispánicas, no. 10 (July 31, 2020): 11–32. http://dx.doi.org/10.15366/philobiblion2019.10.001.

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Este artículo analiza Máscaras, de Leonardo Padura, desde un prisma generacional. En primer lugar, se caracterizará de la novela neopolicial de Padura a partir de la revisión de las coordenadas históricas y literarias del paradigma que lo precede y contra el que nace: la novela policiaca revolucionaria, que tuvo su auge en la Cuba de los setenta. En segundo lugar, nos detendremos en el origen, características y transformaciones del personaje protagonista Mario Conde. Finalmente, se explorará la estrecha relación que une a Conde y a otros personajes con la experiencia biográfica de Padura para observar cómo se proyecta en Máscaras una mirada generacional sobre el presente cubano.
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O’Doherty, Travis, Brian Fitzgerald, Richard Moles, and Bernadette O’Regan. "A novel method for feasibility testing urban sustainable development policies." Spatium, no. 30 (2013): 1–6. http://dx.doi.org/10.2298/spat1330001o.

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Policy making to promote more sustainable development is a complex task due in part to the large number of both stakeholders and potential policies. Policy feasibility testing provides a guide to the viability and practicality of policy implementation and forms an important part of an evidence based policy making process. An extensive literature review has identified no standardized approach to feasibility testing. This paper addresses this knowledge gap by describing a novel method using Multi-Criteria Decision Analysis (MCDA) for feasibility testing of policies aimed at increasing the sustainability of towns and villages in Ireland. Feasibility results are provided for 40 frequently cited policy interventions tested for 18 settlements in Ireland. Policies were selected in the arenas of transport, food, housing and urban form, energy, waste and water. Policies are feasibility tested through analysis of operational evidence from both quantitative and qualitative data sources. Following testing, policies are ranked in terms of feasibility. This research examines the effectiveness of local and national level policies and the importance of both local community involvement and central government regulation in policy success. The inter-settlement variation in feasibility testing scores prioritises policy selection and aims to reduce cherry-picking of policies to support the viewpoints of the decision maker. Although developed for an Irish urban context the methods described here may have applicability elsewhere.
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Di Stefano, Alessandro, Marialisa Scatá, Barbara Attanasio, Aurelio La Corte, Pietro Lió, and Sajal K. Das. "A Novel Methodology for designing Policies in Mobile Crowdsensing Systems." Pervasive and Mobile Computing 67 (September 2020): 101230. http://dx.doi.org/10.1016/j.pmcj.2020.101230.

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Palopoli, Luigi, Luca Abeni, Gabriele Bolognini, Benedetto Allotta, and Fabio Conticelli. "Novel scheduling policies in real-time multithread control system design." Control Engineering Practice 10, no. 10 (October 2002): 1091–110. http://dx.doi.org/10.1016/s0967-0661(02)00054-0.

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48

Triandafyllidou, Anna. "Migrant Smuggling: Novel Insights and Implications for Migration Control Policies." ANNALS of the American Academy of Political and Social Science 676, no. 1 (February 21, 2018): 212–21. http://dx.doi.org/10.1177/0002716217752330.

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This article offers a critical review of how migrant smuggling arises out of restrictive migration policies and how it has become increasingly sophisticated and professionalized. Reflecting on the innovative empirical findings presented in the contributions to this volume of The ANNALS, I highlight how migration control has hardened borders, disrupted cross-border flows of goods and people, and transformed local economies. Understanding better the relationship between migration control policies and migrant smuggling and the social and moral nature of the agent-customer transactions has important implications for the policies adopted to address irregular migration and migrant smuggling on both sides of the Atlantic.
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Howard, Matthew, Stefan Klanke, Michael Gienger, Christian Goerick, and Sethu Vijayakumar. "A novel method for learning policies from variable constraint data." Autonomous Robots 27, no. 2 (July 30, 2009): 105–21. http://dx.doi.org/10.1007/s10514-009-9129-8.

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Gatti Riccardi, Giuseppe. "La novela negra entre realidad, historia y ficción. "El caso Bonapelch", de Hugo Burel." Pasavento. Revista de Estudios Hispánicos 4, no. 1 (March 1, 2016): 85–107. http://dx.doi.org/10.37536/preh.2016.4.1.925.

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La novela El caso Bonapelch, que Hugo Burel (Montevideo, 1951) publicó a mediados de 2014, representa el caso más significativo de incursión en el género policial del autor uruguayo. Sobre la base de una anécdota temática que conecta la ficción con la historia real del país durante los años treinta, Burel crea un personaje, el inspector Santini, que –en sus tentativas frustradas de resolver el entonces célebre caso policial– bascula entre la dimensión de la ficción y los sucesos históricos. En el relato se evidencia, por una parte, la intuición de utilizar el género policial como herramienta discursiva para la representación de elementos socio-históricos idiosincráticos de la cultura local; por otra parte, el texto narrativo reelabora los modelos canónicos del género policial.
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