Dissertations / Theses on the topic 'Police – Great Britain – Fiction'
To see the other types of publications on this topic, follow the link: Police – Great Britain – Fiction.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 42 dissertations / theses for your research on the topic 'Police – Great Britain – Fiction.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Alam, M. Y. "Ethnographic encounters and literary fictions : crossover and synergy between the social sciences and humanities." Thesis, University of Bradford, 2012. http://hdl.handle.net/10454/6295.
Full textAbstract:
Over the past 14 years, working independently and with other original thinkers, I have produced works that have on two fronts contributed to the evolving understanding of ethnic relations in contemporary Britain. The first is around social/community cohesion, media and representation as well as counter-terrorism policy as explored through the social sciences. The second domain covering the same themes is couched within the humanities, in particular, the production of literary fiction.
2
Alam, M. Yunis. "Ethnographic encounters and literary fictions: crossover and synergy between the social sciences and humanities. Statement in support of application for Doctor of Philosophy by published works (1998-2012)." Thesis, University of Bradford, 2012. http://hdl.handle.net/10454/6295.
Full textAbstract:
Over the past 14 years, working independently and with other original thinkers, I have produced works that have on two fronts contributed to the evolving understanding of ethnic relations in contemporary Britain. The first is around social/community cohesion, media and representation as well as counter-terrorism policy as explored through the social sciences. The second domain covering the same themes is couched within the humanities, in particular, the production of literary fiction.
3
Parsons, Angelina Ruth. "Managerial influences on police decision-making." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709291.
Full text
4
Davies, Matthew William. "Elected Police and Crime Commissioners : an experiment in democratic policing." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:72bf870f-4ce8-4cf6-9e5c-5564d4273100.
Full textAbstract:
In this thesis, I explore the ways in which Police and Crime Commissioners (PCCs) have met a declared policy intention to create greater democratic accountability around policing and crime. I conceptualise PCCs as a piece of a broader democratic puzzle and explore both how they have been positioned and shaped within the broader policing and crime nexus across England and Wales. In considering the positioning of PCCs, I use data from case studies and interviews with 32 (out of 41) PCCs to identify how they have begun to develop relationships with the public and local, regional and national partners. The findings suggest that with the exception of their abilities to join up local crime reduction services, PCCs occupy an awkward space - not local enough to be meaningfully representative of the public they serve, but not outwardly-facing enough to manage wider co-ordination of policing. Subsequently, I investigate the shape of the PCC model to deliver greater accountability by focusing on the ways in which PCCs have begun to envisage the role and develop relationships with other key stakeholders. Varied responses from PCCs across the country reflected the broad-ranging nature of the role, which in some cases appeared to undermine their ability to fully perform all aspects of the job. I argue that this became particularly accentuated in emerging relationships with chief constables and Police and Crime Panels, where the single PCC model exposes accountability to dangers of personalities and politics. I conclude by arguing that while many PCCs have facilitated various components of democratic accountability within the management of policing and crime-reduction services, the PCC model appears to be misplaced and misshaped to effectively complete the puzzle of democratic policing.
5
Tang, Kung. "The Search for Order and Liberty : The British Police, the Suffragettes, and the Unions, 1906-1912." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279136/.
Full textAbstract:
From 1906 to 1912 the British police contended with the struggles of militant suffragettes and active unionists. In facing the disturbances associated with the suffragette movement and union mobilization, the police confronted the dual problems of maintaining the public order essential to the survival and welfare of the kingdom while at the same time assuring to individuals the liberty necessary for Britain's further progress. This dissertation studies those police activities in detail.
6
Elliot-Cooper, Adam. "The struggle that has no name : race, space and policing in post-Duggan Britain." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:7efad2ea-75e2-4a54-a479-b3b2b265e827.
Full textAbstract:
State violence, and policing in particular, continue to shape the black British experience, racialising geographical areas associated with African and African-Caribbean communities. The history of black struggles in the UK has often centred on spaces of racial violence and resistance to it. But black-led social movements of previous decades have, for the most part, seen a decline in both political mobilisations, and the militant anti-racist slogans and discourses that accompanied them. Neoliberalism, through securitisation, resource reallocation, privatisation of space and the de-racialising of language, has made radical black activism an increasingly difficult endeavour. But this does not mean that black struggle against policing has disappeared. What it does mean, however, is that there have been significant changes in how anti-racist activism against policing is articulated and carried out. Three high-profile black deaths at the hands of police in 2011 led to widespread protest and civil unrest. These movements of resistance were strengthened when the Black Lives Matter movement in the United States mobilised hundreds of young people in solidarity actions in England. In this thesis, I argue that, over time, racist metonyms used to describe places racialised as black (Handsworth, Brixton etc.) and people racialised as black (Stephen Lawrence, Mark Duggan etc.), have led to the rise of metonymic anti-racism. While metonymic anti-racism was used alongside more overt anti-racist language in the period between the 1950s and early 1990s, I argue that such overt anti-racist language is becoming rarer in the post-2011 period, particularly in radical black grassroots organisations that address policing. Intersecting with metonymic anti-racism are gender dynamics brought to the surface by female-led campaigns against police violence, and forms of resistance which target spaces of post-industrial consumer capitalism. Understanding how police racism, and resistance to it, are being reconceptualised through language, and reconfigured through different forms of activism, provides a fresh understanding of grassroots black struggle in Britain.
7
Bryett, Keith. "The effects of political terrorism on the police in Great Britain and Northern Ireland since 1969." Thesis, University of Aberdeen, 1987. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=129203.
Full textAbstract:
This thesis examines the impact of politically motivated terrorism on the police service in Great Britain and Northern Ireland since 1969. During the period reviewed, changes to the police philosophy in the United Kingdom have been dramatic. An increasingly militarized role for the police reflects increased levels of violence in society. Manpower shortages resulted in the replacement of pro-active policing in the mid-1960's, with a re-active variety based on enhanced mobility. Terrorism is a manifestation of the determination of minority groups in society to draw attention to their cause. Their acts constitute the most serious crimes known to British law. Terrorism demands, it does not ask. It is this priority that terrorism creates on police resources, which produces clear evidence of its direct influence on police evolution during the past two decades. The existence of an Anti-Terrorist Squad, the creation of facilities at New Scotland Yard to collate terrorist related intelligence gathered nationally and internationally, are evidence of the specialization which now exists to counter this threat. In order to manage the changed philosophy behind the specialization, technological improvement and large increases in resources (including manpower), there is a trend towards a new type of top level police manager capable of integrating the enhanced services. This thesis examines and analyzes a number of incidents involving terrorists. It draws conclusions about the police response to those incidents and their influence on the day to day function of the police and takes account of the impact of governmental and international constraints and pressures. The Northern Ireland case study examines the circumstances which inspired the total reconstruction of the Royal Ulster Constabulary. The influence of the continued activities of parliamentary terrorist groups in the province, on the reconstruction process, is regarded as central to this study.
8
Kobritz, Sharon J. "Why Mystery and Detective Fiction was a Natural Outgrowth of the Victorian Period." Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/KobritzSJ2002.pdf.
Full text
9
Clark, Janet. "Striving to preserve the peace! : the National Council for Civil Liberties, the Metropolitan Police and the dynamics of disorder in inter-war Britain." Thesis, n.p, 2007. http://ethos.bl.uk/.
Full text
10
Gill, Josephine Ceri. "Race, genetics and British fiction since the Human Genome Project." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610822.
Full text
11
Barot, Manoj. "Black and minority ethnic police officers : experiences of, and resisting, racism." Thesis, University of Northampton, 2013. http://nectar.northampton.ac.uk/8849/.
Full text
12
Floyd, William David. "Orphans of British fiction, 1880-1911." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3601.
Full textAbstract:
Orphans of British Fiction, 1880-1911 Abstract William David Floyd Orphans of British Fiction, 1880-1911 focuses on the depiction of orphans in genre fiction of the Victorian fin-de-siecle. The overwhelming majority of criticism focusing on orphans centers particularly on the form as an early- to middle-century convention, primarily found in realist and domestic works; in effect, the non-traditional, aberrant, at times Gothic orphan of the fin-de-siecle has been largely overlooked, if not denied outright. This oversight has given rise to the need for a study of this potent cultural figure as it pertains to preoccupations characteristic of the turn of the century. The term “orphan” may typically elicit images of the Dickensian type, such as Oliver Twist, the homeless waif with no family or fortune with which he or she may discern identity and totality of self. The earlier-century portrayals of orphanhood that produced this stereotype dealt almost exclusively with issues arising from industrialization, such as class affiliation, economic disparity and social reform and were often informed by the cult of the ideal Victorian family. Beginning with an overview of orphanhood as presented in earlier fiction of the long nineteenth century, including its metaphorical import and the conventions associated with it, Orphans of British Literature, 1880-1911 goes on to examine the notable variance in literary orphans in genre fiction at the turn of the century. Indicators of the zeitgeist of modernism’s advent, turn-of-the-century orphans functioned as registers of burgeoning cultural anxieties particular to the fin-de-siecle, such as sexual ambiguity, moral and physical degeneration and concerns about the imperial enterprise. Furthermore, toward the century’s end, the notion of the ideal family fell under suspicion and was even criticized as limiting and oppressive rather than reliable and inclusive, casting into doubt the institution to which the orphan historically aspired and through which the orphan state was typically rectified. As a result, in contrast to the sentimental street urchin of early and middle century fiction, fin-de-siecle orphans are often unsettling, irresolute, even monstrous and violent figures.
13
Posner, Jane. "The establishment and development of the new police in Halifax, 1848-1914." Thesis, University of Huddersfield, 2014. http://eprints.hud.ac.uk/id/eprint/25022/.
Full textAbstract:
This thesis analyses the establishment and development of a new police force in Halifax, considering the question through the tenures of the chief constables from its inception in 1848 to the start of the Great War. It considers what existed before the police, how effective that was and how much actually changed after the incorporation of the borough. The early chapters explore the extent of the hostility to the new regime and at what point and how far it came to be accepted. The structure of the force is examined and through it the recruitment and turnover of men and the development of a career pattern for promising candidates. The later chapters assess how the force changed and consolidated towards the end of the nineteenth century, developing a shared sense of pride and camaraderie as policing became a recognised career for a working-class man. The question of how far the role of chief constable was influential in the formation and determination of policing in Halifax is considered, along with the careers of individuals, illustrating that the situation was both complex and fluid. The overall argument of this thesis is supportive of Swift’s contention that local, not national considerations underlay the reform of the new police and continued to dominate the aims and focus of policing in the boroughs throughout the nineteenth century. Borough chief constables were accountable to locally elected councillors and their actions reflected the concerns of the ratepayers. The history of borough police forces is embedded in the social, economic and geographical priorities of local government.
14
Kendall, Gilbert John. "Regulating police detention : a case study of custody visiting." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7146/.
Full textAbstract:
This thesis investigates the work of custody visiting in police stations. Custody visitors make what are supposed to be random and unannounced visits to custody blocks in all parts of England and Wales. They check on the welfare of detainees being held in police custody, and they report their findings to the local Police and Crime Commissioner. Custody visiting is an important component of the criminal justice system, but it has been almost completely ignored by police scholars, and is largely unknown among the general public. The thesis analyses the character of official policy about custody visiting since the first “lay visiting” schemes in the early 1980s, through to the operation, from 2002, of the current statutory scheme known as “Independent Custody Visiting”. Using observation and face-to-face interviews in a local case study, along with wider desk and archival research and elite interviews, and drawing on Steven Lukes’ concept of power, this thesis is an original, in-depth investigation of this phenomenon. It is the first rigorous assessment of custody visiting, and the first thorough evaluation of its independence and of its effectiveness as a regulator of police behaviour.
15
Finkle, Clea T. "State, power, and police in colonial North India /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10697.
Full text
16
Hoyle, Carolyn. "Responding to domestic violence : the roles of police, prosecutors and victims." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:cc7acb32-23c1-4286-911f-3b536d015bae.
Full textAbstract:
This thesis aimed to understand the factors which shape the police and CPS response to domestic violence in the light of recent policy changes which recommended arrest in such cases. The decisions made by victims, police and prosecutors were charted in over one thousand three hundred reported cases of domestic violence in the Thames Valley during a seven month period in 1993. A random sample of 387 of these incidents were examined in detail. The study sought to understand the needs, desires and expectations of victims and how their choices impacted on the decisions made by police and prosecutors. Having evaluated feminist theories, the thesis argues that police and prosecutors do not randomly exercise their discretion nor can their response be explained by reference to cultural or individual prejudices. Rather, their decisions are best understood in terms of a set of informal 'working rules' developed by police and prosecutors for dealing with these complex and difficult cases. It is shown that whilst evidence of an offence was highly correlated with decisions regarding arrest and prosecution, evidence did not determine police action nor did its absence preclude such action. Rather, evidence facilitated police action where the working rules pointed towards an arrest. One of the strongest working rules related to the willingness of the victim to support a prosecution or not. The majority of victims did not want their partners or ex-partners to be prosecuted even when they had requested that the police arrest the perpetrators. Police and prosecutors believe the criminal justice system to be an extremely clumsy tool in dealing with domestic disputes. They therefore did not pursue independent evidence when victims withdrew their statements and they consequently discontinued these cases or did not initiate prosecution in the first place. Previous research has started from the premise that withdrawal of complaints by victims and the discontinuance of cases represents some kind of failure on the part of the agencies involved and that this would be remedied if the police arrested and prosecuted wherever possible. Implicit in this approach is the assumption that the criminal justice system as it presently operates is capable of responding effectively to the needs of victims of domestic violence. This thesis throws some doubt on the validity of these assumptions.
17
Smith, Helen. "The Fire and the Ash." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/1644.
Full textAbstract:
This thesis comprises two parts. Part One is a novel (The Fire and the Ash), set in the latter half of the nineteenth century. lt chronicles, for the most part, the marriage of a young Irish couple. Part Two is an essay entitled Victorian Women and the Law. This area of research was selected because the life span of the woman in my novel coincides almost precisely with the reign of Queen Victoria. The life of women in Victorian Britain is commonly known to have been difficult. The social dictates of the time required that they be groomed from early childhood for a life of servitude to father and, hopefully, later a husband. There was little room, apart for a small minority of exceptional women, for self-expression, other than through the domestic arts within the home.
18
Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.
Full textAbstract:
The research field of this thesis is framed by the major political and legal women's movement campaigns from the 1840s to the 1870s: the debates over the Married Women's Property Act; over philanthropy and methods of addressing social ills; the campaign for professional opportunities for women, and the arguments surrounding women's suffrage. I address how these issues are considered and contextualised in major works of Victorian fiction: Anne Bronte's The Tenant of Wildfell Hall (1848), Elizabeth Gaskell's North and South (1855), Charlotte Bronte's Villette (1853), and George Eliot's Middlemarch (1871--2).In works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
19
Khulpateea, Veda Laxmi. "State of the union cross cultural marriages in nineteenth century literature and society /." Diss., Online access via UMI:, 2007.
Find full text
20
McKernan, Niall Luke Davis. "'Something more than a mere picture show' : Charles Urban and the early non-fiction film in Great Britain and America, 1897-1925." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412685.
Full text
21
Chung, Wing-yu, and 鍾詠儒. "British women writers and the city in the early twentieth century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2702409X.
Full text
22
Weeks, Douglas M. "Radicals and reactionaries : the polarisation of community and government in the name of public safety and security." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3416.
Full textAbstract:
The contemporary threat of terrorism has changed the ways in which government and the public view the world. Unlike the existential threat from nation states in previous centuries, today, government and the public spend much of their effort looking for the inward threat. Brought about by high profile events such as 9/11, 7/7, and 3/11, and exacerbated by globalisation, hyper-connected social spheres, and the media, the threats from within are reinforced daily. In the UK, government has taken bold steps to foment public safety and public security but has also been criticised by some who argue that government actions have labelled Muslims as the ‘suspect other'. This thesis explores the counter-terrorism environment in London at the community/government interface, how the Metropolitan Police Service and London Fire Brigade deliver counter-terrorism policy, and how individuals and groups are reacting. It specifically explores the realities of the lived experience of those who make up London's ‘suspect community' and whether or not counter-terrorism policy can be linked to further marginalisation, radicalism, and extremism. By engaging with those that range from London's Metropolitan Police Service's Counterterrorism Command (SO15) to those that make up the radical fringe, an ethnographic portrait is developed. Through that ethnographic portrait the ‘ground truth' and complexities of the lived experience are made clear and add significant contrast to the aseptic policy environment.
23
Welstead, Adam. "Dystopia and the divided kingdom : twenty-first century British dystopian fiction and the politics of dissensus." Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/17104.
Full textAbstract:
This doctoral thesis examines the ways in which contemporary writers have adopted the critical dystopian mode in order to radically deconstruct the socio-political conditions that preclude equality, inclusion and collective political appearance in twenty-first century Britain. The thesis performs theoretically-informed close readings of contemporary novels from authors J.G. Ballard, Maggie Gee, Sarah Hall and Rupert Thomson in its analysis, and argues that the speculative visions of Kingdom Come (2006), The Flood (2004), The Carhullan Army (2007) and Divided Kingdom (2005) are engaged with a wave of contemporary dystopian writing in which the destructive and divisive forms of consensus that are to be found within Britain's contemporary socio-political moment are identified and challenged. The thesis proposes that, in their politically-engaged extrapolations, contemporary British writers are engaged with specifically dystopian expressions of dissensus. Reflecting key theoretical and political nuances found in Jacques Rancière's concept of 'dissensus', I argue that the novels illustrate dissensual interventions within the imagined political space of British societies in which inequalities, oppressions and exclusions are endemic - often proceeding to present modest, 'minor' utopian arguments for more equal, heterogeneous and democratic possibilities in the process. Contributing new, theoretically-inflected analysis of key speculative fictions from twenty-first century British writers, and locating their critiques within the literary, socio-political and theoretical contexts they are meaningfully engaged with, the thesis ultimately argues that in interrogating and reimagining the socio-political spaces of twenty-first century Britain, contemporary writers of dystopian fiction demonstrate literature working in its most dissensual, political and transformative mode.
24
Sneddon, Sarah J. "The girls' school story : a re-reading." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/14883.
Full textAbstract:
The very mention of the genre of the 'girls' school story' tends to provoke sniggers. Critics, teachers and librarians have combined throughout the century to attack a genre which encourages loyalty, hard work, team spirit, cleanliness and godliness. This dissertation asks why this attack took place and suggests one possible answer - the girls' school story was a radical and therefore feared genre. The thesis provides a brief history of the genre with reference to its connections with the Victorian novel and its peculiarly British status. Through examination of reading surveys, newspapers and early critical works it establishes both the popularity of the genre amongst its intended audience and the vitriolic nature of the attack against it. Biographical information about the writers of the school story begins to answer why the establishment may have been afraid of the influence of the purveyors of girls' school stories. By discussing their depiction of education, religion, women's roles and war the dissertation shows in what respects the genre can be seen as radical and shows how the increasing conventionality of the genre coincided with its decline in vigour and popularity. The influence of the oeuvre is then revealed in the discussion of its effects on adult literature.
25
Walker, Stanwood Sterling. "The classical-historical novel in nineteenth-century Britain." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3036607.
Full text
26
Hoffman, Megan. "Women writing women : gender and representation in British 'Golden Age' crime fiction." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/11910.
Full textAbstract:
In this thesis, I examine representations of women and gender in British ‘Golden Age' crime fiction by writers including Margery Allingham, Christianna Brand, Agatha Christie, Ngaio Marsh, Dorothy L. Sayers, Josephine Tey and Patricia Wentworth. I argue that portrayals of women in these narratives are ambivalent, both advocating a modern, active model of femininity, while also displaying with their resolutions an emphasis on domesticity and on maintaining a heteronormative order, and that this ambivalence provides a means to deal with anxieties about women's place in society. This thesis is divided thematically, beginning with a chapter on historical context which provides an overview of the period's key social tensions. Chapter II explores depictions of women who do not conform to the heteronormative order, such as spinsters, lesbians and ‘fallen' women. Chapter III looks at the ways in which the courtships and marriages of detective couples attempt to negotiate the ideal of companionate marriage and the pressures of a ‘cult of domesticity'. Chapter IV considers the ways in which depictions of women in schools, universities and the workplace are used to explore the tensions between an expanding role in the public sphere and the demand to inhabit traditionally domestic roles. The thesis concludes with a discussion of the image of female victims' and female killers' bodies and the ways in which such depictions can be seen to expose issues of gender, class and identity. Through its examination of a wide variety of texts and writers in the period 1920 to the late 1940s, this thesis investigates the ambivalent nature of modes of femininity depicted in Golden Age crime fiction written by women, and argues that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe' solution to the conflicts raised in the texts.
27
Soares, Maria Angélica Láu Pereira. "Visão da modernidade: a presença britânica no Gabinete de Leitura (1837-1838)." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-13082007-150646/.
Full textAbstract:
O Gabinete de Leitura, Serões das Famílias Brasileiras, Jornal para todas as Classes, Sexos e Idades foi publicado no final de década de 1830 no Rio de Janeiro. O principal objetivo de seus redatores era o de difundir o hábito da leitura de ficção. Por conseguinte, publicaram textos ficcionais traduzidos de periódicos estrangeiros, principalmente europeus. Este estudo investiga os textos ficcionais e não-ficcionais britânicos presentes no Gabinete de Leitura: 1) tendo como ponto de partida como a nação britânica era vista pela jovem intelectualidade brasileira; 2) relacionando a ficção britânica ao conjunto ficcional do Gabinete de Leitura com o objetivo de averiguar algumas de suas peculiaridades. Dessa forma, pretendo contribuir para a discussão sobre a presença da ficção britânica nos periódicos oitocentistas brasileiros.The Gabinete de Leitura, Serões das Famílias Brasileiras, Jornal para todas as Classes, Sexos e Idades was published at the end of the 1830\' s in Rio de Janeiro. Its editors aimed at developing the habit of reading fiction. Accordingly, they offered translated fiction from foreign periodicals, notably European. This study investigates the British fictional and non-fictional texts of the Gabinete de Leitura: 1) by taking into account how the British nation was regarded by the young Brazilian intellectuals; 2) by relating the English fiction to the body of fictional texts offered by the periodical in order to detect some of its peculiarities. Therefore, I intend to contribute to the discussion of the presence of British fiction in nineteenth-century Brazilian periodicals.
28
Mighall, Robert. "The brigand in the laboratory : a study of the discursive exchange between Gothic fiction and nineteenth-century medico-legal science." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683119.
Full text
29
陸✹而. "✹述「九七」 : 香港小說中的時間與✹事 = Narrating "1997" : time and narrative in Hong Kong novels." HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/688.
Full text
30
Fan, Yiting. "Capital and the heroine : reconfiguring gender in the Victorian novel." HKBU Institutional Repository, 2011. https://repository.hkbu.edu.hk/etd_ra/1293.
Full text
31
Choudhuri, Sucheta Mallick Kopelson Kevin Kumar Priya. "Transgressive territories queer space in Indian fiction and film /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/346.
Full text
32
Ahmed, Shamila Kouser. "The impact of the 'war on terror' on Birmingham's Pakistani/Kashmiri Muslims' perceptions of the state, the police and Islamic identities." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3635/.
Full textAbstract:
This thesis explores British Muslims’ counter discourse to the ‘war on terror’ through revealing the impact of the dominant ‘war on terror’ discourse created by the state. The research explores the counter discourse through investigating the impact of the ‘war on terror’ on Birmingham’s Pakistani / Kashmiri Muslims’ perceptions of the state, the police and Islamic identities before the ‘war on terror’ and since the ‘war on terror’. The theoretical perspectives of cosmopolitanism and citizenship are used as a foundation from which the ‘war on terror’ and the role of the state and the police in the ‘war on terror’ can be deconstructed, critiqued and reconstructed according to Muslim citizens’ perceptions. In particular attention is paid to the challenges and difficulties the 32 respondents interviewed for the research have faced since the ‘war on terror’. Many themes emerged through this framework and the core themes were injustice, legitimacy and human rights. The impact of the ‘war on terror’ showed the battle for Islamic identity construction versus resistance and the negative impact of regulatory discourses on perceptions of commonality, unity and shared identities.
33
Bromling, Laura Cappello, and University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.
Full textAbstract:
This thesis investigates the way that moral and aesthetic concerns about the relationship between fiction and reality are manifested in the work of particular novelists writing at different periods in the nineteenth century, Chapter One examines an early-century subgenre of the novel that features deluded female readers who fail to differentiate between fantasy and reality, and who consequently attempt to live their lives according to foolish precepts learned from novels. The second chapter deals with the realist aesthetic of W. M. Thackeray; focusing on the techniques by which his fiction marks its own relationship both to less realistic fiction and to reality itself. The final chapter discusses Oscar Wilde's critical stance that art is meaningful and intellectually satisfying, while reality and realism are aesthetically worthless: it then goes on the explore how these ideas play out in his novel, The Picture of Dorian Gray.iv, 120 leaves ; 28 cm.
34
Ludtke, Laura Elizabeth. "The lightscape of literary London, 1880-1950." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:99e199bf-6a17-4635-bfbf-0f38a02c6319.
Full textAbstract:
From the first electric lights in London along Pall Mall, and in the Holborn Viaduct in 1878 to the nationalisation of National Grid in 1947, the narrative of the simple ascendency of a new technology over its outdated predecessor is essential to the way we have imagined electric light in London at the end of the nineteenth century. However, as this thesis will demonstrate, the interplay between gas and electric light - two co-existing and competing illuminary technologies - created a particular and peculiar landscape of light, a 'lightscape', setting London apart from its contemporaries throughout the late nineteenth and early twentieth centuries. Indeed, this narrative forms the basis of many assertions made in critical discussions of artificial illumination and technology in the late-twentieth century; however, this was not how electric light was understood at the time nor does it capture how electric light both captivated and eluded the imagination of contemporary Londoners. The influence of the electric light in the representations of London is certainly a literary question, as many of those writing during this period of electrification are particularly attentive to the city's rich and diverse lightscape. Though this has yet to be made explicit in existing scholarship, electric lights are the nexus of several important and ongoing discourses in the study of Victorian, Post-Victorian, Modernist, and twentieth-century literature. This thesis will address how the literary influence of the electric light and its relationship with its illuminary predecessors transcends the widespread electrification of London to engage with an imaginary London, providing not only a connection with our past experiences and conceptions of the city, modernity, and technology but also an understanding of what Frank Mort describes as the 'long cultural reach of the nineteenth century into the post-war period'.
35
Kaplan, Stacey Meredith 1973. "The modern(ist) short form: Containing class in early 20th century literature and film." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10574.
Full textAbstract:
ix, 182 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.My dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulus and the years immediately preceding and following it. My first chapter studies the most critically disregarded author of the project: Sackville-West. Her 1922 volume of short stories The Heir: A Love Story deserves attention for its examination of social hierarchies. Although her stories ridicule characters regardless of their class background, those who attempt to change their class status, especially when not sanctioned by heredity, are treated with the greatest contempt. The volume, with the reinforcement of the contracted short form, advocates staying within given class boundaries. The second chapter analyzes social structures in Bowen's first book of short stories, Encounters (1922). Like Sackville-West, Bowen's use of the short form complements her interest in how class hierarchies can confine characters. Bowen's portraits of classed encounters and of characters' encounters with class reveal a sense of anxiety over being confined by social status and a sense of displacement over breaking out of class groups, exposing how class divisions accentuate feelings of alienation and instability. The last chapter examines Chaplin's final short films: "The Idle Class" (1921), "Pay Day (1922), and "The Pilgrim" (1923). While placing Chaplin among the modernists complicates the canon in a positive way, it also reduces the complexity of this man and his art. Chaplin is neither a pyrotechnic modernist nor a traditional sentimentalist. Additionally, Chaplin's shorts are neither socially liberal nor conservative. Rather, Chaplin's short films flirt with experimental techniques and progressive class politics, presenting multiple perspectives on the thematic of social hierarchies. But, in the end, his films reinforce rather than overthrow traditional artistic forms and hierarchical ideas. Studying these artists elucidates how the contracted space of the short form produces the perfect room to present a nuanced portrayal of class.
Committee in charge: Paul Peppis, Chairperson, English; Michael Aronson, Member, English; Mark Quigley, Member, English; Jenifer Presto, Outside Member, Comparative Literature
36
Light, Alison. "Forever England : femininity, literature, and conservatism between the wars /." London ; New York : Routledge, 1991. http://www.loc.gov/catdir/enhancements/fy0648/91000587-d.html.
Full text
37
Langeo, Gaëlle. "Jeunesse, culture, société en Grande-Bretagne 1978-2009 : l'exemple du "Hitchhiker's Guide to the Galaxy"." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30039.
Full textAbstract:
Cette recherche porte sur The Hitchhiker’s Guide to the Galaxy, une série de science-fiction humoristique britannique créée pour la BBC Radio 4 en 1978. Sur la période étudiée (1978 – 2009), la série a été déclinée sur tous les supports que peut offrir la culture de masse. Dans les premières années, la série trouve un écho important auprès des adolescents, des étudiants et des jeunes adultes. L’auteur de la série - Douglas Adams - a gardé la main sur toutes les incarnations de Hitchhiker’s. Au cours de sa vie, l’auteur de cette science-fiction qui veut faire rire a progressivement été qualifié de « gourou de la technologie » par la presse. Les grandes passions de Douglas Adams étaient effectivement au nombre de quatre : les ordinateurs, l’évolution des espèces, les Beatles et les Monty Pythons. Cette recherche s’attache donc à comprendre comme ces quatre éléments se sont articulés dans la vie de Douglas Adams, l’influence qu’ils ont eu sur Hitchhiker’s et ce que le succès de la série dit des évolutions de la société britannique. The Hitchhiker’s Guide to the Galaxy arrive à un moment où les attentes changent en matière de comédie, comme le montre l’essor de l’Alternative Comedy. La percée de Hitchhiker’s se déroule aussi dans un contexte où la technologie prend de l’importance dans la vie quotidienne et où la culture geek prend forme, à la croisée des mondes imaginaires et de l’informatique. Le retentissement de la série peut aussi se voir comme un témoignage de l’existence de ce que le sociologue Mike Savage a appelé la classe moyenne technique. Par ailleurs, en voulant créer un album de rock pour la radio, Douglas Adams a produit une fiction en adéquation avec l’univers sonore de la jeunesse des années 1970. La technologie du studio stimule la créativité, tout comme l’ordinateur personnel le fera dans les années 1980This research focuses on The Hitchhiker’s Guide to the Galaxy, a British science-fiction comedy series created for BBC Radio 4 in 1978. Over the study period (1978-2009), the series was provided to the public in all possible formats that mass culture can offer. In its first years the series attracted a strong audience among teenagers, students and young adults. Douglas Adams, the series’ author, maintained control over all the incarnations of The Hitchhiker’s Guide to the Galaxy. Over the course of his life, the author of this science fiction series, made to make people laugh, gradually became known as a ‘‘technology guru” by the press. Indeed, Douglas Adams had four great passions : computers, evolution of species, the Beatles and the Pythons. Therefore, this research endeavours to understand how these four topics were expressed in Douglas Adams’ life, the influence they had on Hitchhiker’s and how this series’ success shows the evolution of British society. The Hitchhiker’s Guide to the Galaxy occurs at a time when expectations towards comedy were changing, as shown by the rise of Alternative Comedy. Hitchhiker’s breakthrough also takes place at a time when technology was gaining importance in daily life and geek culture was developing, at the crossroads of imaginary worlds and computer science. The series’ impact can also be considered as evidence of what the sociologist Mike Savage called the technical middle class. In addition, by creating a rock album for the radio, Douglas Adams created a fantasy consistent with the musical universe of the 1970s youth. The technology used in the radio studio stimulates creativity, just like the personal computer will do in the 1980s
38
Wakefield, Sarah Rebecca. "Folklore-naming and folklore-narrating in British women's fiction, 1750-1880." Thesis, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3086727.
Full text
39
Chomicz, Katarzyna. "Przestępczość obywateli Polski w Londynie. Aspekty kryminologiczne." Phd thesis, 2017. http://hdl.handle.net/11320/6327.
Full textAbstract:
Pracę rozpoczyna wstęp. Następnie, pierwszy rozdział skupia się na metodyce pracy. Drugi rozdział odnosi się do zagadnień ogólnych, w których to została opisana historia emigracji obywateli Polski do Wielkiej Brytanii. W rozdziale tym poddano również analizie specyfikę angielskiego prawa karnego, skupiając się na różnicy w kryminalizacji zachowań na kanwie rozwiązań prawa anglosaskiego oraz polskiego. W trzecim rozdziale pracy, na podstawie statystyki policyjnej oraz sądowej, określono dynamikę i strukturę przestępczości obywateli Polski w Londynie w latach 2004-2016. W rozdziale tym poddano również pod rozwagę występowanie zjawiska „ciemnej liczby”. Czwarty rozdział pracy, na podstawie studium przypadku, charakteryzuje sprawców i ofiary przestępstw, popełnionych w Londynie. Ostatni rozdział skupia się wokół możliwości zwiększania efektywności ścigania i zwalczania przestępstw, popełnianych przez obywateli Polski. W rozdziale tym podjęto analizę systemu działań angielskiej policji oraz europejskiej współpracy policji w zakresie ścigania i zwalczania przestępczości. Uwieńczeniem pracy jest podsumowanie, które zawiera bilans uwag oraz spostrzeżeń odnośnie do opisywanej problematyki. Zawiera podsumowanie każdego z opisywanych rozdziałów, a także weryfikację głównego problemu badawczego oraz postawionych na wstępie i skorelowanych z nim hipotez badawczych.This paper starts from an introduction. The first chapter focuses on research methodics. The second chapter relates to general matters and describes the history of emigration of Polish citizens to Great Britain. Also in this chapter, it takes into consideration English Criminal Law character. It focuses on the difference between English and Polish chargeability. The third chapter describes dynamics and structures of crimes of Polish citizens in London between 2004-2016. It is based on police and judicial statistics. In this chapter it takes into consideration an occurrence the dark figure of crime. The fourth chapter characterizes defendants and victims of crimes committed in London, based on case study method. Last chapter focuses around possibility of enhancing the effectiveness of pursuing and combating crimes, committed by Polish citizens. In this chapter takes into consideration the English police system and European police cooperation system in the field of pursuing and combating crimes. The capstone of the paper is summary that contains the factsheets of reflections relate to describing issues. It also contains a summary of each chapters as well as verification of research problem and research hypothesis.
Wydział Prawa. Zakład Prawa Karnego i Kryminologii.
40
Nosan, Gregory G. ""The people rejoiced" : Vauxhall Gardens and the public world, 1732-1792 /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3029523.
Full text
41
Du, Plessis Sandra Elizabeth. "Exploding the lie : 'angelic womanhood' in selected works by Harriet Martineau, Anne Bronte, Charlotte Bronte and George Eliot." Diss., 1997. http://hdl.handle.net/10500/18635.
Full textAbstract:
Each of these novelists, in her own way, presents a critique of the idealised
woman of the nineteenth-century. My aim in this dissertation is to reveal the
degree to which each is successful in her mission to 'explode the lie' of angelic
womanhood, and, in so doing, free her long-incarcerated Victorian sisters.
It took great courage and fortitude to utter at times a lone dissenting voice; and
female writers of the present owe a great debt of gratitude to their pioneering
Victorian counterparts, who cleared the way for them to take up the banner and
continue the march towards female liberation from a stifling ideology.English Studies
M.A. (English)
42
Mitras, Joao Luis. "Postmodern or post-Catholic? : a study of British Catholic writers and their fictions in a postmodern and postconciliar world." Diss., 1997. http://hdl.handle.net/10500/18636.
Full textAbstract:
This thesis is an investigation into the nature of the 'postmodern' narrative strategies and fictional
methods in the work of two British Catholic writers. The work of David Lodge and Muriel Spark is
here taken as an example ofthe 'Catholic novel'. In order to determine ifthe overlap ofpostmodern.
and Christian-influenced narrative strategies constitutes more than a convergence or coincidence of
formal concerns, narrative form in these novels is analyzed in the light of neo-Tho mist and Tho mist
aesthetics, a traditional Catholic Christian theory of the arts. The 'postmodern' in these 'Christian'
texts becomes largely a coincidence of terminology. Narrative forms which can be classified as
'postmodern' can also be categorized using the terminology of Thomas Aquinas. The apparent
similarities betray radically divergent metaphysical presuppositions, however. The nature of the
Catholic 'difference' lies in the way postmodern forms are used to challenge the metaphysical
bases of those forms.English Studies
M.A. (English)